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Tư liệu nhân vậtTư liệu Fate/Apocrypha • Tư liệu Fate/complete (II)(III)(IV-V) • Tư liệu Fate/EXTELLAFate/EXTRA seriesTư liệu Fate/EXTRAFate/Grand OrderTư liệu Fate/Grand OrderTư liệu Fate/kaleid liner PRISMA☆ILLYATư liệu Fate/Koha-AceTư liệu Fate/PrototypeTư liệu Fate/sideTư liệu Fate/stay nightTư liệu Fate/type RedlineTư liệu Fate/ZeroTư liệu Hồ Sơ Của Lord El-Melloi IITư liệu Kara no KyoukaiTư liệu Mahou Tsukai No HakoTư liệu Melty BloodTư liệu Những Cuộc Phiêu Lưu Của Lord El-Melloi IITư liệu NotesTư liệu Plus PeriodTư liệu TsukihimeTạp chíNhững vấn đề khác

Các mục trong Fate/Apocrypha material.

Thông tin nhân vật[]

Archer "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Archer "Đen", trang 062-063 [T]

Archer "Đen" - Tên thật: Chiron

  • Chiều cao: 179cm
  • Cân nặng: 81kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: dễ dàng hiểu ngay được những bài học khó
  • Thích: dạy dỗ mọi người
  • Không thích: người say xỉn đánh nhau
  • Màu đại diện: xanh cỏ
  • Thiên địch: Hydra


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のアーチャー - 真名:ケイローン

  • 身長:179cm
  • 体重:81kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:分かりやすくてたちまち力がつく授業
  • 好きなもの:人を教える
  • 苦手なもの:酔った者同士の争い
  • イメージカラー:草色
  • 天敵:ヒュドラ


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Archer "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Archer "Đỏ", trang 092-095 [T]

Archer "Đỏ" - Tên thật: Atalanta

  • Chiều cao: 166cm
  • Cân nặng: 57kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B78 W59 H75
  • Tài năng đặc biệt: chạy nước rút
  • Thích: rừng
  • Không thích: đàn ông ma mãnh, táo
  • Màu đại diện: xanh lục sẫm
  • Thiên địch: Ruler


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のアーチャー - 真名:アタランテ

  • 身長:166cm
  • 体重:57kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B78 W59 H75
  • 特技:短距離走
  • 好きなもの:森
  • 苦手なもの:悪賢い男・リンゴ
  • イメージカラー:深緑
  • 天敵:ルーラー


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Assassin "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Assassin "Đen", trang 080-081 [T]

Assassin "Đen" - Tên thật: Jack the Ripper

  • Chiều cao: 150cm
  • Cân nặng: 45kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B69 W49 H71
  • Tài năng đặc biệt: giải phẫu
  • Thích: Rikudou Reika
  • Không thích: thế giới
  • Màu đại diện: màu đỏ máu
  • Thiên địch: Sở cảnh sát Luân Đôn (Scotland Yard)


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のアサシン - 真名:ジャック・ザ・リッパー

  • 身長:150cm
  • 体重:45kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B69 W49 H71
  • 特技:解剖
  • 好きなもの:六導玲霞
  • 苦手なもの:世界
  • イメージカラー:ブラッドレッド
  • 天敵:スコットランドヤード


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Assassin "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Assassin "Đỏ", trang 104-105 [T]

Assassin "Đỏ" - Tên thật: Semiramis

  • Chiều cao: 169cm
  • Cân nặng: 59kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B89 W58 H87
  • Tài năng đặc biệt: điều chế độc dược
  • Thích: cạm bẫy
  • Không thích: sự tước đoạt
  • Màu đại diện: tím xanh
  • Thiên địch: Shirou Kotomine


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のアサシン - 真名:セミラミス

  • 身長:169cm
  • 体重:59kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B89 W58 H87
  • 特技:毒薬作り
  • 好きなもの:陥穽
  • 苦手なもの:奪われること
  • イメージカラー:パープルブルー
  • 天敵:シロウ・コトミネ


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Berserker "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Berserker "Đen", trang 084-085 [T]

Berserker "Đen" - Tên thật: Frankenstein

  • Chiều cao: 172cm
  • Cân nặng: 48kg
  • Nhóm máu: không rõ
  • Ngày sinh: một đêm cô tịch của tháng 11
  • Số đo ba vòng: B74 W53 H71
  • Tài năng đặc biệt: tự phát điện
  • Thích: tiết kiệm điện
  • Không thích: lãng phí điện
  • Màu đại diện: trắng ngà
  • Thiên địch: Saber "Đỏ"


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のバーサーカー - 真名:フランケンシュタイン

  • 身長:172cm
  • 体重:48kg
  • 血液型:不明
  • 誕生日:11月の物寂しい夜
  • スリーサイズ:B74 W53 H71
  • 特技:自己発電
  • 好きなもの:節電
  • 苦手なもの:電気の無駄遣に
  • イメージカラー:象牙色
  • 天敵:“赤”のセイバー


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Berserker "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Berserker "Đỏ", trang 100-101 [T]

Berserker "Đỏ" - Tên thật: Spartacus

  • Chiều cao: 221cm
  • Cân nặng: 165kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: hứng chịu
  • Thích: đảo ngược
  • Không thích: những đòn công kích thành đợt mà hoàn toàn không đánh trả được
  • Màu đại diện: xám đậm
  • Thiên địch: những kẻ áp bức


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のバーサーカー - 真名:スパルタクス

  • 身長:221cm
  • 体重:165kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:受け
  • 好きなもの:逆転
  • 苦手なもの:一切の反撃を許さない波状攻撃
  • イメージカラー:濃い灰色
  • 天敵:圧制者


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Caster "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Caster "Đen", trang 076-077 [T]

Caster "Đen" - Tên thật: Avicebron

  • Chiều cao: 161cm
  • Cân nặng: 52kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: thơ
  • Thích: cô độc
  • Không thích: ánh mắt công chúng
  • Màu đại diện: tím
  • Thiên địch: Sieg


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のキャスター - 真名:アヴィケブロン

  • 身長:161cm
  • 体重:52kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:詩
  • 好きなもの:孤独
  • 苦手なもの:衆目
  • イメージカラー:菫色
  • 天敵:ジーク


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Caster "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Caster "Đỏ", trang 102-103 [T]

Caster "Đen" - Tên thật: Shakespeare

  • Chiều cao: 180cm
  • Cân nặng: 75cm
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: viết những tác phẩm bất hủ ăn khách nhất
  • Thích: sự phi phàm, phá cách, sự đột xuất, tiếng vỗ tay hoan hô
  • Không thích: sự tầm thường, yên bình, xoàng xĩnh, tiếng la ó
  • Màu đại diện: hoàng kim
  • Thiên địch: sự ế ẩm đình trệ


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のキャスター - 真名:シェイクスピア

  • 身長:180cm
  • 体重:75kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:不朽のベストセラー作品の執筆
  • 好きなもの:非凡、逸脱、突出、拍手喝采
  • 苦手なもの:平凡、平穏、凡庸、ブーイング
  • イメージカラー:ゴールデンイエロー
  • 天敵:スランプ


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Caules[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Caules Forvedge Yggdmillennia, trang 082-083 [T]

Caules Forvedge Yggdmillennia

  • Tuổi: 18
  • Chiều cao: 172cm
  • Cân nặng: 63kg
  • Nhóm máu: A
  • Ngày sinh: 23 tháng 3
  • Tài năng đặc biệt: minh họa truyện tranh
  • Thích: tạp chí comic
  • Không thích: thể hiện, chị gái
  • Màu đại diện: xanh da trời
  • Thiên địch: chị gái hờn dỗi


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

セレニケ・アイスコル・ユグドミレニア

  • 年齢:18歳
  • 身長:172cm
  • 体重:63kg
  • 血液型:A型
  • 誕生日:3月23日
  • 特技:カートゥーンイラスト
  • 好きなもの:コミック雑誌
  • 苦手なもの:本番・姉
  • イメージカラー:空色
  • 天敵:拗ねた姉


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Celenike[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Celenike Icecolle Yggdmillennia, trang 068-069 [T]

Celenike Icecolle Yggdmillennia

  • Tuổi: 26
  • Chiều cao: 168cm
  • Cân nặng: 53kg
  • Nhóm máu: AB
  • Ngày sinh: 11 tháng 12
  • Số đo ba vòng: B86 W59 H88
  • Tài năng đặc biệt: đánh roi
  • Thích: những người yếu đuối
  • Không thích: những người mạnh mẽ, sự phản bội
  • Màu đại diện: màu tím độc
  • Thiên địch: những hiệp sĩ thuộc dạng chém chết mà không cần hỏi han


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

セレニケ・アイスコル・ユグドミレニア

  • 年齢:26歳
  • 身長:168cm
  • 体重:53kg
  • 血液型:AB型
  • 誕生日:12月11日
  • スリーサイズ:B86 W59 H88
  • 特技:鞭打ち
  • 好きなもの:弱者
  • 苦手なもの:強者・裏切り
  • イメージカラー:毒々しい紫色
  • 天敵:問答無用で叩き斬ってる系の騎士


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Darnic[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Darnic Prestone Yggdmillennia, trang 064-065 [T]

Darnic Prestone Yggdmillennia

  • Tuổi: 97 (vẻ ngoài 20 tuổi)
  • Chiều cao: 182cm
  • Cân nặng: 76kg
  • Nhóm máu: O
  • Ngày sinh: 2 tháng 5
  • Tài năng đặc biệt: làm người khác rối rắm
  • Thích: những cái đầu thịt dễ thao túng
  • Không thích: những cái đầu thịt khó thao túng
  • Màu đại diện: màu mực đen
  • Thiên địch: Vlad III


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

ダーニック・プレストーン・ユグドミレニア

  • 年齢:97歳(外見上は20伐)
  • 身長:182cm
  • 体重:76kg
  • 血液型:O型
  • 誕生日:5月2日
  • 特技:煙に巻く
  • 好きなもの:扱いやすい脳筋
  • 苦手なもの:扱いにくい脳筋
  • イメージカラー:墨色
  • 天敵:ヴラド三世


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Fiore[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Fiore Forvedge Yggdmillennia, trang 060-061 [T]

Fiore Forvedge Yggdmillennia

  • Tuổi: 19
  • Chiều cao: 162cm
  • Cân nặng: 47kg
  • Nhóm máu: A
  • Ngày sinh: 12 tháng 7
  • Số đo ba vòng: B84 W57 H82
  • Tài năng đặc biệt: đập hồ đào bằng tay không
  • Thích: những con thú nhỏ nói chung
  • Không thích: những con thú nhỏ nói chung
  • Màu đại diện: màu xanh nước
  • Thiên địch: chó xù


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

フィオレ・フォルヴェッジ・ユグドミレニア

  • 年齢:19歳
  • 身長:162cm
  • 体重:47kg
  • 血液型:A型
  • 誕生日:7月12日
  • スリーサイズ:B84 W57 H82
  • 特技:素手くるみ割り
  • 好きなもの:小動物全般
  • 苦手なもの:小動物全般
  • イメージカラー:水色
  • 天敵:みすぼらしい犬


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Gordes[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Gordes Musik Yggdmillennia, trang 056-057 [T]

Gordes Musik Yggdmillennia

  • Tuổi: 36
  • Chiều cao: 168cm
  • Cân nặng: 98kg
  • Nhóm máu: AB
  • Ngày sinh: 1 tháng 1
  • Tài năng đặc biệt: cờ vua (kém)
  • Thích: quyền lực
  • Không thích: những người chống đối
  • Màu đại diện: màu trắng bóng bóng như mỡ thịt
  • Thiên địch: các homunculus


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

ゴルド・ムジーク・ユグドミレニア

  • 年齢:36歳
  • 身長:168cm
  • 体重:98kg
  • 血液型:AB型
  • 誕生日:1月1日
  • 特技:チェス(弱い)
  • 好きなもの:権威
  • 苦手なもの:逆らう者
  • イメージカラー:肉の脂みたいにてらてらした白色
  • 天敵:ホムンクルス


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Lancer "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Lancer "Đen", trang 066-067 [T]

Lancer "Đen" - Tên thật: Vlad III

  • Chiều cao: 191cm
  • Cân nặng: 86kg
  • Nhóm máu: không rõ
  • Ngày sinh: 10 tháng 11
  • Tài năng đặc biệt: xiên cọc
  • Thích: các gia thần có năng lực
  • Không thích: các gia thần nhiều tham vọng
  • Màu đại diện: đỏ thẫm
  • Thiên địch: danh tiếng trên toàn thế giới


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のアーチャー - 真名:ケイローン

  • 身長:191cm
  • 体重:86kg
  • 血液型:不明
  • 誕生日:11月10日
  • 特技:串刺し
  • 好きなもの:有能な家臣
  • 苦手なもの:野望値か高い家臣
  • イメージカラー:真紅
  • 天敵:ヒュドラ


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Lancer "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Lancer "Đỏ", trang 096-097 [T]

Lancer "Đỏ" - Tên thật: Karna

  • Chiều cao: 178cm
  • Cân nặng: 65kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: suy nghĩ tích cực
  • Thích: tình bạn, nỗ lực, hòa giải
  • Không thích: những lời "kỹ năng giao tiếp"
  • Màu đại diện: màu vàng kim sắc nét lấp lánh trong bóng tối
  • Thiên địch: người em trai thứ ba cùng mẹ khác cha


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のランサー - 真名:カルナ

  • 身長:178cm
  • 体重:65kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:ポジティブシンキング
  • 好きなもの:友情、努力、和解
  • 苦手なもの:コミュ力という言葉
  • イメージカラー:暗中に輝く鋭利なる黄金
  • 天敵:異父兄弟の三男


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Rider "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Rider "Đen", trang 070-073 [T]

Rider "Đen" - Tên thật: Astolfo

  • Chiều cao: 164cm
  • Cân nặng: 56kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B71 W59 H73
  • Tài năng đặc biệt: sức mạnh ngớ ngẩn lúc nguy cấp
  • Thích: cả thế giới
  • Không thích: những sinh vật thuộc dạng cầu khẩn với cặp mắt đẫm nước
  • Màu đại diện: màu hồng hoa hồng
  • Thiên địch: không có


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のライダー - 真名:アストルフォ

  • 身長:164cm
  • 体重:56kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B71 W59 H73
  • 特技:火事場の馬鹿力
  • 好きなもの:この世全て
  • 苦手なもの:潤んだ瞳で訴えかける系の生物
  • イメージカラー:ローズピンク
  • 天敵:なし


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Rider "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Rider "Đỏ", trang 098-099 [T]

Rider "Đỏ" - Tên thật: Achilles

  • Chiều cao: 185cm
  • Cân nặng: 97kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: mọi kỹ năng cần thiết đối với một anh hùng
  • Thích: chiến thắng và nụ cười gái đẹp
  • Không thích: số mệnh
  • Màu đại diện: trắng xanh
  • Thiên địch: Hector, Penthesilea


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のライダー - 真名:アキレウス

  • 身長:185cm
  • 体重:97kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:英雄に必要なスキル全て
  • 好きなもの:勝利と美女の笑顔み
  • 苦手なもの:運命
  • イメージカラー:白緑
  • 天敵:ヘクター、ペンテシレイア


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Rikudou Reika[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Reika Rikudou, trang 078-079 [T]

Rikudou Reika

  • Tuổi: 23
  • Chiều cao: 164cm
  • Cân nặng: 53kg
  • Nhóm máu: B
  • Ngày sinh: 9 tháng 1
  • Số đo ba vòng: B90 W62 H89
  • Tài năng đặc biệt: nấu ăn
  • Thích: sự bình yên
  • Không thích: đau đớn thể xác
  • Màu đại diện: xám xanh
  • Thiên địch: đàn ông lòe loẹt nịnh nọt


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

六導玲霞

  • 年齢:23歳
  • 身長:164cm
  • 体重:53kg
  • 血液型:B型
  • 誕生日:1月9日
  • スリーサイズ:B90 W62 H89
  • 特技:料理
  • 好きなもの:平穏
  • 苦手なもの:肉体的な痛み
  • イメージカラー:灰緑色
  • 天敵:チャラ系の男


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Roche[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Roche Frain Yggdmillennia, trang 074-075 [T]

Roche Frain Yggdmillennia

  • Tuổi: 13
  • Chiều cao: 152cm
  • Cân nặng: 45kg
  • Nhóm máu: O
  • Ngày sinh: 15 tháng 9
  • Tài năng đặc biệt: chế tạo Golem
  • Thích: Golem
  • Không thích: những người xảo quyệt
  • Màu đại diện: xám nhạt
  • Thiên địch: Avicebron


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

ロシェ・フレイン・ユグドミレニア

  • 年齢:13歳
  • 身長:152cm
  • 体重:45kg
  • 血液型:O型
  • 誕生日:9月15日
  • 特技:ゴーレム作り
  • 好きなもの:ゴーレム
  • 苦手なもの:小賢しい人間
  • イメージカラー:薄い灰色
  • 天敵:アヴィケブロン


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Ruler[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Ruler, trang 046-049 [T]

Ruler - Tên thật: Jeanne d'Arc

  • Chiều cao: 159cm
  • Cân nặng: 44kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B85 W59 H86
  • Tài năng đặc biệt: vẫy cờ chỉ đạo
  • Thích: cầu nguyện
  • Không thích: việc học nói chung
  • Màu đại diện: màu lửa
  • Thiên địch: Gilles de Rais (phiên bản Caster)


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

ルーラー - 真名:ジャンヌ・ダルク

  • 身長:159cm
  • 体重:44kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B85 W59 H86
  • 特技:旗振り
  • 好きなもの:祈り
  • 苦手なもの:勉強全般
  • イメージカラー:焰色
  • 天敵:ジル・ド・レイ(キャスター ver)


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Saber "Đen"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Saber "Đen", trang 058-059 [T]

Saber "Đen" - Tên thật: Siegfried

  • Chiều cao: 190cm
  • Cân nặng: 80kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: đạt thành các ước nguyện một cách hoàn toàn tự động
  • Thích: đáp ứng nguyện vọng
  • Không thích: đọc thấu bầu không khí
  • Màu đại diện: nâu đen
  • Thiên địch: Fafnir


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“黒”のセイバー - 真名:ジークフリート

  • 身長:190cm
  • 体重:80kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:全自動願望成就
  • 好きなもの:願いを叶えること
  • 苦手なもの:空気を読む
  • イメージカラー:黒褐色
  • 天敵:ファヴニール


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Saber "Đỏ"[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Saber "Đỏ", trang 088-091 [T]

Saber "Đỏ" - Tên thật: Mordred

  • Chiều cao: 154cm
  • Cân nặng: 42kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Số đo ba vòng: B73 W53 H76
  • Tài năng đặc biệt: tập kích bất ngờ
  • Thích: chiến thắng, vinh quang, danh dự, cha
  • Không thích: thất bại, thua thiệt, bị xem thường, cha
  • Màu đại diện: đỏ
  • Thiên địch: Vua Arthur


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

“赤”のセイバー - 真名:モルドレッド

  • 身長:154cm
  • 体重:42kg
  • 血液型:不明
  • 誕生日:不明
  • スリーサイズ:B73 W53 H76
  • 特技:奇襲
  • 好きなもの:勝利・栄光・名誉・父上
  • 苦手なもの:敗北・失墜・無視・父上
  • イメージカラー:赤
  • 天敵:キングアーサー


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Shirou[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Shirou Kotomine, trang 050-053 [T]

Shirou Kotomine - Tên thật: Shirou Tokisada Amakusa

  • Chiều cao: 169cm
  • Cân nặng: 59kg
  • Nhóm máu: không rõ
  • Ngày sinh: không rõ
  • Tài năng đặc biệt: Lời Phép Rửa Tội
  • Thích: nhân loại
  • Không thích: những người hung hăng
  • Màu đại diện: xám bạc
  • Thiên địch: Jeanne d'Arc, Sieg


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

シロウ・コトミネ - 真名:天草四郎時貞

  • 身長:169cm
  • 体重:59kg
  • 血液型:不明
  • 誕生日:不明
  • 特技:洗礼咏唱
  • 好きなもの:人類
  • 苦手なもの:暴走する人間
  • イメージカラー:銀灰色
  • 天敵:ジャンヌ・ダルク、ジーク


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Shishigou Kairi[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Shishigou Kairi, trang 086-087 [T]

Shishigou Kairi

  • Tuổi: 32
  • Chiều cao: 182cm
  • Cân nặng: 97kg
  • Nhóm máu: B
  • Ngày sinh: 14 tháng 4
  • Tài năng đặc biệt: gia chế động vật (bao gồm cả cơ thể người)
  • Thích: toàn bộ các game FPS
  • Không thích: sự ngưng trệ
  • Màu đại diện: nâu đỏ
  • Thiên địch: trẻ con


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

獅子劫 界離

  • 年齢:32歳
  • 身長:182cm
  • 体重:97kg
  • 血液型:B型
  • 誕生日:4月14日
  • 特技:動物加工(含む人体)
  • 好きなもの:FPS全般
  • 苦手なもの:停止
  • イメージカラー:赤褐色
  • 天敵:子供


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Sieg[]


[v] Fate/Apocrypha material - Thông tin sơ lược nhân vật: Homunculus "Sieg", trang 054-055 [T]

Homunculus "Sieg"

  • Tuổi: 0
  • Chiều cao: 165cm
  • Cân nặng: 53kg
  • Tài năng đặc biệt: không có
  • Thích: không có
  • Không thích: không có
  • Màu đại diện: trong suốt
  • Thiên địch: Shirou Tokisada Amakusa


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe

ホムンクルス ジーク

  • 年齢:0歳
  • 身長:165cm
  • 体重:53kg
  • 特技:なし
  • 好きなもの:なし
  • 苦手なもの:なし
  • イメージカラー:透明
  • 天敵:天草四郎時貞


Trích dẫn từ Yuichiro Higashide & Ototsugu Konoe



Encyclopedia[]

Aias[]

[v] Fate/Apocrypha material - Encyclopedia: Aias [Person's name], trang 148 [T]

Aias [Person's name]
A hero who fought alongside Achilles during the Trojan War. There is both an Aias the Great and an Aias the Lesser, but neither of them met a decent end. The shield of Aias the Great is the famous “Rho Aias: Seven Rings that Cover the Fiery Heavens”.

アイアス【人名】
トロイア戦争でアキレウスと共に戦った英雄。大アイアスと小アイアスがいるが、どちらも碌な最期をてはいない。大アイアスの盾が、かの有名な『熾天覆う七つの円環ロー・アイアス』である。



Agrius Metamorphosis[]

[v] Fate/Apocrypha material - Encyclopedia: Boar of Divine Punishment [Noble Phantasm], trang 154 [T]

Boar of Divine Punishment [Noble Phantasm]
Agrius Metamorphosis. The pelt of the Calydonian Boar, a Monstrous Beast which the virgin Goddess Artemis let loose upon the earth. It looks like a wild boar, but that is merely because the lifeform that was used as its basis just happened to be a boar. Just as depicted in the novels, if the pelt is worn by a person, they will become a Monstrous Human rather than a Monstrous Beast.
It grants power equivalent to that of A rank Mad Enhancement and grants an A rank Transformation skill, bestowing various characteristics depending on the environment. In exchange, the wearer loses their reason and, depending on the situation, becomes unable to discern and identify even their Master. It is a Noble Phantasm whose use pretty much equals self-destruction, and its use has never been confirmed in any of the subspecies Holy Grail Wars.
However, even the author himself couldn’t help having doubts about how it transformed into bird wings for Atalanta, fused with her bow and shot arrows weaved out of prana. Was it supposed to be like the T virus or something? (TL Note: The last line is a Resident Evil reference.)

神罰の野猪【宝具】
アグリオス・メタモローゼ。処女神アルテミスが地上に遣わした魔獣カリュドンの皮。一見は猪に見えるが、それは素体となる生物がたまたま猪だっただけ。人が被れば、魔獣ならぬ魔人となるのは本編での描写通り。
Aランク狂化に相当する力と環境に応じて特質を獲得するAランクの変化スキルを獲得。代償として理性は消失し、状況によっては己のマスターですらも識別不可能となる。ほぼ自爆に等しい宝具であり、亜種聖杯戦争において使用が確認されたことはなかった。
しかし鳥の翼に変形させたり、弓と融合して魔力で編み出した矢を射出したりするのは、作者本人もどうかと思いました。Tウィルスか何かでもやっておられる?
アグリオス・メタモローゼ。



Akhilleus Kosmos[]

[v] Fate/Apocrypha material - Encyclopedia: The Azure Sky Enclosing this Small World [Noble Phantasm], trang 153-154 [T]

The Miniature World Enclosed by the Azure Sky [Noble Phantasm]
Akhilleus Kosmos. Achilles’ trump card which protects the wielder by deploying a miniature world. A divine armament created by the hands of the blacksmith god Hephaestus. It can event against nearly any attack, whether it be from an Kháng Nhân, Chống Quân, Anti-Fortress or even Anti-Country Noble Phantasm. However, due to this Noble Phantasm’s nature, it is weak against Anti-World Noble Phantasms alone.
A description of this shield appears in a hundred lines of text in Book 18 of the “Illiad”. Hephaestus reproduced the world he lived in itself in miniature form in this shield.
In the light novel, Achilles doesn’t use it himself, gave it over to Astolfo for him to use. Naturally, transferring Noble Phantasms would normally never happen in a regular Holy Grail War. Even in the Great Holy Grail War, it would normally be unthinkable.
In the first place, most Noble Phantasms are tied to the legends of heroes. Even if you were to borrow Gae Bolg from the blue spearman, that doesn’t mean you would be able to activate Gae Bolg.
However, there are exceptions. In this case, in addition to the necessary conditions of “being where he is making a contract, instead of being in opposition, of his own volition” and the Noble Phantasm “not requiring considerable skill and power to invoke its true name”, it is believed that the transfer of the Noble Phantasm went smoothly because there is “an episode in the legend of the giver (Achilles) where he loans his Noble Phantasms” and “an episode in the legend of the receiver (Astolfo) where he borrows a Noble Phantasm”.
In addition, when Achilles alone wields it, this shield can be used to “attack” as well. After deploying the Noble Phantasm, he would aim to crush the enemy with that miniature world by continuously pushing forward. Most likely, Hephaestus never thought of such a method of using it.

蒼天囲みし小世界【宝具】
アキレウス・コスモス。
アキレウス・コスモス。小世界を展開して防護する、アキレウスの切り札。鍛冶神へファイストスの手で作られた神造兵装。対人、対軍、そして対城や対国宝具に至るまでほとんど全ての攻撃を防ぎきる。が、この宝具の性質上対界宝具だけは苦手とする。
原典は『イリアス』。第十八歌に百行に渡ってこの盾についての描写が記されている。鍛冶神はこの盾に彼が生きた世界そのものを極小の状態で再現した。
本編ではアキレウス自身が使うことはなく、アストルフォに譲渡する形で使用された。当然ながら、宝具の譲渡は通常の聖杯戦争ではまず有り得ない。聖杯大戦という形式でも、普通は考えられないものだろう。
そもそも、宝具の多くは英雄の伝説と結びついている。青の槍兵からゲイボルクを借りたからといって、ゲイボルクが発動できるはずもないのである。
ただし、例外もある。今回の場合は「意志による反発がなく、契約を結べる状態である」「真名発動に相当の技量を要求されない」などといった必要条件に加えて、「譲る側(アキレウス)に宝具を貸与するエピソードがある」「受ける側(アストルフォ)に宝具を借り受けるエピソードがある」などといった点が宝具の譲渡を円滑に進めさせたと思われる。
なお、アキレウスに限ってはこの盾を「攻撃」に転用することができる。宝具を展開させた後、前へ前へと突き進むことでその極小世界による押し潰しを図るのだ。多分、鍛冶神はそんな使い方考慮していない。



Alma Petresia[]

[v] Fate/Apocrypha material - Encyclopedia: Alma Petresia [Person's name], trang 155 [T]

Alma Petresia [Person's name]
A Christian sister who works at the church under the authority of the Holy Church in Trifas. She is completely unrelated to the Church’s Executors or the Assembly of the Eighth Sacrament, and was merely ordered, “For now, watch over the situation of this town”. She never investigated matters unnecessarily, simply ignoring the existence of the magi in town and passing several decades there in an unconcerned manner.
Naturally, she isn’t able to get excited and passionate at her age… Just when she thought that, she received a shock from the girl who appeared before her suddenly. When Alma first saw her, she realized with a glance that she was the esteemed saint Jeanne d’Arc and almost fainted.

アルマ・ペトレンシア【人名】
トゥリファスの聖堂教会に連なる教会で働いているシスター。いわゆる代行者とか第八秘蹟会とかとは全く縁が無く、「とりあえずこの都市の様子を見守っていてね」とだけ命じられていた。余計なことは探らず、魔術師たちの存在を黙殺し、ただ淡々と数十年を過ごしてきた。
心が沸き立つものなど、この歳ではさすがに無くなった……という境地に達しかけていた頃、唐突に現れた少女に衝撃を受ける。最初に彼女の姿を見たとき、一目で彼女がやんごとなき聖女ジャンヌ・ダルクであることを見抜き、卒倒しかけたとか。



Althea[]

[v] Fate/Apocrypha material - Encyclopedia: Althea [Person's name], trang 155 [T]

Althea [Person's name]
The homunculus who aided in searching for Assassin of Black. After the war, she went with Caules to London. She actually appears stealthily in one of the illustrations of Volume 3, instead of Tool.
The homunculi created by Gordes have somewhat varied personalities and abilities, and Althea is a model that excels in magecraft. Her personality is exactly like that of a homunculus: reserved, yet wicked tongued. In London, she basically helps with household chores… She is also responsible for helping with Caules’ magecraft, but she has taken up a part-time job searching for familiars with magecraft.

アルツィア【人名】
“黒”のアサシン探索に従事したホムンクルス。大戦の後、カウレスと共にロンドンへ向かう。実はトゥールを差し置いて三巻口絵にこっそり登場している。
ゴルドが鋳造したホムンクルスは性格や能力に多少のばらつきがあり、アルツィアは魔術に秀でた型である。性格はホムンクルスらしく、慎ましくも毒舌。ロンドンでは基本的に家事手伝い……カウレスの魔術補助なども担当しているが、アルバイトで魔術による使い魔探しなども引き受けている。



Andreias Amarantos[]

[v] Fate/Apocrypha material - Encyclopedia: Amaranth of the Brave [Noble Phantasm], trang 156 [T]

Amaranth of the Brave [Noble Phantasm]
Andreias Amarantos. The Noble Phantasm that maintains Rider of Red’s immortality. It grants his entire body, excluding his heel, the blessing of immortality, and negates all attacks from those who don’t possess the “Divinity” skill. Also, if the skill’s rank isn’t equal or higher than Achilles’ own “Divinity” rank, the damage won’t go through completely, reduced to 75% of the damage for D rank “Divinity” and to 50% for E rank. Additionally, even without Divinity, damage will be dealt as long as the attacking Noble Phantasm is a divine armament. In that case, the damage calculation would depend on the rank of the divine armament.
As a certain person would say, “You need a hard boss that attacks with Level 30 Death in a pre-emptive strike to beat him.” That isn’t chivalrous or heroic at all…!

勇者の不凋花【宝具】
アンドレアス・アマラントス。“赤”のライダーの不死性を保持する宝具。踵を除く全てに不死性の祝福が与えられており、スキル『神性』などを持たない攻撃を全て遮断する。また、アキレウスの神性ランクと同等かそれ以上でないとダメージは完全に通らず、Dランクは75%、Eランクは50%までダメージが削減されてしまぅ。また、神性がなくとも宝具が神造兵装であればダメージは負う。その場合のダメージ計算は神造兵装のランクによって変化する。
某氏日く、「LV30デスを先制攻撃で仕掛けてくる酷いボス」。そいつぁ任侠じゃねえな……!



Antares Snipe[]

[v] Fate/Apocrypha material - Encyclopedia: Scorpion Shot [Noble Phantasm], trang 155-156 [T]

Scorpion Shot [Noble Phantasm]
Antares Snipe. Archer of Black’s trump card, a sniping Noble Phantasm that shoots a shining star. It is a conceptual materialization of the Sagittarius constellation, but it is not as if it cannot activate without the constellation present. It has a tracking ability, naturally, and it doesn’t even need for its true name to be released or for it to be filled with prana in order to activate. After all, as long as there is a night sky, “the star of the archer always aims at the scorpion”, and so it only requires for him to move his fingers away from the already drawn bow. It has a secondary effect, but, like in the novels, there is extremely little chance of it being spoken of even if the Noble Phantasm is used. However, it can only shoot once every night. Considering the average length of a normal Holy Grail War, he would be limited to using it about fourteen times.
Though its rank is high, it has the weakness of not having attack power worthy of special mention, so he has to try to achieve a one-shot kill as much as possible each time he uses it.
In his battle against Mordred, Archer could not see any weak points in her armor and feared that she might escape after he used it, so he withheld using the Noble Phantasm.

天蠍一射【宝具】
アンタレス・スナイプ。“黒”のアーチャーことケイローンの切り札、輝く星を射出する狙撃宝具である。射手座の概念の具現化であるが、射手座が無ければ発動できない訳ではない。追尾機能は無論のこと、発動させる際に真名の解放や魔力の充填などは一切必要がない。何しろ、夜空にある限り「射手の星は蠍を狙い続けている」のであり、必要なのは引き絞った矢から指を離すかどうかだけなのだから。副次的な効果であるが、本編同様に宝具を発動したとしても悟られる可能性が極めて低い。ただし、狙撃可能なのは一夜に一度だけ。通常の聖杯戦争の平均開催期間を考えると使用できるのは十四回が限度だろう。
ランクは高いものの、難点として攻撃力には特筆すべき部分がないので運用の際には、可能な限り一撃一殺を心がけなければならない。
モードレッドとの戦いの際には、鎧の弱点が見えてこなかったために逃げられることを憂慮し、使用を控えた。



Archer Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Archer "Đen" [Servant], trang 159-160 [T]

Archer "Đen" [Servant]
One of the Servants of the Black camp. His true name is Chiron. He is a centaur—a half-human-half-horse race, and he is a famous great sage in Greek myth.
 He has a calm and gentle personality, but though he treats his Master with respect, he won’t hold back on advice if it’s for the sake of his Master. He never scorns or despises others regardless of whether they are enemy or ally, and he is exceptionally calm among the intense and passionate heroes of Greek myth. He acted as the strategist of the Black camp and continued to support his camp day and night right until he took part in the final battle.
Usually, centaurs are considered both as great huntsmen who effortlessly use bows and arrows while running with their horse legs and as savage monsters who would steal anything and everything. It seems Chiron alone is regarded as a “sage” that stands out as an exception among them.
Chiron was born from Cronus, father of the head god Zeus, and Philyra, the goddess of a certain island. However, because Cronus had copulated with her while she was turned her into a horse, Chiron was born as a half-human-half-horse centaur. (There is also the theory that they were attacked by Cronus’ wife Rhea while they were in the middle of copulating and Philyra turned into a stallion in order to run away.) Balking at the idea of giving milk to a monster like Chiron, Philyra changed her form into that of a linden tree.
Though he was never loved by his mother and father, Chiron became a sage that excelled in all forms of knowledge as he grew up. This is not necessarily unrelated to the fact that his mother’s name “Philyra” means linden tree. The leaves of linden trees can be used as restoratives, and the tree bark can be used in divination or as written boards.
After becoming an adult, Chiron began to rear the “future heroes” who implored for his tutelage from all over Greece. Besides Heracles and Achilles, the heroes who received his teaching include those like Asclepius, who later became the god of medicine, and Castor, who was sublimated as the Gemini constellation. Jason, the leader of the Argonauts who enticed Medea, is also one of his students.
On a certain day, someone shot a poison arrow at him while trying to stop a dispute between centaurs, and the poison continued to endlessly make him suffer due to his immortality, until he became the Sagittarius constellation by returning his immortality to the gods and finally received salvation. His wish for the Holy Grail while participating in the Holy Grail War is to regain his immortality. To him, it is the only gift he received from his parents.
As a Servant, his stats have received a slight rank down due to giving up his immortality and transforming his legs into those of a human, but even then he boasts of specks high enough for him to be called a first-rate Servant—to an extremely abnormal extent in a certain sense. In the first place, it appears that he taught not only swordsmanship, archery and horse-riding, but also wrestling techniques, so he is relatively experienced in moving with human feet.
With the combined effects of his skills, he can even utilize a pseudo-form of future sight, making him truly all-purpose in his abilities. If he has a weakness, it is that he lacks a decisive trump card. Against the brute force approach that throws away all wisdom or intelligence, his strong points fade away.
He deeply loves how weak and insufficient humans struggle despite their insufficiency and still try to move forward, so even if he was summoned as part of the Red camp, he would have definitely rebelled against them with the resolve to die.
Though if he were to describe it himself, he would merely answer, “This is my arrogance as a teacher, as embarrassing as it is”.
In the novels, he was mainly focused on his fight with Achilles outside of his light skirmish with Mordred. After all, Chiron was the only one capable of harming Achilles. That battle was such a great joy to him that he even forgot his true nature as a Servant, but he stood back up as a Servant again at the moment of his death and accurately dealt a fatal wound to Achilles.

“黒”のアーチャー【サーヴァント】
“黒”側のサーヴァント。真名はケイローン。ケンタウロス―――半人半馬の一族で、ギリシャ神話に名高き大賢者である。
穏やかな性格、マスターを立てつつもマスターのためになるようならば、忠言を絶やすことはない。敵味方問わず、侮ることなく蔑むことなく、情動が激しいギリシャ神話の英雄の中でも例外的なほどに冷静である。“黒”側の軍師役となつて、陰になり日向になり陣営を支え続け、最終決戦に臨んだ。
通常、ケンタウロスは馬の足で走りながら弓矢を苦も無く使う優れた狩人であると同時に、あらゆるものを奪う野蛮な怪物たちである、と見なされていた。しかし、ケイローンのみが例外的に「賢者」として認識されていたようだ。
ケイローンは主神であるゼウスの父クロノスと、とある島の女神ピリュラーとの間に生まれた子である。しかしクロノスは馬に化けて彼女と交わったため、ケイローンもまた、半人半馬のケンタウロスとして生まれてしまった(営みの最中に妻であるレアに襲撃を受け、種馬に化けて逃げ去ったという説もある)。怪物のような彼に乳を与えることを厭ったピリュラーは菩提樹へと姿を変えてしまった。
父母に愛されなかったものの、成長したケイローンはあらゆる勉学に秀でた賢者となった。これは母の名である「ピリュラー」が菩提樹を意味することとあながち無関係ではない。菩提樹の花は気付け薬に使われ、樹皮は占いや書板として活用されたためだ。
大人になったケイローンは、ギリシャ中から乞われて「未来の英雄」を養育し始めた。彼が教えを与えた者にはヘラクレス、アキレウスの他、後に医術の神となったアスクレピオス、双子座に昇華されるカストールなどがいる。アルゴナイタイのリーダー、メディアを籠絡することになるイアソンも、彼に教えを受けた者の一人である。
ある日、ケンタウロス族の争いを止めようとしたものの、何者かが放った毒矢によって不死のまま延々と苦しみ続け、不死を神に返すことで射手座の星となり、ようやく救いを得た。聖杯戦争に参加し、聖杯に託す願望はその不死を取り戻すことである。彼にとってみれば、それは父母が与えてくれた唯一の贈り物なのだ。
サーヴァントとしては不死を返し、両足を人間に変化させたことでステータスがわずかにランクダウンしているものの、それでも一流のサーヴァントと呼べるほどの高い―――ある意味異常すぎるほどのスペックを誇っている。そもそも剣術、弓術、馬術だけでなくレスリングも教えていたようなので、人間の足で動くのも比較的慣れているのだろう。
スキルの複合効果で擬似的な未来予知すらも可能な、まさに万能。難点としては決め手に欠けるあたりか。智慧もへったくれもない力押しには、こちらの強みが薄れてしまうのだ。
足りぬ人間が足りないままに足掻き、それでも前に進もうとする姿を心より愛するため、“赤”側として召喚されたとしても、間違いなく死を覚悟で離反したものと思われる。
もっとも本人に言わせれば「教師ならではの傲慢さです、お恥ずかしい」と答えるだけだろう。
本編ではモードレッドと軽く小競り合いをした以外は、アキレウスとの戦いに注力した。何しろ、アキレウスを傷つけることができるのは唯ーケイローンだけだったのだ。その戦いはサーヴァントとしての本質を忘れてしまうほどの喜びだったが、死の間際に再びサーヴァントに立ち返り、きっちりアキレウスに致命的な一撃を加えていった。



Archer Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Archer "Đỏ" [Servant], trang 148-149 [T]

Archer "Đỏ" [Servant]
One of the Servants of the Red camp. A huntress who wears beautiful green clothing. Her charm points consists of those things on her head that look like animal ears and that thing on her lower back that looks like a tail.
Her true name is Atalanta. She is a huntress who is famous for her swift feet in Ancient Greek legend. Just as told in the original myth, she has the tragic past of being born as the daughter of a king and yet being abandoned in the mountains by her father. After being raised by a female bear and later adopted by a hunter who treaded into the mountains, she has developed her skills conspicuously, perhaps due to her latent talent.
There are three tales that she is famous for. The first is how she was chosen as a member of the Argonauts led by Jason.
The second is the extermination of the Calydonian Boar. The third is the dispute over her marriage. None of these tales had a particularly happy ending for her, and her distrust of men became extremely strong due to the third one in particular as well.
After all, to Greek warriors at the time, battle was both an offering to the gods and a way of trampling over others. Atalanta liked none of them since these warriors acted more violent than necessary when they hunted. However, there was one man named Peleus who she was fond of, for he was the only one who approached her with a humble attitude.
The reason she is obsessed over children is due to her own origins. The despair she felt as a baby was just that strong. She would happily throw away her own life to become a stepping stone to realizing a world where all children are saved.
The reason she cooperated with Shirou is also because she clung to the idea that his wish would lead to her own wish. Since it is uncertain whether the Holy Grail would be able to grant her wish, his words which spoke of a clear form of salvation might have seemed just like the gospel to her.
She has two Noble Phantasms, but one of them would normally be impossible to use in a regular Holy Grail War, so practically speaking, her only Noble Phantasm is “Phoebus Catastrophe: Complaint Message on the Arrow”.
Her animal ears and tail seem to be the symbols and after-effects of a curse told of in her legend… or so they should have been, but she actually seems to like them.

“赤”のアーチャー【サーヴァント】
“赤”側のサーヴァントの一人。美しい翠緑の色をした服を着た狩人。獣耳っぽい何かと尻尾っぽい何かがチャームポイント。
真名はアタランテ。ギリシャ神話において駿足で名を知られた女狩人である。本編でも語られた通り、王の娘として生まれながら、父によって山に捨てられたという悲運の過去を持つ。雌熊によって育てられ、山に踏み入った狩人に引き取られた彼女は生まれ持った才能か、メキメキと腕を上げていく。
彼女を有名にしたエピソードは三つ。一つ目がイアソン率いるアルゴナイタイの乗組員の一人として選ばれたこと。
二つ目がカリュドンの魔猪退治。三つ目が婚姻騒動。いずれもあまり気持ちの良い終わり方にはならず、特に三つ目によって男性不信も極まっている。
何しろ当時のギリシャ戦士といえば、戦闘は即ち神への供物であり蹂躏である。獣を狩るときも必要以上に乱暴に振る舞う彼らは、いずれもアタランテの好むものではなかった。唯一、控えめな態度でこちらに接してくれたペレウスという男が気になってはいたのだが。
彼女が子供に拘るのは、自らの出自故である。それほどまでに、赤子のときに抱いた絶望感が強烈だったのだろう。全ての子供が救われる世界が実現するならば、自身の命も喜んで捨て石にするだろう。
シロウに協力したのも、彼の願いが自分の願いに通じるものだと縋ったから。自分の願いが聖杯に叶えられるかどうか不明な以上、明瞭に救済を告げた彼の言葉は福音に等しいものだったかもしれない。
宝具は二つあるが、一つは通常の聖杯戦争で使用することはまず有り得ないので実質的には対軍宝具『訴状の矢文』が彼女の宝具であるともいえる。
獣耳と尻尾は伝説にある呪いの象徴、後遺症のようなもの……のはずだが、本人は割と気に入っているらしい。



Arjuna[]

[v] Fate/Apocrypha material - Encyclopedia: Arjuna [Person's name], trang 155 [T]

Arjuna [Person's name]
Karna’s rival in Ancient Indian epic poem, the “Mahabharata”… Or rather, story-wise, Karna is the rival and Arjuna is the one who is in the position of protagonist. He is Karna’s younger brother from a different mother, but Arjuna continued to fight Karna without ever knowing that.
He has an honest and faithful personality that seems to embody justice itself. (At the very least, the people around him, including Karna, perceived him that way.)
Both in the present as a summoned Servant and in his lifetime, Karna lived without fussing over anything, but the only thing that the detached Karna ever felt an obsession towards was Arjuna.
Even when his mother Kunti begged him not to fight his five younger brothers, including Arjuna, Karna swore to not fight any of them except for Arjuna. Even for his mother’s request, Arjuna was something to Karna that he couldn’t turn over.
And it was the same for Arjuna as well. To him, Karna was—
…These two will probably be told of in another work someday. At least, it would be nice if that happened.

アルジュナ【人名】
インドの古代叙事詩『マハーバーラタ』におけるカルナのライバル。……というより、物語中の立ち位置的にはカルナこそがライバルであり、主人公と呼べるポジションはアルジュナの方なのである。カルナの異母兄弟でもあるが、アルジュナはそれを知らぬままにカルナと戦い続けた。
正義がそのまま形になったような実直で誠実な性格(少なくともカルナを含めた周囲はそう認識している)。
カルナはサーヴァントとして召喚される現在も、そして生前も何かに拘るということからは縁遠い生活を営んできたが、そんな彼が唯一といっていいほど執着したのがアルジュナである。
アルジュナを含めた五兄弟と戦わぬよう母クンティーに懇願されたときも、アルジュナ以外とは戦わない、と誓った。それほどまでにアルジュナはカルナにとって譲れぬ何かだったのだ。
そしてそれは、アルジュナにとっても同じ。彼にとって、カルナは―――。
……この二人についてはいつか、別の作品で語られることもあるだろう。あるといいな。



Armor of Fafnir[]

[v] Fate/Apocrypha material - Encyclopedia: Blood Armor of the Evil Dragon [Noble Phantasm], trang 148 [T]

Blood Armor of the Evil Dragon [Noble Phantasm]
Armor of Fafnir. The continuously active Noble Phantasm of Saber of Black, Siegfried. Negates all attacks of B rank and below.
When receiving regular A rank attacks, the armor’s defensive rank of B will be subtracted from the attack’s offensive rank of A… in other words, it will be reduced to effectively an E rank attack, but in the case of an attack by a Noble Phantasm, the armor’s defensive value will rise to the rank of B+. However, this additional defensive value will not be included in the attack calculations should the enemy use a Noble Phantasm or skill that has the properties of an Anti-Dragon special attack. Furthermore, the B+ defensive value is only applicable when he is attacked while defenceless, and the armor’s defense will be further reduced should he take defensive action with “Balmung: Phantasmal Greatsword”. When he goes all out in a defensive battle, Siegfried is effectively a moving fortress.
However, since the effects of this armor do not apply to the single spot on Siegfried’s back that was covered by the leaf of a lime tree, it becomes extremely difficult for him to be healed with healing magecraft if he is wounded there even once.

悪竜の血鎧【宝具】
アーマー・オブ・ファヴニール。“黒”のセイバーことジークフリートの常時展開宝具。Bランク以下のあらゆる攻撃を寄せ付けない。
Aランクの通常攻撃であればAマイナスB……つまりEランク相当の打撃が与えられることになるが、宝具による攻撃の場合、B+分の防御力が発動する。ただし竜種特攻などの宝具、スキルがある場合はこのプラス分が計上されない。なお、B+はあくまで無防備に喰らった場合なので『幻想大剣(バルムンク)』で防御行動を取った場合は、更に削減される。防戦において本気を出したジークフリートは動く要塞。
ただし、唯一背中―――菩提樹の葉が貼りついていた部分だけはこの一切が適用されない上に、一度そこを負傷すると治癒魔術では極めて修復が難しい。



Assassin Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Assassin "Đen" [Servant], trang 160-161 [T]

Assassin "Đen" [Servant]
One of the Servants of the Black camp… or so they should have been, but she deserted and took action independently. Their true name is Jack the Ripper. The serial killer from London who is the most famous of their kind in the entire world.
Usually, serial killers fall into two general categories. The orderly type and the chaotic type; those who can commit murder while maintaining a certain amount of reason and order, and those who commit murder based on reasons that are completely illogical and no one besides themselves can understand. The first type is overwhelmingly harder to catch, since the second type does not even destroy the evidence of their crimes. And Jack the Ripper was the chaotic type.
Even though much evidence was discovered, Jack the Ripper was never caught. It has been cited to have been due to the limits of scientific investigation at the time and due to the initial investigation getting a late start because the victims were only prostitutes.
On the other hand, despite being a chaotic type serial killer, Jack the Ripper also displayed actions such as sending a letter to a newspaper and inciting a panic. Though there is a strong possibility that the letter was a fake, there was no evidence that could completely prove it was a forgery.
The reason that Jack the Ripper is, in a certain sense, so universally extolled throughout the world is due to the overwhelming number of mysteries surrounding this serial killer. Therefore, when Jack the Ripper is summoned as a Servant, he or she can undergo various changes depending on the class or location he or she is summoned in. These changes continue to occur, except in the case where the “true Jack the Ripper” was fixed and settled by the Holy Grail.
…The Jack the Ripper that was summoned this time is an amalgamation of the children who were aborted by the many prostitutes who lived in White Chapel, London. Having not even being allowed to be born, these boys and girls sought to return to their mothers’ wombs and repeatedly committed murder. To put it another way, this is the heretical Jack who was born from the “side of the victims”.
However, even they themselves do not know for certain whether or not they were “Jack the Ripper”. After all, they are an amalgamation of evil spirits, so their memories are always vague and, even if they remember having killed prostitutes, it’s uncertain who exactly they killed. What they kill as Assassin is not a specific individual, but rather the society that killed them, and the strong emotions they carry cannot be understood by any other hero, making them beyond salvation.
Perhaps due to their great fame, they stand out as an excellent Servant. Due to being a murderer, their efficiency as a “soul eater” is extremely high, and even with Rikudou Reika who was an ordinary person and virtually unable to provide any prana as a Master, they were able to continue maintaining their first-rate battle power by continuing to kill others for prana.
On the other hand, their difficulty in being handled by their Master is the highest among the Servants of this Great Holy Grail War. In the first place, it is dubious whether they even understand the fundamental duty of a Servant to “obey their Master”. To them, the present world isn’t somewhere to return to, but rather nothing more than a strange and unknown place… In other words, they hold no lingering affections for the world of the living.
Considering that, the compatibility between Jack and their former master Sagara Hyouma was pretty much the absolute worst possible—or rather, perhaps it is better to say that all magi have the worst compatibility with Jack. Rikudou Reika is the only Master that is compatible with the existence known as Jack.
After being sublimated by Jeanne’s hands and having their binding as an amalgamation of evil spirits collapse, they will never be summoned again. Even if the conditions are exactly the same next time, a different “Jack the Ripper” will merely be summoned.

“黒”のアサシン【サーヴァント】
“黒”側のサーヴァント……であるが、離反して独自行動を取っている。真名をジャック・ザ・リッパー。世界でもっとも有名なロンドンの猟奇殺人鬼(シリアルキラー)。
一般的に猟奇殺人を犯す者は、大別して二つに分けられる。秩序型と無秩序型、ある程度理性の秩序を保ったまま殺人を犯すことができる者と、全く理性なくその人間にしか理解できない理由で殺人を犯す者である。どちらが捕まりにくいかといえば圧倒的に前者で、後者は証拠隠滅すらしないためだ。そして切り裂きジャックは無秩序型であった。
証拠が多数見つかったにもかかわらず、切り裂きジャックが捕まることはなかった。それは当時の科学的捜査に限界があったこと、被害者が娼婦ばかりで初動捜査に出遅れが生じたことなどが挙げられる。
一方、無秩序型でありながら切り裂きジャックは新聞社に手紙を送り、パニックを煽り立てるなどの行動も見せている。偽手紙という可能性も大きい一方で、完全に偽物だという証拠も掴めなかった。
ジャック・ザ・リッパーがある意味で、これほど世界に膾炙したのはこの圧倒的に謎めいた部分のせいだろう。そのためサーヴァントとして召喚される際も、クラス次第あるいは召喚される土地次第で、様々に変化する。聖杯により、「真のジャック・ザ・リッパー」が定まった場合を除き、この変化は起こり続ける。
……今回、アサシンとして召喚されたジャック・ザ・リッパーはロンドン、ホワイトチャペルに多数住んでいた娼婦によって堕胎された子供たちの集合体である。生まれることすら叶わなかった彼ら、彼女らは母親の胎内に回帰することを求めて殺人を繰り返した。言うなれば、「被害者側」から生誕したともいえる異端のジャック。
ただし、それが「切り裂きジャック」であるかどうかは本人にも定かではない。何しろ彼女たちは悪霊の集合体なので記憶は常に朧気、娼婦を殺したことは覚えていても誰を殺したかまでは不明なのだ。彼女たちがアサシンとして殺しているのは特定の個人ではなく、自身を殺害した社会そのものであり、彼女たちが抱く激情は如何なる英雄にも理解できず、救いようがないものだ。
サーヴァントとしては知名度の高さもあってか、図抜けて優秀。殺人鬼であるせいか、「魂喰らい(ソウルイーター)」としての効率が極めて良く、素人で魔力供給がほとんどできない六導玲霞であっても、殺害を繰り返すことで一線級の戦闘力を保持し続けた。
反面、その扱いづらさは今回の聖杯大戦中でもトップランクだろう。そもそもが「マスターに従う」というサーヴァントとしての基本を理解しているかどうかすら怪しい。彼女たちにとって現世は帰還するものではなく、未知の場所に他ならない……つまり、未練はないからだ。
その点で考慮すると、元マスターである相良豹馬とジャックとの相性はほぼ最悪であり―――というよりは、魔術師たちとジャックとの相性が最悪と言うべきか。唯一、六導玲霞のみがジャックという存在に適合するマスターなのだ。
ジャンヌの手によって昇華され、悪霊の集合体としての結合が崩れた彼女たちが再召喚されることはない。今後同じ条件を揃えても、別の「ジャック・ザ・リッパー」が召喚されるだけである。



Assassin Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Assassin "Đỏ" [Servant], trang 149-150 [T]

Assassin "Đỏ" [Servant]
One of the Servants and masterminds of the Red camp. A peerless beauty who wears a black dress. She refers to herself quite haughtily, but she is actually a comparatively straightforward person.
Her true name is Semiramis. The legendary empress who is called the world’s oldest poisoner. Though her class is Assassin, she actually has the traits and abilities of the Caster class as well. She likes decadent luxury, but that does not mean that she hates the simple things in life. In this Greater Holy Grail War, she set out to bring about the realization of the Third Sorcery along with Shirou Kotomine.
The rank of her Agility and Presence Concealment is low for an Assassin, but, thanks to her Noble Phantasm “The Hanging Gardens of Babylon: Aerial Gardens of Vanity”, her magical attack boasts of enough power to make someone like Caster of Red run away barefooted. Also, just as its name suggests, the Hanging Gardens has the special ability to move while floating in mid-air and it can also attack while maintaining a strong defense.
However, in a normal Holy Grail War, Semiramis would be in an extremely disadvantageous position. Since her Noble Phantasm is so huge, it is practically impossible for her to conceal her presence. Also, some very difficult conditions must be met before her Noble Phantasm can be activated in the first place. Furthermore, even if she managed to activate the Hanging Gardens after much hard work, she would not be able to defend the Gardens by herself. No matter how much peerless power she boasts of, she will always be at a disadvantage when fighting alone. A Greater Holy Grail War like this might be precisely one of the few chances that allow her to fully demonstrate her specialties.
Like Atalanta, she was abandoned by her mother as a child. In her case, it is said that she was warmly embraced and raised by doves, perhaps due to her being a demi-god. Afterwards, she went on to marry the old general Onnes, but she was forcefully stolen away by King Ninus, who was enraptured by her beautiful face. A few days after Semiramis became empress, which she suggested to King Ninus in order to deepen her affection for him, she killed him with poison—or so it is said.
What lies at her core is an absolute rejection towards others. She doesn’t like solitude, but as someone who prefers being aloof and superior, all humans have to be “people who unquestionably serve her” in her eyes. The reason all the Servants who should nominally be her allies hate her is because they intuitively sensed her way of thinking.
…However, due to the man who is both a priest and a Servant and who, despite being “someone who walks alongside her” instead of “someone who serves her”, held not the slightest interest in Semiramis herself, her thoughts and feelings became disordered and fell to pieces.
This is because this was the first time for Semiramis that someone valued her not for her “beauty”, but rather for her “abilities”. At first, that attitude towards her made her feel good, then she felt a strange anger, and finally her chest was pained by a feeling that she tasted for the first time since she was born—a feeling that could be called heartache.
In the end, the kind of person she truly liked was someone who moved forward without looking back at her at all… It was already too late by the time she realized that, though.
“When the Third Sorcery is realized, you will become the queen who rules the entire world”… is what Shirou told her, but in truth, she wasn’t that obsessed with ruling the world. What she truly sought and wished—was something that she couldn’t understand even at the brink of death.
Perhaps what this poisonous woman sought was something like pure water.

“赤”のアサシン【サーヴァント】
“赤”側のサーヴァント、黒幕衆の一人。黒衣のドレスを纏った絶世の美女。我と書いてそのまま「われ」と読む割とドストレートなお人。
真名はセミラミス。世界最古の毒殺者と呼ばれる伝説的な女帝。クラスはアサシンであるものの、実質的にはキャスターとしてのクラスも兼ねている。退廃的な絢爛を好むが、素朴なものも嫌いな訳ではない。今回の聖杯大戦において、シロウ・コトミネと共に第三魔法の成就に乗り出した。
アサシンクラスとしては敏捷ランクも気配遮断も低ランクで褒められたものではないが、宝具『虚栄の空中庭園(ハンギングガーデンズ・オブ・バビロン)』による魔術攻撃はそこらのキャスターなど裸足で逃げ出すほどの威力を誇る。特に『虚栄の空中庭園』は字面通り浮遊して動き回ることが可能なので、強固な守りを得つつ攻めることも可能。
ただし、本来の聖杯戦争においてセミラミスは極めて不利な立ち位置にある。宝具が大仰なため、気配を遮断するのは不可能に近いこと。そして、そもそもその宝具を起動可能にするまでが非常に困難なことが理由として挙げられる。更には、苦労して空中庭園を発動させたとしても、残ったサーヴァントたちが手を組んだ場合、たった一人で庭園を守らなければならなくなる。いくら無類の強さを誇るといっても、単独ではどうしても不利になる。今回のような聖杯大戦こそが、彼女の本領を発揮できる数少ない機会だったかもしれない。
彼女もアタランテ同様、赤ん坊の頃に母親に捨てられた。彼女の場合、半分が神だったためか鳩たちが彼女を温かく包み、養育したと伝えられている。その後、老将軍オンネスに嫁いだものの彼女の美貌に惹かれたニノス王によって強引に身柄を奪われてしまう。セミラミスはニノス王に献策を授け、寵愛を深めたものの王妃となった数日後にニノス王を毒殺した―――とされている。
彼女の根幹にあるのは、絶対的な他者への拒絶である。孤独は好まないが、孤高を好む彼女にとって、全ての人間は「無心で仕える者」でなくてはならない。味方側であるはずのサーヴァントたちが悉く彼女を嫌っているのも、その思想を敏感に感じ取っていたからだろう。
……が、「仕える者」でなく「共に歩む者」でありながら、セミラミスという存在そのものに全く関心を持とうとしなかった聖職者兼サーヴァントによって、彼女の想いは千々に乱れていく。
セミラミスにとって「美貌」ではなく「能力」を純粋に評価されるのは初めてだったから。最初はその態度に好感を抱き、次に妙な怒りを覚え、最後に生まれて初めて味わう感情―――切なさと言うべきものに胸を痛めた。
結局のところ、彼女が真に好むのは自分のことなどまるで顧みないで前に進む人間だったのだろう。……それを自覚したときには、既に遅かったのだけど。
第三魔法が成就した際には、世を統べる女王になる……とシロウには言われていたのだが、実のところそこまで世界の支配に拘っていた訳ではない。彼女が本当に求めていたもの、望んでいたもの―――それは女帝自身にすら、瀬戸際まで理解できないものだった。
毒婦が真に求めたものは純粋な水ということなのかもしれない。



Balmung[]

[v] Fate/Apocrypha material - Encyclopedia: Phantasmal Greatsword, Felling of the Sky Demon [Noble Phantasm], trang 179 [T]

Phantasmal Greatsword, Felling of the Sky Demon [Noble Phantasm]
Balmung. The Noble Phantasm of Saber of Black, Siegfried. The Nibelungs, a tribe which lived in an underground country, requested that Siegfried fairly and impartially divide up and distribute their treasure, and he accepted the request. Balmung was planned to be given to him as payment for this. However, two kings felt that the allocation of treasure was done unfairly (both kings felt they were being treated unfairly, so it’s highly possible that it was actually divided up fairly without Siegfried favoring either one) and fought Siegfried, but he killed them in return.
The remaining treasure which no longer had an owner became Siegfried’s, and Balmung also became his weapon. He wielded Balmung in every battle after that. It is also said that he won in the battle against Fafnir thanks to Balmung.
It is a sword of twilight that has reached A rank and possesses the quality of both a holy and cursed sword. Perhaps because it was owned by a king, it specializes in fighting against armies, shooting off a semi-circular slash wave. The blue jewel attached to the handle stores True Ether to use as a boost when activating the Noble Phantasm.
Now then, it does have a fast activation rate for a so-called beam weapon, but in a comparison of speed, Siegfried when he was alive was the fastest in activating it, with Sieg being the next fastest and the Servant Siegfried being the slowest out of them.
Sieg possesses the “Galvanism” ability, which the Servant Siegfried does not have, and can draw out the needed prana all at once when activating the Noble Phantasm. The living Siegfried, on the other hand, had his inborn disposition combined with the transformation of his heart due to being bathed in and drinking a dragon’s blood, so he could draw forth prana and fire the slash wave even faster than Sieg. Unfortunately, the moment he was summoned as the Servant Saber, that special characteristic of his was highly degraded.

幻想大剣・天魔失墜【宝具】
バルムンク。“黒”のセイバー、ジークフリートの宝具。地下の国に住む一族、ニーベルンゲン族が財宝の公平な分配をジークフリートに依頼し、彼はそれに応じた。この時報酬として予め渡されたのが、このバルムンクである。だが、財宝の分配は二人の王にとって不公平に感じられ(両者が共に不平を感じたらしいので、どちらかに肩入れすることなく公平に分配した可能性が高い)、ジークフリートと戦ったが返り討ちにされてしまった。
誰のものでもなくなった財宝はジークフリートのものとなり、バルムンクもまた彼の武器となった。以降、あらゆる戦いで彼はバルムンクを振るった。邪竜ファヴニールと戦った際も、このバルムンクで打ち倒したという。
Aランクに到達した、聖剣と魔剣両方の属性を持つ黄昏の剣。王が所有していたためか、対軍に特化しており、半円状の剣気を撃ち放つ。柄にある青い宝玉には、宝具発動のブースト用として真エーテルが貯蔵されている。
さて、いわゆるビーム兵器の発動速度であるが、生前のジークフリート→ジーク→サーヴァントのジークフリートの順番である。
ジークはサーヴァントのジークフリートにはない『ガルバニズム』を持っており、宝具を発動する際に必要な魔力を立ち所に引き出すことができる。生前のジークフリートはそもそもが竜の血を浴び、飲んだことによる心臓の変質と生まれついての資質が組み合わさって、ジーク以上の速度で魔力を引き出し、剣気を撃ち放っていたという。残念ながらサーヴァント、セイバーとして召喚された時点で、その特質はかなり欠落してしまった。



Bašmu[]

[v] Fate/Apocrypha material - Encyclopedia: Bašmu [Summon Creature], trang 179 [T]

Bašmu [Summon Creature]
The giant poisonous snake summoned by Semiramis, Assassin of Red, with the power of “Sikera Ušum: Arrogant King’s Alcohol”. It is one of the eleven demons birthed by the monster of Babylonian legend, Tiamat. It is a species of Divine Beast, the top of all Phantasmal Species, but even Semiramis wouldn’t be able to summon something so powerful in that rushed situation, so she only summoned its top-half.
If Shishigou hadn’t used a Command Spell on Mordred, she would have immediately died the instant Bašmu opened its mouth and released its poisonous breath.

バシュム【召喚生物】
“赤”のアサシン、セミラミスが『驕慢王の美酒(シクラ・ウシュム)』の力で召喚した大毒蛇。バビロニア神話の怪物ティアマトが生み出した十一の魔物、その内の一つ。幻想種の到達点、神獣の一種であるが、セミラミスでもさすがにあの一瞬でそれだけのモノが召喚できるはずもなく、上半身のみとなっている。
モードレッドに令呪を行使しなければ、バシュムが顎を開いて毒息を吐き出した瞬間に即死していただろう。



Berserker Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Berserker "Đen" [Servant], trang 163 [T]

Berserker "Đen" [Servant]
One of the Servants of the Black camp. Her true name is Frankenstein. Her source, it goes without saying, is Mary Shelly’s novel “Frankenstein: or the Modern Prometheus”.
She is a girl clad in a wedding-dress-like outfit. I think it’s very natural for people to point out “But Frankenstein was male in the novel!”, but her true role is to give birth to Adam… a male artificial human.
She is an artificial human—a homunculus made by Victor Frankenstein, a genius scientist and alchemist, using the power of lightning.
Perhaps due to being summoned by Caules, whose abilities were inferior compared to the rest of the Black camp, she isn’t that powerful as a Servant even with the Mad Enhancement of a Berserker.
Due to her unique skill “Galvanism”, she has the big advantage of efficiently replenishing her prana supply at an abnormally high rate, but since her prana supply is being taken care of by the homunculi in this war, that advantage is made useless. Her Noble Phantasm also only reaches B rank by making a suicide attack, while the rest of the time its destructive power is at best C~D rank. Most likely, she would be incapable of winning in either a normal Holy Grail War or the Great Holy Grail War unless she had great luck and her Master had excellent judgement.
Excluding Siegfried, she is the first Servant to leave the stage. Even her last act of unleashing her Noble Phantasm with the remainder of her power mustered forth should have ended up being meaningless, but—
Those who have read the final volume will know what happened regarding her afterwards. The Noble Phantasm she used bounced over to a new owner, saved the world, and brought Caules and the others victory.
She gives off the image of a large-breed dog that, despite never wagging her tail and always making a bored expression, desperately approaches people. Like how she always kept close to Caules when she walked behind him.
Due to having been rebuked for her lack of emotion, she tries to be sensitive of people’s feelings. When she noticed that Caules was painfully forcing himself to speak coldly as he used his final Command Spell, Frankenstein realized the seemingly miraculous fact that “someone would feel sorrow over her death”. That was, without a doubt, the first precious and beautiful experience in her entire life.
There is an extremely low possibility of a second Frankenstein being born due to her Noble Phantasm “Blasted Tree: Lightning Branch of Crucifixion”.
She drew out that possibility with her strong will.
Thought this is a digression, I think Fran-chan in “Capsule Servant” looks super cute as her head rolls off when she is defeated, but what do you think?

Fate apocrypha frankenstein caules

“黒”のバーサーカー【サーヴァント】
“黒”側のサーヴァントの一人。真名はフランケンシュタイン。出典は言わずとしれたメアリー・シェリーの小説『Frankenstein: or The Modern Prometheus(フランケンシュタイン、または現代のプロメテウス)』である。
ウェディングドレス風の衣装に身を包んだ少女。小説だと男だったじゃん!という至極もっともなご指摘があるかと思いますが、彼女は本来アダム……男の人造人間を産む役割を持っていたのだ。
天才的な科学者であり錬金術師でもあったヴィクター・フランケンシュタインが雷の力を利用して作った人造人間———ホムンクルス。
“黒”側で力量の劣るカウレスが召喚したせいもあってか、サーヴァントとしてはバーサーカーとして狂化した状態でもさして秀でたところがある訳ではない。
唯一、スキル『ガルバニズム』のせいで異常なまでに効率良い魔力供給が行えるのは大きなメリットだが、今回のホムンクルスたちによる魔力供給によってそのメリットも押し潰されている。宝具も自爆することでやっとBランク、しなければC〜Dランクの破壊力が精々という有様。恐らく、聖杯戦争においても聖杯大戦においても勝ち抜くには相当の幸運、マスターの判断力がなければ不可能だろう。
ジークフリートを除けば、真っ先に退場したサーヴァント。彼女が最後の力を振り絞って放った宝具すら、無意味なものとなったはずだったが———。
それ以降の彼女に関しては、最終巻を読んだ人間ならばご存じだろう。彼女の使った宝具が、巡り巡って世界を救い、カウレスたちに勝利をもたらしたのだ。
尻尾を決して振らず、いつもつまらなそうな顔をしてる癖に、やけに人に接近してくる大型犬のイメージ。カウレスの後ろを歩くときは、いつも距離が近いとか。
感情がないことを咎められたせいか、人の感情に敏感であろうとする。最後の令呪を使うカウレスが嫌になるほど冷徹な声を無理矢理出していることに気付いたとき、フランケンシュタインは「自分の死を誰かが惜しむ」という奇跡のよぅな出来事に気付いたのだ。それは間違いなく、生まれて初めての貴重で素敵な経験だった。
宝具『磔刑の雷樹』によって第二のフランケンシュタインが生まれる確率は極めて低い。
その確率を、彼女は強い意志で引き当てた。
余談だが「カプセルさーばんと」のフランちゃんは倒されると首がぼろんと転がって超可愛いと思うのだけど、どうか。

Fate apocrypha frankenstein caules



Berserker Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Berserker "Đỏ" [Servant], trang 151-152 [T]

Berserker "Đỏ" [Servant]
One of the Servants of the Red camp. A Servant truly worthy of the title of mad warrior, who completely ignored the plans of the other Servants and Masters and disappeared like a star after merely rampaging around. His true name is Spartacus, the strongest gladiator who raised a large-scale rebellion of slaves in Ancient Rome.
Spartacus was the leader of a revolt and led the other slaves as a skilled leader, but he always fought at the head of the front lines, and even when the revolt was subjugated by the army, he fought until his death. Perhaps due to that, Spartacus’ corpse is said to have been torn to pieces and never found anywhere on the battlefield afterwards.
Having been summoned as a Berserker, Spartacus is always thinking of only “rebellion”. Because of that, it is widely said that he is a Servant who wouldn’t hesitate to kill his own Master and whose “defeat is certain from the moment he is summoned” among the regular subspecies Holy Grail Wars—However, in truth, Spartacus wouldn’t actively revolt against his Master. His Mad Enhancement is EX rank and it is virtually impossible to come to a mutual understanding with him, but he is capable of judging whether his Master is an “oppressor” or not.
…The problem is that pretty much all the Masters who participate in the subspecies Holy Grail Wars are magi in the first place, and they are categorized as oppressors in the eyes of Spartacus.
If his Master was someone who “accidently got involved in the war”, it would be fully possible for Spartacus to fight at their side right until their defeat. Though I will not give names, he is particularly compatible with a certain red-haired boy. His battle is always against those above him and against himself, after all. Of course, it’s another matter entirely whether or not they would be able to achieve victory in the Holy Grail War.
Though the chances of it are low, should Spartacus be summoned as a Saber, even more caution (in terms of rebellion) would be needed against him, demonstrating how troublesome a Servant he is. But he might still have a chance of winning if he was chosen by a child who doesn’t know anything.

Fate apocrypha spartacus shirou

“赤”のバーサーカー【サーヴァント】
“赤”側のサーヴァントの一人。マスターや他サーヴァントの意図など全く無視して、暴れるだけ暴れた後に星のように消えていった、まさに狂戦士に相応しいサーヴァント。その真名をスパルタクス、古代ローマにて大規模な奴隷反乱を起こした最強の剣闘士である。
スパルタクスは反乱の首謀者であり、実質的な指導者として奴隷たちを率いたが最前線で戦い続け、軍によって反乱が鎮圧されたときも死ぬまで戦った。そのせいか、スパルタクスの死体はズタズタに引き裂かれ、戦場のどこにも見当たらなかったという。
バーサーカーとして召喚されたスパルタクスは、常に「叛逆」のみに思考を割いている。そのため、マスター殺しも辞さないサーヴァントとして通常の亜種聖杯戦争においては「召喚したら敗北確定」と称されている―――のだが。実のところ、スパルタクスはマスターに対して積極的に反乱を起こす訳ではない。彼の狂化はEXであり、意思疎通は実質的に不可能であるが、マスターが「圧制者かどうか」は判断できるのだ。
……問題は、そもそも亜種聖杯戦争に参加するようなマスターはほぼ間違いなく魔術師で、スパルタクスにとっては圧制者にカテゴライズされるのだが。「たまたま巻き込まれてしまった」ようなマスターであれば、敗北するまで共に戦うことは充分に可能である。特に、誰とは言わないが赤毛の少年とは相性が良いだろう。彼の戦いは常に格上との、そして自己との戦いであるからだ。もちろん、聖杯戦争に勝ち抜けるかどうかはまた別の話。
可能性は低いが、セイバーとして召喚された場合は、更なる注意(叛逆的な意味で)が必要なのがこのスパルタクスの厄介なところなのだが。いっそのこと、何も知らない子供がマスターに選ばれた方がまだ勝ち残りの目が見えてくるかもしれない。

Fate apocrypha spartacus shirou



Bram Nuada-Re Sophia-Ri[]

[v] Fate/Apocrypha material - Encyclopedia: Bram Nuada-Re Sophia-Ri [Person's name], trang 182-183 [T]

Bram Nuada-Re Sophia-Ri [Person's name]
Sola-Ui’s younger brother, who existence is briefly referenced in “Fate/Zero”. He is an utterly spoiled son of a rich family who inherited the Magic Crest of the Sophia-Ri family. A rough drawing of him should be included somewhere in this section. I believe it’s a drawing that really gives off the image of a guy full of confidence and pride, yet who will be inevitably dragged into a tragedy at some point, but what do you think?
His abilities are first rate, but he has somewhat of a trauma due to how his (future) brother-in-law went out full of confidence and yet came back in a wretched state in the past. In this Great Holy Grail War, he had the duty of collecting the catalysts for summoning Heroic Spirits. The fact that he gathered that many catalysts in such a short time was largely because the Sophia-Ri had secretly concealed and stored many of them and because he made use of his family’s connections to get the rest. It goes without saying that the collection of so many catalysts at once is limited to “Apocrypha” alone.

Bram Nuada-Re Sophia-Ri

ブラム・ヌァザレ・ソフィアリ【人名】
「Fate/Zero」において、存在だけは言及されていたソラウのお兄さん。ソフィアリ家の魔術刻印を継承した、いいとこのボンボン。一応ラフがこの項目かどこかに掲載されているはず。自信満々そう、プライド高そう、そして多分何かの拍子に惨劇に巻き込まれそう、なイメージ通りのラフだったと思うのですが、どうか。
実力は一級品であるが、信じて送り出した義弟(予定)の男がそれはそれは無惨な状態で戻ってきたのが若干トラウマ。今回の聖杯大戦では、英霊召喚のための触媒を集める役割を担当した。短期間であれほどの触媒を掻き集められたのは、ソフィアリ家が密かに隠匿していたものや、名家としてのコネクションを活かせたのが大きい。言うまでもなくこれほどの触媒を揃えていたのは「Apocrypha」限定のお話である。

Bram Nuada-Re Sophia-Ri



Bridal Chest & Blasted Tree[]

[v] Fate/Apocrypha material - Encyclopedia:
A Maiden's Chastity [Noble Phantasm]
The Lightning Tree of Crucifixion [Noble Phantasm], trang 182 [T]

A Maiden's Chastity [Noble Phantasm]
The Lightning Tree of Crucifixion [Noble Phantasm]

Bridal Chest.
Blasted Tree. The Noble Phantasm of Berserker of Black, Frankenstein. To be precise, “Bridal Chest” is the Noble Phantasm, and “Blasted Tree” is a derivative of it. “Bridal Chest” serves as Frankenstein’s heart. Viktor took out her heart and modified it into a sturdy mace. Through a remote link, “Bridal Chest” provides Frankenstein with enormous power by sucking in the residual prana in the environment. It is a pseudo-Type II Perpetual Motion Machine. “Blasted Tree” is an Anti-Army Noble Phantasm that uses the prana from “Bridal Chest” and converts it into lightning, before discharging it all at once.
Since she is a modern era Heroic Spirit, its output is low, but as you already know, this Noble Phantasm served an extremely crucial role in the novels.
This is a digression, but the lack of the skill “Galvanism” in Frankenstein’s Servant data in the third volume was a mistake. I’m very sorry for that.

乙女の貞節【宝具】
磔刑の雷樹【宝具】

ブライダル・チェスト。
ブラステッド・ツリー。“黒”のバーサーカー、フランケンシュタインの宝具。正確には『乙女の貞節』が宝具で、『磔刑の雷樹』はその派生技である。『乙女の貞節』はフランケンシュタインの心臓にあたる。ヴイクターは彼女の心臓を抜き出し、頑丈な戦鎚に加工した。遠隔接続されていて、『乙女の貞節』は周囲の残存魔力を吸収することで、フランケンシュタインに絶大なパワーを与えている。擬似的な第二種永久機関。『磔刑の雷樹』は『乙女の貞節』の魔力を使用して雷雲を形成、一気に放電させる対軍宝具。
近現代の英霊であるため、威力は低いものの本作で極めて重要な役割を担ったのはご存じの通り。
余談ですが、三巻のサーヴァントデータで『ガルバニズム』のスキルが抜けていたのはミスです。申し訳ない。



Bronze-Link Manipulators[]

[v] Fate/Apocrypha material - Encyclopedia: Coupled Reinforcement Mystic Codes [Others], trang 183 [T]

Coupled Reinforcement Mystic Codes [Others]
Bronze-Link Manipulators. A Mystic Code that Fiore designed herself. It takes over the role of her paralyzed legs. It consists of four prosthetic arms equipped to her back. It was forged using a special alloy that easily conducts prana and is possessed by four animal (dog) spirits, so while Fiore can move them according to her will, the arms also move automatically to protect their master.
Unlike the Volumen Hydrargyrum that Kayneth El-Melloi designed, its movement pattern memories are kept to a minimum. When too many movement patterns are recorded into it, it exceeds the thought process limit of the animal spirits. In other words, it is slightly inferior to Volumen Hydrargyrum in terms of attack power. In exchange, its defense—its function to protect its master fully uses the reflex speed of the animals, so it can’t be broken through with a normal Mystic Code.
When she controls it herself, the prana burden is quite large, but when it’s switched to auto-mode, the prana burden is lessened. It is best described as a Mystic Code whose defensive aspect is more strongly ironed out than its offense.
Incidentally, this is a secret to everyone besides Caules, but Fiore gave each arm the pet names Aster, Blanca, Comet and Wolf respectively.

接続強化型魔術礼装【その他】
ブロンズリンク.マニピュレーター。フィオレが独自に考案した魔術礼装。動かない両足の役割を果たしている。背中に装着する四本の義腕。魔力を通しやすい特殊合金で鍛造されており、一本の腕につき一体、合計四体の動物霊(犬)を憑依させることで、フィオレの意のままに動きつつも、状況によっては自動的に動いて主人を守る魔術礼装。
ケイネス・エルメロイが考案した月霊髄液(ヴォールメン・ハイドラグラム)とは異なり、行動パターンの記憶は最低限に留まっている。これはあまりに多用な行動バターンを記憶させようとすると、動物霊の思考能力の限界を凌駕してしまうため。つまり攻撃力という面では、月霊髄液にはやや劣る。その代わり、防衛———主人を守るという点に関しては、動物の反射速度をフル活用するため、並大抵の礼装では打ち破れない。
自分で操作すると魔力の負担はそれなりに大きいが、自動機能に切り替えると魔力の負担は軽減される。攻撃といぅよりは、防衛の側面が強く打ち出された礼装であると言えよう。
ちなみにカウレス以外には秘密にしているが、四本の義腕にはそれぞれアスタ、ブランカ、コメット、ヴォルフ、とペットとしての名前をつけている。



Casa Di Logistilla[]

[v] Fate/Apocrypha material - Encyclopedia: Declaration of Complete Destruction [Noble Phantasm], trang 158-159 [T]

Declaration of Complete Destruction [Noble Phantasm]
Casa Di Logistilla. One of the cheat Noble Phantasm of Rider of Black, Astolfo. A witch specially gave it to Astolfo after being charmed by him. This book, containing written within it the means to destroy all spells, can grant A rank Magic Resistance just by possessing it.
Not only that, if its true name is invoked—in other words, if the book is read, one can drag out the possibility of destroying any spell. It could perhaps be called a form of “Eye of the Mind” limited to magecraft. It is the Noble Phantasm that represents the cheat-ness of Astolfo.
Because Astolfo irresponsibly called it by the name “Luna Break Manual”, its true power invoked by its true name didn’t appear until volume 5. Even leaving that aside, it is such an outrageous Noble Phantasm that, if someone like the Witch of Colchis knew about it, she would put him on her list of people to immediately kill at the earliest opportunity.

破却宣言【宝具】
キヤッサー・デ・ロジェスティラ。“黒”のライダー、アストルフォのチート宝具、その一。魔女がアストルフォに惚れ込み、特別に手渡したもの。あらゆる魔術を打破する手段が書いてあるこの本は、ただ所有しているだけでAランクの対魔力スキルを獲得することができる。
そればかりではなく、真名を発動させる―――つまり、本を読めばあらゆる魔術を打破する可能性を引き摺り出す。魔術限定の「心眼」とでも呼ぶべきか。アストルフォのチートっぷりを代表するような宝具。
アストルフォはこれを「ルナ・ブレイクマニュアル」と適当な呼称をしていたがため、真名発動による真の力が発揮されることは、五巻までなかった。それを抜きにしても、コルキスの魔女さんとかが知ったら、即マジ殺すリストに掲載されるであろうほどにひっでー宝具である。



Caster Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Caster "Đen" [Servant], trang 161-162 [T]

Caster "Đen" [Servant]
One of the Servants of the Black camp. His true name is Avicebron, but his official name is Solomon ben Judah ibn Gabirol. He was a philosopher, poet and Kabbalist, a magus who used the magecraft branch of Kabbalah, from the 11th century. He also has the nickname of “Plato of Judea”.
It doesn’t need to be said, but he’s completely unrelated to Solomon, the son of David who was served by 72 demons. Fearing that their names might get mixed up, I decided to use “Avicebron” instead.
As a Caster-class Servant, he is the type that’s a bit hard to handle. He is basically loyal to his Master, but great expense and time is needed in order for him to display his full abilities. Darnic had Roche summon Caster first because a large amount of time and a budget great enough to bankrupt a regular magus ten times over was needed just to construct his workshop for making golems. However, once he gets on track, he can create golems for making more golems, so perhaps not being too concerned about labor cost is a virtue for him.
He was weak and feeble due to suffering from many illnesses, and his skin disease was especially serious. As a result, it is said that he was pessimistic and gloomy, and in the novels he fully displays that personality. After all, even when he died, he kept wearing his mask and never revealed his face.
According to history, Avicebron is said to have imparted his philosophical ideas from Arabia to Europe. Also, he created the word “Kabbalah” from the Hebrew word for “receiving”.
According to legend, he made a female-type golem to take care of his daily household chores and necessities. In these novels, he tried to create the “first human Adam”, similar to Victor Frankenstein. However, unlike Victor, who simply acted out of ambition, Avicebron’s goal was to sweep away the suffering of his people and attain true Eden.
His personality is timid and cool-headed. While he understands his own weakness, his ardor in participating in the Holy Grail War was unusually great. However, his objective was mostly granted by creating and activating “Adam”. How “Adam” would act after that was something unrelated to him.
Even if he was destroyed, Avicebron would merely accept that result.
The reason he joined sides with the Red camp is, rather than for the sake of self-protection, because his objective wouldn’t be achieved if he remained with the Black camp, so he chose the better choice.
The reason he was pierced by Archer of Black’s arrow with practically no resistance is partly due to his weak physical strength, but also he had already resolved himself to become nourishment for “Adam”. Fighting alongside a Master who respected him didn’t feel bad to him at all, but even so, he couldn’t defy the temptation of to have his wish, which he had devoted his entire life to, finally within reach. And he simply thought that he should pay reparations for that choice. For Avicebron, his own life was worthless in his eyes. To put it more accurately, the moment his Noble Phantasm was completed, he logically concluded that his value had become zero.
According to legend, he was killed by a man jealous of his poetic talent and was buried beneath the roots of a fig tree. It is said that the nearby people who thought it was strange that the fig tree was producing such overly sweet fruit dig it up, thereby exposing the man’s crime—

“黒”のキャスター【サーヴァント】
“黒”側のサーヴァントの一人、真名はアヴィケブロンだが正式な名前はソロモン・ベン・ユダ・イブン・ガビーロール。十一世紀の哲学者、詩人、そして魔術の一ジャンルであるカバラを扱うカバリストであった。ユダヤのプラトン、という異名も持つ。
言うまでもないが、ダビデの息子であり七十二の悪魔を使役したソロモンとは全く何の関係もない。名前で混同されることを恐れて「アヴィケブロン」の方を推すことにした。
サーヴァント、キャスターとしてはやや扱いづらいタイプだろう。基本的にマスターの命に忠実であるが、彼の本領を発揮するためには莫大な費用と時間が必要になる。ダーニックがロシェにキャスターを先行して召喚させたのも、ゴーレムの製造工場を構築するだけで並の魔術師が十回破産する程度の予算とかなりの時間が必要となるから。ただし、一度軌道に乗ると、ゴーレムがゴーレムを造るようになるので人件費はあまり考慮しないでいいのが長所か。
虚弱で病を患うことが多く、中でも皮膚病が重かった。そのためか厭世的、悲観的であったと伝えられており、本編でもその性格を遺憾なく発揮している。何しろ死んでも仮面を取ってその顔を晒すことがなかった。
史実において、アヴィケブロンは哲学的な思想をアラビアからヨーロッパに伝えたとされている。また、へブライ語の「受け取る」という言葉から「カバラ」という言葉を生み出した。
伝説では身の回りの家事をさせるため、女性型のゴーレムを鋳造したという。本作では、ヴィクター・フランケンシュタインと同じく『原初の人間(アダム)』の創造に挑戦する。ただし、功名心のみで動いたヴィクターとは異なり、彼が目指したのはあくまで自身の民族の受難を打ち払い、真の楽園に到達させるためだった。
性格は小心者にして冷徹。自身の弱さを理解しつつも、聖杯戦争に賭ける意気込みは人一倍だった。ただし、その目的は『原初の人間』を鋳造、始動させたことで大部分が叶った。そこから先、『原初の人間』がどのように動くかは、彼には無関係の事柄だったからだ。
彼が滅びたとしても、その結果を受け入れるだけ。
“赤”と手を組んだのは保身というよりも、“黒”の側に居たままでは成立しない、よりベターな選択をチョイスしたから。
“黒”のアーチャー(ケイローン)の矢にほぼ無抵抗で突き刺されたのは、本人の実力もさることながら、既に糧となる覚悟を決めていたため。彼にとって、自らを尊敬するマスターと共に戦うのは決して悪くはない気分だったが、それでも人生全てを擲った己の希望が、手の届くところにあるという誘惑には逆らえなかった。そしてその選択の代償を支払うべきと考えただけだった。アヴィケブロンにとって、自分の命など価値がない。より正確に記すと、宝具を完成させた時点で、自分の価値がゼロになったのだと論理的に帰結したのだ。
伝説によると彼の詩才を嫉んだある男によって殺され、イチジクの樹の根元に埋められたとされる。イチジクがあまりに甘美な実をつけるのを不思議に思った人間たちが掘り返し、男の罪が露見したとか———。



Caster Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Caster "Đỏ" [Servant], trang 150 [T]

Caster "Đỏ" [Servant]
One of the Servants and masterminds of the Red camp. He has the lowest position among the masterminds. After all, the way he betrayed his Master after saying “Hmm, this Master seems still and uninteresting. Eh? Saving the entire world? My, that seems fun. I’ll help, I’ll help!” is essentially the impulsive and unpredictable action of a young man.
His true identity is the famous ultra-literary master, William Shakespeare. There’s no need to talk about the details about his background at this point; he’s one of the most well-known writers in the world, after all. Writer-type Servants are pretty much all idiosyncratic and hard to deal with, and naturally he’s also one of them. He has no fighting power, but he’s the best when it comes to powering up his Master. The more of a character that his Master is, the more his writing excels, or so he says. In other words, strengthening his Master and having him fight as an Assassin is Shakespeare’s style of fighting in a Holy Grail War. Naturally, no matter how much he strengthens his Master, the chances of them beating a Servant is extremely low—but it’s said that he managed to bring about that unlikely possibility just once in one of the subspecies Holy Grail Wars.
He loves the stories he writes beyond anything else, and he spares no love for his characters. On the other hand, he finds mediocrity unpleasant. By the way, his definition of “mediocre” is not based on someone’s abilities or appearance. The ones he calls mediocre are the people who don’t decide, the people who don’t choose, the people who defer and put things on hold, and the people who aren’t deeply moved by the miracle of living every day.
Though it’s repetitive to say, he has absolutely no fighting power. However, his fame has spread across almost the entire world, and the illusions created by the “theatrical troupe” are a form of magecraft that, though incapable of dealing direct damage, is perfect for wreaking chaos and confusion. Well, he also sometimes sends his own allies into disorder as well, though.
The final words he said at the moment of his death are one of the few true and honest words said by this man who normally glosses everything over with beautiful lines of literary. Shakespeare actively worked as an actor alongside his career as a playwright. So he probably couldn’t help but burn with the desire to act as the leading actor on the grand stage of the Great Holy Grail War.
Incidentally, in the prototype version of “Fate/Apocrypha”, his Noble Phantasm’s name was the same, but its role was greatly different. During the initial plot when Shakespeare was supposed to be an ally, there was a scenario where “just as the protagonist is about to die, his Servant Shakespeare activates his Noble Phantasm and somehow manages to find a way to survive”, but the idea was quickly discarded.

“赤”のキャスター【サーヴァント】
“赤”側のサーヴァント、黒幕衆の一人。黒幕衆の中ではもっとも格下。何しろ「う一ん、このマスターなんか堅苦しくて面白くなさそうだなー、え?全世界救済?何それ面白そう。やるやるー!」という裏切り方は若者の衝動的突発的な行動そのものである。
正体は名高きウルトラ文豪、ウィリアム・シェイクスピア。詳細に関しては今更語るまでもない、世界でもっとも知られている作家の一人である。いわゆる作家系サーヴァントは一癖も二癖もある連中ばかりだが、当然彼もその類の人間だ。戦闘能力はないが、マスターをパワーアップさせることにかけては天下一品。マスターが変わり者であればあるほど、その文章も冴え渡るとか。つまり、マスターを強くさせることでマスター自身がアサシンとして攻めていくのが、聖杯戦争における彼のスタイルである。当然ながらマスターをいくら強くしたところで、サーヴァントに勝てる確率は極めて低いのだが———その低い確率を、一度だけ亜種聖杯戦争で引き当てたことがあるとか。
自分が書く物語をこよなく愛し、登場人物にも惜しみない愛情を注ぐ。その一方、凡庸を疎ましく思う。ちなみに彼の考えるところの「凡庸」とは能力容姿に依るものではない。決断しない人間、選択しない人間、保留する人間、日々生きていくという奇跡に感動を抱かなくなった人間をこそ、凡庸と呼ぶのである。
繰り返しになるが戦闘能力は皆無である。しかし、その知名度はほぼ世界全域に広がっており、彼の操る「劇団」による幻影は直接的な被害は皆無とはいえ、混乱させるにはもってこいの魔術だ。まあ、たまに味方側も混乱に陥れるのだが。
彼の最期のセリフは、普段あらゆることを美麗な文章というオブラートに包んで誤魔化す彼の、数少ない本音の一つである。シェイクスピアは劇作家の活動と並行して俳優としても活躍していた。聖杯大戦という大舞台で、中心人物として活躍したいという願いが点ったとしても、仕方のないことだろう。
ちなみにプロトタイプ版「Fate/Apocrypha」とでは、宝具の名前は同一だが役割は大きく異なっている。当初、シェイクスピアを味方側にするプロットがあった際には「主人公が死ぬ寸前にサーヴァントであるシェイクスピアが宝具を発動させ、どうにか生存の道を探る」というシチュエーションもあるにはあったのだが、サクサクと没に相成った。



Caules Forvedge Yggdmillennia[]


[v] Fate/Apocrypha material - Encyclopedia: Caules Forvedge Yggdmillennia [Person's name], trang 157-158 [T]

Caules Forvedge Yggdmillennia [Person's name]
A Master of the Black camp, and a member of the Yggdmillennia clan. He comes from the Forvedge family. He specializes in summoning low-class spirits, insects and animals. Fiore was born with exceptional Magic Circuits that appear in someone only once in a hundred years, but since it was uncertain whether the paralysis of her legs could be cured, the present head of the Forvedge family had his wife give birth to Caules as both a spare successor and a caretaker for Fiore.
Unfortunately, a miracle didn’t occur a second time, and when he saw Caules’ mediocrity that embodied the decline of the Forvedge family, the family head decided that Fiore should be made the successor even if her legs didn’t function and ordered Caules to be her caretaker.
Caules himself studied magecraft while half-resigning himself to a carefree life. But as time went on, he began to feel a slight sense of impending crisis not only in Fiore, but the entire Forvedge family. It was fine for their parents to thoroughly drive the teachings of magecraft into Fiore by personally educating her, but as a result, Fiore ended up growing up as an unfortunate young lady who did not know a single thing outside of magecraft…!
Therefore, the only thing he could do was meddle in his older sister’s affairs as a helpful younger brother. Even during the Holy Grail War, he went with Fiore to Romania as her backup. There, Command Spells appeared on him and he ended up being made in charge of Berserker.
He essentially followed the creed that magecraft is an accessory to human life, and he had not the slightest intention to devote his entire life to magecraft. But, his slightly pessimistic way of thinking seems to have greatly changed over of the course of the Great Holy Grail War. His way of thinking is simple and dry, and if he were to have faced his sister in a regular Holy Grail War, Fiore would have forever despaired after killing him, but Caules would have resolved himself after having first despaired and unhesitatingly killed her. In other words, his consciousness as a magus is greater than Fiore in a certain sense.
At the same time, Caules also has abundant present-day knowledge, and he was the one to teach Fiore about cell phones. By daring to rely on technology, he gained some leeway and flexibility in that area, and he tried to expand his poor specs as a magus even slightly. Though he has much more leeway after having the family’s Magic Crest transplanted in him, he is still far from being a first-class magus.
After the Great Holy Grail War, he spent his days in shame while being watched by the Association of Magi in London… However, one day, Caules had his class changed with a single phrase by a certain long-haired and mean-eyed person with a very high position, who told him, “Why are you studying this kind of magecraft which doesn’t suit you? Your talent is much more suited to this, you know?”, and before he realized it, he was surrounded by classmates who were dangerous in terms of both talent and personality while he was still in a daze.
“No way, I want to live a normal and mediocre life. I don’t want to get involved with these people.” Dear Caules-kun thought this while sighing softly as he gave a sidelong glance at the optimistic and thoughtless genius who was making a ruckus in a nearby seat.
…It seems that person will be making an appearance in a different work soon, but don’t mind, don’t mind.

Fate apocrypha waver caules

カウレス・フォルヴェッジ・ユグドミレニア【人名】
“黒”のマスター、ユグドミレニア一族の一人。連なる家系はフォルヴェッジ家。低級霊や昆虫、動物の召喚を得意としていた。フィオレが百年に一人輩出できるかどうかという類い希な魔術回路を持って生まれたものの、彼女の両足がどうなるか不安になったフォルヴェッジ家当主が予備の後継者兼フィオレの世話係として妻に生ませたのがカウレスである。
残念なことに奇跡が二度起こるはずもなく、フォルヴェッジ家の衰退を象徴するような平凡さに、足が動かなくともフィオレを後継者にするべきだと当主は判断し、カウレスは世話係に任じられた。
本人としては気楽な人生と半ば諦めの境地で魔術を学んでいた。だが、その内にフィオレだけでなく、フォルヴェッジ家に微妙な危機感を持ち始める。何しろ両親手ずからの教育によって、フィオレに対して徹底的に魔術を叩き込んだはいいが、彼女は魔術以外のことを何一つ知らない残念系お嬢さまに成長してしまっていたのだ……!
そんな訳で、弟としては姉の世話を焼くしかなかった。聖杯戦争の際も、フィオレのバックアップとして彼女と共にルーマニアへ。そこで令呪が発現してしまい、バーサーカーを任せられることになった。
基本的に魔術は人生の付属品と考える主義であり、人生全てを魔術に捧げる気は毛頭無かった。だが、聖杯大戦を経てそのやや厭世的な考え方も色々と変化した模様。地味に考え方がドライで、通常の聖杯戦争で姉と対立した場合、殺害した後に延々と絶望するのがフィオレだが、一通り絶望した後に心を決めて躊躇なく殺害するのがカウレスである。つまりある意味で、フィオレより魔術師としての意識は高い。
同時に現代知識も豊富で、フィオレに携帯電話を教え込んだのはカウレス。あえて機械に頼ることでその部分に余裕を持たせ、少しでも自身の乏しい魔術スぺックを拡張しようとしていた。刻印移植で随分余裕ができたものの、それでもまだまだ一流には程遠い。
聖杯大戦の後、ロンドンの魔術協会にて見張られながら忸怩たる日々を過ごしていた……のだが、ある日ロン毛で目つきが悪いとっても偉い人に「何でお前そんな向いてない魔術を学んでるの?お前の才能的にはこっちの方がよくね?」と教室を一言で変更され、気付けばあれよあれよという間に能力的にも性格的にもデンジャーなクラスメイトたちに囲まれていた。
「いやだなあ、平凡に暮らしたいなあ。巻き込まれたくないなあ」と思いつつ、近くの席で騒いでいる能天気な天才を横目にそっと溜息をつくカウレス君であった。
……何かその内、別作品に出張してそうですが気にしない気にしない。

Fate apocrypha waver caules



Celenike Icecolle Yggdmillennia[]


[v] Fate/Apocrypha material - Encyclopedia: Celenike Icecolle Yggdmillennia [Person's name], trang 173-174 [T]

Celenike Icecolle Yggdmillennia [Person's name]
I’m sorry, Mr. Mashin. (TL Note: This is the author of the manga “Fate/school life”. This is most likely referencing how Mashin is known to be a fan of Celenike and apologizing for how she died.)
…One of the Masters of the Black Camp. She is a magus of cursing techniques who curses her enemies to death. She has great skill, but she fails in terms of personality. She also possesses abundant knowledge of the modern era and has even tried to curse people to death on the computer through the electronic network.
In the Icecolle family’s dark arts rituals, it is the one that kills the sacrifice rather than the sacrifices themselves that must fall into a trance state. They always watch and deal with the other person with ice-cold eyes. It is the same as taking a solemn attitude towards the lives of living creatures when cooking meat.
It is the correct way to act when facing those who will become sacrifices—at the very least, the Icecolle family teaches this doctrine.
But still, perhaps they sacrificed too many people. Gradually, the thread of curses binding the Icecolle family became too thick and strong, and the additional factor of them moving their territory caused them to suddenly decline. Though the other members of the Icecolle family noticed Celenike’s distortion, they chose to shut their eyes to her sadistic hobbies due to her rare talent.
That pampering became the underlying cause that led her to prioritize her personal desire in the midst of the Great Holy Grail War and meet a tragic end… Well, she serves as an example that shows how magi who mistake the objective of their training end up like this. Or perhaps the sacrifices that the Icecolle family had killed until then had aimed to balance accounts in this way.
There are two flaws to cursing someone. No matter how well you curse someone to death without exposing your actions—that curse will eventually rain down upon the curser on a whim. Celenike just happened to receive the backlash this time.

セレニケ・アイスコル・ユグドミレニア【人名】
磨伸先生ごめんなさい。
……“黒”側のマスターの一人。相手を呪い殺す呪術系統の魔術師。腕は良いが、性格的には破綻している。近現代の知識も豊富で、電子ネットワーク越し、コンピュータによる呪殺なども試みていた。
アイスコル家の黒魔術儀式においては、生贄がトランス状態に陥るならともかくとして、生贄を捧げる側がトランス状態に陥ってはならないとされていた。常に水の眼で相手を見据えて処理する。それは食肉を調理する際に、生物の命に対して厳粛な態度を持つのと同じこと。
生贄になる者に相対する際の、正しい在り方なのだ———少なくとも、アイスコル家はそう教えていた。
だが、やはり生贄にした数が多すぎたのか。次第にアイスコル家に絡まっていく呪いの糸は太く強く切れなくなり、土地を移動したことも含めて一気に衰退してしまった。アイスコル家の人間はセレニケの歪みに気付いていたものの、類い希な才能に加虐趣味に関しては目をつむることにした。
そんな甘やかしが遠因となり、聖杯大戦中に自身の欲望を優先させてあえない最期を遂げる。……まあ、教育方針を誤った魔術師はこうなるよね、という見本。あるいは、アイスコル家がこれまで殺してきた生贄たちが、帳尻を合わせようと狙っていたのかもしれない。
人を呪わば穴二つ。どれほど上手く、露呈せずに相手を呪い殺せたとしても———その呪いは、いつしか気紛れに呪った側へと降り注ぐ。それが、たまたま今回のセレニケだったのだろう。



Clarent[]

[v] Fate/Apocrypha material - Encyclopedia:
Radiant and Brilliant Royal Sword [Noble Phantasm]
Rebellion Against My Beautiful Father [Noble Phantasm], trang 159 [T]

Radiant and Brilliant Royal Sword [Noble Phantasm]
Rebellion Against My Beautiful Father [Noble Phantasm]

Clarent.
Clarent Blood Arthur.
Together, they are Mordred’s Noble Phantasm. It was originally a sword stored in King Arthur’s treasury. But Mordred broke into the treasury when she caused her rebellion. Perhaps being interested in it as the “sword that symbolizes royalty”, she came to favor using it.
It was originally a B rank sword bestowed during the succession of kingship, used to amplify the king’s authority… the king’s royal aura. Concretely, it raises the owner’s physical stats by one rank, and grants and raises the skill “Charisma”. However, since Mordred was never acknowledged as king, the sword itself is lowered by one rank and she cannot acquire any bonuses while wielding it.
However, the ability of “amplification” itself has not been lost, so Mordred drives her excessive hatred into the sword in the form of prana, thereby amplifying it and allowing her to shoot it as an attack.
To make it easy to understand, “Clarent Blood Arthur” is an application of “Prana Burst”, and the red lightning that it manifests are her twisted feelings towards her father that have been amplified by the sword.
In the light novels, her discord with the King of Knights was (one-sidedly) resolved, but she can still shoot it regardless of her feelings towards her father. In that regard, she possesses the innate talent inherited from the blood of the King of Knights.

燦然と輝く王剣【宝具】
我が麗しき父への叛逆【宝具】

クラレント。
クラレント・ブラッドアーサー。共にモードレッドの宝具。元々はアーサー王の宝物庫にしまわれていた剣だが、モードレッドは反乱を起こした際に、宝物庫に乱入。「王権の象徴たる剣」という点が気に入ったのか、これを愛用した。
本来は王位継承の際に与えられるBランク相当の剣であり、王の威光……王気(オーラ)を増幅するために使われる。具体的には身体ステータスの1ランク向上、スキル『カリスマ』の取得などが挙げられる。が、モードレッドは王として認められた訳ではないので剣自体が1ランクダウン、装備した際のボーナスも獲得できていない。
しかし「増幅」という機能は失われた訳ではないので、モードレッドはその有り余る憎悪を魔力という形で剣に叩き込み、増幅させて撃ち放っている。
分かりやすく言うと、『我が麗しき父への叛逆』は『魔力放出』の応用であり、出現する赤雷は増幅させることで歪んだ父への想いそのものなのである。
本編で騎士王との確執は(一方的に)解消されたものの、既に何度も使用したことでコツを掴んだために、父への想いとは無関係に撃ち放つことができる。何だかんだで、騎士王の血を引く天才なのである。



Crying Warmonger[]

[v] Fate/Apocrypha material - Encyclopedia: The Howl of the Wounded Beast [Noble Phantasm], trang 159 [T]

The Howl of the Wounded Beast [Noble Phantasm]
Crying Warmonger. The continuously active Noble Phantasm of Berserker of Red, Spartacus. It is the type where his legend itself was sublimated and turned into a Noble Phantasm. There is actually a huge difference in how this Noble Phantasm is used depending on whether he is summoned as a Berserker or a Saber. When he is summoned as a Berserker, it turns the wounds he receives from enemies into prana and accumulates it in his body to boost or heal himself.
However, during the Great Holy Grail War, perhaps due to his connection to the present world—his line being complex, the Noble Phantasm’s conversion rate went out of control and turned him into something unbelievable.
Incidentally, if he was summoned as a Saber, it would have stabilized into the more respectable ability of “restoring his vitality and prana when he successfully endures the enemy’s attacks and also invalidating or reflecting back any more of the same attacks thereafter”. Though this would have been threatening enough on its own.
Either way, the longer a battle is prolonged, the more advantageous it is for Spartacus. The only way to beat him is in a short decisive battle.

疵獣の咆吼【宝具】
クライング・ウォーモンガー。“赤”のバーサーカースパルタクスの常時発動型宝具。伝説が昇華されて宝具化したタイプ。実はバーサーカーとして召喚された場合と、セイバーとして召喚された場合で、宝具の用途が大きく異なる。バーサーカーとして召喚された場合、敵から受けた傷を魔力に変換し、体内に蓄積してブーストや回復などに転用するもの。
もっとも聖杯大戦の際は現世との繫がり―――因果線(ライン)が複雑だったためか変換効率が暴走して、とんでもないことになったのだが。
ちなみにセイバーとして召喚された場合は、もっと真っ当な「相手の攻撃に耐え抜くことに成功すると体力、魔力を回復し、更に次以降の同じ攻撃は無効化もしくは反射する」というものに落ち着いただろう。もっとも、これでも充分に脅威的ではある。
いずれにせよ、長期戦になればなるほどスパルタクスは有利になっていく。彼を仕留めるには、短期決戦に限るだろう。



Darnic Prestone Yggdmillennia[]


[v] Fate/Apocrypha material - Encyclopedia: Darnic Prestone Yggdmillennia [Person's name], trang 174-175 [T]

Darnic Prestone Yggdmillennia [Person's name]
A Master of the Black camp. The one who stands at the top of Yggdmillennia. He has the highest rank of Grand, but this is an unusual occurrence that only happened in the “Apocrypha” world. This is because the number of magi in the “Apo” world is sharply dropping due to so many subspecies Holy Grail Wars having occurred. As a consequence of this, almost all the magi who have survived them have slid up one rank higher than their original rank. Darnic, who is at Pride rank, didn’t let this chance slip away and used his skilled forked-tongue to reach “the Grand rank as an honorary position different from the proper Grand rank in commemoration of his achievements to the Association, even though ability-wise he is not at Grand rank.” What’s with this trend that’s like chilly oil which was popular for a certain time? …It’s only natural, though, since Old man Darnic’s Grand rank isn’t something that a true Grand-ranked magus would ever acknowledge.
Darnic himself wasn’t especially concerned with the honor or fame either. He only sought it out because he simply deemed that possessing the Grand rank would be more advantageous for him when acting independently.
However, that doesn’t make Darnic weak; rather, it’s the exact opposite. Fiore also possesses noticeable talent, but she can’t compare to Darnic in terms of tenacity, talent and experience together as a whole. In a normal Holy Grail War or a battle between magi, Darnic would definitely be the winner. The Master of the Red Camp might be able to beat him if they cooperated together, but even that is an uncertainty.
 He mainly researched human souls and even managed to succeed in fusing with the soul of a Heroic Spirit in the end. Of course, it was an emergency measure, and his true final goal with it was to raise the accuracy and precision as much as possible and create a “magus who possesses the power of a Heroic Spirit while maintaining the mind of Darnic”.
Also, he is first-class as a magus, but he is first-class as a politician as well. There is an American term used to mock lawyers called Ambulance Chasers, those who follow ambulances and try to get victims to make a lawsuit, but Yggdmillennia was similar to that as well. Apparently, Darnic immediately brought magi who had been crushed in the subspecies Holy Grail wars into his faction and steadily increased the clan’s power and influence behind closed doors.
He isn’t the type of person to extend great effort by choice, but you can glimpse his extraordinary vindictiveness in the way he worked to bring about his revenge for being belittled over the course of many decades. He also feels some slight sympathy for his clan as the head of Yggdmillennia, so the “tenacity of magi who have been driven away to the far corners of the world” may have accumulated within Darnic as a result.
If he never managed to get a hold of the Holy Grail and had simply lived as an ordinary magus, the personality of “Darnic Prestone” would have completely diluted away after living for two hundred years, until only a steel-like magus with the name “Yggdmillennia” was left.
…Even if that happened, Darnic wouldn’t have hesitated in following that path as long as he was able to get closer to the Root as a result. However, would the “personality of Darnic who was diluted away by a massive quantity of souls” have been alive or dead at that point, and would Darnic have been happy even if he managed to reach the Root after all that? That is something he never knew.
Incidentally, he apparently went through a quite a fierce battle against old man Matou during the Third Holy Grail War.

ZoukenvsDarnic

ダーニック・プレストーン・ユグドミレニア【人名】
“黒”側のマスターの一人。ユグドミレニアの頂点に立つ存在。階位は最高位の冠位であるが、これは「Apocrypha」世界でのみ起こった珍事である。というのも、亜種聖杯戦争が起こりすぎたため、「Apo」世界では魔術師の数が激減している。それに伴って、生き残ったほとんどの魔術師が、本来の階位より一段階上にスライドした。色位(プライド)であるダーニックはこの機会を逃さぬとばかりに、得意の八枚舌で「実力的に冠位には到達していないけど、協会への功績を称えて本来の冠位とはちょっと違う名誉的な冠位」に昇格してしまった。何だこの一時期流行ったラー油みたいなの。……もっとも本来の冠位からすれば、ダーニックおじさんの冠位など到底認められるものじゃないから当然ではあるが。
ダーニック自身も、別段名誉に拘った訳ではない。ただ単純に、冠位の方が独立の際に有利であろう、程度のものである。
とはいえ、ダーニックが弱いのかというとむしろ逆。フィオレも突出した才能を持ってはいるが、執念+才能+経験という点でダーニックにはまず勝てない。通常通りの聖杯戦争やあるいは魔術師同士で戦闘を行った場合でも勝利者はダーニックで変わらないだろう。
“赤”側のマスターであれば、協同でならば倒せるだろうがそれも確実ではない。
人間の魂を主に研究しており、最終的には英霊の魂と融合するまでに至った。もちろん緊急措置的なものであり、本来は可能な限り精度を上げて「ダーニックという意識を保ったまま、英霊の力を保有する魔術師」が目標地点だった。
また、魔術師としても一流だが政治家としても一流。救急車を追いかけてでも訴訟させようとするアンビュランス・チェイサーとはアメリカで弁護士を揶揄する言葉であるが、ユグドミレニアも似たようなものだった。亜種聖杯戦争で叩き潰された魔術師を即派閥に組み込み、水面下で勢力を拡大し続けていたらしい。
決して好んで努力をするタイプの人間ではないが、何十年経とうが軽んじられた復警を果たすあたりは人一倍の執念深さが窺える。ユダドミレニアとして、わずかながら一族に対する同調意識も存在するので「世界の端に追いやられようとしている魔術師たちの執念」がダーニックに集積されていたのかもしれない。
もし仮に聖杯を手に入れることができず、通常の魔術師として過ごした場合はあと二百年ほど生きたあたりでダーニック・プレストーンという人格が完全に希釈され、「ユグドミレニア」という名の鋼鉄のような魔術師が仕上がっていた。
……そうなったとしても、もしそれで根源に近付くことができるならば、ダーニックは躊躇わなかっただろう。だが、「大量の魂によって薄められたダーニックという人格」は果たして生きているのか、死んでいるのか、有り得ない未来として根源に辿り着いたとしてもダーニックが喜べるのか。それが彼にはどうしても分からなかった。
ちなみに第三次聖杯戦争のときは、間桐の爺様と仲良く激戦を繰り広げていたらしい。

ZoukenvsDarnic



Dead Count Shapeshifter[]

[v] Fate/Apocrypha material - Encyclopedia: Dragon Revelation Command Spells [Others], trang 176 [T]

Dragon Revelation Command Spells [Others]
Dead Count Shapeshifter. The unique Command Spells engraved on Sieg. They can also be used as normal Command Spells, but there was absolutely no need for Sieg to force Astolfo to do anything with a Command Spell, so he used them all to turn himself into Siegfried. To explain it simply, they basically let Sieg summon Siegfried every time he uses one. The catalyst is Siegfried’s living heart. However, while Siegfried’s body could withstand the dragon blood within it, Sieg’s body can’t. That is reason that the spots on Sieg’s hand where the Command Spells disappeared from turned black. Even after he used them all up, power Sieg obtained from Frankenstein’s “Blasted Tree: Lightning Branch of Crucifixion” managed to barely maintain his human form, but that too was used up when Sieg used this Noble Phantasm at the end.

竜告令呪【その他】
デッドカウント・シェイプシフター。ジークが刻まれた特殊令呪。通常の令呪として活用することも可能だが、アストルフォを相手に令呪で何かを強制する必要が全く無かったので、全てをジークフリートへの転身として活用した。平たく言えば、ジークは毎回ジークフリートを召喚しているに等しい。触媒は、ジークフリートの生きている心臓。だが、ジークフリートの肉体ならば耐えられる竜の血が、ジークには耐えられない。令呪が消えた場所が黒く変色していたのは、それが原因。使い切っても、フランケンシュタインの『磔刑の雷樹』で得たパワーが延命装置として、ジークをどうにか人間の姿に保っていたが、最後に宝具を使用したことでそれも使い切ってしまった。



Diatrekhōn Astēr Lonkhē[]

[v] Fate/Apocrypha material - Encyclopedia: Spear-tip of the Star Traversing the Skies [Noble Phantasm], trang 176 [T]

Spear-tip of the Star Traversing the Skies [Noble Phantasm]
Diatrekhōn Astēr Lonkhē. The Noble Phantasm of Rider of Red, Achilles. To describe it in a single phrase, it is a spear for fighting one-on-one. It creates an arena cut off from all of the surrounding environment and time, which isn’t released until one of the combatants is defeated. In terms of magical theory, it is virtually the same as “Aestus Domus Aurea: Golden Theater of the Flamboyant” that Red Saber-san from “Fate/EXTRA” creates.
It can be called the ultimate contest of pure strength and skill that negates even “flukes” caused by things like divine blessings or luck. Achilles used this when he fought Hector. Furthermore, while he fought barehanded in his fight against Chiron, nothing prevents either combatant from using weapons in this arena.
Also, since Achilles killed the Amazoness Queen Penthesilea with this spear, he cannot use it against women. In the first place, this spear can only be used against “those who Achilles wants to fight one-on-one against”. In other words, if Achilles doesn’t “wish to fight them” and the opponent doesn’t have enough courage and skill to respond to his challenge either, Achilles won’t use this spear. Furthermore, even if Achilles himself wants to fight them, he won’t try to forcefully bring his opponents into the one-on-one arena if they don’t want to. It is a Noble Phantasm with a narrow range of enemies it can be used against.
Also, if Achilles should be summoned as a Lancer, it will gain an additional ability separate from the arena creation ability; it is a power that resembles “Gáe Buidhe: Yellow Rose of Mortality”, which “makes healing impossible when one is wounded by this spear”. He doesn’t have his chariot in the Lancer class, but he can wield this spear with divine speed while dashing around the battlefield with equal swiftness, so he is an unmanageable threat in either class.

宙駆ける星の穂先【宝具】
デイアトレコーン・アステール・ロンケーイ。“赤”のライダー、アキレウスの宝具。一言で言うとタイマン槍。時間や周囲の環境全てから遮断された、どちらかが倒れるまで解除されない闘技場を形成する。魔術原理的には「Fate/EXTRA」の赤セイバーさんが形成する『招き蕩う黄金劇場(アエストゥス・ドムス・アウレア)』とほぼ同一。
いわゆる神の祝福や幸運のような「まぐれ」まで打ち消される、究極の実力勝負。アキレウスはこれをヘクトールと戦う際に使用した。なお、ケイローン戦では素手であったが別に武器を使用しても問題ない。
また、この槍でアマゾネスの女王ペンテシレイアを殺してしまったため、女性に対しては使用不可能。ついでに言うと、そもそもこの槍は「アキレウスが一対一を望む者」としか対戦できない。つまりアキレウスが「戦いたい」と望み、尚且つ相手もそれに応じる程度の胆力、実力を持っていなければ、そもそもアキレウスは槍を使わない。更にアキレウスは自分が戦いを望んでも相手が望まない場合、無理にタイマンに持ち込もうとはしない。地味に使う相手がそこそこ絞られる宝具なのである。
なおアキレウスがランサーで召喚された場合、この能力とは別に「この槍で手傷を負わせると、治癒が不可能になる」という『必滅の黄薔薇(ゲイ・ボウ)』に酷似した力も付与される。ランサークラスでは戦車こそ持っていないが、神速で走り回りながら神速でこの槍を振り回してくるので、どちらにしても手が付けられない。



Double Summon[]

[v] Fate/Apocrypha material - Encyclopedia: Double Summon [Skill], trang 176 [T]

Double Summon [Skill]
Double Summon. The skill possessed by Assassin of Red, Semiramis. It is an underhanded skill that is only invoked when certain conditions are met during the summoning, like a “command input on the title screen”.
Of course, this kind of skill has some restrictions, with the three Knight classes (Saber, Archer and Lancer) and some of the extra classes (like Ruler, Shielder and Avenger) incapable of being applied to the Double Summon skill. In other words, only a combination of the Berserker, Caster, Assassin or Rider classes is possible. However, thought rare, a modern day extra class like Gunner can apparently be combined with another class through this skill.

二重召喚【スキル】
ダブルサモン。“赤”のアサシン、セミラミスが所有するスキル。召喚の際に特殊な条件付けを行わなければ発動しないという、「タイトル画面でコマンド入力」みたいな裏技スキルである。
もちろん、この手のスキルには制限があって三騎士(セイバー、アーチャー、ランサー)及び一部エクストラクラス(ルーラー、シールダー、アヴェンジャーなど)は二重召喚に該当しない。つまりバーサーカー、キャスター、アサシン、ライダーの組み合わせでなければならない。ただし、稀だがガンナーのような近現代のエクストラクラスは兼用可能になるようだ。



Dragon Tooth Soldiers[]

[v] Fate/Apocrypha material - Encyclopedia: Dragon Tooth Soldiers [Others], trang 188 [T]

Dragon Tooth Soldiers [Others]
An army of small-fry who fight using pure numbers. Originally, making warriors using dragon teeth is a form of magecraft that comes from Greece, but a magus of Semiramis’ level is able to use it of her region of origin or personal style of magecraft. This time, they were used as rank-and-file soldiers to defend the Hanging Gardens, with even flying types appearing, but sadly, they are still small-fry… As such, they were easily blown apart with one blow of Astolfo’s magic flute.

竜牙兵【その他】
数合わせの雑兵軍団。本来、竜の歯を使って作る雑兵はギリシャ関係の魔術であるが、セミラミスほどの術者となるとあまり地域や魔術のジャンルは関係なく行使できる模様。今回は空中庭園を防護するための雑兵として、空を飛ぶタイプまで出現したが悲しいことに雑兵なのよね……ということで、アストルフォの魔笛一つで見事に蹴散らされたのであった。



Einzbern[]

[v] Fate/Apocrypha material - Encyclopedia: Einzbern [Others], trang 148 [T]

Einzbern [Others]
One of the Three Families that established the Fuyuki Holy Grail War. The family that lies at the center of events in “Fate/stay night” and “Fate/Zero” (Writer: Urobuchi Gen).
In “Apocrypha”, they didn’t become discouraged by the fact that the Greater Grail was stolen in the Third Holy Grail War… rather, they don’t seem to have that kind of mentality in the first place (if they gave up, it would only be when even their greatest creation, Illyasviel, would fail to attain the Third Sorcery), and they are doing everything they can with the belief that they might be able to reproduce that miracle. Accordingly, they have come to reluctantly have relationships with other magi despite their insular and unsociable nature, and the Musik family took advantage of their confused state of affairs in order to receive a portion of their homunculi craft. However, what the Einzberns taught was merely the equivalent of giving a toy to a child, so it wasn’t much of a problem for them.
The Musik family concealed the fact that they were part of the Yggdmillennia clan, but naturally the Einzberns know about it. However, the Greater Grail was formed by taking apart the only successful Justeaze-model homunculus, so the Einzbern agreed to cooperate with them in case they should manage to activate one.

アインツベルン【その他】
冬木の聖杯戦争を確立させた御三家の一つ。いわゆる「Fate/stay night」「Fate/Zero」(著作:虚淵玄)の中心に存在する一族である。
「Apocrypha」では、第三次聖杯戦争によって大聖杯が強奪されたことにもめげず……というかめげる精神を持っていないらしく(彼らが諦めるとしたら、最高傑作であるイリヤスフィールでも第三魔法に至らなかったときだとか)、奇跡の再現が行えないものかと腐心している。それに伴って、閉鎖的だった彼らもやむなく別の魔術師たちと繫がりを持つようになり、ムジーク家はそのどさくさに紛れて、ホムンクルスの技術の一部提供を受けた。もっとも彼らにとってみれば、子供に持たせる玩具程度の技術しか教えていないので、問題ないのだが。
ムジーク家はユグドミレニア一族であることを伏せていたが、当然のようにアインツベルンは承知している。だが、大聖杯は唯一成功したユスティーツァモデルを分解したものであり、それが起動するのであればと協力した。



Enchant[]

[v] Fate/Apocrypha material - Encyclopedia: Enchant [Skill], trang 157 [T]

Enchant [Skill]
A skill belonging to Caster of Red, Shakespeare. It could also be called “Literary Masterpiece Endowment”. It consists of making a passionate poem that begins with the following preface: “I will now explain this person’s amazingness in minute detail, so please listen without thinking it tedious, everyone.” It can raise the sharpness of a blade by saying “it can cut all things” and increase the sturdiness of the blade by saying “it can receive all attacks”, but either way, it requires literary expression great enough to move the readers in order for it to take effect.
For writers who have left their names in history, there is a good chance that they will possess such a skill or Noble Phantasm.
For Shakespeare with his extraordinary fame, he can produce even Noble Phantasms of C~E rank. For making an E rank Noble Phantasm, it would be at the level of turning a pebble lying anywhere on the road into a Noble Phantasm. For D rank, it would be a mass-producible manufactured item like a modern weapon. To reach C rank, it needs to be weapon with sufficient spiritual status for a literary master like him to express.
In this war, he used Enchant on “Miike Tenta Mitsuyo”, a famous sword said to have been the favorite blade of a certain one-eyed great swordsman. Naturally, it is C rank.

エンチャント【スキル】
“赤”のキャスター、シェイクスピアのスキル。名文付与とでも言い換えられる。「こいつの凄さを今から吾輩が細部に渡って説明するから、どうか皆さん退屈だと思わずに聞いて下さいな」という前口上から始まる怒濤のポエム。「あらゆるものを断ち切り」で刃の鋭さが増し、「あらゆる攻撃を受け止め」で刀身の頑丈さが向上する、ただしいずれも読む者に感動を与えるほどの文学的表現が必要。
歴史に名を残した作家であればスキルであれ宝具であれ、けっこうな確率で所有するものだとか。
破格の知名度を持つシェイクスピアであれば、C〜Eランクの宝具まで作成可能。Eランクなら、そこらに転がっている石が宝具化した程度。Dランクならば近代兵器などの工業量産品程度のやる気。Cランクに至るには文豪が表現するに相応しい霊格を持つ武器でなければならない。
今回の場合、エンチャントしたのは「三池典太光世(みいけてんたみつよ)」、とある隻眼の大剣豪が愛用した、と謂われのある名刀である。Cランクも当然と言えよう。



First Folio[]

[v] Fate/Apocrypha material - Encyclopedia: When the Curtain Rises, the Applause Shall Be As Ten Thousand Thunders [Noble Phantasm], trang 181 [T]

When the Curtain Rises, the Applause Shall Be As Ten Thousand Thunders [Noble Phantasm]
First Folio. The theater Noble Phantasm of Caster of Red, Shakespeare. In the initial storyboarding, it had the power to rewind time, but since that didn’t have much meaning in terms of the story’s development, the idea was discarded. (The fact that a sorcerer might make an appearance in a work after the prototype “Fate/Apocrypha” also played a big part in the decision.) Instead, what emerged was a graded-up version of “The Globe: Seat of the King”.
It is a Noble Phantasm that doesn’t deal any physical damage, but it is the worst possible thing to face for certain Heroic Spirits. There basically aren’t any heroes who don’t have some kind of guilty conscience. Shakespeare can expose the traumas that everyone holds inside themselves, and by ridiculing or censuring them he can completely break their hearts.
The probability of being drowned and trapped within this Noble Phantasm is greater the more someone is confident of their physical strength. The only ones who can overcome this Noble Phantasm are those who can declare that they have not a single dirty stain on their lives. There are very few who can believe in something and have no regrets at all. If it’s someone who can directly confront the trauma they hold, they might be able to somehow manage to overturn Shakespeare’s piercing words, though—
When a Servant has had their heart broken by this Noble Phantasm, they receive the bad status of “absentmindedness”. In this state, they are completely defenseless, and as long as they don’t have a Noble Phantasm which automatically responds to malice, they can’t deal with any attack.
This Noble Phantasm originates from the “first” book that was published as a collection of Shakespeare’s plays after his death. Therefore, Shakespeare himself did not directly participate in making it.

開演の刻は来たれり、此処に万雷の喝采を【宝具】
ファースト・フォリオ。“赤”のキヤスター、シェイクスピアの演劇宝具。当初の設定では時間の巻き戻しが存在したが、物語の展開的にあまり意味合いを持たせられないために没(プロトタイプ「Fate/Apocrypha」の後で魔法使いが登場したことも大きい)。代わりに浮上したのが、『国王一座』のグレードアップバージョン。
全く肉体的に害を為すことのない宝具であるが、一部の英霊にとっては最高に性質の悪い代物である。脛に傷を持たない英雄などほとんどいない。誰もが内側に抱えているトラウマを、シェイクスピアは暴き、嘲り、あるいは弾劾することで徹底的に心を折ってくる。
肉体的に強いといぅ自負があればあるほど、この宝具に搦め捕られる確率が大きい。この宝具を乗り越えられるのは、己の人生に一片の穢れもないと断言できる者のみだ。何かを信じて全く悔いのない者など数少ない。抱えているトラウマと真正面から向き合える者であれば、シェイクスピアの指摘をどうにかして覆すことができるかもしれないが———。
心が折れた場合、バッドステータスとして【放心】がつく。この間は一切の無防備で、悪意に自動迎撃する宝具でもない限り、あらゆる対処ができない。
本来の意味合いはシェイクスピアの死後、その戯曲をまとめて出版した「最初の」書籍。従ってシェイクスピアが直接関与している訳ではない。



Feend vor Sembren[]

[v] Fate/Apocrypha material - Encyclopedia: Feend vor Sembren [Person's name], trang 181 [T]

Feend vor Sembren [Person's name]
A former Red Master. An elite magus sent by the Association of Magi—the Clock Tower. He possesses skill worthy of being chosen to participate in the grand stage of the Great Holy Grail War, but he was put into a trance after drinking the tea that was offered to him. Naturally, he was on his guard and had defensive spells deployed, but it was all rendered meaningless by poison compounded by a Servant.
Perhaps because he ended up shamefully retiring before he even got to fight, the Sembren family gradually began to fall into ruin after this. His only son is currently struggling hard and making strenuous efforts in a certain classroom, though…

フィーンド・ヴォル・センベルン【人名】
“赤”の元マスターの一人。魔術協会———時計塔から派遣されたエリート。聖杯大戦という大舞台に選ばれるだけの実力を有していたのだが、差し出された紅茶を飲んでバッドトリップ。もちろん用心していたし、防護用の魔術も張り巡らせていたのだがサーヴァントの調合した毒では、そんなもの全く意味がなかった。
戦う前に退場、というアレすぎる結果であったためか、これ以降セルベルン家は少しずつ零落していく。ただ一人、息子がとある教室で奮闘しているのだが……。



Flat Escardos[]

[v] Fate/Apocrypha material - Encyclopedia: Flat Escardos [Person's name], trang 182 [T]

Flat Escardos [Person's name]
→To learn more about this problem child, go check out “Fate/strange Fake”.

フラット・エスカルドス【人名】
→この問題児については「Fate/strange Fake」を参照せよ



Fiore Forvedge Yggdmillennia[]


[v] Fate/Apocrypha material - Encyclopedia: Fiore Forvedge Yggdmillennia [Person's name], trang 181-182 [T]

Fiore Forvedge Yggdmillennia [Person's name]
A Master of the Black Camp. The current head of the Forvedge family. Due to the Magic Circuits in both her legs being deformed, she lost the ability to walk. Her latent skill as a magus luckily exceeds Darnic, and she would definitely rise from Frame (youngest child) to Cause (open rank) once she grows up. And her outstanding talent is so great that she was expected to rise even further.
However, she herself doesn’t know anything besides magecraft and is truly a researcher-type magus. She’s so ignorant of the rest of the world that she seriously asked in confusion, “The Net? You mean some kind of netting?” However, by contrast, she has great curiosity and badgered Caules over his cell phone and got him to buy one for her too.
Her skill as a magus is undoubtedly first rate, but because she was too exceptional, she never confronted the actual work of a magus at all. An obvious example is her memories of that stray dog. Fiore never forget her memory of it and continued to face it without ever shelving it away. She understood that it was something absolutely unneeded to a magus (especially for a magus in the Spiritual Evocation department), but she wasn’t able to throw it away, a sentiment that is far too much like that of a proper and decent human being.
She treats Caules as a cute little brother and in fact half-depends on him—but she isn’t self-aware of this at all and tries to act like a dependable older sister. Caules never boorishly points this out, which makes her all the more delightedly absorbed in being an older sister.
She uses Spiritual Evocation Magecraft, but she doesn’t communicate or have herself possessed by spirits directly, instead favoring Mystic Codes made of mechanical parts which have several animal spirits inserted into them.
After giving up the path of a magus in the novels, she tackles the struggle of rehabilitation for her legs. After that, her life will likely be quite stimulating for a girl who knew nothing but magecraft until then. Of course, her continued regret over giving up magecraft will also remain for her whole life, though.

フィオレ・フォルヴェッジ・ユグドミレニア【人名】
“黒”のマスターの一人。フォルヴェッジ家の現当主。両足部分に存在する魔術回路が変質、畸形化しているため、歩行機能を喪失している。魔術師としての潜在能力は、恐らくダーニックを上回っており、長ずれば必ず末子から開位に。そしてその先すらも期待されていた逸材。
しかし本人は魔術以外に関しては全く何も分からない、まさに研究者的な魔術師である。大変な世間知らずで「ネット?網のことですか?」と真面目にボケる。ただ、好奇心は割と旺盛でカウレスが使っている携帯をせがんで買って貰ったりもする。
魔術師としての力量は間違いなく一流なのだが、あまりに優秀すぎて魔術師としての業に全く直面してこなかった。端的な例が、野良犬に対する思い出である。あの記憶を、フィオレは決して忘れず、棚上げすることもせずにずっと向かい合い続けていた。それは魔術師(特に降霊科の魔術師)にとって、絶対に不要なものだと理解していながら、捨て去ることのできない、あまりに真っ当な人間らしい感情だった。
カウレスに対しては可愛い弟として扱っており、実は半ば依存している節がある———が本人は全く自覚なく、しっかり者のお姉ちゃんぶっている。カウレスが野暮な指摘をしたりすることもないので、ますますお姉ちゃん有頂天状態である。
使う魔術は降霊術であるが、彼女は自分自身に降霊や憑依させるのではなく、機械的に組み上げられた部品に動物霊を複数降霊させた魔術礼装を愛用している。
本編にて、魔術師の道を断念した彼女は両足のリハピリに取り組んでいる。そこから先の人生は、魔術しか知らなかった彼女にとってさぞかし刺激的な人生になるのではないでしょうか。無論、手放した魔術を惜しみ続ける気持ちも一生涯残るのですが。



Fuyuki[]

[v] Fate/Apocrypha material - Encyclopedia: Fuyuki [Place name], trang 182 [T]

Fuyuki [Place name]
A certain provincial city. In these novels, the Holy Grail War doesn’t occur there, of course, and as a result, the mayor of Fuyuki, Himuro-san, doesn’t get a pained stomach from that Great Fire Disaster.
And of course, that red-haired boy is living there with his original surname unchanged, but still having a honest and upright personality (as shown in his appearance in “Capsule Servant”), and likely going through days with a love comedy-like tone, along with a twin-tail magic-fist user and her cheerful little sister who laughs like a high-class young lady.

冬木【地名】
某地方都市。本作では当然、聖杯戦争が起きている訳でもなく、従ってあの大火災で冬木市市長である氷室さんが胃を痛めることもない。
そしてあの赤毛の少年ですが当然苗字は元のままで変わらず、けれど竹を割ったような素直な性格(「カプセルさーばんと」参照)で、ラブでコメった毎日でも送っているんじゃないでしょうか。ツインテ魔拳使いとか、お嬢さま笑いする明るいその妹とかと一緒に。



Gilles de Rais[]

[v] Fate/Apocrypha material - Encyclopedia: Gilles de Rais [Person's name], trang 171 [T]

Gilles de Rais [Person's name]
The man who went on a rampage as a character in “Fate/Zero”, and whose unexpected reappearance shocked everyone, even myself. As everyone already knows, he is the man known as Blue Beard, Gilles de Rais.
In this work, he appears as a Servant… or rather, as a guest character to break Ruler’s heart.
However, since Shakespeare summoned the true Gilles, he changed sides after being persuaded by Ruler. Though Gilles de Rais is someone suited for breaking Ruler’s heart, he is the least suitable person to turn into Ruler’s enemy. Shakespeare knew that risk and yet still enthusiastically wrote the script that way “because it seemed interesting” to him. This is what you would call reaping what you sow.

ジル・ド・レェ【人名】
「Fate/Zero」でキャスターとして大暴れした男、まさかの再登場に全員ビックリ我もビックリ。ご存じ、青髭ことジル・ド・レェです。
今回はサーヴァント……というよりは、ゲストキャラクターとしてルーラーの心を折りに登場。
しかし、シェイクスピアが真のジルを召喚したせいで、ルーラーの説得にその身を翻す。ルーラーの心を折るのにジル・ド・レェは適切な人材であるが、ルーラーを敵に回すには最低の人材であった。そのリスクを承知で「面白そうだから」と張り切って台本を書いたシェイクスピアであった。自業自得という。



Golem[]

[v] Fate/Apocrypha material - Encyclopedia: Golem [Others], trang 165-166 [T]

Golem [Others]
Artificial soldiers made of earth, stone or wood, which Avicebron manufactures. The concept of golems traces back to Ancient Israel, and the basics of their manufacture are said to have arisen sometime between the 2nd to 9th centuries. However, if you trace it back further, golems originate from a passage in Genesis that says “The Lord molded man out of the dust of the ground and breathed life into him through his nostrils”.
In other words, golems were originally an attempt to make “humans”. Therefore, their quality is considered higher the closer they are to being human. However, that is only the ideal golem in Kabbalist thinking, and regular magi might simply devote themselves on “how to make a strong golem”.
Avicebron’s magecraft is fundamentally specialized solely for the sake of making golems, and his techniques have already reached a level that modern magi cannot catch up to, letting him spend his whole life playing around while living off just the sales from his golems. It’s only natural that Roche idolizes him.
To make something close to human is the concept of Avicebron’s golems, but he’s willing to make completely different kinds of golems to amuse himself as well. The steel horse he made to act as Vlad III’s steed was a simple yet prided product of his, and even just the gems used for its eyes were worth hundreds of millions.
 After the war, some of his golems actually managed to just barely survive, and though most of them were sold off, a few golems went to a new land with the homunculi.

ゴーレム【その他】
アヴィケブロンが生産する土塊、または石や樹木で構成された人造の兵士たち。ゴーレムの概念は古代イスラエルまで遡り、製法の基礎的な部分は大体二世紀から九世紀時点で成立していたとされる。だが、更に言うのであればゴーレムは創世記の「主は土くれで人間を形作り、鼻から命を吹き込んだ」というくだりに由来する。
つまり、ゴーレムとはそもそもが「人間」を作ろうとする試みなのである。従って、ゴーレムは人間に近ければ近いほどに高品質と言える。もっとも、それはあくまでカバリストの考える理想的なゴーレムであって、魔術師ならば「如何に強力なゴーレムを造るか」に腐心するべきなのかもしれない。
アヴィケブロンの魔術は基本的にゴーレムを造ることのみに特化しており、彼の技術は既に現代の魔術師が追いつけない領域に到達している、ゴーレムを売り捌くだけで一生遊んで暮らせるレベル。ロシェが傾倒してしまうのも無理はない。
人間に近いものを、というのがアヴィケブロンのゴーレムのコンセプトであるが、それはそれとして手慰みに全く異なるコンセプトのゴーレムを造るのも吝かではない。ヴラド三世の乗馬用に作成した銅鉄馬は地味な白信作で、瞳につける宝石だけでも億単位だったとか。
大戦後、実は一部のゴーレムたちも細々と生き残っており、ほとんどは売却されたもののわずかなゴーレムはホムンクルスと共に新天地へと向かったとか。



Golem Keter Malkuth[]

[v] Fate/Apocrypha material - Encyclopedia: Royal Crown, the Light of Wisdom [Noble Phantasm], trang 166 [T]

Royal Crown, the Light of Wisdom [Noble Phantasm]
Golem Keter Malkuth. The Noble Phantasm of Caster of Black, Avicebron. It is not something that he created while he was alive; rather, it is his unfulfilled dream that was turned into a Noble Phantasm. It is an imitation of the “first human Adam”, a Reality Marble which has been given life of its own.
Just by stepping on the ground, it is endlessly supplied with prana, and at the same time it encroaches on the surrounding land and turns it into “Eden”.
Its full height was fifteen meters at the time of its birth, but this is only the measurement of “when it was born”. As the span of Eden expands, the giant’s size will change and multiple, until it finally exceeds a thousand meters. It is said that “a fifteen-meter-sized giant could be easily defeated by even a Servant with average C rank stats, but as expected, one at the size of a thousand meters would be impossible to kill without a group of first-rate Servants. And, incidentally, the stomachs of the people tasked with covering up it all up would die.
The reason Jeanne and the others were so frantic against the giant when it was still fifteen meters tall is because they could tell that the speed of its growth was extraordinary, and if their response had been even a bit slower, the giant would have grown to thirty meters and displayed even harsher resistance.

王冠・叡智の光【宝具】
ゴーレム・ケテルマルクト。“黒”のキャスター、アヴィケブロンの宝具。生前に铸造したものではなく、彼の見果てぬ夢が宝具化したもの。『原初の人間(アダム)』の模倣であり、固有結界に生命が与えられたものである。
地面を踏み締めているだけで際限なしに魔力が供給され、同時に周囲の陸地を侵食、「楽園化」していく。
全長は生誕時点で十五メートルだが、これはあくまで「生まれたて」の数字である。楽園の広がりに応じて、巨人の大きさは倍々ゲームで変わっていき、最終的には一千メートルを超える。日く「十五メートル程度の巨人なら、ステータス平均Cランクのサーヴァント一騎でも容易に倒せる」が全長一千メートルとなると、さすがに一流のサーヴァントが揃っていなければ抗し得ないだろう。そしてついでに隠蔽を担当する人間の胃が死ぬ。
十五メートル程度の巨人にジャンヌたちがあれだけ焦っていたのは、成長する速度が半端ではないことを見抜いていたため、あともう少しでも対応が遅ければ、巨人は三十メートルに成長、更に激しい抵抗を見せていただろう。



Gordes Musik Yggdmillennia[]

[v] Fate/Apocrypha material - Encyclopedia: Gordes Musik Yggdmillennia [Person's name], trang 167-168 [T]

Gordes Musik Yggdmillennia [Person's name]
One of the Masters of the Black camp. He is a problematic middle-aged man who bears the nicknames King of Incompetents and King of Waster Command Spells. The magecraft he uses is a type of alchemy, and at one time his family even barely managed to reach a level where he could see the backs of the Einzberns, but they quickly fell into ruin and were absorbed into Yggdmillennia.
His abilities and talent aren’t low at all… though they aren’t amazingly high either. His rank is half-hearted, above Caules and Sagara Hyouma yet incapable of matching Darnic and Fiore. On the other hand, his pride as a magus is deeper than the sea and higher than the mountains.
He is the type that assumes a desktop theory is equal to reality. He’s like an old man who jeers “What terrible directions” while watching a baseball game.
However, having his Servant, who should have obeyed him, not only punching him but even going against his orders seems to have been quite a huge shock for him (after all, even though his familiar had fallen into ruin, they were still considered a powerful family within Yggdmillennia and almost no one ever defied him), and he also withdrew from the war without doing practically anything worthy of being a Master, so he continuously got drunk from the second volume on.
However, perhaps having despaired at having reached rock bottom or having become honest after having his pride smashed to pieces, he unexpectedly displays conspicuous and energetic efforts afterwards.
To be frank, he was a character who was supposed to have died from Siegfried’s punch in the first volume’s plot. I made him have a hand in quite few inhuman deeds, but due to portraying him as incompetent too much, his humorous characterization was strengthened and it actually became hard to kill him instead.
Since he survived, even though there was no reason to portray him, for some reason he regained his value in the third and fourth volumes, and in the end somehow became one of the characters who came back home alive.
Well, he’s surrounded by homunculi who witnessed him fall to rock bottom once, so if he turns back towards his family and magecraft without fearing shame, his family might actually make a comeback.
For the sake of that as well, he first intends to train his son who he raised to be just like him. “You seem to think you’re incredibly cool, but you’re actually just like me, so if anything, you’re like that…” “Really…?” “Really…”

ゴルド・ムジーク・ユグドミレニア【人名】
“黒”側のマスターの一人。キング・オブ・無能、キング・オブ・無駄令呪王の異名を持つ大問題中年。扱う魔術は錬金術系であり、一時期はアインツベルンの背が見えるところまで辿り着いたこともあったがすっかり零落し、ユグドミレニアに組み込まれた。
能力は決して低くはない……目を見張るほど高くもないが。カウレスや相良豹馬よりは上で、ダーニックやフィオレには敵わないという半端なランク。その代わり、魔術師としての誇りは海より深く山より高い。
机上の空論をイコール現実に置き換えるタイプ。野球を見ながら「ダメな采配だ」と野次を飛ばすオジサンのようなもの。
が、自分に仕えるべきサーヴァントが自分を殴った上に命令に逆らったことが余程衝撃的だった(何しろ、零落したとはいってもユグドミレニア内部ではまだまだ大家という認識であり、逆らう人間はほとんど居なかった)らしく、ほとんどロクにマスターらしいことができないままに退場したこともあって、二巻以降は常時飲んだくれていた。
が、どん底に落ちたことで自暴自棄になったのか、あるいは誇りが打ち砕かれたことで素直になったのか、意外な活躍を見せるようになる。
正直に告白すると、一巻プロット時点ではジークフリートの一撃でお亡くなりになっていたキャラクター。一応それなりに非道な行為に手を染めていたのだが、無能描写をしすぎたせいで滑稽な造形が強調されてしまい、逆に殺し辛くなってしまった。
生きている以上、描写をしない訳にもいかず何故か三巻と四巻で評価を取り戻し、最終的に何故か生きて帰還したキャラの一人となってしまった。
まあ、一度どん底まで落ちたのとそれを目撃したホムンクルスたちがゾロゾロいるので、恥を恐れずに、自分の家や魔術に向き直れば再び家は盛り返すかもしれない。
そのためにも、まずは自分そっくりに育った息子を教育である。「お前、自分が凄いイケてると思ってるみたいだけど、実は私にそっくりなのでどちらかというとアレなのだ」「アレか……」「アレだ……」。



Great Holy Grail War[]

[v] Fate/Apocrypha material - Encyclopedia: Great Holy Grail War [Others], trang 173 [T]

Great Holy Grail War [Others]
To describe it in a single phrase, it is a distorted, exceptional version of the Fuyuki-style Holy Grail War. In the case where the battle between seven Servants doesn’t start for an overly long period of time, the Holy Grail will make preparations to summon seven new Servants. However, that is an action that once again sucks up the Grail’s stored prana that it gradually amassed over sixty years from the ley lines, and if done improperly, the ley lines will become completely dried up forever.
Due to the work of the only magus who managed to escape from Vlad III’s hands, the Greater Grail activated the Great Holy Grail War system and, though normally it would have made the Holy Grail War enter a standby waiting period, it was instead made to immediately recognize the summoning of seven additional Servants to fight in a great war.
However, the Great Holy Grail War was within the scope of Darnic’s predictions. Because even if he formed a new organization using the Greater Grail as a symbol, the Association of Magi would definitely seek to obstruct it. As such, he judged that it would be best if they had a showdown against the Association of Magi once with their full power—that is, their Servants. Darnic was also farsighted enough to include increasing reactionary forces within the Association by thoroughly beating them here and bringing them into his own faction.
If his plans had all gone well, the Association’s forces would have been diminished and brought about an era similar to the turbulent Sengoku Era in Japan.
…Well, it all came to nothing due to Shirou-san and Rider of Black, though.

聖杯大戦【その他】
一言で言ってしまうと、冬木式聖杯戦争がねじ曲がった例外戦争である。七騎のサーヴァントによる戦いが長期間に渡って開始されない場合、聖杯は新たな七騎を召喚する準備を整える。ただし、それは六十年掛けて霊脈から少しずつ溜めた魔力を再度吸い上げる行為であり、下手をすると霊脈は永遠に枯れ果ててしまう。
ヴラド三世の手からただ一人逃れた魔術師の手によって大聖杯は聖杯大戦システムを起動、本来なら聖杯戦争の待機期間であるが、いち早く大戦用の七騎召喚が承認された。
とは言えダーニックにとっては聖杯大戦は予想内の出来事だった。と言うのも、大聖杯を象徴として掲げて新規組織を起ち上げたとしても、魔術協会は必ず妨害活動を行う。それならば、自身の最大戦力―――即ち、サーヴァントたちで一度魔術協会と対決しておくのが良いと判断していた。ここで協会を徹底的に叩くことで反動勢力を活発化させ、自陣営に組み込むこともダーニックは視野に入れていた。
彼の試みが全て上手くいった場合、魔術協会の勢力は減退し、日本における戦国乱世もかくやという時代が幕を開けていただろう。
……まあ、どれもこれもシロウさんと“黒”のライダーのお陰で台無しになった訳ですが。



Greater Grail[]

[v] Fate/Apocrypha material - Encyclopedia: Greater Grail [Others], trang 175-176 [T]

Greater Grail [Others]
The Greater Holy Grail created by the Three Families of Fuyuki. It is a giant altar created using the woman known as the Saint of Winter, Justeaze Lizrich von Einzbern, as the core. It was stolen by Darnic in the Third Holy Grail War. After conducting all sorts of experiments on it, he established it in Trifas, in the country of Romania… I say this without hesitation, but this theft has already transformed beyond being a miracle and turned into a form of idle gossip to the magi who know just what kind of object the Greater Grail is. It’s true that Darnic managed to slip away with it amidst the confusion of the war, but you have to wonder whether Darnic had a few dozen screws loose in his head at the time to consider transporting it from Japan to Romania without letting anyone realize it.

大聖杯【その他】
冬木の御三家が鋳造した大聖杯。冬の聖女と呼ばれたユスティーツァ・リズライヒ・フオン・アインツベルンが炉心(いしずえ)となった巨大祭壇。第三次聖杯戦争にて、ダーニックが強奪。各種実験を繰り返した後、ルーマニア・トゥリファスに定着させた。……さらっと言われているが、大聖杯がどのような代物かを知っている魔術師たちにとっては最早奇跡を通り越して与太話の類である。戦争中のどさくさに紛れたのも確かだが、誰にも知られず日本からルーマニアに運ぶとか、当時のダーニックは頭のネジが十本くらいブッ飛んでいたのではないか。



Hanging Gardens of Babylon[]

[v] Fate/Apocrypha material - Encyclopedia: Aerial Garden of Vanity [Noble Phantasm], trang 179-180 [T]

Aerial Garden of Vanity [Noble Phantasm]
Hanging Gardens of Babylon. The strongest and largest-scale Noble Phantasm that Assassin of Red proudly owns. Rather than being Anti-World, perhaps it would be more accurate to call it a giant Boundary Field. Assassin? The Servant that specializes in hiding and killing Masters? This is a dumbfounding Noble Phantasm that throws away such common knowledge to the other side of the horizon.
It was already referenced in the novels, but Semiramis didn’t actually create the Hanging Gardens. However, this “falsehood” that was included into Semiramis’ legend at some point over time eventually became true.
However, since it brings something false into the real world, it has to use real materials for its construction. If this were the true Hanging Gardens, it would be able to activate—to manifest just by releasing its true name like a normal Noble Phantasm, though.
It basically requires enough money to buy a small country in order to obtain all the necessary materials. Rather, the more money used in its construction, the more its Mystery deepens and the Garden is strengthened, “so, if it’s for the sake of obtaining the Holy Grail, you should have the resolve to become bankrupt, my Master”—is Semiramis-sama’s way of putting it.
In a normal Holy Grail War, this Noble Phantasm wouldn’t be used in the first place. Though there’s also the material cost, the real problem is the three-days-three-nights ritual for it. This is a necessary ritual in order to hammer in the nails of “truth” into this falsehood, this three-days-three-nights duration has no special allegorical significance to it; Semiramis’ chant simply requires seventy-two hours to complete. The bigger the Gardens are made, the more nails are needed to be driven into it all over.
Therefore, in a normal Holy Grail War, as long as Semiramis doesn’t secure an excellently concealed location beforehand, the Hanging Gardens are useless as a Noble Phantasm. And most of all, Semiramis won’t willingly try to make the Hanging Gardens unless her Master is interesting enough.

Fate apocrypha semi work

虚栄の空中庭園【宝具】
ハンギングガーデンズ・オブ・バビロン。“赤”のアサシンが誇る最強最大スケールの宝具。対界というよりは巨大な結界そのものと言うべきか。アサシン?隠れてマスター殺しするサーヴァントだよね?そんな当たり前の認識を明後日の方向へとブン投げる唖然系宝具。
本編でも言及したが、セミラミスは空中庭園を建造した訳ではない。だが、セミラミスの伝説に何時の間にか組み込まれた「虚偽」はいつしか本物になってしまった。
ただし、現実世界に虚偽の代物を持ち込むのだから材料に関しては現実のものを使用しなくてはならない。これが本物の空中庭園の場合は、通常の宝具のように真名を解放するだけで発動———顕現するのだが。
材料にはぶっちゃけ小国が買えるだけの金額が必要。というか、お金を掛ければ掛けるほど神秘が強くなり、庭園は強化されていくので聖杯を手に入れるためならば、破産覚悟で挑むべきだぞ我が主———とはセミラミス様の弁である。
通常の聖杯戦争では、まず使われることのない宝具。材料費もさることながら、問題になるのは三日三晩の儀式。これは虚栄に真実という楔を打ち込むために必要な儀式なのだが、この三日三晩とは別に比喩でも何でもなく、セミラミスの詠唱が七十二時間分必要ということである。庭園が拡大すればするほど、あちこちに楔を打ち込む必要がある。
という訳で普通の聖杯戦争の場合、余程の潜伏場所を確保しない限り、空中庭園は無意味な宝具である。そして何より、セミラミスは余程面白いマスターでもない限り、自分から空中庭園を作ろうとはしない。

Fate apocrypha semi work



Heaven's Feel[]

[v] Fate/Apocrypha material - Encyclopedia: Heaven's Feel [Others], trang 176 [T]

Heaven's Feel [Others]
Cup of Heaven.
→See entry on the Third Sorcery.

天の杯【その他】
へヴンズフィール。
→第三魔法を参照せよ



Hektor[]

[v] Fate/Apocrypha material - Từ điển bách khoa: Hektor [Tên nhân vật], trang 183

Hektor [Tên nhân vật]
Rider "Đỏ", Achilles là đối thủ mạnh nhất của ông. Trong cuộc chiến thành Troy, ông là người anh hùng tuyệt vời nhất của phe thành Troy. Bên cạnh đó, em trai của ông - Paris - chính là người đã gây nên cuộc chiến thành Troy.
Và Achilles là anh hùng của Hy Lạp,

Achilles đã chấp nhận từ bỏ sự bất tử của mình, để thách đấu một trận tay đôi với ông. Rơi vào tình thế bị động trước Achilles, Hector đành phải chấp nhận bước vào một trận đấu một chọi một khi không còn cách nào để thái thoác nó, và ông đã thất bại.

ヘクトール【人名】
“赤”のライダー、アキレウスの生前最強のライバル。トロイア戦争において、トロイァ側最高の英雄であった。また、弟であるパリスはトロイア戦争の原因を作った張本人である。
アキレウスとは完全に真逆の英雄で、髭を生やしてトボけ気味のおっさん。一人称は「オジサン」、常に瓢々とした態度で戦場を採欄する。
冷酷だが残忍ではなく、秀才だが天才ではない。アキレウス他、名だたる英雄たちを前にして一歩も退か……ない訳ではなく、二歩も三歩も退いて油断したところを殴りつけてはまた逃げて、遠くにいると思ったら泥をぶつけてくる、と、とにかく龍城戦にかけては最強を誇った。
ドゥリンダナ、と呼称される長剣兼投槍を使い、その投郵で飛び道具にかけては最高ランクの硬度を誇る『熾天覆う七つの円環ロー・アイアス』の六つを砕いた。
アキレウスは彼と雌雄を決するために、一か八か己の不死性を一時放棄して決闘を挑んだ。アキレウスを獲れるかもしれない、という誘惑に勝てなかったヘクトールは一対一の勝負を挑み、紙一重で敗れ去ってしまった。
アキレウスにとって、生前死後問わず再戦したくない人物ベスト3に入るという。残り二人はペンテシレイアとケイローン。



Hippogriff[]

[v] Fate/Apocrypha material - Encyclopedia: Hippogriff [Magical Beasts], trang 181

Hippogriff [Magical Beasts]

ヒポグリフ【魔獣】



Hippogriff (NP)[]

[v] Fate/Apocrypha material - Encyclopedia: Otherworldly Phantom Horse [Noble Phantasm], trang 180-181 [T]

Otherworldly Phantom Horse [Noble Phantasm]
Hippogriff. The third cheat Noble Phantasm used by Rider of Black, Astolfo. There are cases when a Griffin, a Monstrous Beast, reproduces with a mare, which would normally be its food. What’s born as a result from this is the Monstrous Beast known as a Hippogriff, which has the upper body of an eagle and the lower body of a horse.
However, it is an impossible creature which normally should not exist. This is because it should be impossible for a child to be born between a Griffon and a horse, which are predator and prey. The Hippogriff existed only as a hypothetical and philosophical symbol. A Hipppogriff appears in the story of “Orlando Furioso” (The Frenzy of Roland), where Astolfo and his comrades also appear. This story includes the theme of “The Hippogriff makes an appearance here, so no matter how strange it may seem, there is nothing that is truly impossible”. In “Orlando Furioso”, Astolfo even goes to the moon in order to save Roland.
The Hippogriff that Astolfo rides is a “Phantasmal Beast” in the true sense, since its very existence is uncertain. As a result, when it is released as a Noble Phantasm, the Hippogriff can jump over to a different dimension, though only for an instant.
That dimension is the home of the Phantasmal Species, where only beings that are purely non-physical souls can go to. It is the Reverse Side of the World, which the Hippogriff, when summoned as a Noble Phantasm, can never reach even if it can temporarily glimpse it.

この世ならざる幻馬【宝具】
ヒポグリフ。“黒”のライダー、アストルフォが使用するチート宝具その三。魔獣グリフォンが本来、餌であるはずの雌馬を孕ませることがある。その際、生まれるのが上半身が鷲、下半身が馬のヒポグリフと呼ばれる魔獣だ。
ただし、これは本来有り得ない存在である。何故なら、グリフォンが捕食者で馬が被食者である以上、この二者の間に子供が生まれるはずはないからだ。あくまで言語上、哲学的な象徴としてヒポグリフは存在するだけだった。アストルフォたちが登場する『狂えるオルランド』では、ヒポグリフが登場する。それは「ヒポグリフが登場するのだから、如何なる不思議な話でも有り得ないということはないのだ」という意図が含まれている。アストルフォはこの『狂えるオルランド』において、ローランを救うために月にすら行っている。
アストルフォが駆るヒポグリフもまた、存在そのものが不安定な本当の意味での「幻獣」である。それ故に宝具として解放すると、ヒポグリフは一瞬だが異なる次元へと跳躍する。
それは魂のみの存在が向かうことのできる幻想種たちの場所。宝具として召喚されたヒポグリフには、垣間見ることはできても決して届かぬ世界の裏側である。



Homunculus[]

[v] Fate/Apocrypha material - Encyclopedia: Homunculus [Others], trang 184 [T]

Homunculus [Others]
An artificial life-form made with alchemy. The ones that Yggdmillennia created as part of their army and as sources of prana supply were made using the techniques of the Einzberns, one of the Three Families who held the ritual of the Holy Grail War in Fuyuki. Einzbern homunculi are made using Magic Circuits as their foundation; to put it another way, they are like deteriorated spirits which were spontaneously produced. As a result, they are extremely useful as prana supply batteries.
However, unlike those made by the Einzberns, which are like works of art, the ones made by Yggdmillennia are a mass-produced product made in large numbers. They are inconsistent in their respective quality, but on the other hand this aspect expresses itself in the homunculi who have some slight individuality. Sieg was a prana supply homunculus and at first couldn’t even walk properly. Prana supply homunculi were made with the concept that they just need to produce prana, so many of them very defective as living beings, such as not being able to breathe from the time they were born.
The one put in charge of making them was the most prominent alchemist within Yggdmillennia, Gordes Musik Yggdmillennia… He’s no good at fighting, but he’s actually quite capable when it comes to alchemy.

ホムンクラス【その他】
錬金術によって鋳造される、人工生命体。ユグドミレニアが戦力、そして魔力供給源として鋳造したのは、冬木の聖杯戦争を執り行った御三家の一家、アインツベルンの技術を流用している。アインツベルンのホムンクルスは魔術回路を基礎として鋳造される、言うなれば自然発生した劣化精霊のようなもの。そのため、魔力供給用の電池としては極めて有用。
ただし、アインツベルンによる芸術品の如き存在とは異なりユグドミレニアが鋳造したものはあくまで数打ち、量産工業品である。品質にムラがあるが、逆にそれがわずかながらの個性となってホムンクルスたちに表出している。ジークは魔力供給用のホムンクルスであり、当初は満足に歩くことすらもできなかった。魔力供給用のホムンクルスは、魔力を搾り取れれば良いといぅ考えなので、生まれつき呼吸ができないなど生物としては不具合ありすぎる者が多い。
鋳造の指揮を執ったのはユグドミレニアの中でも有数の錬金術師ゴルド・ムジーク・ユグドミレニア。……戦闘はダメなんだけど錬金術に関してはかなりマシな部類に入るのですよ、あの人。



Hydra[]

[v] Fate/Apocrypha material - Encyclopedia: Hydra [Magical Beast], trang 181 [T]

Hydra [Monstrous Beast]
Among Heracles’ Twelve Labors, the monster he exterminated at Lake Lerna was the Hydra, a giant swamp snake said to possess either nine or a hundred heads.
Possessing both a deadly poison said to instantly kill all humans it touches and an abnormally high regeneration capable of immediately regenerating two new heads every time one is cut off, the Hydra is a Monstrous Beast with top class fame even among the other Twelve Labors. Shishigou Kairi accepted a young-born Hydra as prepayment and processed it. At first, he processed it into a knife as a final weapon that could kill even a Servant, but later he used it to make an antidote serum out of wariness towards Semiramis.
Though Mordred blocked herself out from it with her armor, it still wasn’t enough to completely block the air itself which was contaminated with the poison. The rank of the Hydra’s poison is undoubtedly top A rank. It might even reach A+ rank against heroes of Greek myth.

ヒュドラ【魔獣】
ヘラクレスが踏破した十二の難行。その内の一つであるレルネーの沼において退治されたのが、九つの頭を持つとも百の頭を持つとも言われる沼の大蛇ヒュドラである。
触れた人間を即絶命させる、とまで言われる猛毒と首を切断しても即座に二つに分かれて再生する異常な再生能力の高さから、十二の難行の中でもトップクラスの知名度を持つ魔獣である。獅子劫界離は前払いの報酬として幼生体のヒュドラを受け取り、それを加工した。当初はサーヴァントすら殺しうる最終兵器としてナイフに加工したが、後になって獅子劫はセミラミスを用心して血清を作成した。
モードレッドは鎧で遮断したものの、それでも空気そのものが毒気で汚染されていては完全に防ぐことはできなかった。毒のランクとしては間違いなく最上級のA。ギリシャ神話の英雄に対してはA+まで伸びるかもしれない。



Hyouma Sagara[]

[v] Fate/Apocrypha material - Encyclopedia: Sagara Hyouma [Person's name], trang 168 [T]

Hyouma Sagara [Person's name]
A Master of the Black camp. He was in charge of Assassin. He had already died before the main story in the volumes had begun. Originally, he was a magus that appeared in the pre-story of “Fate/Apocrypha” recounting the story of Jack the Ripper and her Master. He tried to sacrifice Rikudou Reika in order to summon Jack, but he was betrayed by his Servant immediately after she was summoned and experienced the misery of being slaughtered as a Master.
Just like Atrum who appeared in the animated version of “Fate/stay night UBW”, he used magecraft that exchanges living sacrifices as compensation for his spells. In Sagara Hyouma’s case, he utilized a hybrid of Japanese and Western cursing techniques and made fortune by establishing security for buildings and protection for people in exchange for sacrificing human lives. His Western cursing techniques consists of techniques he obtained from the Icecolle family that the Black Master Celenike is a part of since their disciplines intersect. The way he combined the techniques of a completely different family into his magecraft demonstrates how he is a typical example of an Yggdmillennia magus in a certain sense.
He wouldn’t have had any problem summoning Hassan as Assassin, but he judged that doing so would be disadvantageous under the current conditions where a certain amount of countermeasures against all nineteen different Hassans have been created over the many repetitions of subspecies Holy Grail Wars. Based on the shallowness of his own history as well, he tried to secure victory with a modern Heroic Spirit. However, that turned out to be a fatal mistake, though he naturally could never have imagined that the woman he had approached merely to use as a sacrifice was in fact a far greater monster than him.
…This is a digression, but Sagara Hyouma is most famous for the misprint regarding him in Volume 2.
 No, I really wonder how I overlooked that. I’ll definitely correct it in the second edition.

相良豹馬【人名】
“黒”側のマスター。担当はアサシン。本編開始前には既に死んでいる。元々は「Fate/Apocrypha」のプレストーリー版、ジャック・ザ・リッパーとそのマスターの物語を描く際に登場した魔術師。六導玲霞を生贄に捧げ、ジャックを召喚しようとしたものの召喚直後に裏切られ、マスター殺しの憂き目に遭う。
アニメ版「Fate/stay night UBW」に登場したアトラムと同じく、生贄などの代償と引き替えに魔術を行使する。相良豹馬の場合は和式呪術と西洋呪術の組み合わせで、人命を代償にして建物の安全や人間の防護などを確立させることで財を成した。西洋呪術は“黒”のマスターであるセレニケが所属するアイスコル家からの横断技術。全く異なる一族の術式を融合させた、ある意味でもっともユグドミレニアらしい魔術師。
アサシン召喚ならば別にハサンでも問題なかったのだが、亜種聖杯戦争の繰り返しにより十九人のハサンの対策がある程度立てられてしまっている状況では不利と判断。自身の歴史の浅さも踏まえて、近現代の英霊で勝負を懸けた。もっとも、それが致命的なミスを招き寄せたのだが、まさか生贄にするためだけに口説いた女が自分を上回る怪物だとはさすがに想像できなかった。
……余談であるが、相良豹馬で一番有名なのは二巻での誤植であろう。
いや、本当何であれを見逃してしまったんだという話ですよ。二版では修正している、はず。



Jean Rum[]

[v] Fate/Apocrypha material - Encyclopedia: Jean Rum [Person's name], trang 169 [T]

Jean Rum [Person's name]
One of the people whose should have been a Master of the Red Camp. Female. Known as the Gale Wheel, she uses chakrams and possesses Wind-affinity magecraft just as her title implies. You really are exactly what you seem like, aren’t you? She’s a bibliomaniac, and according to rumor she searched for the library of Ivan the Thunder Emperor.
Her skill is definitely first-rate, but regretfully, she was easily subdued by Semiramis’ poison. The relatives of the Red Masters, excluding Shishigou and Shirou, make a stealthy appearance in “Fate/strange Fake” (Author: Ryohgo Narita, from Dengeki Bunko).
Well, things ended in massive failure for them in various ways, so even after being freed their positions have become precarious.

ジーン・ラム【人名】
“赤”側のマスターだったはずの人。性別女性。疾風車輪、という名の通りチャクラムを使用し、風の魔術属性を持つ。そのまんまだなお前。ビブリオマニアで、噂に名高いイヴァン雷帝の書庫を探し求めていた。
腕は間違いなく一流であるが、いかんせんセミラミスの毒でコロリ。“赤”側のマスターは獅子劫とシロウを除いて、親族が「Fate/strange Fake」(著作:成田良悟 電撃文庫)にこっそり登場している。
まあ、色々と大失敗に終わったのでフリーの彼らも立場的に危うくなったのだろう。



Kairi Sisigou[]


[v] Fate/Apocrypha material - Encyclopedia: Shisigou Kairi [Person's name], trang 170-171 [T]

Kairi Sisigou [Person's name]
One of the Masters of the Red Camp. However, he chose to act independently with his Servant without joining Shirou Kotomine’s group. His Servant is Saber of Red, Mordred. His fiendish appearance is just like that of an American outlaw. He isn’t a magus, but rather a magecraft user. Though he can’t match magi in terms of knowledge, he ranks equally in terms of battle experience with Darnic who has survived for a hundred years.
He normally wanders from battlefield to battlefield recovering the corpses of magi and plundering their Magic Crests. Fundamentally, he intentionally acts so as not to increase the number of casualties. This is because causalities are always appearing somewhere in the world every day and night even without him doing anything.
He habitually uses a sawed-off (meaning with a shortened barrel) shotgun as a Mystic Code, but he only uses it as medium for the Gandr spell and doesn’t use it in its original purpose as a gun. Also, he fundamentally uses things like hand grenades made out of hearts, animal eyeballs and monkey hands as part of his necromancy, so the majority of his Mystic Codes are in extreme bad taste.
He chose to participate in the Great Holy Grail War after receiving a request from the Association of Magi. Originally, he had planned to fight alongside the other Red Servants, but he chose to take independent action due to not being able to trust Shirou Kotomine and his Servant Semiramis. He and Saber engaged in skirmishes with the Black Servants and won against Berserker of Black, but then they noticed the scheme of the Red Master Shirou Kotomine and decided to put the war on hold.
However, they still fought to obtain the Holy Grail right till the very end, but they dropped out of the Great Holy Grail War when Mordred and Semiramis dealt mutually fatal strikes against each other. The actions that Shishigou took to save Mordred also backfired on him and caused him to die.
The sole thing decided about the two of them from the initial plotting stages was that they would “rampage around as they like without regretting anything and fight and fight until they die while smiling” as “this story’s Bonnie and Clyde”. Well, Bonnie and Clyde didn’t die while smiling, though.
In the past, Shishigou’s talent as a magus was first-rate, but is now second-rate. As a magecraft user, he is first-rate. As a Master, well, I suppose he gets a passing mark for having well managed Mo-san, who is quite tricky and difficult to deal with, without once antagonizing her.
He seems to have poured a lot of affection towards his stepdaughter whose name was never revealed in the story, and if you search the back pockets of his jacket, you can fight an old photo of the two of them together there. However, his appearance became fiendish after he began going out to battlefields, so his face in the photo is very much that of a serious scholar.
If Mordred ever saw that photo, she would first laugh for a while, but then she would understand the unpleasant truth about it and turn silent. In other words, she would realize his unbelievable despair of having chosen a wound-filled life that made the man into that photo turn into the person in front of her.
The wish that Shishigou had for the Holy Grail was actually something truly acute. Somewhere in his heart, he thought that the wish that he publicly spoke of wasn’t true, but that his real wish was simply to undo the death of his stepdaughter.
The moment he realized and accepted that, everything about Shishigou’s life as a magus reached its end.
Furthermore, in the initial plot, Shishigou Kairi was descended from the family that Darnic chased out. However, it created a contradiction chronologically and the plot wasn’t that entwined with Yggdmillennia in the first place, so it was easily discarded.

Kairi Sisigou photo

獅子劫界離【人名】
“赤”側のマスターの一人。だが、シロウ・コトミネ側にはつかずサーヴァントと共に独自の行動を取った。サーヴァントは“赤”のセイバー、モードレッド。凶悪な風体は、いかにもアメリカンのアウトロー然としている。魔術師ではなく、魔術使い。知識という点では魔術師たちに敵わないものの、戦闘経験という点では百年ほどを生きたダーニックに比肩する。
普段は戦場を渡り歩いて魔術師の死体を回収したり、魔術刻印を奪い合ったりする。意図的に死者を増やすようなことは基本的にしない。というのも、そんなことしなくとも毎日毎秒、世界のどこかで必ず死者が出るからだ。
魔術礼装としてソードオフ(銃身を短く切り詰めたもの)のショットガンを愛用しているが、これはあくまでガンドの応用魔術の媒体として使用しているものであり、本来の用途で銃を使ったことはない。他、心臓を加工した手榴弾や動物の眼球や猿の手など基本的に扱っているのが死霊魔術のため、礼装のほとんどが悪趣味極まりない。
魔術協会から依頼を受けて、聖杯大戦に参戦。本来は“赤”のサーヴァントたちと手を組んで戦う予定だったのだが、シロウ・コトミネとそのサーヴァントであるセミラミスを信用できないと独自行動を取ることに。“黒”側のサーヴァントと小競り合い、“黒”のバーサーカー相手には勝利したが、そこで“赤”のマスター、シロウの企みに気付いて戦争を棚上げした。
とはいえ、それでも最後まで聖杯を目指して戦ったのだがモードレッドがセミラミスと相討ちになったところで聖杯大戦からは脱落。獅子劫もまた、モードレッドを救うための行動が仇となって死亡した。
プロット段階から「今作のボニー&クライド」として「好き勝手に暴れ回る、後悔はしない、戦って戦って笑いながら死ぬ」ことだけは決めていたコンビ。いやまあ、ボニーもクライドも笑いながら死んでないのだけど。
魔術師としての力量は昔一流、今は二流。魔術使いとしてなら一流。マスターとしては、まあ、この微妙に扱いにくいモーさんと一度たりとも対立することなく乗りこなした時点で合格点を頂けるのではないでしょうか。
名前も出なかった養女に対しては相当な愛情を注いでいたようで、ジャケットの裏ポケットを探ると古びた写真とかが出てくる。ただ、戦場に出るようになってから風貌が凶悪になったので、二人の写真の顔はいかにも真面目そうな学者風。
モードレッドがその写真を見た場合、ひとしきり笑った後で嫌なことを理解して無言を貫くだろう。要するにその写真の男が目の前の風体になるまで、傷だらけの人生を選んだというどうにもならない絶望を分かってしまうからだ。
獅子劫界離が聖杯に託した願望は、本当に本気で痛切なものだった。心のどこかで、自分が公言している望みは真実ではなく、本当の望みはただ彼女の死を覆すことなのだと考えていたのだろう。
それに気付いたとき、それを受け入れたとき、獅子劫界離の魔術師としての生は全て終わりを告げるのだ。
なお、当初のプロットではダーニックが追い落とした一族の末裔が獅子劫界離だった。ただ、時系列的に矛盾が発生するのと、そもそもユグドミレニアとあんまり絡まないのであっさりと没設定に。

Kairi Sisigou photo



Kazikli Bey[]

[v] Fate/Apocrypha material - Encyclopedia: The Lord of Execution [Noble Phantasm], trang 158 [T]

The Lord of Execution [Noble Phantasm]
Kazikli Bey. Lancer of Black’s Noble Phantasm. It can unleash a maximum of twenty thousand stakes in the territory he has set up with his skill “Demonic Defender of the State”. It can be used to attack, defend or regulate the movements of the enemy. Due to the being set up in Romania, the territory created by “Demonic Defender of the State” here is the largest of any Holy Grail War. Not only does the damage from the stakes pile up, they attack one after another with overwhelming numbers reaching twenty thousand, living up to Vlad III’s nickname “Lord of Impalement”.
Though the power of each individual stake is low, they deal additional continuous damage through “penetration” for some time after even one of them is stabbed into the enemy. Furthermore, if his spear hits the enemy even once, it will cause stakes to be created from within the enemy’s body and pierce them from inside out. When this happens, nothing can be done, and the enemy will end up suffering in excruciating pain until they die.
…Well, the fact that there was an unbelievable Servant who would circulate fire through his own body in order to incinerate the stakes within him was probably a miscalculation for Vlad.

極刑王【宝具】
カズィクル・ベイ。“黒”のランサーの宝具。最大二万本の杭をスキル『護国の鬼将』で拡張した領地に展開。攻撃、防御、移動制御などに活用する。ルーマニアという土地柄もあり、『護国の鬼将』で得た領地は聖杯戦争中、最大規模。杭のダメージは積み重なっていく上に、後から後から襲い掛かる二万本という圧倒数は、ヴラド三世の『串刺し公』という異名の面目躍如だろう。
杭は一本あたりの威力は低いものの、一度でも喰らえばしばらくの間は「貫通」による継続ダメージが付加される。更に一度でも槍を当てれば、敵の体内からでも杭を生み出せて貫通させてしまう。こうなるともう収拾がつかず、相手は死ぬまでもがき苦しむハメになる。
……まあ、体内に生まれた杭を燃やすために自分自身に炎を循環させるようなトンデモ英雄が存在したことだけは、ヴラドにとって計算違いだったろうが。



King of Knights[]

[v] Fate/Apocrypha material - Encyclopedia: King of Knights [Title], trang 158 [T]

King of Knights [Title]
Her true name is Arturia Pendragon, otherwise known as King Arthur. The billboard character of “Fate/stay night”, the original Saber-san who boasts the highest popularity no matter how many times the Saber archetype has been ridiculed, and a cold father. There is no need to give an explanation on her at his point; rather, I think those who would need an explanation wouldn’t be reading this Material book, but what can I say?
Even though she is a character that definitely has to appear in the flashback of Mordred’s past, I was super tense just showing her backside in one of the third volume’s illustrations.

騎士王【称号】
真名をアルトリア・ペンドラゴン。アーサー王。「Fate」の看板役者であり、何度目だセイバーと揶揄されるも変わらず高い人気を誇る元祖セイバーさんであり、冷たい父上である。最早彼女に関する説明は不要だろう、というか説明が必要なユーザーはそもそもこのマテリアルを読んでいないと思うのだが、どうか。
モードレッドの過去回想で必ず出なければならない人物であるとはいえ、三巻挿絵で後ろ姿を見せるだけでもエラい緊張しました。



Kirei Kotomine[]

[v] Fate/Apocrypha material - Encyclopedia: Kotomine Kirei [Person's name], trang 166-167 [T]

Kirei Kotomine [Person's name]
Without needing to be introduced, he is the man who appears as the villain in “Fate/stay night” and “Fate/Zero” (though his mentality is quite complex). He doesn’t appear at all in these novels, but hints of his existence are shown here and there, so he has an entry here.
Kotomine Kirei is living as an extremely respectable priest in Fuyuki even now. The Fourth Holy Grail War didn’t occur here, so he didn’t shift his focus to his own nature. It might be a different story if he participated in one of the subspecies Holy Grail Wars, but he’ll never have such a chance as long as he is in Fuyuki.
In other words, he is still in anguish over the meaning and karma of his existence even now.
He heard about who his older brother Shirou is from his father Risei, but they have rarely interacted with each other. This is not done on Kirei’s part, but rather because Shirou consciously avoids him.
This is because Shirou noticed the “distortion” within his stepbrother Kirei. Of course, he would very much like to free Kirei from his anguish, but no matter how he thought about it, it wouldn’t end well… Additionally, if the one-in-a-million chance occurred where an event caused him to affirm his own distortion, Shirou was greatly worried that the first person Kirei would target would be him.
It would be like pouring gasoline on a volcano that’s on the verge of erupting even now. Thus, Shirou kept his distance from Kirei as much as possible from the beginning to end of their relationship.

言峰綺礼【人名】
言わずとしれた「Fate/stay night」及び「Fate/Zero」において悪役(というには、あまりにメンタリティが複雑ですが)として登場した男。本作には一切登場していないが、存在自体はちらほらと匂わせているので、改めて。
言峰綺礼は今も冬木で極めて真っ当な神父として暮らしている。これは第四次聖杯戦争が起きなかったことで、とうとう己の資質に目を向けることがなかったため。亜種聖杯戦争にでも参加していれば話は変わっただろうが、冬木にいる限りその機会は訪れない。
つまり、今もなお己の存在意義や業に苦悶中という訳である。
兄にあたる四郎が何者であるかは父である璃正に聞いているが、交流はほとんどない。これは綺礼ではなく、四郎の方が意識的に彼を忌避しているため。
というのも、四郎は義弟である綺礼の「歪み」に気付いてしまっている。もちろん、彼を苦悶から解放させてあげたいのは山々であるが、どう考えてもロクな事態にならない……その上に、もし万が一、己の歪みを肯定してしまうような出来事が訪れれば、まず狙われるのは自分ではないか、という疑いが強かったためだ。
今にも噴火しそうな火山にガソリンを持ち込むようなもの。かくして四郎は綺礼となるべく距離を取った付き合いに終始しているのであった。



Knights of the Round Table[]

[v] Fate/Apocrypha material - Encyclopedia: Knights of the Round Table [Organization], trang 156-157 [T]

Knights of the Round Table [Organization]
The general term for the knights who left their names in King Arthur’s legend. They are called the Knight of the Round Table because they gathered around a round table along with King Arthur. The knights sitting around the table were all regarded as equal to one another, including the King himself, and they were admired throughout the country. Though the number of them varies according to each story, the standard pattern of thirteen knights is accepted in “Fate/stay night”.
In the “Apocrypha” world, the separate splinters from the Round Table serve as summoning catalysts for Heroic Spirits. From among eleven of the knights (with King Arthur and Galahad excluded), the one most compatible to the Master is summoned through it. Like an S-rare definite ticket. Whether it be someone like Lancelot, Gawain, Tristan or Percival, no matter who comes, you truly get the cream of the crop. During these current times where subspecies Holy Grail Wars are popular, they appear in the market at high prices. Naturally, there are many frauds and swindlers. It’d be nice if a certain oil magnate got swindled.

円卓の騎士【組織】
アーサー王伝説にその名を残す騎士たちの総称。アーサー王を含めた円卓に集ったことから、円卓の騎士と呼称される。卓を囲む騎士は王も含めた全てが対等と見なされ、国中の憧れとなった。人数については諸説あるものの、「Fate/stay night」で採用されているのは、標準的な十三人説の模様。
「Apocrypha」世界では分かたれた円卓の欠片が英霊召喚の際の触媒として存在する。十一人の騎士(アーサー王とギャラハッドは除く)から、召喚を求めたマスターに最も近い適性の者が選ばれる。別名Sレア確定チケット。ランスロット、ガウェイン、トリスタン、パーシヴァルなどなど、誰が来てもまさによりどりみどりである。亜種聖杯戦争が盛んな現在は、高値で市場に出回っている。当然詐欺られたり鴨られたりする者も多いとか。石油王が鴨られてると嬉しい。



La Black Luna[]

[v] Fate/Apocrypha material - Encyclopedia: Magic Flute That Calls Panic [Noble Phantasm], trang 186 [T]

Magic Flute That Calls Panic [Noble Phantasm]
La Black Luna. The Noble Phantasm of Rider of Black, Astolfo. Among his abundant Noble Phantasms, it is the only average one that isn’t very cheat-like. It’s an Anti-Army Noble Phantasm, but its power isn’t that great, and while it’s effective against small-fry enemies such as Dragon Tooth Warriors, it’s a bit unreliable against other Servants.
However, just as the name magic flute implies, the true fearsomeness of this Noble Phantasm is the chaos and confusion caused by the shock of its overblown sound. If someone skilled with the flute blows this flute (though it’s much bigger than a normal one), it’s capable of even taking away all hearing from the target. Their ability to fight won’t necessarily be stopped just by cutting off one of their five senses or by being sent into disorder, but even so, lacking the ability to hear would disadvantage a Servant, at least a little.
It wouldn’t be much of a handicap for highly experienced Servants, but during clashes between first-rate Servants, there are times where the slight opening it creates can decide the battle.
In that sense, it truly is an auxiliary Noble Phantasm.

恐慌呼起こせし魔笛【宝具】
ラ・ブラック・ルナ。“黒”のライダー、アストルフォの宝具。豊富な宝具の中では、唯一あまりチートではない、平均的な宝具。対軍宝具だが威力の方は然程でもなく、竜牙兵のような雑兵相手ならばともかく、サーヴァントを相手にするには些か心許ない。
とはいえ魔笛の名の通り、この宝具の真の恐ろしさは度を超えた音の衝撃による混乱である。慣れた者がこの笛(にしてはあまりに巨大だが)を吹けば、対象から一切の音を奪うことも可能とする。五感の内一つを断たれた程度、あるいは混乱した程度で戦闘機能が停止する訳ではないが、それでも聴覚がないという状況は、ほんのわずかではあるがサーヴァントを不利にする。
それは経験豊かなサーヴァントにとっては、ほとんどハンディキャップにもならないものであるが、一流同士が激突した際にはそのほんのわずかな隙が勝敗を分けるときもある。
そういう意味では、やはり補助的な宝具だといえよう。
ラ・ブラック・ルナ。



La Pucelle[]

[v] Fate/Apocrypha material - Encyclopedia: The Crimson Holy Virgin [Noble Phantasm], trang 185-186 [T]

The Crimson Holy Virgin [Noble Phantasm]
La Pucelle. The suicide-type Noble Phantasm used by Ruler. It is a Conceptual Weapon that crystalizes one’s mental landscape. It uses the Sword of St-Catherine, which Ruler never swung once in her lifetime, as its catalyst, and manifests the flames which once burned her to death. By using this Noble Phantasm, Ruler loses her own life. But in exchange for her life, she can annihilate anything in existence.
Its designated rank of C refers only to its pre-activated state while the sword is still sheathed. The EX rank after activating is because its pure destructive power cannot be calculated. These flames only destroy that which she thinks must be destroyed. In other words, this Noble Phantasm cannot be used against simply a strong enemy or out of emotions like hate.
These flames exist in order to save something, and in the novels she decided to use this Noble Phantasm out of her sense of duty to save the future of humanity.

紅蓮の聖女【宝具】
ラ・ピュセル。ルーラーが使用する特攻宝具。己の心象風景を結晶化させた概念武装。ルーラーが生前一度たりとも振るうことのなかった聖カトリーヌの剣を触媒とし、かつて自分を焼いた焔を顕現させる。この宝具で失うものはルーラー自身の生命。彼女の生命と引き替えに、あらゆる存在を消滅させる。
Cランクというのは、あくまで剣を鞘に収めた発現前の状態。発現後がEXランクなのは単純な破壊力で計測ができないため。この焔は彼女が打ち砕くべき、と思ったものしか打ち砕けない。つまり単純に強敵、あるいは憎悪などといった感情で使用することはできない。
この焔は何かを救済するための焔であり、本編では人類の未来を救うという使命感によって使用を決断した。
ラ・ピュセル。



Laeticia[]

[v] Fate/Apocrypha material - Encyclopedia: Laeticia [Person's name], trang 189 [T]

Laeticia [Person's name]
The French girl who Ruler chose as her possession vessel. She’s a decent and honest person who has no Magic Circuits, but her religious piety alone surpasses that of others. Though she has lived an extremely normal life, she loaned her body upon Jeanne d’Arc’s request. Her facial features and style is only partly similar to Ruler’s. Due the effects of the possession, her body was somewhat changed to match Ruler’s. After Ruler left her body, she returned to normal.
She served as the witness to Ruler and Sieg’s relationship, and she was, in a certain sense, the final stronghold for Jeanne, a sheep that allowed Jeanne not to notice her own feelings of love.
She is an ordinary person who got dragged into the Great Holy Grail War, but emotionally it was like watching a movie inside a dream for her, and after it ended her memories of it wore away in the blink of an eye. Even so, she doesn’t make vague prayers anymore, as she found a direction for her prayers in the form of wishing that “those two may find happiness together”, and she prays believing in such small miracles every day.

レティシア【人名】
ルーラーが憑依先に選んだフランス人少女。真っ当な人間で、魔術回路もないが信仰心だけは人一倍。ごくごくありきたりの人生を送っていたものの、ジャンヌ・ダルクの依頼で己の肉体を貸与する。顔立ちやスタイルはルーラーに似ている程度。憑依の際の影響で、肉体が若干変異した。ルーラーが去った後は元に戻った模様。
ルーラーとジークの見届け人であり、ジャンヌにとってはある意味で最後の砦、己の恋心に気付かないための羊だった。
聖杯大戦に巻き込まれた一般人であるが、感覚的には夢の中で映画を見ているようなものなので、終わった後はあっという間に記憶が摩耗していったとか。それでも、彼女はただ漠然と祈るのではなく、「あの二人が幸福になれますように」という祈りの指針を見つけ、毎日僅かな奇跡を信じて、祈りを捧げている。



Lancer Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Lancer "Đen" [Servant], trang 164-165 [T]

Lancer "Đen" [Servant]
One of the Servants of the Black camp and the man who leads them. His true name is Vlad III, the protector of Romania, but his other name of “Dracula” is more overwhelmingly famous in the rest of the world outside of Romania. Due to Bram Stoker’s novel “Dracula”, he, who was formerly a local hero of Romania, instantly rose in fame worldwide as the classic example of vampires.
…Originally, Dracula meant “Son of the Dragon” and was far removed from a vampire. The reason why he became the classic example of vampires is due to none other than the fact that Vlad III’s deeds were too drenched in blood.
His overwhelming cruelty in skewering twenty thousand Turk soldiers caused Mehmet II, who vanquished the northern Roma Empire, to say “I fear no human. But the devil alone is a different matter”. In posterity, several of the episodes in his life were pointed out to be fabrications in order to pin crimes on him, but even so, his cruelty was so great it was forever carved into history.
And on the other hand, his heroic title as the “Shield of Christianity” who protected Romania from the hands of Mehmet II has been re-acknowledged.
Outside of the light novels, he also appears in “Fate/EXTRA”. This version of him is a fanatic knight whose appearance, weapons and words are different from the one in these novels, with his aspect as a man who loves his wife emphasized.
In the light novels, he was summoned with his aspect as a monarch emphasized. The fact that he was summoned in his homeland of Romania greatly contributes to this. Thanks to his fame bonus, his parameter ranks are higher compared to when he is summoned in other countries. In addition, he manifested as a Servant with extraordinary power due to his skill “Demonic Defender of the State”.
But even with that, he was gradually cornered by the collective attacks of the Red camp and stepped into a place where he couldn’t receive the benefits of his fame in order to retrieve the stolen Greater Grail.
Just as he was weakened and prepared to die, his Master Darnic appeared before him. He calmly made Vlad choose the most repugnant choice that Vlad wanted to avoid.
Though he is more terrifying than anyone else when enraged, he is fundamentally a military man of integrity who loves his country. Though the topic of vampires is no good with him, he could be called a Servant who is extremely easy to fight alongside if you exclude that point.
His misfortune laid in the fact that the cornerstone of their group, Saber of Black, disappeared before he could fight and, most of all, that his Master was an archetypal magus.
…Even so. His form as he led his troops and tried to protect his country and the Holy Grail was truly noble.
Furthermore, the other compatible class that he is capable of being summoned as is Berserker. In this case, perhaps due to the effects of Mad Enhancement, he would easily accept the fact that he is a vampire and fight as a monster instead of a king. His weapons are the stakes he shoots out from his body.

Lancer Dracula book

“黒”のランサー【サーヴァント】
“黒”側のサーヴァント、陣営のトップを張る男。真名をヴラド三世、ルーマニアの守護者であるが、ルーマニアを除く世界的には『ドラキュラ』という名乗りの方が圧倒的に有名だろう。
ブラム・ストーカー原作の『ドラキュラ』により、ルーマニアの一英雄だった彼は吸血鬼の代名詞として一躍名を馳せた。
……元々、ドラキュラとは「竜の息子」の意味合いであり、吸血鬼からは縁遠い存在だ。では、どうしてそれが吸血鬼の代名詞になったのかというと、ヴラド三世の所業が、あまりに血塗られていたからに他ならない。
二万人のトルコ兵を串刺しにし、「どんな人間も私は恐れまい。だが、悪魔だけは別だ」と東ローマ帝国を滅ぼしたメフメト二世ほどの男に言わしめた圧倒的な残忍さ。後世、エピソードの幾つかは罪を着せるための捏造だという指摘がなされたが、それでもなおその残虐性は後世に刻まれるほどであった。
そしてその一方で、ルーマニアをメフメト二世の手から守った「キリスト教の盾」としての英雄ぶりも再評価されている。
本作以外に「Fate/EXTRA」にも登場。姿や武器、言動などは本作と異なりどちらかというと狂信的な騎士、妻を愛する男としての側面が強調されている。
本作においては、君主としての側面が強調された形で召喚されている。これは、故国ルーマニアで召喚されたという事実が大きいだろう。知名度ボーナスのため、他国で召喚された場合のパラメータよりランクが向上している。合わせてスキル『護国の鬼将』により、破格の力を持つサーヴァントとして顕現した。
しかし、それでも,“赤”側の総攻撃により徐々に追い詰められていき、強奪された大聖杯を奪い返すため、知名度の恩恵を受けられない場所に踏み入ってしまう。
弱体化し、死を覚悟した彼の下へ現れたのはマスターであるダーニック。彼は平然と、ヴラドにとってもっとも忌避、嫌悪すべき選択肢を選ばせるのであった。
激昂すると誰より恐ろしいものの、基本的には国を愛する清廉な武人。吸血鬼に関する話題だけがNGであるものの、それを除けば極めて共闘しやすいサーヴァントと言えるだろう。
彼にとって不幸だったのは要であった“黒”のセイバーが戦う前に消失したことと、何よりマスターが魔術師らしい魔術師だったことだ。
……それでも。部下を率いて国を、聖杯を守ろうとしたその姿はやはり高潔だった。
なお、召喚可能な他のクラスだとバーサーカーが適合する。この場合、狂化の影響か吸血鬼であることをあっさりと肯定し、王ではなく鬼として戦うことになる。武器は体内から射出する杭。

Lancer Dracula book



Lancer Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Lancer "Đỏ" [Servant], trang 153 [T]

Lancer "Đỏ" [Servant]
One of the Servants of the Red camp. One of the great heroes that appears in the Ancient Indian epic poem, the “Mahabharata”. His true name is Karna. Since details about him have already been revealed in “Fate/EXTRA CCC” and the material book “Fate/EXTRA material”, I will only write about Karna as concerned with his appearance in “Apocrypha”.
In the Great Holy Grail War, Karna is the Heroic Spirit who didn’t acknowledge Shirou Kotomine as his Master right till the very end. He continued to serve the Masters whose consciousness had been stolen until the end. He merely obeyed Shirou out of necessity in order to protect them; if it weren’t for that, he would have been an aloof Servant who would merely obey his Master’s desire to “obtain the Holy Grail”. He truly is a saint, although I get the feeling that, after having served with such an honest and faithful attitude, he said in the Moon Cell, “Then, this time I’m put together with a completely useless shut-in of a Master”, but who knows?
This time, he had an abundant prana supply, so he was able to utilize his full power at full throttle, unlike anything seen previously. Honestly, I feel regret over maybe having gone too far with him. He acts as if damage is nothing to him thanks to his golden armor, he sends the enemy flying with his “Prana Burst, he’s covered in flames like a burning phoenix, and his divine spear releases a humongous explosion—in contrast to his modest attitude, it gave the impression that he was rampaging violently.
He possesses power and skill that isn’t inferior to that of Achilles within the Red camp; truly a case of two star players in a single team. During the great battle in the second volume, Lancer of Black’s repeated attacks weren’t half-hearted at all, and any other Lancer besides Karna wouldn’t have been able to withstand it.
Karna saw in Siegfried in the face of a pure warrior trying to carry out his duty even while feeling anguished by something. It seems it was similar to what he saw in the legendary bowman who he fought in the past.
Also, originally in the Jumbo Jet Counter-Attack battle of volume 5, there were plans to have something like a ‘Massive Jumbo Jet Target Shooting scene where Karna readies himself and sticks his spear in the ground, and when Semiramis asks what he is doing, he says, “Weapons are unnecessary. A true hero kills with his eyes!”’, but it was too much of a ridiculous gag and it ended up being cut.

“赤”のランサー【サーヴァント】
“赤”側のサーヴァントの一人。インドの古代叙事詩『マハーバーラタ』における大英雄の一人。真名をカルナ。彼に関してはぶっちゃけ「Fate/EXTRA CCC」やそのマテ本である「Fate/EXTRA material」に詳しいため、ここでは「Apocrypha」におけるカルナについてのみ記すこととする。
聖杯大戦におけるカルナは、最後の最後までシロウ・コトミネをマスターと認めなかった英霊である。自意識を奪われたマスターに最後まで仕え続けた。彼らを守るために、やむなくシロウに従っただけで、それがなければあくまでマスターの「聖杯を獲る」という意志に従う孤高のサーヴァントであっただろう。まさしく聖人、でもこんな謙虚で誠実な態度で仕えていたからムーンセルに「じゃあ、次はダメダメな引き籠もりのマスターと組んでね」と宣告された気がするのだが、どうか。
今回は魔力供給も潤沢なため、これまでに無かった全力全開モード。正直やりすぎたかもしれないと反省している。黄金の鎖であらゆるダメージをものともせず、『魔力放出』でカッ飛ぶわ燃やすわ不死鳥のように炎が舞い散るわ神槍はどっかんどっかん大爆発させるわ―――控えめな態度の割りに、物凄い大暴れだった印象。
“赤”側の陣営においてアキレウスと遜色ない実力を持つ、まさに二枚看板。二巻における大戦争の際、“黒”のランサーが繰り出した攻撃は生半可なものではなく、あの場で戦っていたランサーがカルナ以外であれば抗し得るものでもなかっただろう。
カルナがジークフリートに見て取ったのは、何かに苦しみながらも己の役割を全うしようとする、純粋な戦士としての顔。それはかつて戦った伝説の弓兵にも通じるものがあったらしい。
なお、本来は五巻クライマックスのジャンボジェット迎撃戦の際に、満を持して槍を地面に突き立て、何をする気だと言うセミラミスに対して「武具など不要。真の英雄は眼で殺す……!」と言ってジャンボジェット大量撃墜!みたいな展開も用意してあったのだけど、ギャグ過ぎたのでやはりカットと相成ったのである。



Legend of Dracula[]

[v] Fate/Apocrypha material - Encyclopedia: The Succession of Blood [Noble Phantasm], trang 189 [T]

The Succession of Blood [Noble Phantasm]
Legend of Dracula. The forbidden Noble Phantasm of Lancer of Black, Vlad III. In Romania, Vlad is treated as a hero, but this Noble Phantasm releases his abilities as the “Vampire Dracula”, who possesses great fame worldwide except for Romania. In that sense, it resembles the “Hanging Gardens of Babylon: Aerial Gardens of Vanity” which is also a fictional legend.
This Noble Phantasm grants the power of vampires from fiction, making Vlad capable of turning even Servants into fellow vampires through the act of sucking their blood. He can also change form into mist or a flurry of bats, and all physical damage is negated when he is in those forms.
Besides his fangs and superhuman strength, his weapons include stakes which he can create from within his body to stab his enemies. Though his thought processes are weakened equivalent to the effect of Mad Enhancement, if you look at his overall abilities, his strength is greater in this form than Vlad III as a sovereign.

鮮血の伝承【宝具】
レジェンド・オブ・ドラキュリア。
“黒”のランサー、ヴラド三世の禁断宝具。ルーマニアでは英雄として扱われるヴラドだが、この宝具はルーマニアを除いた全世界規模の知名度を得た「吸血鬼ドラキュラ」としての能力を解放する。そういう意味合いでは、同じく虚偽の『虚栄の空中庭園(ハンギングガーデンズ・オブ・バビロン)』と酷似している。
フィクションとしての吸血鬼の力が付与され、サーヴァントですらも吸血行為によって眷属に仕立て上げることができる。霧や蝙蝠の群れに姿を変えることもでき、その状態では物理攻撃は無効化される。
武装は牙と怪力の他、体内から杭を生み出すことで相手を貫く。狂化に相当するほど思考能力が弱化するとはいえ、総合的に見れば君主としてのヴラド三世より力は増していると考えられる。



Left Hand & Right hand[]

[v] Fate/Apocrypha material - Encyclopedia:
Right Arm - Wickedness Predation [Noble Phantasm]
Left Arm - Foundation of Heaven's Blessing [Noble Phantasm], trang 186 [T]

Right Arm - Wickedness Predation [Noble Phantasm]
Left Arm - Foundation of Heaven's Blessing [Noble Phantasm]

Right Hand - Evil Eater.
Left Hand - Xanadu Matrix.
The Noble Phantasms used by Shirou Kotomine since the time of the Third Holy Grail War. They are the legend materialization type. They are both Rank D. The right arm possesses the same function as the skill “Eye of the Mind (True)” and the left arm has the same function as the skill “Eye of the Mind (False)”, and they both strengthen the power of Baptism Rites.
By linking to the foundation of all forms of magecraft, these Noble Phantasms make it possible to use, to a certain degree, even magecraft that the user shouldn’t know of except as general knowledge. They are handy and convenient Noble Phantasms, but even if Shirou was summoned as a Caster, he still wouldn’t stand a chance against a first-rate magus like Medea.
However, this modest blessing of being able to use any magecraft without needing to master them is what allowed him to gain complete control of the Greater Grail.

右腕・悪逆捕食【宝具】
左腕・天恵基盤【宝具】

ライトハンド・—イヴィルイーター。
レフトハンド・キサナドゥマトリクス。
シロウ・コトミネが第三次聖杯戦争時代から使っている宝具。いわゆる伝承の具現化タイプ。共にランクはD。右腕はスキル『心眼(真)』と左腕はスキル『心眼(偽)』と同じ機能を持ち、共に洗礼詠唱を強化する。
あらゆる魔術基盤に接続することで、本来は知識としてしか知らないはずの魔術もある程度行使することができる。便利な宝具ではあるが、例えばキャスターとして召喚されてもメディアのような一級魔術師には絶対に敵わない程度の代物でしかない。
だが、あらゆる魔術を熟達する必要もなく行使できるというささやかな恩恵が、彼に大聖杯の完全制御をもたらした。



Lord El-Melloi II[]

[v] Fate/Apocrypha material - Encyclopedia: Lord El-Melloi II [Person's name], trang 189 [T]

Lord El-Melloi II [Person's name]
Waver Velvet, who appeared in “Fate/Zero”. This is him roughly ten years after those events. He was half-forced to inherit the title of El Melloi II by Reines and spend his days working hard to repay his debt and repair the family’s Magic Crest while teaching students as a professor.
To find out more about him, go check out “Character material”. Even in the “Fate/Apocrypha” world, he fought alongside Rider, Iskander, in a subspecies Holy Grail War against Kayneth—that’s the setting here, anyway.
After the end of the novels, Caules Forvedge Yggdmillennia also ends up joining El Melloi II’s class.

ロード・エルメロイⅡ世【人名】
「Fate/Zero」に登場したウェイパー・ベルベット。彼の約十年後の姿。ライネスより、半ば強制的にエルメロイII世の名を継がされ、教授として生徒たちに魔術を教えつつ借金返済や刻印修復に勤しむ毎日。
彼に関しては「Character material」を参照のこと。「Fate/Apocrypha」世界においても、やはりケイネスと対立、亜種聖杯戦争でライダー、イスカンダルと共に戦いを繰り広げた———ということになっている。
本作終了後、カウレス・フオルヴェッジ・ユグドミレニアもエルメロイII世の教室に合流予定。



Luminosite Eternelle[]

[v] Fate/Apocrypha material - Encyclopedia: God is Here With Me [Noble Phantasm], trang 188-189 [T]

God is Here With Me [Noble Phantasm]
Luminosite Eternelle. By brandishing her holy flag, she can convert her EX rank Magic Resistance skill into an equally powerful defense that blocks all physical attacks. It is the crystallization of the legend of Jeanne d’Arc waving her flag on the battlefield and fighting to the very end with hardly any wounds.
However, each time she uses it, she accumulates damages, so naturally she can’t withstand an Anti-Fortress Noble Phantasm multiple times in a row. Also, only Heroic Spirits who had witnessed Jeanne’s legend in life—in other words, only Gilles, in his past form as a Marshal of France, can use this Noble Phantasm besides Jeanne.
There are various theories about the flag’s design, with many popular suggestions featuring angels or flowers (specifically, the iris flower). Incidentally, Jeanne uses this flag mostly to attack in battle. “There’s a spear-point at the tip, so it’s a divine sign that this flag should be used to strike the enemy,” is what she says as an excuse each time one of the Servants she passes judgement on protests about it. Please stop.

Fate apocrypha jeanne dagger

我が神はここにありて【宝具】
リュミノジテ・エテルネッル。ルーラーの宝具。聖旗を掲げることで、EXランクの対魔カスキルをそのまま物理攻撃を含めた防御に変換する。戦場において旗を振り、ほとんど傷を負うことなく最後まで戦い抜いた伝説の具現化。
ただし使用する度にダメージが蓄積していくため、さすがに対城クラスの宝具を何発も受けては耐えられない。また、当時ジャンヌの伝説を間近で見た英霊———即ち、フランス軍元帥だった時代のジルのみ、この宝具を活用することができる。
旗のデザインは諸説あり、一般的には天使や花(アイリス)をあしらったものが多い。ちなみにジャンヌはこの旗をもっぱら攻撃に活用している。「穂先に槍がついています、つまりこの旗で殴れよという啓示でしょう」と本人は裁くべきサーヴァントに抗議される度に弁解している。やめてあげて。

Fate apocrypha jeanne dagger



Maria the Ripper[]

[v] Fate/Apocrypha material - Encyclopedia: The Holy Mother of Dismemberment [Noble Phantasm], trang 184 [T]

The Holy Mother of Dismemberment [Noble Phantasm]
Maria the Ripper. The Noble Phantasm of Assassin of Black, Jack the Ripper. It is a Noble Phantasm that has sublimated the Jack the Ripper murders as a concept, of a somewhat different nature than normal assassination-type Noble Phantasms. By fulfilling three conditions when activating the Noble Phantasm, its power is doubled. First condition: the target is female (including female animals as well). Second condition: there is fog out. Third condition: it is night. In a Holy Grail War, it is relatively easy to fulfill all but the first of these conditions, so in that regard it can be considered an easy to use Noble Phantasm.
And when this is combined with Jack’s skill “Information Erasure”, she can act more than sufficiently as a member of the Assassin class.
However, though her Noble Phantasm’s power is great, its damage is determined by the target’s resistance to curses. It is difficult for “Maria the Ripper” to deal its full power just as planned against enemies, except for modern day Heroic Spirits. Only if she has a Master that is the best in terms of magecraft and all three conditions are fulfilled can this Noble Phantasm have power equal to the average “Zabaniya” used by the Hassans.

解体聖母【宝具】
マリア・ザ・リッパー。“黒”のアサシン、ジャック・ザ・リッパーの宝具。切り裂きジャックの事件が概念として昇華された宝具であり、いわゆる暗殺系統の宝具とは若干毛色が異なる。宝具を解放するにあたり、条件を三つ満たすことで威力を倍加させていく。一つ目、標的が女性(動物の雌も含む)であること。二つ目、霧が出ていること。三つ目、夜であること。聖杯戦争である以上、この条件を満たすのは最初の一つ目を除いてほとんど容易であるため、その点では使いやすい宝具だといえよぅ。
そして、ジャックのスキル『情報抹消』などが複合すればアサシンクラスとしては充分すぎるほどに活躍することが可能。
ただし、彼女の宝具は威力が高くとも呪詛への耐性でダメージが決定する。近現代の英霊を除くと、『解体聖母』が想定通りの威力を相手に与えることは難しい。魔術的に最高のマスターを得て、三つの条件を揃え、ようやくハサンの使用する『ザバーニーヤ』の平均値に匹敵するだけの威力を持つ。



Millennia Fortress[]

[v] Fate/Apocrypha material - Encyclopedia: Millennia Fortress [Place name], trang 185 [T]

Fortress of Millennia [Place name]
The fortress where the Black Masters and Servants are gathered. It is a huge fortress that is big enough to take up half the area of Trifas. It is even bigger and more complex than most famous European castles, and it has been made unbelievably secure thanks to the combination of various Mystic Codes and defensive spells that Yggdmillennia has stored there over the past sixty years. Homunculi continue keeping guard day and night, and golems that move to intercept the moment they sense movement are hidden in some of the pillars, floors and ceilings.
The clan’s leader, who has barely aged at all, is a good example of what happens when you manically prepare beforehand. However, half of all those scrupulous preparations were blown away with a single punch from a certain mad warrior…

ミレニア城塞【地名】
“黒”のマスターとサーヴァントたちが集結している城塞。トゥリファスという街の半分を占めているほどの巨大な城塞。ヨーロッバ諸国の名城以上の大きさと複雑さ、更にはユグドミレニアが六十年備蓄していたありとあらゆる魔術礼装と防衛魔術の組み合わせで、信じ難いほど強固な代物となってしまった。ホムンクルスが昼夜問わず見張りを続け、一部の柱、床、天井には動体を感知次第迎撃行動に出るゴーレムたちが潜んでいる。
歳をほとんど取らないリーダーが、偏執狂的に準備をするとこうなるという良い見本である。もっとも、そんな綿密過ぎるほどの準備もどこかの狂戦士の一発で半分ほどが吹き飛んでしまったのだが……。



Necromancy[]

[v] Fate/Apocrypha material - Encyclopedia: Necromancy [Others], trang 179 [T]

Nigromancies magecraft [Others]
Necromancy magecraft. The style of magecraft that Shishigou Kairi uses.
Necromancy falls under the magecraft systems of both communicating with the dead and curses among the departments within the Association of Magi, and the term specifies all magecraft styles that primarily use and process corpses. Even after the soul has vanished, a magus’ body continues to have extremely potent magical properties, so the corpses of magi are more useful than regular corpses. Besides magi, corpses of things like beasts with magical properties are also highly valued by necromancers. For instance, a Phantasmal Species can be made into a suitably strong Mystic Code. Shishigou Kairi processes pieces of corpses such as these for every use he could. For example, he used things like monkey hands, owl eyes, and the hearts of magi.
Shishigou Kairi’s Mystic Codes were very high quality, and most of all were easy to use since the Mystic Codes that he made from corpses lacked negative factors such as “regret” and “malice” attached to them (while these increase a Mystic Code’s power, it proportionally raises the possibility of it going berserk). And those who should have fallen into ruin ended up becoming the subject of conversation among magi again—that includes the story of how Shishigou Kairi’s Magic Crest was turned poisonous, though.

死霊魔術【その他】
ネクロマンシー。獅子劫界離が使用する魔術。
死霊魔術は魔術協会の学部でいうところの降霊と呪詛の両系統に属しており、主に死体を利用・加工する術式全般を指す。魂が消えたとしても魔術師の肉体は極めて魔的なものであり続けるため、普通の死体より魔術師の死体の方が有用である。魔術師でなくとも魔性を持つ獣などは珍重される。魔獣ならば相当に強力な魔術礼装を作り出せる。獅子劫界離はそれらを用途ごとに加工している。例えば猿の手、梟の眼球、魔術師の心臓など。
獅子劫一族の作成する礼装は質が高く、何より死体を加工した礼装に付きものの「無念」「怨念」といった負の要素(威力は高まるが、その分暴走する可能性が高くなる)が欠落した使いやすいものだった。そして零落したはずの彼らは再び魔術師たちの口に上るようになった———それも、獅子劫界離の魔術刻印が毒化するまでの話だが。



Other Side of the World[]

[v] Fate/Apocrypha material - Encyclopedia: Other Side of the World [Others], trang 173 [T]

Reverse Side of the World [Others]
The place where the evil dragon Fafnir finally arrived at the very end of the novels. The Phantasmal Races, having understood that the Age of the Gods was over, ceded the Earth’s surface to humans and moved to this place. The world where humans currently live (including the laws of physics) is like a fabric that thinly extends across the surface of the planet. Beneath that fabric exist the planet known as “Earth”. On the other hand, the Reverse Side of the World is the world as it was before humans lived there… that is, the fabric of the era where Phantasmal Races strode the land. In other words, the Earth is the bottommost layer of the planet, and it is covered by the “Reverse Side of the World”—the place where the laws of the “world” as it once was reigns, and covering that is the “Present World”.
In the Reverse Side of the World, the Holy Grail cannot activate its function of “using the Third Sorcery”. In the first place, that function was for the sake of granting Shirou Kotomine’s wish. In other words, it is programmed to target humans, and doesn’t count Phantasmal Races as valid targets.
Jeanne d’Arc is a Heroic Spirit who, from the start, lost her human body long ago. Because of that, the chances of her reaching the Reverse Side weren’t completely zero… However, that is merely the kind of “not zero” like, as a comparison, somehow managing to pass through a wall with the tunnel effect, but the Throne where Heroic Spirits Exist is cut off from the time axis, so she effectively had an infinite number of attempts to try.

世界の裏側【その他】
邪悪なる竜(ファヴニール)が本編最後に辿り着いた場所。神代の終わりを理解した幻想種たちが地上を譲り渡し、この場所に移動した。現在の人間が住む世界(物理法則も含めて)とは、惑星の地表に薄く広がる織物のようなもの。その織物の下に「地球」という惑星が存在する。一方、世界の裏側とは人間が住む以前の世界……即ち、幻想種たちが闊歩していた時代の織物。つまり地球は惑星の地表が一番下にあり、それを包んでいるのが「世界の裏側」———かつて「世界」だった法則が支配する場所であり、さらにそれを包んでいるのが「現在の世界」という訳である。
世界の裏側では聖杯は「第三魔法の行使」という機能を果たさない。そもそもあれはシロウ・コトミネの願いを叶えるためのもの。つまり人間を対象にプログラミングされており、幻想種などカウントに入れていないからだ。
ジャンヌ・ダルクは英霊であり、元々人間としての肉体はとうの昔に消滅している。そのため、裏側に辿り着く可能性は決してゼロではなかった。……と言っても、喩えるなら壁にぶつかっていればトンネル効果で何とかなるとかそういうレベルの「ゼロではない」だったのだが、英霊が存在する座は、時間軸から切り離されているので試行回数は無限に等しかったのである。



Pankration[]

[v] Fate/Apocrypha material - Encyclopedia: Pankration [Others], trang 180 [T]

Pankration [Others]
The martial arts used by Archer of Black, Chiron. Combining boxing and wrestling, it is most likely the first mixed martial arts in history. If you ask why the centaur Chiron-sensei knows something like this, it’s because ancient boxing originates from the god Apollo.
In Chiron’s case, this fighting style is included in “Wisdom of Divine Gift”, but he actually possesses skill in it equivalent to A rank. Eh, Plato-sensei? …His skill in it is EX Rank… probably…

パンクラチオン【その他】
“黒”のアーチャー、ケイローンが使った武術。ポクシングとレスリングを合体させた、恐らく世界初の総合格闘技。ケンタウロス族のケイローン先生が、何でこんなものを知っているかというと古代ボクシングの起源はアポロン神に端を発するので。
ケイローンの場合は神授の智慧に組み込まれているが、実質的にはAランク相当の技量を持つ。え、ブラトン=カメ〇メ先生?EXじゃないかなあ……多分……。



Pentel Brothers[]

[v] Fate/Apocrypha material - Encyclopedia: Pentel Brothers [Person's name], trang 183-184 [T]

Pentel Brothers [Person's name]
When I first started writing these characters, I came up with freelance magi under the theme of “joined”… in other words, conjoined twins… actually, characters like the resistance leader Kuato who appeared in “Total Recall” (the 1990 version), but the Red Masters basically didn’t need to be written in such detail, so I quickly moved it to the discarded ideas pile.
Just like Zugzwang (the magus clan that appeared in the short story that was published in Type Moon Ace), they are the type of magi who divided up their family’s Magic Crest between themselves and display greater power when near each other. “We are 1+1=200…!” Well, these types generally end up disputing with each other as siblings or leave themselves unguarded and die, though.

ペンテル兄弟【人名】
執筆当初は漠然と、「結合」……つまりまあ、結合双生児……というかそのものズバリ、「トータル・リコール」(1990年度版)に出てきたレジスタンスのリーダー、クワトー的なフリークス魔術師を想定していたのだが“赤”のマスターさんは基本的にそこまで詳しく書いても仕方がない、ということでそそくさと没設定へ移行。
ツーツクワンク(タイプムーンエースに掲載された短編に出てくる魔術師一族)たちと同じく、魔術刻印を分割継承しており、互いが傍にいることで力を発揮するタイプの魔術師。俺たちは1+1で200だ……!
まあこの手のタイプは大体、兄弟で揉めるか隙を突かれて死ぬのだけど。



Phoebus Catastrophe[]

[v] Fate/Apocrypha material - Encyclopedia: Complaint Message on the Arrow [Noble Phantasm], trang 184 [T]

Complaint Message on the Arrow [Noble Phantasm]
Phoebus Catastrophe. The Anti-Army Noble Phantasm of Archer of Red, Atalanta. Since her other Noble Phantasm is an unmanageable Mad Enhancement-type Noble Phantasm, a Master would have to make Atalanta fight using this Noble Phantasm as the focal point in order to actually make proper use of her.
She makes a prayer to both Apollo and Artemis, which then causes countless arrows to shoot down from the sky. Its other name, “Soul-Chasing and Life-Stealing Sword”, is incorrect. Also, in [Complete Material], it was written that it could only attack either men or women at a single time, but that made it too hard to use so it was revised.
Like when she used it against Berserker of Red, Spartacus, in the second volume, it can be used to shoot a narrower area as well, making it a very convenient Noble Phantasm. Though the damage dealt by each individual arrow is small, they attack in great numbers, so the Noble Phantasm is strong against Servants who have low endurance and high agility. Just like she herself is.

訴状の矢文【宝具】
ポイボス・カタストロフェ。“赤”のアーチャー、アタランテの対軍宝具。もう一方が箸にも棒にもかからない狂化宝具のため、実質的にアタランテを真っ当に運用しようと思うならば、この宝具を軸にして戦わなければならない。
アポロン、アルテミスの両神に祈りを捧げ、天空から無数の矢を射出する。別名を『追魂奪命剣(ついこんだつめいけん)』、違う。なお、「コンプリートマテリアル」仕様だと男、女のどちらか一方にしか攻撃できなかったが、さすがにそれは使い勝手が悪すぎるので変更。
二巻で“赤”のバーサーカー、スパルタクス相手に使用したときのように領域を絞って射つこともできる、地味に便利な宝具。一本一本の矢のダメージはわずかでも、膨大な量の矢が襲い掛かるので、耐久が低く、敏捷が高いタイプのサーヴァントに強い。自分だそれ。



Reines El-Melloi Archisorte[]

[v] Fate/Apocrypha material - Encyclopedia: Reines El-Melloi Archisorte [Person's name], trang 186 [T]

Reines El-Melloi Archisorte [Person's name]
→Go check out “Lord El Melloi II Case Files”.
…But it would be too much to leave it at just that. She is the legitimate successor of the El Melloi clan. She is Lord El Melloi II’s younger stepsister. Her existence was hinted at in the El Melloi II entry of “Character material” which was published in 2006. In this series, she made a grand appearance along with her mercury maid Trimmau.
She only has a minor supporting role in this work, so her character was made a bit sweeter and childish than other works. Her hiding in a cardboard box and shouting “Boo!” with a hearty laugh is an excellent indication of this.
When her predecessor Kayneth went off in high spirits with his fiancée Sola-Ui to participate in the Holy Grail War and ended up magnificently having the table turned on him, Reines apparently had a dispute with the Sophia-Ri family, and she is still on bad terms with them even today.

ライネス・エルメロイ・アルチゾルテ【人名】
→「ロード・エルメロイII世の事件簿」を参照せよ。
……といぅだけではあんまりなので。エルメロイの正統後継者。ロード・エルメロイII世の義妹にあたる。2006年に発売された「Character material」のエルメロイII世の項目において、その存在だけは示唆されていた。本編にて水銀メイド、トリムマウと共に堂々の登場と相成った。
本作ではあくまで脇役なので、若干他の作品より性格が甘め、幼い感じに設定されている。段ボール箱に隠れたり、「ザマァ」と呵々大笑したりするのはその良い証拠。
先代ケイネスが婚約者であるソラウを連れて聖杯戦争に意気揚々と参戦、見事に返り討ちに遭ってしまった際に、相当ソフィアリ家と揉めたらしく、未だに仲が悪い。



Reika Rikudou[]

[v] Fate/Apocrypha material - Encyclopedia: Rikudou Reika [Person's name], trang 186-187 [T]

Reika Rikudou [Person's name]
The female Master of Assassin of Black. She is the only Black Master who is not a member of the Yggdmillennia clan. When she was young, she was a highly cultivated young lady from a wealthy family, but after her parents died in an accident, she fell into a degraded lifestyle in the blink of an eye and, in the present, ended up supporting a certain man while working as a prostitute.
That man is Sagara Hyouma. By using hypnosis to control Reika and make her completely trust him, he used her as a sacrifice to summon Jack the Ripper. However, Jack was summoned before Reika died, and Reika formed a contract with Jack before Hyouma could. The original summoner Sagara Hyouma was killed immediately after, and Reika ended up becoming the Master of Assassin of Black.
After hearing about the Greater Holy Grail War from Jack and going to Romania, Reika gathered information and prana while taking advantage of the fact that she’s not a magus, which made it hard for the other competitors to find her. She planned to kill the other Black Masters, but—
She and Assassin of Black met their end in Volume 4.
In truth, she is a unique natural genius and natural monster, the only one of her kind in this work. Her comprehension and observing eye towards everything is abnormal, and she continued to calmly slaughter magi while always maintaining Assassin’s superiority in a situation where the two of them had few weapons and little prana. Even before she left Japan, she turned the tables on and killed a squad of Yggdmillennia assassins with Jack’s help. In addition, she’s extremely proficient with learning languages. She can even smoothly speak in Latin.
She has no hesitation towards murder and possesses no unnecessary emotional attachment to survival, so once she decided to “steal the Holy Grail”, she simply strived undaunted towards that goal. Yet, her wish is nothing special. She simply acts following the optimal strategy, like an AI, for the sake of Jack, who saved her life.
Jack is the only one who she showers with human-like affection. This is because, in her entire two decades of life, Jack was the only one who saved her without asking for compensation. In a sense, Reika is certainly similar to Jack’s victims, but she differed from them in a single aspect. Her life was spent being stolen from and trodden upon by others, but she never tried to steal anything from anyone herself. Even though she lived her life going with the flow—spending an empty life that involved just beating her heart, she still tightly grasped onto her own life, at least.
From an outsider’s point of view, her life was completely meaningless. A boring, worthless life of only walking aimlessly while zealously hanging onto her heart. But Assassin of Black, Jack the Ripper, saw that life as meaningful.
Even if Jack had a cruel innocence that saw her mother’s visage in every woman.
Even if Jack would have easily killed Reika if things had happened even a little bit differently.
Jack, who had chosen “not to take her life”, was a dazzlingly beloved child to Reika. That’s why, when Jack was targeted by Archer of Red, Atalanta, Reika was able to protect Jack with her own body without any regret.
No matter how foolish an act it was.
She ended her life by her own hands without an ounce of regret.

六導玲霞【人名】
“黒”のアサシンのマスター、女性。“黒”のマスターの中では唯一ユグドミレニア一族ではない。幼い頃は極めて教養豊かなお嬢さまだったが、両親が事故死してからあれよあれよという間に転落人生を歩み、現在は娼婦をしながら男を養っていた。
その男こそが、相良豹馬である。彼は暗示をかけて玲霞を操作し、すっかり信用させたところでジャック・ザ・リッパーを召喚するための儀式に利用した。ところが、玲霞が死ぬ前にジャックが召喚されてしまい、玲霞は相良豹馬より先にジャックと契約を結ぶ。召喚したはずの相良豹馬はすぐに殺害され、玲霞はなし崩し的に“黒”のアサシンのマスターとなった。
聖杯大戦のことをジャックから聞いて、ルーマニアへと渡った玲霞は魔術師ではないために見つかりにくいというアドバンテージを利用しつつ、情報と魔力を収集。どうにかして“黒”のマスターたちを暗殺しようと目論んだのだが———。
彼女たちの結末は四巻にて。
実は今作の中で唯一無二の天然天才かつ天然怪物。物事に対する理解度や観察眼が尋常ではなく、武器も乏しく魔力も乏しい状況で、アサシンの優位性を常に保ちながら、平然と魔術師たちを屠り続けた。日本を出国する前にも、ユグドミレニアの暗殺部隊をジャックと共に返り討ちにしている。ついでに語学も極めて堪能。ラテン語もスラスラ。
殺人に対して一切の躊躇がなく、生存に不要な感情は持たず、「聖杯を獲る」と決めたら、ただひたすらそれに向けて邁進する。その癖、自らの願いは大したものではない。命を救われたジャックのために、AIのように最適化戦略に勤しんでいる。
ジャックに対しては唯一人間らしい愛情を注いでいる。二十数年生きた人生の中で、彼女だけが唯一、無償で自分を救ってくれた存在だからだ。ある意味で、玲霞は確かにジャックの被害者に酷似しているが、一点だけ異なっていた。奪われるだけの人生、踏みつけられるだけの人生、けれど彼女は誰からも奪うことはなかった。流されるように生きている———最早、ただ心臓を動かしているだけの空虚な人生だとしても、己の生命だけは握り締めていた。
それは第三者からすれば、全く意味のないもの。心臓だけを後生大事に抱えて歩いている下らない、つまらない人生。それを“黒”のアサシン、ジャック・ザ・リッパーは意義あるものだと見なしたのだ。
たとえ彼女には、母の面影をどんな女性にも見る残酷な無邪気さがあったとしても。
一歩間違えれば、ジャックはあっさりと玲霞を殺していたとしても。
自分の命を、「獲らない」と選択してくれたジャックは眩いほどに愛しい存在だった。だから、“赤”のアーチャー、アタランテに狙われたときに彼女はまったく後悔せずにジャックを庇うことができたのだ。
それがどれほどに愚かしい振る舞いだったとしても。
彼女は一切の後悔なく人生を自らの手で閉じたのだ。



Restructuring[]

[v] Fate/Apocrypha material - Encyclopedia: Restructuring [Others], trang 187-188 [T]

Discarded Servants [Other]
The Servants who experienced the bitterness of being discarded in the transition from the proto-version of “Apocrypha” featured in “Complete material IV” to the official light novels.
The one who disappeared first was Sakata Kintoki. As an enemy to the protagonist side, he’s a far too nice guy to fight, and as an ally, he’s very reliable. Furthermore, one aspect of the plot that was decided near the beginning was that “Frankenstein will use her Noble Phantasm and revive”, so Frankenstein had to take up the slot for the ally Berserker, causing Kintoki to be discarded. The next one to be cut was Musashibou Benkei. In his case, I briefly outlined him as a Servant who’s mentality was very complex which made him hard to act as a partner to a Master, but the Master-Servant pairs had already been decided and there was too little room for him to cut in. Most of all, there were three Lancers drafted in the first place, and the remaining two were Vlad III and Karna. The fact that he was a Japanese Servant also played a factor, so he was unfortunately retired from the running.
During this period of the plot creation, the following had already been basically decided: “Romanian stage. Vlad III’s big fame bonus. Central Servants are Jeanne and Astolfo, and the rival Servant is Amakusa Shirou Tokisada.” Therefore, the next one to be retired was Georgius. Since he would be the third saint in the story, he would have to be included in the ideological conflict between Jeanne and Amakusa, but I feared it would become too confusing. Also, considering the final outcome of the story, his value as a character dimmed further since his Noble Phantasm would cause the metamorphosis midway through the story, so he was discarded.
Now then, one of the two planned Riders has been discarded and left an empty Rider slot, so let’s think of possible choices. If possible, it should be someone really famous who wouldn’t be too intertwined with the main plot of the story… With that thinking, the candidate that came to mind was Achilles.
I want one more Servant suitable to act as a rival to Achilles on the opposing team from him. For example, how about his teacher Chiron? But in that case, one of the initially planned Archers would have to be discarded.
At this point, it was already decided that Atalanta would oppose Jeanne, so she had to be in the Red camp like Achilles. The remaining Archer was David. There was no problem with him as an ally character-wise, Vlad III was planned to be made the head of the Black camp. If there were another world-famous king on the same team as him, his relationship with Vlad would become complex… As such, David was the last one to be discarded.
This segment has already become very drawn-out, but, well, I have say to congratulations for them all getting to make a return in “Fate/Grand Order”…

FA Material scrapped servants

リストラ【その他】
いわゆる「コンプリートマテリアルIV」に収録されたプロト版「Apocrypha」から、本編に移行するにあたって何人かのサーヴァントがリストラの憂き目に遭った。
まず、真っ先に消えたのが坂田金時。主人公側と敵対するにはあまりに気持ちの良い男すぎ、味方にするにはあまりに頼もしい。さらに、プロット時点で「フランケンシュタインの宝具を使用して復活する」という部分が確立したため、味方バーサーカーにフランケンシュタインは外せなくなってしまい、リストラ。続いて切られたのは、武蔵坊弁慶。彼の場合、メンタリティが非常に複雑でパートナーくらいにならないと詳しく書けないのだが、パートナーは既に決まっていたので食い込む余地がなさすぎた。何より、そもそもランサー三人いて、残り二人はヴラド三世とカルナさん。日本のサーヴァントということもあって、無念のリタイア。
この頃になると「ルーマニア舞台。ヴラド三世知名度大ボーナス。中心となるサーヴァントはジャンヌ、そしてアストルフォ、ライバルは天草四郎時貞」と大雑把に決まっていたので、続いてリストラされたのがゲオルギウス。三人目の聖人がいる、となるとジャンヌと天草の思想対立にどうしても組み込まなければならないのだが、煩雑になるのを恐れたため。彼の宝具もラストのオチを考慮すると、途中で変身してしまうとありがたみが薄れてしまうのでリストラへ。
さて、二人いるライダーの内一人が没ったためにライダー枠が一人空いたので人員を考える。可能であれば、あまり物語の主軸に絡まなくて凄く有名な奴……という訳で浮上したのが、アキレウス。
アキレウスと敵対する側のサーヴァントとして後一人、ライバルかそれに類する存在が欲しい。例えば彼の師匠のケイローンとかどうだろう。でも、そうなるとアーチャーの内どちらかをリストラしなければ。
この時点でアタランテはジャンヌと敵対することを決めていたため、アキレウスと同じ“赤”側に居なければならない。残るはダビデただ一人。キャラクター的には味方で問題ないのだけど、今回はヴラド三世を卜ップに据える予定。もし、もう一人もっと世界的に偉大で有名な王が傍にいた場合、ヴラドとの絡みがややこしくなりそう……。という訳で、ダビデが最後のリストラ枠へ。
長々と語りましたが、まあ皆さん「Fate/Grand Order」での復帰おめでとうございます……と。

FA Material scrapped servants



Rider Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Rider "Đen" [Servant], trang 163-164 [T]

Rider "Đen" [Servant]
One of the Servants of the Black camp. His true name is Astolfo, one of Charlemagne’s Twelve Paladins. He is the son of King Otto of England, and was destined to become king in the future.
He is one of the two major problem children in the light novels. Though he possessed a beautiful face and was beloved by all of the other Paladins, he is a “weak” knight whose abilities are inferior to the rest of them.
However, he himself didn’t care about his weakness at all and even when he felt depressed after losing a jousting match, he forget about it soon after. The easy-going Astolfo, whether due to possessing good luck or being loved for his attitude, ended up obtaining various Noble Phantasms.
He was given “Casa Di Logistilla: Declaration of Complete Destruction”, capable of destroying all spells, as a gift from a witch, borrowed the jousting lance “Trap of Argalia: Down with a Touch!” that Argalia had forgotten and left behind, and secured “Hippogriff: Otherworldly Phantasmal Horse” from the evil magus Atlante.
Astolfo fully used these Noble Phantasms and went on various adventures.
…Incidentally, since he happily loaned away most of his borrowed items when someone asked for them, he is the type that fundamentally feels no attachment to goods and objects. That might be precisely why various Noble Phantasms came into Astolfo’s possession during his life.
Astolfo’s clothes are based on his tastes—no, not his tastes; rather, he wore them in order to calm and appease Roland, who went mad after he was spurned by the woman he loved. The reason he had that appearance when he was summoned is probably because the Greater Grail decided that that was the point of “Astolfo’s heyday”. How cruel.
He is truly second-rate as a Servant. He lacks the ability to be first-rate, and even if his abundant Noble Phantasms give him a bit of an advantage, he would be overwhelmingly beaten by someone power like a Saber-class Servant due to the difference in pure strength.
However, if you consider him as a single chess piece among many in the Great Holy Grail War, his abundant Noble Phantasms can expand the breadth of his team’s tactics, and his Noble Phantasms which can make the enemy incapable of moving or fall into confusion are suited to keeping the enemy in place.
You could say he truly is a piece suited to the Great Holy Grail War, but… unfortunately, Astolfo’s sense of values is abnormal. For instance, if even a homunculus asked him for help, he would comply with all his power and do it even while knowing full well that it would be disadvantageous to his camp.
Due to his skill “Evaporation of Sanity”, he also possesses the special skill “Monstrous Strength” limited to magical beasts, though its rank is low, and his Magic Resistance is raised to A rank thanks to his Noble Phantasm. It makes him basically invincible and troublesome against an ordinary magus Master. If he were to aim to kill the other Masters, even winning the Holy Grail War might not be just a dream for him—but regrettably, that’s the type of strategy that Astolfo would definitely refuse, making it a dream within a dream.
In the light novels, his bottomless soft-heartedness, his optimism and, most of all, his dynamic attitude greatly affect the story. If Sieg is the shaft of the car wheel and Ruler is the car wheel, Astolfo is like the lubricating oil. Also, “Evaporation of Sanity” is, obviously, not a good skill. To lack reason means you can’t control your own desires. However, despite lacking reason, Astolfo eliminates the concept of “doing something bad” from his mind on an instinctive level in the first place, so it’s all good in the end…!
His feelings towards Sieg are passionate and frank. Incidentally, Astolfo doesn’t care about male and female gender differences at all. If he loves someone, whether they’re a man or woman is a trivial issue. If Sieg wished for it, he would have probably happily become his partner. However, Sieg himself is only aware of the “act of reproduction” as a phrase that means to bring into existence a life besides oneself.
He has a wish for the Holy Grail, but he still hasn’t thought about what it is. His principle was to think and actually find his wish after he reaches the point where his wish comes true. The reason that Astolfo can be summoned in a Holy Grail War despite this nature of his is because of his sense of duty to help if someone is so troubled that they call for him, similar to Karna. For some reason, it seems another class he is compatible with is the Saber class.
After the end of the light novels, Astolfo went on a wandering journey. Humanity is immature as a species, and Astolfo himself is also immature as a Servant. Even so, to make their lives as they live desperately meaningless was, as he thought, mistaken. Astolfo will continue to optimistically help those who want help without asking for any real compensation and live on until the day when he feels like he wants to live. His way of life, no matter how weak he is, truly is appropriate for a hero.

“黒”のライダー【サーヴァント】
“黒”側のサーヴァントの一人。真名はアストルフォ、シャルルマーニュ十二勇士の一員である。イングランド王オットーの子であり、将来的には王となる定めだった。
本作における二大問題児。シャルルマーニュ十二勇土の中で誰からも愛される美貌の持ち主でありながら、誰よりも実力的に劣っていた「弱い」騎士である。
しかし本人はその弱さを一向に気にせず、馬上試合などで敗北して落ち込んでもすぐ忘れていた。そんな楽天家なアストルフォには幸運がついて回るのか、あるいはその姿勢が愛されたのか、様々な宝具を手に入れることになる。
魔女からはあらゆる魔術を打破する『破却宣言(キャッサー・デ・ロジェスティラ)』を贈られ、アルガリアが忘れていった馬上槍『触れれば転倒!(トラップ・オブ・アルガリア)』を借り受け、邪悪な魔術師アトラントから『この世ならざる幻馬(ヒポグリフ)』を確保した。
アストルフォはその宝具をフル活用して、様々な冒険を繰り広げることとなる。
……ちなみに借り受けた品のほとんどは誰かに乞われると快く貸し出したあたり、基本的に品物に執着しないタイプなのだろう。だからこそ、アストルフォの人生には様々な宝具がついて回ったのかもしれない。
アストルフォの服装は趣味———ではなく、趣味ではなく、愛した女性に撥ね付けられて狂乱したローランを鎮めるために身につけたものである。どうして召喚された際にもその姿だったのかというと恐らく、大聖杯が「アストルフォの全盛期」をそこに定めたからではないだろうか。酷い話だ。
サーヴァントとしては二流も二流。一流に届く実力はなく、豊富な宝具で多少は有利に進めることができても、セイバークラスなどの実力者には地力の差で圧し負けるだろう。
だが、聖杯大戦の一つのコマとして考えると豊富な宝具は戦略の幅を押し広げることができ、相手を行動不能に陥らせる、あるいは混乱させる宝具は足止めに適している。
まさしく聖杯大戦向きのコマと言えるのだが……残念なことに、アストルフォの価値観が通常と異なっている。たとえホムンクルスでも助けを求められれば全力で応じるし、それが自陣の損になることを承知していても、やってしまうのだ。
スキル『理性蒸発』により、魔獣限定の特殊スキル『怪力』を低ランクながら並行して取得している他、対魔力が宝具のお陰でAランクに向上している。地味に魔術師のマスターを相手取るときはほぼ無敵という厄介な仕様。マスター殺しを目標とすれば、聖杯戦争の勝利も夢ではないかもしれないが―――いかんせん、他ならぬアストルフォ自身が絶対に拒否するタイプの作戦なので、夢のまた夢であろう。
本編ではその底抜けにお人好しで、楽天家で、何より行動的な部分が物語を大きく動かした。ジークが車輪の軸、ルーラーが車輪だったとすれば、アストルフォは潤滑油のようなもの。なお、『理性蒸発』は当然ながら良いスキルではない。理性がないということは、己の欲望を律することができないのだから。だがしかし理性がないアストルフォは、「悪事を働く」という発想がそもそも本能レベルで淘汰されているので結果的に善良なのだった……!
ジークに対しての感情は熱烈かつ明けっぴろげ。ちなみにアストルフォは男女の性差を全く気にしない。惚れてしまえば、それが男女どちらかなど些細な問題なのである。ジークが望めば多分、喜んでお相手してくれただろう。もっともジークもまた、生殖行為など己以外の生物に存在するものという言葉だけの認識なのだが。
聖杯に託する願いはあるにはあるが、それが何なのかまだ考えていない。願いが叶う段階になってから考えようという実に出たとこ主義。そんなアストルフォが何故聖杯戦争に召喚されるかというと、カルナと同様に自らを呼び出すほどに困っているのならば、助けてあげようという使命感からだ。他クラスだと、何故かセイバークラスに該当するらしい。
本編の後、アストルフォは放浪の旅に出る。人類は種として未熟である、アストルフォもまたサーヴァン卜として未熟である。だからといって、懸命に生きている彼らの人生を意味のないものにすることはやはり間違っていたのだろう。アストルフォは楽天的に、報酬らしい報酬を望むこともなく助けたいものを助け、生きたいときまで生き続けるだろう。その在り方はどれほど弱くとも、やはり英雄に相応しいものなのだ。



Rider Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Rider "Đỏ" [Servant], trang 152-153 [T]

Rider "Đỏ" [Servant]
One of the Servants of the Red camp. Though he was deceived by Shirou Kotomine, he understood the situation and reluctantly decided to serve him. A natural-born warrior who, rather than concerning himself over whether or not Shirou’s wish would be fulfilled, looked forward to his showdown with Archer of Black more than anything else.
His true name is Achilles. The fastest hero among all humanity, lauded for his great valor and prowess in the Trojan War. He definitely ranks equals with Heracles in terms of fame—after all, his name is attached to one of the vital points of the human body.
However, in contrast with his fame, the time during which Achilles accomplished great deeds was comparatively short. His deeds are also almost completely carved into the Trojan War alone. He had the turning point of his life thrust before him at a young age: he could run through his life like a transient gale in exchange for accomplishing magnificent deeds in the Trojan War, or he could become a person unknown to anyone in the world and live a long life.
Achilles gave his answer to his mother without hesitating. “—I will live a short yet brilliant life.”
Achilles was raised by Chiron and, after undergoing training as a hero, he threw himself into the Trojan War. Meeting his sword friend Patroclus, meeting his wife, battles and sworn rivals, meeting Hector—
Without a doubt, Achilles ran through his life while treating all of those things as a joy to have experienced.
He is without a doubt first rate as a Servant. Even among the Servants from Greek legend, he boasts of power that ranks next to Heracles. He also has an abnormally abundant number of Noble Phantasms. In the beginning, all these Noble Phantasms were written out, and when I consulted over how many of them should be used, Mr. NP said, “Isn’t a super-strong Servant with an abundance of Noble Phantasms fine?”, and easily permitted all of them to be adopted. I never thought I would end up using all of them…
Naturally, he is a Servant who would instantly run out of prana if he used them in a normal Holy Grail War. The prana consumption of Rider’s chariot is uncommonly harsh in particular, and only a first rate Master could fully utilize him.
Additionally, besides the Rider class, Achilles has aptitude as a Lancer, Berserker and, quite unusually, a Shielder. His complement of Noble Phantasms is slightly different in each of the other classes. For instance, as a Lancer, he would lose his chariot since it is his Noble Phantasm as a Rider, but his spear would gain the secondary effect of causing HP reduction.
His fatal weak point, his heel, serves as the linchpin for his Noble Phantasms “Andreis Amarantos: Amaranth of the Brave”, which maintains his immortality, and “Dromeus Cometes: Comet Form”, for which he is extolled as the fastest, and when his heel is pierced, these two Noble Phantasms disappear. After being pierced once, it is extremely difficult for his heel to be healed, and, without the use of some extraordinary means, there is no way for him to completely regain his running speed afterwards.
In this Great Holy Grail War, Achilles wished for a showdown with his teacher, Archer of Black, and gave his assent to Shirou Kotomine’s actions for the sake of accomplishing that. This might be because, leaving aside his animosity towards Semiramis, he does not really hold much ill feelings towards Shirou. Just as Archer of Black aptly pointed out, Achilles is naïve when it comes to his recognition of enemies and allies. This is a probably demonstration of the difference of experience between him and the older Cu Chulainn, who is able to decisively kill when he needs to kill even when split between enemies and allies in such a manner.
His connection to Atalanta actually begins from a story he heard from his father in life. His father, who was always somehow gentle and could never stand up against his mother, had spoken of his encounter with Atalanta embarrassingly, and because of that the young Achilles always remembered her. He never got the chance to meet her in life, though.
Achilles thinks that it is his fault for overlooking Atalanta’s transformation while engrossed in his own battle. He fought her in her rampage as a way of atonement. Achilles cried out of guilt for having crushed Atalanta’s dream.
But I’d like to think that it was that very naivety and tears of her that granted Atalanta a small measure of salvation at the very end.

“赤”のライダー【サーヴァント】
“赤”側のサーヴァントの一人。シロウ・コトミネに謀られた形になったものの、状況を理解してやむなく従うことにした。シロウの願望が成就するか否かよりも、“黒”のアーチヤーとの対決を心待ちにしていた根っからの武人。
真名をアキレウス。トロイア戦争において武勇を誇った、人類最速の英霊。知名度という点では、間違いなくヘラクレスに比肩する―――何しろ人体の急所に、彼の名(アキレウス)が記されているのだ。
だが、その知名度とは裏腹にアキレウスが活躍した時期は比較的短い。その活躍も、ほとんどがトロイア戦争にのみ刻まれている。彼は人生の岐路を幼い頃に突きつけられた、その戦争で華々しい活躍を遂げる代わりに人生を疾風のように駆け抜けるか、世の誰にも知られぬような人間となって長く生きていくか。
アキレウスは母親に迷わず答えた。―――短くも華々しい人生を、と。
アキレウスはケイローンの手により育てられ、英雄としての教育を施されてからトロイア戦争へその身を投じることとなった。盟友パトロクロスとの出会い、妻との出会い、実戦と宿命のライバル、ヘクトールとの出会い―――。
それら全てを喜びとして、アキレウスはまさしくその足で人生を駆け抜けたのだ。
サーヴァントとしては間違いなく一流。ギリシャ神話の並み居るサーヴァントの中でも、ヘラクレスに次ぐ実力を誇っている。宝具も異常に豊富。当初は宝具を全て書き上げて、さてこれからどのくらい絞ろうかと相談したときに「宝具山盛りの超強力サーヴァントでいいんでちゅよ?(N・K氏)」とあっさり全部採用されたため。まさか全部フル活用する羽目になるとは……。
当然ながら、本来の聖杯戦争では使えば即魔力切れになりかねないサーヴァントである。特にライダーは戦車の魔力消費が尋常でなく激しく、彼を真っ当に扱えるなら超一流のマスターと言えるだろう。
なお、アキレウスはライダー以外にもランサー、バーサーカー、そして珍しいことにシールダーとしての適性がある。他クラスに変わる度に宝具のラインナップが微妙に異なる。例えばランサーの場合、ライダーの宝具である戦車を失うが、槍にHP削減の副次効果がつく。
彼の致命的な弱点である踵は不死性を保持する宝具『勇者の不凋花』と最速を謳われる宝具『彗星走法』の楔にもなっており、貫かれた時点でこの二つの宝具は消滅する。一度貫かれると、その治癒は極めて困難で、余程の術でなければ走力を完全に取り戻す方法はない。
今回の聖杯大戦では、師匠である“黒”のアーチャーとの対決を望み、そのためにシロウ・コトミネの行動に賛意を示した。セミラミスはともかくとして、シロウに対してはそれほど悪感情を持っていなかった故か。“黒”のアーチャーがいみじくも漏らした通り、アキレウスは敵と味方の認識が甘い。この辺は敵と味方に分かれようとも殺すときは殺す、と割り切ることができるクー・フーリン兄貴とは経験の差があるのだろう。
アタランテとの関係は、実は生前父より話を聞かされたところから始まっている。どこか穏やかで、母に頭が上がらない男が照れ臭そうに彼女の話をしてくれたため、幼いアキレウスはずっとアタランテのことを覚えていたのだ。もっとも、生前に出会うことは叶わなかったのだが。
戦いに夢中になりすぎて、彼女の変貌を見過ごしたことをアキレウスは咎と考えている。暴走する彼女と戦ったのは、贖いのため。アキレウスが泣いたのは、アタランテの夢を打ち砕いた申し訳なさのため。
だが、その甘さと涙こそが最後の最後でアタランテに僅かな救いを与えたのだと思いたい。



Risei Kotomine[]

[v] Fate/Apocrypha material - Encyclopedia: Kotomine Risei [Person's name], trang 167 [T]

Risei Kotomine [Person's name]
The person that the Holy Church dispatched to the Holy Grail War during the Third War in Fuyuki. He was assigned as the moderator of the war. However, the Greater Grail was stolen during the Third War, and despite being the moderator he reluctantly intervened into the situation and rescued the Master of the Tohsaka, who he was friends with. In the midst of that, the Einzbern Servant, Amakusa Shirou Tokisada, helped him with his rescue work.
As thanks, Riser prepared a family register for him after he gained a flesh body, registering him as his son “Kotomine Shirou”.
He entered the Assembly of the Eighth Sacrament as Kotomine Shirou, but naturally Risei couldn’t acknowledge him as his son there and approached him honestly as a friend. Around the time when Risei’s son Kirei was born, Shirou had deliberately diminished his contact with Risei.
Since there was no fear of a Fourth Holy Grail War, Riser appeared to have been able to live somewhat longer here, but he has already died from disease before the start of the “Apocrypha” novels. His funeral was the last time that his son Risei and Shirou met.

言峰璃正【人名】
冬木で執り行われた第三次聖杯戦争において、聖堂教会が聖杯戦争に参入。審判役として赴任した。だが、その第三次聖杯戦争で大聖杯は強奪され、審判役ながらやむなく状況に介入し、親交のあった遠坂家のマスターを救出した。その際、救出作業に手を貸したのがアインツベルンのサーヴァントであった天草四郎時貞である。
返礼として受肉した彼の戸籍を用意、息子「言峰四郎」として迎え入れた。
言峰四郎として第八秘蹟会に入った彼だが、さすがに息子とは認識できず、一人の友として誠実に接した。息子である綺礼が生まれた頃あたりから、四郎は意識的に璃正との交流を減らしていた模様。
第四次聖杯戦争の心労がなかったせいか、幾分長生きできたらしいが「Apocrypha」本編開始前には既に病死。彼の葬式が、息子である綺礼と四郎の最後の遭遇だった。



Rocco Belfaban[]

[v] Fate/Apocrypha material - Encyclopedia: Rocco Belfaban [Person's name], trang 190-191 [T]

Rocco Belfaban [Person's name]
The dean of the Department of Summoning. The Department of Summoning is a subordinate organization to the Department of Spiritual Evocation, which ended up being regarded very highly only in the “Fate/Apocrypha” world. As you all already know, subspecies Holy Grail Wars are held all over the place in the “Apo” world, so the Association of Magi had to quickly form countermeasures. At first, every magecraft department even slightly linked to Servant summoning techniques were scrambling to reap the benefits before each other, causing ugly conflicts to continue even after a Holy Grail War ended, so it was decided to treat “everything related to Servants of the Holy Grail War” under the category of “summoning”, entrusting all responsibility to an assured conservative in the Association.
That conservative is this old man, Rocco Belfegan. Status-wise, he is effectively a “proxy Lord”. Of course, since there is a conservative faction, there is also a reformist faction, and they strongly recommended Lord El Melloi II, who survived the largest-scale subspecies Holy Grail War in history, for the position instead. (However, the El Melloi clan’s stance is conservative, and El Melloi II’s own position is neither conservative nor reformist, maintaining a complicatedly neutral stance.)
Fortunately, both of them are well aware of the threat of subspecies Holy Grail Wars, and their views match in that they prioritize resolving the situation over the gains for their respective factions.
Rocco is a collection maniac, and yet by contrast is quite sloppy with what he collects. He’s the type to be completely neglectful by using Mystic Codes that activate just by having them on hand. He has stated in quite a carefree manner, “It’s fine as long as I have just Mystic Codes that resist against curses”. No, it’s not fine. He doesn’t involve himself much with the students, so there are lots of rumors like “The old man’s private room is becoming more and more of an entirely different world every year” about him.

ロッコ・ベルフェバン【人名】
召喚科学部長。召喚科とは降霊科の下位組織にあたる学部だが、この学部が極めて重要視されるようになったのは「Fate/Apocrypha」世界においてのみである。「Apo」の世界はご存じのように、亜種聖杯戦争がそこら中で開催されており、魔術協会としては早急にその対策を練らなければならなかった。これまでの組織図では、サーヴァントの召喚技術にわずかでも絡んでいる魔術の学部がいち早く利益を手にしようと、聖杯戦争後も醜い争いを続ける有様で、「聖杯戦争のサーヴァントに関する全て」を項目「召喚」として、極めつけの保守派に委ねることにしたのだ。
それがこの老人、ロッコ・ベルフェバンという訳である。地位的には「君主代理(ロード)」という形となる。もちろん保守派がいるなら革新派もいて彼らは最大規模の亜種聖杯戦争を生き残ったロード・エルメロイII世を強く推薦した(ただし、エルメロイ家の立場は保守、II世の立場は保守でも革新でもないという微妙な中立派)。
幸いにも二人とも亜種聖杯戦争の脅威は熟知しており、互いの派閥の利益よりも事態の解決を優先させる、ということで意見の一致を見ている。
収集癖がある癖に、割とズボラ。ただ所有しているだけで発動する礼装も全力で放置プレイ。本人は「呪いに拮抗するだけの礼装も揃っておるからいいじゃろ」と割と呑気。よくねえよ。生徒とはあまり関わることがないため、「あの爺さんの私室は年々、天然の異界になりつつある」というのがもっぱらの噂だとか。



Roche Frain Yggdmillennia[]


[v] Fate/Apocrypha material - Encyclopedia: Roche Frain Yggdmillennia [Person's name], trang 189-190 [T]

Roche Frain Yggdmillennia [Person's name]
One of the Black Masters. Thirteen years old, and the youngest skilled magus of the Black Masters excluding Caules. His character concept is something like “a pupil and his teacher who he doesn’t really disagree with, but fatally misunderstands”. His talent with golem-making techniques stood out above the rest from a young age and he made even further leaps and bounds after he received the transplant of his family’s Magic Crest.
When he summoned Avicebron, he privately thought that “he wasn’t anything great” at first, but he couldn’t help being moved by the overwhelming beauty and toughness of the golems that Avicebron made. After that, he became Avicebron loyal pupil—but he never expected that Avicebron would go as far as to take his life.
Even when he heard from Avicebron that exceptional Magic Circuits were needed as the core to “Golem Keter Malkuth: Royal Crown, the Light of Wisdom”, he didn’t pay it any mind, never thinking that “he himself” fit those conditions.
In that case, what should Roche have done in order for him and Caster of Black to have understood each other better? Unfortunately, there was no means of saving him from his fate besides ordering Caster to kill himself with a Command Spell. One of these two in this Master-Servant pair would have to die without exception.
Though it was a summoning done with a catalyst, this Master and Servant are extremely compatible in terms of mentality, but their respective trends and way of thinking were both too extreme.
Incidentally, if you were to ask why Roche is the only character that was made thirteen years old… my memories are fuzzy, but I think the “Giant Robo” OVA that I own was the cause. For good or ill, the idea of a remote control robot (as in, Testsujin) stuck to me.

Fate apocrypha roche

ロシェ・フレイン・ユグドミレニア【人名】
“黒”のマスターの一人。十三歳とカウレスを抜いてダントツの最年少。コンセプト的には「別にすれ違っている訳ではないけど致命的に間違ってる師匠と弟子」みたいな。幼い頃からゴーレム鋳造の技術に関しては図抜けており、刻印移植を受けてからは更に飛躍した。
アヴィケブロンを召喚する際は正直内心で「大したことなかったりして」などと考えていたが、アヴィケブロンが鋳造するゴーレムの余りの美しさと頑強さにひたすら感動。以後、忠実な信徒となる———が、命を奪われるとまでは予想していなかった。
アヴィケブロンからは『王冠・叡智の光(ゴーレム・ケテルマルクト)』の炉心には卓越した魔術回路が必要だと言われていたにも拘わらず、彼はそれが「自分」も含めたものだとは考えられなかったのだ。
では、ロシェが“黒”のキャスターと分かり合うにはどうしたら良かったのかというと。残念ながら令呪で自害を求める以外、助かる方法はない。この主従はどちらかが必ず死ななければならないのだ。
触媒での召喚とはいえ、精神的に極めて相性の良いマスターとサーヴァントではあるが、互いの方向性があまりに同じ過ぎた。
ちなみに何でコイツだけ十三歳にしたのかというと……記憶は不確かなのですが、手元にある「ジャィアントロボ」OVA版が原因ではないか、と推測されまする。いいも悪いもリモコン次第(それ鉄人)。

Fate apocrypha roche



Rods From God[]

[v] Fate/Apocrypha material - Encyclopedia: Rods From God [Others], trang 158 [T]

Rods From God [Others]
An enchanted weapon… or not. It is actually a new weapon created by modern science. It is a simple yet deep space-born weapon that consists of dropping big, long and heavy metal rods from space and destroying targets with their kinetic energy.
Of course, it is considered a far off idea since there is the issue of the rods burning up in the atmosphere, and it is nothing more than idle gossip. Well, if Ruler threw her holy flag from space with all her might, it might create an approximately similar amount of kinetic energy, though.

神の杖【その他】
魔術兵器……ではなく、近代科学が生み出した最新武器である。重い、長い、デカい金属棒を宇宙から落下させ、その運動エネルギーで夕ーゲットを破壊するというシンプルかつディープな宇宙用兵器。
もちろん、実現には程遠いっつーか大気圏で燃え尽きるんじゃないかなあコレという扱いであり、与太話以外の何物でもない。まあ、ルーラーが宇宙から聖旗を勢いよく投擲すれば大体似たような運動エネルギーは生み出せるかもしれないが。



Rottweil Berzinsky[]

[v] Fate/Apocrypha material - Encyclopedia: Rottweil Berzinsky [Person's name], trang 191 [T]

Rottweil Berzinsky [Person's name]
A Red Master. His nickname is Silver Lizard. Just like the other Red Masters such as Gene Ram and the Pentel Brothers, he has fought both together and against Shishigou at various times in the past. He is obsessed with animals, particularly lizards, and the skin on almost all his vital spots besides his face are covered with silver scales.
He and the others were given such individualistic settings, but they were all completely defeated with Semi-sama’s attack of “Now, now, have a cup of tea”.

ロットヴェル・ベルジンスキー【人名】
“赤”のマスター。通称、銀蜥蜴。ジーン・ラムやべンテル兄弟共々、獅子劫とは共闘したり対立したりの間柄。動物、それもトカゲに執着しており、顔以外の急所のほとんどを皮膚を変換した銀の鱗で覆っている。
そんな感じの個性豊かな面々でしたが、セミ様の「まあまあ紅茶を一杯」攻撃で全滅したのであった。



Saber Đen[]


[v] Fate/Apocrypha material - Encyclopedia: Saber "Đen" [Servant], trang 162 [T]

Saber "Đen" [Servant]
One of the Servants of the Black camp. His true name is Siegfried. He is an undisputed great hero and “dragon slayer” who appears in the “Nibelungenlied”. His tall stature, slender body and tanned-colored skin are proof of him having been soaked in the blood of a dragon. The reason the weak point on his back is exposed is because of a “curse” that forces him to do so. It conceptually prevents him from protecting his back. Even if Siegfried were to be protected by something like a spherical barrier, a hole in it would definitely open facing his back. However, there aren’t many heroes who possess the skill to pull off the tricky feat of aiming for Siegfried’s back while fighting him in the first place.
Just as the impression of his face gives off, he is reticent, but his bearing, which overflows with dignity, makes him seem well-bred. He is the type to talk with a simple, unsophisticated tone and hold back his words to the absolute minimum needed. That is the foundation of his personality, and it deepened the antagonism between him and his Master Gordes.
Siegfried’s legend came into existence around the 5~6th century and spread to many lands. At nearly the same time as the “Nibelungenlied”, the story of the hero Sigurd, the “Volsunga Saga”, came into existence. Wagner’s opera “Der Ring des Nibelungen” is a masterpiece work that compiles these legends together.
In the light novels, Siegfried as he was portrayed in the “Nibelungenlied” forms the basic essentials of his character, and he only knows about the Norse Valkyries from second-hand knowledge.
With him possessing the noble lineage of royalty, being known for various his adventures and heroic tales and having met a tragic end, there are few heroes who are as heroic as him.
But it is precisely because he is such a heroic hero that he was unconsciously burdened by binds. A hero acts out of the supplications of the people, and therefore should not act without being asked. This is because a hero is such a being. Because they possess overwhelmingly immense power, they must not act out of their own will and try to grant their own wish. A hero is a being that fulfills the wishes of others, and must not ever tread any further than that.
When his wife and the wife of his brother-in-law wounded each other’s honor and a collision between them became inevitable, he once more granted everyone’s wish. He thought that it would be resolved if he, the cause of it all, died. In the end, it called forth even more tragedy, so it seems the curse of the Rhine gold took effect perfectly.
As a Servant, he is basically hard, solid and tough. “Armor of Fafnir: Blood Armor of the Evil Dragon” blocks all regular attacks up to B rank and all Noble Phantasm attacks up to B+ rank and, in addition, “Balmung: Phantasmal Greatsword, Felling of the Sky Demon” unleashes a wide-range attack that displays its true worth against an army. The blue jewel encased in the hilt of the sword contains prana from the Age of Gods, and it is possible to pull out the sword’s power to the maximum with just small quantity of it. During his battle with Karna, Sieg managed to use the Noble Phantasm so many times consecutively only because he continued instantaneously pulling out the sword’s power while replenishing his prana with “Galvanism”. The Servant version of Siegfried cannot instantly replenish the prana he expends, so his sword’s accumulation of prana is overwhelmingly faster than that of an average Bảo Khí Chống Quân, though still not as fast as Sieg.
In the initial plans of the Yggdmillennia team, Siegfried would go out to the front lines and receive the attacks of enemy Servants as Vlad III’s protector. Vlad would be positioned to control the battlefield with “Kaziklu Bey: Lord of Execution”. Jack the Ripper would kill the enemy Masters and cause chaos in the enemy’s rear guard along with Frankenstein. Astolfo would guide the golems and control the situation with Avicebron, while Chiron would act as support by shooting at areas where a hole in the enemy lines could be made.
It was truly a perfect formation as an academic theory, but they were forced to tearfully change tactics due to Siegfried unbelievably leaving the battlefield before the war actually began.

“黒”のセイバー【サーヴァント】
“黒”側のサーヴァントの一人、真名をジークフリー卜。『ニーベルンゲンの歌』に登場する、文句なしの大英雄であり、"竜殺し(ドラゴンスレイヤー)"である。背が高く細身、褐色気味の肌は竜の血を浴びた証である。弱点である背中が丸出しなのはそういう「呪い」のため。概念的に背を守ることができない。こう、球体バリアーみたいなものでジークフリートを防護しても、背中の部分だけは必ず穴が開かれる。もっとも、背中を狙う芸当をジークフリート相手にできる技量を持つ英雄は、そうはいないのだが。
その顔のイメージ通り、無口であるが気品溢れる佇まいは育ちの良さを思わせる。朴訥とした口調で、言葉は必要最小限に留めるタイプ。それが元で、マスターであるゴルドとの対立が深まってしまう。
ジークフリートの伝説は五〜六世紀頃に成立し、様々な土地へ広まっていった。『ニーベルンゲンの歌』とほぼ同時期に、英雄シグルドの物語『ヴォルスンガ・サガ』が成立している。ワーグナーの歌劇『ニーベルングの指環』はこれらの伝説を纏め上げた傑作である。
本作においては『ニーベルンゲンの歌』で描かれたジークフリートが基本骨子となっており、彼は北欧のワルキューレの存在を知識でしか知らないだろう。
王族という高貴な血筋、様々な冒険と英雄譚、そして悲劇的な最期も含めて、これほどまでに英雄らしい英雄も、そうはいまい。
だがその英雄らしい英雄だからこそ、彼は無意識に縛りを掛けていた。英雄とは、人に乞われて成るものであり、乞われないのであれば動いてはならないと。何故なら、英雄とはそういうものだ。あまりに圧倒的で膨大な力を持つが故に、自分の意志で動いて自分の願いを叶えようとしてはいけない。英雄とは人の願いを叶えるものであり、それ以外のことには決して踏み入ってはならないと。
自身の妻と義兄の妻が互いに名誉を傷つけ合い、激突が不可避となったとき、彼はまたも皆の願いを叶えた。その切っ掛けである己が死ねば良いのだ、と。結果的にそれが更なる悲劇を呼び込むことになるあたり、ラインの黄金の呪いがバッチリ効いている模様。
サーヴァントとしてはとにかく硬い、固い、堅い。『悪竜の血鎧(アーマー・オブ・ファヴニール)』はBランクの通常攻撃、B+ランクの宝具攻撃を防ぎ、更に『幻想大剣・天魔失墜(バルムンク)』は対軍で真価を発揮する広範囲レンジ攻撃。剣の柄に嵌められた青い宝玉は神代の魔力が秘められており、ほんの少量で剣の力を最大限に引き出す。カルナ戦の際に、ジークがあれほど宝具を連発できたのは『ガルバニズム』で自身の魔力を補給しつつ、剣の力を瞬時に引き出し続けたからに他ならない。サーヴァントのジークフリー卜は本人の消費する魔力を瞬間的に補給することができないため、ジークほどではないにせよ平均的な対軍宝具より溜めが圧倒的に早い。
当初のユグドミレニア側の予定としてはヴラド三世の守り手として、ジークフリートが前面に出てサーヴァントたちの攻撃を受ける。ヴラドは『極刑王(カズィクル・ベイ)』で戦場を支配下に置く。ジャック・ザ・リッパーはマスター殺し、フランケンシュタインと共に後陣の混乱を狙う。アストルフォはアヴィケブロンと共にゴーレムを誘導して状況をコントロール、ケイローンは穴が出来そうな場所を支援狙撃。
まさに机上の論理としては完璧だったのだが、ジークフリートまさかの戦前退場により泣く泣く作戦変更を余儀なくされたのであった。



Saber Đỏ[]


[v] Fate/Apocrypha material - Encyclopedia: Saber "Đỏ" [Servant], trang 150-151 [T]

Saber "Đỏ" [Servant]
A Red Servant, but one that has actually gone over to the Black camp. In contrast to the way the Red camp was unified under Shirou Kotomine as the only Master, she alone formed a partnership with Shishigou Kairi as her Master, as done in a normal Holy Grail War.
Her true identity is Mordred, one of the Knights of the Round Table. She is the Knight of Rebellion who ended King Arthur’s legend. And she was also born as an inhuman being like King Arthur. After all, her father is King Arthur, and her mother is the mortal enemy of King Arthur, the witch Morgan.
Mordred’s true identity is that of an artificial life-form; in other words, a homunculus. Accordingly, her life-span was extremely short, and she was born expressly for the purpose of killing King Arthur.
Far from hating King Arthur, she came to feel only yearning and admiration for her father, but when she confessed to King Arthur that she was his legitimate child not knowing what else to do, the king declared that he wouldn’t acknowledge her as the next king, and this caused her longing to change completely into hatred.
And then, as if guided by a blood-stained destiny, Mordred fought against King Arthur on the Hill of Camlann. Though she was defeated, she managed to deal a fatal wound, and thus brought an end to King Arthur’s legend.
As a Servant, she is first-class. Though her overall specs are lower compared to her father Arthur, the King of Knights, she possesses power worthy of the Saber class. By combining her jet propulsion through “Prana Burst” and her sword “Clarent: Radiant Sword of the King”, her attacks can cut down most Servants in a single slash. Also, the defensive strength of her armor is also considerable aside from its abilities, so she was able to avoid a fatal blow despite being hit by a fully-powered attack from Berserker of Black that was strengthened by a Command Spell.
Her position in the story, rather than her actual character, is like that of Bonnie and Clyde, who lived by the motto “We have no tomorrow”. In the initial plot, it was decided that she would merely “rampage around and then exit the stage”.
Mordred’s story also progressed in the background of the main story. She thought over her past in the form of a dream, and the meetings she then had with various Servants—particularly the conversation she had with the homunculus like her and his Servant—served as a turning point for her.
As a result, Mordred finally understood what her father sought when he pulled the sword from the stone. In the end, it was because she didn’t understand that that Mordred continued to live in anguish. She did not feel fear towards the king like the other knights. After all, she herself was an inhuman being.
Even so, let’s suppose that she might happen to encounter her father in a Holy Grail War somewhere. She would immediately fight and try to slash her father apart. Believing she has managed to understand her father and passionately wanting to surpass her father are separate matters for her.
She hates being treated as a woman, but also feels dissatisfied with being treated as a man, making a very complicated, or rather bothersome, Servant. She chose her clothes herself, so she does not seem to have a problem with her appearance being seen as feminine by others.
Also, she is being supplied with plenty of prana, but she is the type to proactively eat food in order to enjoy the present age without caring about the necessity. Her food preferences lean somewhat towards junk food, and she loves carbonated drinks.
Perhaps due to being summoned with a vague catalyst like a splinter of the Round Table, she has miraculously good compatibility with her Master Shishigou. Though it was not mentioned in the story, she liked Shishigou from the start based on his clothing due to her overflowing rebellious spirit.

“赤”のセイバー【サーヴァント】
“赤”のサーヴァントであるが、事実上は“黒”側に与していたサーヴァント。“赤”がシロウ・コトミネをマスターとして統一されたのに対して、こちらだけは獅子劫界離をマスターとして通常の聖杯戦争のようなパートナーを組んでいた。
正体は円卓の騎士が一人、真名モードレッド。アーサー王伝説を終わらせた叛逆の騎士である。そして彼女もまた、アーサー王のように人ならざる存在として生まれた。何しろ彼女の父親はアーサー王、母親にあたるのがアーサー王の宿敵、魔女モルガンであるのだ。
人工生命体、即ちホムンクルスがモードレッドの正体である。従ってその寿命も極めて短く、ただただアーサー王を討ち果たすために生まれたような存在だった。
彼女はアーサー王を憎むどころかひたすらに憧れを抱くようになるが、思い余って自分が嫡子であることを告白した彼女を、アーサー王が王として認めることはないと宣告するに至って、憧憬が転じて憎悪へと変わり果てた。
そして、血塗られた運命に導かれるように、モードレッドはカムランの丘にてアーサー王と対峙。敗れ去るも致命傷を負わせることで、アーサー王伝説に終止符を打った。
サーヴァントとしては一級品。父である騎士王(アーサー)と比較するとさすがに各種スペックは落ちるものの剣兵(セイバー)のクラスに相応しい実力を有している。『魔力放出』によるジェット噴射+『燦然と輝く王剣(クラレント)』による一撃は大抵のサーヴァントを一刀の下に斬り伏せる。また、地味に鎧の防御力も相当なもので、“黒”のバーサーカーの令呪で底上げした全力の一撃を喰らいながら、致命傷に至ることもなかった。
キャラクターとしてではなく、物語のポジションとしてはいわゆる「俺たちに明日はない」のボニー&クライド。当初のプロットから「大暴れしてやるだけやったら退場」だけは決まっていた。
本編の物語のバックグラウンドで、モードレッドの物語も進んでいく。夢という形で過去を反芻し、次に様々なサーヴァントとの出会いで―――特に、自分と同じホムンクルスとそのサーヴァントとの会話がターニングポイントだった。
その結末に至り、モードレッドは父が何を求めて剣を抜いたかをようやく理解する。
結局、それが分からなかったからこそ、モードレッドは苦悩し続けたからだ。そこに、他の騎士たちが王に感じた恐れはない。何しろ彼女自身、人ならざる存在なのだから。
とはいえ、じゃあ仮にどこかの聖杯戦争で偶然にも父に巡り会ったとする。即座に殴り合い斬り合いが勃発する。父を理解できたと思ったことと、その上で父を超えようという意気込みは別なのだ。
女性扱いされることを嫌うが、男扱いされても不機嫌になっていくという非常にややこしい、というか面倒臭い性格のサーヴァントである。私服は自分が選んだもので、それが他人に女性的に見えるかどうかは問題ないらしい。
また、魔力は充分に供給されているがそれはそれとして現世を楽しむために積極的に食事を摂取していくタイプ。好みはややジャンクな系統に偏っており、炭酸飲料大好きっ子。
円卓の破片という曖昧な触媒で召喚されたせいか、マスターである獅子劫とは奇跡的と言っていいほどに相性が良い。物語中では語られなかったが、獅子劫の服装からしてそもそも反骨心溢れる彼女にはお気に入りだったのだ。



Secret of Pedigree[]

[v] Fate/Apocrypha material - Encyclopedia: Helm of Hidden Infidelity [Noble Phantasm], trang 169 [T]

Helm of Hidden Infidelity [Noble Phantasm]
Secret of Pedigree. The Noble Phantasm of Saber of Red, Mordred. She hid her face with a helmet given to her as a set with a suit of armor by Morgan in order to prevent King Arthur and his subordinates from learning of her true identity.
It’s a little like a simplified version of “For Someone’s Glory: Not For One’s Own Glory” from “Fate/Zero”. The condition to negate the effects of this Noble Phantasm is solely the act of her removing her helmet on the battlefield, so it will continue to hide her stats even if she walks around normally with her face unhidden. I understand it seems like a bit of a lame excuse, but walking through the streets in a suit of armor only works in a Fantasy RPG world, so please bear with it.
Perhaps due to having being enchanted by Morgan, both the helmet and armor are quite sturdy in terms of defense as well. Furthermore, “Clarent Blood Arthur: Rebellion Against My Beautiful Father” cannot be used until the helmet is removed. As a result, Mordred keeps it almost always removed after she first takes it off the time.
This is a bit of a digression, but the helmet isn’t placed down anywhere when it’s off, but instead is inserted into the armor (the reverse is also possible). I found the scene where the protagonist of a certain Sci-Fi Horror TPS Game equipped their helmet to be really cool, so I fervently requested it of Konoe-san (TL note: the illustrator). Even if the author was satisfied with it, it was probably a huge annoyance to him. Sorry.

不貞隠しの兜【宝具】
シークレット・オブ・ペティグリー。“赤”のセイバー、モードレッドの宝具。モルガンに鎧とセットで与えられた兜で顔を隠すことで、アーサー王とその部下たちに正体を悟られぬようにした。
簡易版『己が栄光の為でなく(フォー・サムワンズ・グロウリー)』(「Fate/Zero」)といったところだろうか。宝具が無効化される条件はあくまで戦場で兜を脱ぐ行為であるため、普段は素顔で歩いていてもステータス隠蔽効果は続行される。ちょっぴり苦しいのは分かっているが、街中を鎧姿で歩いていいのはファンタジーRPGの世界だけなので堪えてほしい。
兜鎧、どちらともモルガンによる魔術付与が施されていることもあってか防御力という点でも相当に頑丈。なお、兜を外すまで『我が麗しき父への叛逆』は使用不可能。そのため、後半ではほぼ外しっぱなしであった。
余談だが兜を外す際は別にどこかに置いたりする必要はなく、鎧に組み込まれる(逆も可能)。某SFホラーTPSゲーの主人公がヘルメットを装着するシーンがエラく格好良いので、近衛さんに強く強くリクエス卜した。作者は満足でも、向こうにとっては実にいい迷惑であっただろう。すまぬ。



Shirou Kotomine[]


[v] Fate/Apocrypha material - Encyclopedia: Shirou Kotomine [Servant], trang 171-172 [T]

Shirou Kotomine [Servant]
The Servant summoned by the Einzberns in the Third Holy Grail War. His class is Ruler. His true name is Amakusa Shirou Tokisada. He is one of the masterminds in the story, and the true Last Boss. If ever the Third Holy Grail War were made into a Visual Novel, the ending would greatly differ depending on the choice of the Einzberns. Just as said until now, if they chose Avenger, events would follow the official history—that is, the “Fate/stay night” route, but if they chose Ruler, the story would follow this “Apocrypha” route.
After incarnating into a physical body in the Third Holy Grail War, he spent the next sixty years investigating all feasible documents and ley lines available and waiting for the day when the next Fuyuki Holy Grail War—that is, the “Fourth” Holy Grail war would occur.
Having already hypothesized the possibility of a Great Holy Grail War—a situation with seven Servants VS seven Servants occurring instead of a normal Holy Grail War, Shirou promptly joined the Red Camp as the dual mediator and Master sent by the Holy Church and quickly summoned Semiramis without delay. In such an abnormal situation with seven Servants VS seven Servants and where even the previous Ruler had summoned his own Servant, the Greater Grail automatically summoned the Ruler for this war, Jeanne d’Arc, but Shirou had included even that into his calculations as an event within his expectations.
There was only one thing that Shirou couldn’t predict. That was the event of a homunculus without even a name merely trying to fulfill his meager wish.
In truth, the facts concerning Amakusa Shirou Tokisada’s birth and life aren’t very clear. What’s certain is that he attained the position of being the person with the greatest responsibility and authority in the Shimabara Rebellion. Even if that is merely a palanquin—merely window dressing, this young boy was definitely the ringleader of the Shimabara Rebellion, the greatest uprising in the Edo Period.
In this work, he is the biggest and strongest problem child. The next one after him is Rider of Black. At first, Semiramis was the mastermind in the initial stages of the plot. However, all the characters including her who had already been released in “Complete Material” along with the original setting were deemed to have too weak of an impact as a mastermind. The idea of “doing something that would have been impossible in the original game setting” was one of the concepts of “Apocrypha” (I also came up with the idea of seven Servants VS seven Servants following that line of thought), and then “Makai Tenshou” (TL Note: Famous Japanese novel with several adaptations) served as an even further impetus that made me think, “How about bringing out Amakusa Shirou?”, from which everything started.
A young boy and a young girl. Both of their battles were heavily connected to flags. One who never became a saint, and one who did. Their points of commonality and difference were so clear and contrastive that I selected him as the last boss—it would have been fine if my thought process stopped there.
At that point, a demon whispered to me, “…Speaking of which, the name of the protagonist of the original Visual Novel is… and their age is almost the same too…”, and thus Shirou Kotomine was born. Not only readers, but even my friends often retorted, “Really?”, to me. Sorry, sorry. But this coincidence felt so much like destiny…!
His white hair and dark skin is compensation for his magecraft… or not. In truth, there were complex causes; his hair became white as compensation for when he forcefully incarnated and after that his skin changed color because he needed to conceal himself in the Middle East for nearly twenty years in order to search for catalysts for Semiramis. By the way, he received a catalyst for the empress from the Sophia-Ri family the moment it was decided that he would participate in the Great Holy Grail War, but it seems he secured three other catalysts on his own after searching for nearly twenty years as a precaution.
He hates humans, but he deeply loves humanity. In the Shimabara Rebellion, he witnessed just how strongly low, vulgar and cruel humans could become. They can become like this even towards those of the same race as them. If they encountered others who have a different skin color or different culture, just how much further would human cruelty increase?
These thoughts of Shirou hardened even further in the Third Holy Grail War and the Second World War which happened immediately after. In the end, he concluded that humanity could only be saved with the miracle of the Greater Grail—the Third Sorcery. He attached himself to the Assembly of the Eighth Sacrament and sometimes served as the mediator in some of the subspecies Holy Grail Wars. He had almost no interaction with the other members of the Assembly, and was viewed as a curiosity by his compatriots who wondered, “How long has this guy been here?”
As a Servant, he would be third-rate if he weren’t Ruler, just as he himself declares. It is actually quite novel for a Heroic Spirit and his Noble Phantasms to be of so little use, and he would have a very hard time winning a Holy Grail War. But on the other hand, as long as he is of the Ruler class, he can amass overwhelming advantages with the skills “True Name Discernment” and “Divine Judgement”.
He is the mastermind, but is a good and virtuous being. In the first place, it is a matter of argument whether or not Shirou’s actions are truly evil. Because you could say that he guided people through a slight shortcut to the place they would eventually reach someday. However, on the other hand, he is unmistakably evil. Because he tried to save not individual people, but only the human race itself.
 Having no hobbies or anything he likes, he lived sixty years for the sake of humanity’s salvation. Even if his plans were overturned in the end, the instant when he saw the rising sun as he lay on Semiramis’ lap—was a moment of supreme bliss for Shirou.

シロウ・コトミネ【サーヴァント】
第三次聖杯戦争において、アインツベルンによって召喚されたサーヴァント。クラスはルーラー。真名を天草四郎時貞。黒幕衆の一人、実質上のラスボス。仮に第三次聖杯戦争をビジュアルノベル化したとすると、アインツベルンの選択でエンディングが大幅に異る。今まで語られていた通り、アヴェンジャーを選べば正史―――「Fate/stay night」ルートへ向かうが、もしルーラ
ーを選んでいたならば、こちら「Apocrypha」ルートへと進む。
第三次聖杯戦争で受肉してから六十年もの間、あらゆる文献や霊脈を当たって冬木の聖杯戦争―――即ち「第四次」にあたる聖杯戦争が起こる日を待ち続けた。
聖杯戦争ではなく、聖杯大戦―――七騎vs七騎という状況も想定済みだったシロウはきっちりと聖堂教会から派遣された審判役兼マスターとして“赤”の側について、セミラミスをいち早く召喚。七騎vs七騎、更にルーラーがサーヴァントを召喚するという異常事態に大聖杯は自動的に今回のルーラー、ジャンヌ・ダルクを召喚したがそれすらも予測範囲内の出来事として計算に組み入れていた。
唯一、シロウが計算できなかったもの。それは、名前すらないホムンクルスがただささやかな願いを叶えようとしただけの出来事だった。
天草四郎時貞の出生も生涯も実はあまりハッキリとはしていない。確実なことは、島原の乱において最高責任者と呼べる地位についていたこと。たとえそれが、御輿———お飾りであったとしても、この少年は間違いなく江戸時代最大の一揆、島原の乱の首謀者だったのである。
今作最大、最強の問題児。次点で“黒”のライダー。元々、初期段階でのプロットはセミラミスが黒幕だった。しかし、既に「コンプリートマテリアル」で設定も含めて出されているキャラクターを黒幕というのもインパクトが弱い、と判断。「Apocrypha」のコンセプトとして「本家では設定上不可能だったことをやる」というのがあったので(七騎vs七騎もその流れで思いついたもの)、では更なる源流である「魔界転生」から天草四郎を引っ張り出してみてはどうか、と思いついたのが切っ掛け。
少年、少女。共にその戦いに旗が深く関わっていること。聖人になれなかった者、聖人になった者。共通点と共通でない点があまりに対照的で晴れてラスボスと抜擢した———までは良かったのだが。
そこで「……そう言えば本家の主人公の名前は……年齢もほぼ同じ……」などと悪魔が囁いて、シロウ・コトミネが誕生したのであった。「そんなんアリか」と読者だけでなく、知人にも大変ツッコまれました。すまぬ、すまぬ。でも偶然というには、あまりに運命的だったのよ……!
髪が白く肌が黒いのは魔術の代償……ではなく。強引に受肉した際の代償で髪が白くなり、その後セミラミスの触媒と、彼女が欲するであろう庭園の材料を集めるために中東に二十年近く潜伏する必要があったため肌の色を変えた、と複合的な原因。ちなみに女帝の触媒は聖杯大戦に参戦すると決まった時点でソフィアリ家から貸与されたのだが、自分でも二十年近く探して三点確保していたという念の入りようであった。
人間は嫌いだが、人類を深く愛している。島原の乱において、彼は人間がどこまで下衆に、下劣に、そして残酷に強くなれるかを見てしまった。同じ人種に対してですらこうなる。違う肌の色、違う文化であれば、どれほど人間の残虐さは加速するのだろう?
第三次聖杯戦争と、その直後に起こった第二次世界大戦でシロウはますますその考えを固める。結果、人類を救済するには大聖杯の奇跡———第三魔法しかないと、結論付けた。第八秘蹟会に所属しており、亜種聖杯戦争の審判役も時折務めていた。他の人員とはほとんど交流がなく、コィツいつからいたんだっけ、と同僚からは不思議がられていた。
サーヴァントとしては本人の言った通り、ルーラーでなければ三流。さして使い道のない宝具と英霊としては相当に新しいこともあり、聖杯戦争を勝ち進むには極めて困難。逆にルーラーであれば、スキル『真名看破』と『神明裁決』によって圧倒的有利を築くことができるだろう。
黒幕ではあるが、善良な存在。そもそも、シロウの行いが果たして悪かどうかは議論の分かれるところだろう。いつか辿り着くであろう場所、そこにほんのわずか近道への案内をしたとも言えるからだ。だが、一方で彼は紛れもなく悪である。個々人を救うことなく、ただ人類という種のみを救おうとしたからだ。
趣味や好むものなど一切なく、救済のために六十年を生きてきた。結末は覆されたものの、セミラミスの膝で朝日を眺めたその瞬間こそが———シロウにとっては、至福の時だった。



Sieg[]


[v] Fate/Apocrypha material - Encyclopedia: Sieg [Person's name], trang 168-169 [T]

Sieg [Person's name]
The protagonist of the light novel “Fate/Apocrypha”. He was originally a homunculus made by Gordes to supply prana, created not to think anything and fated to die after having his prana wrung out by the Servants, but… Almost all details about him were depicted in the novels through the entire course of his life. After all, he has virtually no past to speak of.
Not only that, his life was set to be limited from the beginning as the premise of his birth. Even if he had thought of living a respectable life, he would only have live three years at the most. It’s precisely because of this that he continued to choose absurd, unreasonable and reckless choices for the sake of “what he thought he should do”.
Even after he acquired greater longevity, that aspect of him didn’t change. The reason Sieg acted for the sake of humanity at the end naturally wasn’t for humanity’s sake in and of itself. In the first place, Sieg hadn’t experienced enough to completely believe in humanity.
However, Jeanne d’Arc waged her life to win the future. It is because he saw that and wished to “become her strength” that he acted, a greatly personal desire.
Additionally, his Magic Circuits alone were of such high quality that Avicebron had an eye on him and were in no way inferior to those of Darnic, Yggdmillennia’s head. However, he can only use them to destroy things through Structural Analysis. Even if he had survived, he wouldn’t have had any intention of studying magecraft since he doesn’t have a very positive image of it.
Having transformed into one of the Dragon Kind at the end, Sieg has already lost his physical body. His final state is the form of Sieg’s soul after he transformed by making a wish upon the Holy Grail.
Incidentally, the words Jeanne spoke at the end of the novel made Sieg finally understand the reason why he continued waiting for her all that time. The two of them take being thick-headed to a new extreme!

ジーク【人名】
本編「Fate/Apocrypha」の主人公。元々は魔力供給を行うためにゴルドが鋳造したホムンクルスであり、ほとんど何の思考もせぬままに生成した魔力をサーヴァントたちに絞り尽くされて死ぬ運命にあったのだが……。彼の詳細に関しては、人生に至るまでほとんどが本編で描写されている。何しろ過去という過去がほとんど存在しないので。
それだけではなく、そもそも前提として人生が詰んでいる。真っ当に生きようと思っても長くて三年の命。であるが故に、「自分がやろうと考えた」ことのため、無理無茶無謀な選択肢を選び続けた。
長寿を獲得してからもそれは変わらない。ジークが最後に、人類のために振る舞ったのは当然ながら人類のためではない。そもそも、ジークは人類を信じ切れるほどに干渉した経験が存在しないのだ。
ただ、ジャンヌ・ダルクが未来を勝ち取るために命を懸けた。それを見て、「彼女の力になりたい」と願ったからこその、大変に個人的な欲求である。
なお、魔術回路だけならばアヴィケブロンが目を付けるだけのことはあって、ユグドミレニアのトップであるダーニックと遜色ないほどのレベル。ただし、行使できるのは構造把握による破壊のみ。仮に生き残ったとしても、魔術にはあまり良いイメージがないので学ぶ気はあまりないだろう。
ラストで竜種に変身したジークは、既に肉体が消失している。あれは聖杯への願いで変化した、ジークの魂の形である。
ちなみにジャンヌが最後に告げたあの言葉で、ジークはようやく自分が彼女を待ち続けられた理由を理解できたとか。お互いに鈍いにも程があるな!



Sighisoara[]

[v] Fate/Apocrypha material - Encyclopedia: Sighisoara [Place name], trang 169 [T]

Sighisoara [Place name]
The name of a real place. It is a Romanian provincial city to the northwest of the capital Bucharest, and it is where Vlad Tepes…Vlad III’s parental home is preserved. It has a long and old history, having been formed primarily as part of colonization from Germany in the 12th century. The old town district in particular is a precious place where buildings from the Middle Ages still remain as they were in the past.
Trifas was conceived using this city as a model, while also made so as not to be eye-catching as a tourist attraction in comparison.

シギショアラ【地名】
実在の土地名。首都ブカレストの北西にあるルーマニアの地方都市、ヴラド・ツェペシュ……ヴラド三世の生家が保存されている。歴史は古く、十二世紀にやってきたドイツからの植民が中心となって街を形成した。旧市街地は特に中世の建物がそのまま残っている貴重な場所。
トゥリファスはこの街をモデルにして、観光地として目を惹かないように作られた。



Sikera Ušum[]

[v] Fate/Apocrypha material - Encyclopedia: Arrogant King's Alcohol [Noble Phantasm], trang 169-170 [T]

Arrogant King's Alcohol [Noble Phantasm]
Sikera Ušum. The second Noble Phantasm of Assassin of Red, Semiramis. Its effect turns the surrounding environment into poison. Not only does it give a poison attribute to all attacks, it can also add poison to even the air and prana itself. It is her certain-kill Noble Phantasm as an Assassin. If a Servant has an anecdote in their legend where they withstood poison, they will receive a bonus to their resistance against this Noble Phantasm, but on the other hand, those who have anecdotes of having been killed by poison have their resistance to it go down.
 Furthermore, when Semiramis is within the “Hanging Gardens of Babylon: Aerial Gardens of Vanity”, she can even summon creatures of the Phantasmal Races if they have an anecdote related to poison.
 If she were summoned as a normal Assassin without the skill “Double Summon”, Semiramis wouldn’t be able to use the “Hanging Gardens of Babylon”, so she would use this Noble Phantasm as her main weapon instead.

驕慢王の美酒【宝具】
シクラ・ウシュム。“赤”のサーヴァント、セミラミスの第二宝具。周囲環境の毒化。あらゆる攻撃に毒属性を付与するだけでなく、空気や魔力そのものにすら毒を添加可能。アサシンとしての必殺宝具。毒に耐えたという逸話があれば抵抗力にボーナスがつくが、逆に毒で殺された逸話がある場合は、抵抗力がダウンする。
それだけでなく、『虚栄の空中庭園(ハンギングガーデンズ・オブ・バビロン)』にいるセミラミスなら、毒に関する逸話を持つものであれば幻想種ですら召喚可能。
スキル『二重召喚(ダブルサモン)』がない、通常のアサシンとして召喚されたセミラミスは『虚栄の空中庭園』が使用できないため、この宝具を主軸に戦うこととなる。



Subcategory Holy Grail Wars[]

[v] Fate/Apocrypha material - Encyclopedia: Subcategory Holy Grail Wars [Others], trang 154-155 [T]

Subspecies Holy Grail Wars [Others]
The small Holy Grail Wars that have been recklessly happening everywhere since several decades ago in the “Apocrypha” world. Varying from those with only two Servants to wars with five Servants which, though inferior in scale to Fuyuki, are still considerably large conflicts, all kinds of Holy Grails Wars are brightly, happily and violently taken place throughout the world.
This is because, after the Third Holy Grail War, Darnic disseminated information on the structure of the Holy Grail War, which normally should have been concealed at all costs, to other magi in order to forestall them from searching for the Holy Grail that he had stolen.
Even for magi who lament over how the Root is just a distant fairy tale, once they learned that they could take a step… or perhaps even just half a step towards reaching it through this ritual, they ended up desperately creating Holy Grails of their own.
Broadly speaking, out of a hundred Holy Grails made, ninety-five of them get stalled due to setbacks in the midst of constructing them, and out of the remaining finished five Grails, four end up incomplete and explode while prana is poured into them. The last remaining Grail out of them all manages to work properly, but the ritual is degraded in quality and cannot be compared to the one in Fuyuki.
However, with the prana accumulated in the Grail, it still becomes possible to bring about miracles of varying scale. Being summoned by such a shoddy Holy Grail is a real nuisance to the Servants, though. There are many Servants who refuse the summoning or rebel and kill their Masters.
Amongst young magi, something like a “Holy Grail War Walkthrough Wiki” has been secretly created and is used to outwit obstinate old magi by mustering their intelligence… maybe. The early period right after the subspecies Holy Grails began was called the “golden era of Assassins”, where Assassins (Hassan-i-Sabbah) were a great menace (because, on top of their prana consumption being low, killing Masters was far easier than battles between Servants, so it might have seemed like easier work in its own way), but by the middle period, countermeasures against them were naturally taken and the Hassan boom fell into decline. It’s apparently a common sight for Masters who enjoy having their Servants fight each other to easily team up just as Assassin is confirmed to be summoned.
It is quite common in the subspecies Holy Grail Wars for the Servants to be unable to display their full power as much as in Fuyuki depending on the quality of the leylines, and, since the advantages and disadvantages of each Servant also becomes clear according to their level of fame in the land where a war takes place, it often turns into a competition to obtain the catalysts of local Servants.
For instance, a subspecies Holy Grail War in Greece would create a struggle for a “catalyst of Heracles”, and the magi who managed to get it would win… In other words, the whole thing seems to go full circle and turn into a simple battle of magecraft between magi in the end. As a cute one-time divorcee magus said, “Rather, the whole idea of fighting that macho guy in his homeland is seriously ridiculous in the first place.”
After the use of Heracles was forbidden as a result of that, the next war turned into a competition over the catalyst of Achilles, and so there has never been a proper Holy Grail War held in Greece. There exist terrible tales of Holy Grail Wars like this.

亜種聖杯戦争【その他】
「Apocrypha」世界において、十数年前から乱発されている極小の聖杯戦争。わずか二騎で行われるものから、冬木には劣るものの相当の規模で開催される五騎による聖杯戦争まで、世界中であらゆる聖杯戦争が明るく楽しく激しく行われている。
というのも、第三次聖杯戦争においてダーニックが強奪した聖杯を探られないよう、本来は絶対に秘匿すべき情報である聖杯戦争の仕組みを、魔術師という魔術師にバラ蒔いたため。
根源など彼方の夢物語だと嘆いていた魔術師たちでも、この儀式によって一歩……あるいは半歩近付けると悟った彼らは死に物狂いで聖杯を作成することになった。
大雑把に百の聖杯が作成されると九十五が作成途中で頓挫、完成した残り五つの内四つが不完全で魔力を注ぎ込んでいる最中に暴発。最後の一つが冬木とは比較にならないほど劣化した儀式として成立する。
とはいえ、集積した魔力によっては大小様々な奇跡を行使することも可能だろう。もっとも、そんな駄作の聖杯で召喚されるサーヴァントにとっては良い迷惑である。召喚を拒絶するサーヴァントや、マスターを手にかける叛逆サーヴァントも多数。
若い魔術師の間では、「聖杯戦争攻略wiki」みたいなものが密かに作成され、頭の固い老人たちを出し抜こうと知恵を振り絞っている……かもしれない。亜種聖杯戦争初期時代は俗に「暗殺者の春」と呼ばれ、アサシン(ハサン・サッバーハ)が猛威を奮った(魔力消費が低い上に、マスター殺しはサーヴァント同士の対決よりも遥かに容易だったため、それはそれは楽な仕事だったらしい)が、中期以降はさすがに対策が取られてしまい、ダイアグラムも下落する一方。アサシンの召喚が確認された途端に、それまで楽しくサーヴァントを殺し合わせていたマスターたちがあっさり手を組むということも良く見かけられる光景だそうな。
亜種聖杯戦争においては霊脈の関係上、サーヴァン卜が冬木ほどに実力を発揮することができないパターンが多く、土地による信仰度の多寡でサーヴァントの有利不利が明瞭になることもあってか、地元サーヴァントの触媒争奪戦になることも多々。
例えばギリシャにおける亜種聖杯戦争は即ち「ヘラクレスの触媒」の取り合いであり、それを取った魔術師が勝利する。……つまり一周回って、単なる魔術師同士の魔術合戦になっているらしい。可愛いバツイチ魔術師日く「っていうか地元であのマッチョと戦えとかマジおふざけにならないでくれるかしらって話なのよ」。
それならと、ヘラクレスを禁止すると、今度はアキレウスの触媒の取り合いになるため、ギリシャで聖杯戦争がマトモに開催されたことはないとか。酷い話もあったものである。



The Mist[]

[v] Fate/Apocrypha material - Encyclopedia: Darkened Misty Metropolis [Noble Phantasm], trang 168 [T]

Dark Misty Capital [Noble Phantasm]
The Mist. Jack, a problem, filled up with too many abilities. One of them is this Boundary Field Noble Phantasm. A sort of phenomenon turned into a Noble Phantasm. It scatters a mist of sulfuric acid over a radius of dozens of meters. It deals damage over time to ordinary people, and it also makes it difficult for magi to use magecraft if they don’t take countermeasures. Servants only drop a rank in agility, but it is extremely difficult for them to see and track Jack within the mist.
 It originally stems from the smog problem that used to occur in London. The soot and smoke that increased rapidly due to the Industrial Revolution mixed in with London’s cold fog, giving it acidic qualities that caused an enormous outbreak of victims.
 Even in 19th Century London, the problem was already becoming quite serious, and the serial killer Jack took advantage of the fog to attack prostitutes.
 Thanks to this Noble Phantasm, Jack can almost unconditionally fulfill one of the three criteria of her other Noble Phantasm—that it must be deployed in a “place enshrouded by fog”.

暗黒霧都【宝具】
ザ・ミスト。ジャック、能力盛りすぎ、問題。その内の一つであり、結界宝具。いわゆる現象の宝具化。硫酸の霧を半径数十メートルに拡散させる。一般人は時間経過によりダメージを負い、魔術師たちも対抗手段を取らない限り、魔術を行使することも難しい。サーヴァントならば、敏捷ランクが一つ落ちるだけで済むが、霧の中でジャックの姿を捉えることは極めて難しい。
元々、ロンドンに起こったスモッグ問題に端を発している。産業革命により飛躍的に増加した煤煙がロンドンの冷たい霧に混じり、強酸性を帯びたことによって莫大な犠牲者が発生した。
十九世紀のロンドンでも、既にその問題は深刻化しつつあり、その霧に乗じて殺人鬼は娼婦たちに襲い掛かった。
この宝具によってジャックはもう一つの宝具の条件―――三つの内の一つ、「霧立ち籠める場所」というものをほぼ無条件に満たすことができる。
ザ・ミスト。



Third Holy Grail War[]

[v] Fate/Apocrypha material - Encyclopedia: Third Holy Grail War [Others], trang 175 [T]

Third Holy Grail War [Others]
The third occurrence of the Holy Grail War held in Fuyuki. It was the war where, capitalizing on the history of shared failure during the First and Second Wars, a mediator was sent from the Holy Church, forming the current Fuyuki-style Holy Grail War format.
The timelines of this light novel series “Fate/Apocrypha” and the original visual novel “Fate/stay night” diverge at this point. In other words, history changes according to whether the Einzberns choose Avenger or Ruler as their Servant. In the former case, the Greater Grail ends up being contaminated, causing a great disaster in the Fourth War and the Holy Grail being destroyed or shut down in the Fifth War, while in the latter case, the Greater Grail isn’t contaminated, but in exchange, it is stolen away by Darnic.
Oh dear, the Einzberns really are checkmated at all sides.

第三次聖杯戦争【その他】
冬木で執り行われた第三回目の聖杯戦争。第一回、第二回共に失敗した経験を活かして、聖堂教会から審判役を派遣するなど、現在の冬木式聖杯戦争のフォーマットが仕上がった戦争である。
本作「Fate/Apocrypha」と原作である「Fate/stay night」とはこの時点で分岐している。即ち、アインツベルンがアヴェンジャーかルーラー、どちらのサーヴァントを選択したかによる。前者の場合、大聖杯は汚染されて第四次で大災害、第五次で聖杯が破壊される、または閉じられるのに対し、後者の場合は汚染されない代わりにダーニックの手によって大聖杯が強奪されてしまう。
あらやだ、アインツベルンってば詰んでる。



Third Magic[]

[v] Fate/Apocrypha material - Encyclopedia: Third Magic [Others], trang 175 [T]

Third Magic [Others]
Heaven’s Feel, the Cup of Heaven. For further details about it, you should either play the Heaven’s Feel route in the game “Fate/stay night” or, if you’re patient, wait for the animated film version of it.
…Well, I’ll touch upon it lightly at least. It is a mystery that exists in a different dimension from magecraft, one of the final goals that magi seek. Impossible feats that cannot be accomplished in the current era no matter how much time or budget you devote are called sorcery.
There are currently five sorceries in total. The third amongst them—that which the Einzberns have sought for two thousand years is the Third Sorcery, “Heaven’s Feel”. It is true, unquestionable immortality accomplished by materializing the soul. It is definitely a miracle that would undoubtedly result in the salvation of humanity should it be implemented. Sieg is unmistakably evil for having stolen away the possibility of making it a reality.

第三魔法【その他】
へヴンズフィール、天の杯。詳細に関してはゲーム版「Fate/stay night」Heaven’sFeel編をプレイするか、気の長い人間は劇場アニメ版を待つがよい。
……まあ、軽くさわりだけ。魔術とは異なる次元にある神秘、魔術師たちにとって一種の到達点。現在の時代でどれほどの時間と予算を掛けても実現不可能なものを魔法と呼ぶ。
現在の魔法は全部で五つ。その中の三番目———アインツベルンが二千年の間、追い求めているものが第三魔法「天の杯」である。魂を物質化させることによる、擬似的なものではない真の不老不死。実現すれば、間違いなく人類救済となるだろう確かな奇跡。ジークはこれを実現できる可能性を奪い去っていったのだから、紛れもない邪悪である。



Three Major Families[]

[v] Fate/Apocrypha material - Encyclopedia: The Three Families [Others], trang 166 [T]

The Three Families [Others]
In “Apocrypha”, the Three Families are the magi who constructed the Fuyuki Holy Grail War… in other words, the Einzberns, Tohsaka and Makiri.
Just as alluded in the light novels, Makiri (Matou) Zouken fought fiercely against Darnic during the Third Holy Grail War, but became practically crippled due to the shock of the Greater Grail being stolen. The family wasn’t blessed with a successor either, so their future as magi has been completely shut.
The Tohsaka gave up on the Greater Grail, and now seek a new path in becoming one with the universe with Chinese Kenpou while learning magecraft. The twin-tail daughter of the family might also end up becoming the founder of a “completely new martial arts that combines magecraft and Chinse Kenpou” by the time she becomes a high school student. However, she never imagined that her younger sister who was adopted by distant relatives would come visit her in Japan after becoming a pro-wrestler with unimaginably nice proportions and forming a tag team with a drill-roll-haired girl…!
The Einzberns are in the midst of struggling to make a new Greater Grail under the excuse “It was stolen, so we’ll just make a new Holy Grail”. Fortunately, in the “Apocrypha” world, a certain dead fish-eyed mercenary won’t end up becoming involved with the Einzberns, so their greatest work Illyasviel will never be born—therefore, as long as she isn’t born, the Einzberns will never despair… Is that really fortunate?

御三家【その他】
「Apocrypha」の場合、御三家といぅと冬木の聖杯戦争を仕掛けた魔術師……即ち、アインツベルン、遠坂、マキリを指す。
本作でも言及した通り、マキリ(間桐)は第三次聖杯戦争の際、ダーニックと激闘を繰り広げた臓硯が大聖杯を奪われたショックでほぼ廃人化。後継者に恵まれなかったこともあって、魔術師としては完全に未来を閉ざされた。
遠坂は大聖杯を諦め、魔術を学びつつ拳法で宇宙と同一化する道を探る。ツインテ少女が高校生になる頃には「魔術と中国拳法を組み合わせたまったく新しい武術」の開祖にでもなっているのではないだろうか。しかし、遠縁に引き取られた妹が想像を絶するナイスバディなプロレスラーとなってドリルロール少女とタッグを組んで来日するとはまだ想像していなかったのだ
アインツベルンは「強奪されたので、また新しい聖杯作るよ」という訳で再び大聖杯を作るべく奮闘中。幸いなことに、「Apocrypha」世界では死んだ魚のような目をした傭兵がアインツベルンと関わり合いにならないため、永遠に最高傑作であるイリヤスフィールは生まれず———従って、彼女が生誕しない限り、アインツベルンは絶望しないのだとか。……幸いか?



Tool[]

[v] Fate/Apocrypha material - Encyclopedia: Tool [Person's name], trang 176-177 [T]

Tool [Person's name]
One of the homunculi created by Gordes. Though her Magic Circuits are meager, she excels in fighting ability and inspiration, so she was selected as a commander. Just as told in the novels, battle-type homunculi have extremely short lifespans, with a limit of two to three months of life.
For a homunculus, she has a neat and lively personality. If we were describing her using visual novel or light novel terminology, then she would be the “female teacher-type who has sex appeal, but is unfortunately coarse and ill-mannered”.
At Gordes’ request, she has taken charge of thoroughly beating up his son. Naturally, his wife protested when their son was beat up, so Tool beat her up and beat up Gordes too while she was at it, winning supremacy over their family. It is said that, for three months, this homunculus stood at the top of the Musik family.

TooleandGordes

トゥール【人名】
ゴルドによって鋳造されたホムンクルスの一人。魔術回路こそ乏しいものの、戦闘能力と感応能力に優れていたため、指揮官に抜擢される。本編の言葉通り、戦闘用ホムンクルスは寿命が極端に短く、ニヶ月か三ヶ月程度が限界。
ホムンクルスにしてはこざっぱり&豪快な性格。ギャルゲーやラノベで言うところの「色気があるけど、がさつで残念な女教師」系。
ゴルドの頼みで、息子を徹底的に叩きのめす役割を負う。当然叩きのめしたら奥方が抗議してきたので叩きのめし、ついでにゴルドも叩きのめして天下を獲獲った。三ヶ月間、ムジーク家ではこのホムンクルスが頂点の座に位置していたという。

TooleandGordes



Trap of Argalia[]

[v] Fate/Apocrypha material - Encyclopedia: Down with a Touch! [Noble Phantasm], trang 177-178 [T]

Down with a Touch! [Noble Phantasm]
Trap of Argalia. The second cheat Noble Phantasms of Rider of Black. It is a golden lance that originally belonged to Argalia, a knight of Cathay. With this magic lance that knocks down all those that it touches, Argalia was victorious against all the knights who challenged him in jousting matches, including Astolfo.
However, one knight didn’t surrender after being knocked off his horse and drew his sword. Reluctantly, Argalia fought him with his own sword without using his lance, but he couldn’t match the knight and ran away in the end. Argalia had trusted in the power of his magic lance too much, and so he had promised that the one who beat him would be presented his older sister Angelica (the beautiful woman who was the cause of Roland going mad later on).
Angelica also understood how bad the situation was once she learned of her younger brother’s defeat and so disappeared into hiding, and while the entire jousting contest was in total chaos, Astolfo, who had broken his own lance, noticed Argalia’s lance, remarking “Ah, so there was a lance lying around here”, and he sto… silently borrowed the lance.
Naturally, Astolfo won match after match in jousting contests afterwards.
The Noble Phantasm “Trap of Argalia” is a lance, but its actual power is very low. However, when an opponent is touched by the front tip of the lance, they will be forced into a state of falling down—in other words, their legs are forcibly changed into spiritual form. Of course, this is only temporary (after all, they are only forced into a state of “having fallen down”), and they can recover in a short period of time, but just as demonstrated in the third volume, it possesses extremely strong compelling force that can “even topple a giant”.
Incidentally, after Astolfo managed to survive through several battles with this lance, he entrusted this lance to the female knight Bradamante, the cousin of Roland. Naturally, Astolfo freely gave away such a precious lance because he didn’t know about its ability at all. As for how he kept winning in jousting matches, he apparently thought, “I ‘awakened’ the power unconsciously sealed inside me!” How awful.

触れれば転倒!【宝具】
トラップ・オブ・アルガリア。“黒”のラィダーのチート宝具、その二。元々はカタイの騎士アルガリアが持ってきた黄金の槍。触れた者を全て打ち倒す魔法の槍で、アルガリアは馬上試合において、アストルフォを含めた並み居る騎士たちに悉く勝利した。
ところが一人の騎士が馬上から転げ落ちただけでは降伏せずに、剣を抜いた。アルガリアはやむなく槍を使わずに剣で応戦したが、敵わず逃げ出してしまう。アルガリアは魔法の槍の力を過信しており、自分を負かした者に姉であるアンジェリカ(ローランが後に狂乱する原因である美女)を差し出すことを約束していたのだ。
アンジェリカも弟の不利を悟ってヤべえとばかりに姿を消し、御前試合が混乱状況になる中、自分の槍が折れたアストルフオは「あ、こんなところに槍がある」とアルガリアの槍をパク……黙って借り受ける。
当然ながら、その後のアストルフォは馬上試合において連戦連勝であった。
宝具『触れれば転倒!』は槍そのものの威力は極めて低い。しかし、槍の穂先が触れた時点で転倒状態———両足の霊体化を強制する。無論それも一時的なもので(何しろ状態としては、「転ばせた」に過ぎない)、わずかな時間で回復できる程度のものだが、三巻で披露した通り、「巨人ですら転倒させる」という極めて強い強制力を持つ。
ちなみにアストルフォは幾つかの戦いをこの槍で潜り抜けた後、ローランの従姉妹である女騎士ブラダマンテにこの槍を託している。こんな貴重な槍を惜しげも無く差し出したのは当然ながら、アストルフォがこの槍の力について全く知らなかったである。馬上試合において連戦連勝だったのは「ポクが無意識に封印していた力が"覚醒"したんだね」とか思ってた模様。ひどい。



Träumerei[]

[v] Fate/Apocrypha material - Encyclopedia: Träumerei [Song Title], trang 178 [T]

Träumerei [Song Title]
A music composition by Robert Schumann. It is the seventh piece from the set of thirteen collectively called “Kinderszenen” (English: “Scenes from Childhood”). Träumerei means “to see a dream” in German, and in this case it might be most accurate to translate it as a “dream state of mind”.
It is the tune that Rikudou Reika played after being badgered by Assassin of Black, Jack the Ripper. However, Schumann didn’t actually compose this set of music pieces for children, but rather for adults to reminisce and yearn for their childhood—hence the allusion of a tune for the sake of seeing a dream. If Reika knew this, then perhaps she didn’t choose this tune just for Jack, but also to reveal the way she felt as if she were in a dream right now.

トロイメライ【曲名】
ロベルト・シューマン作曲。『子供の情景』全十三曲の内、七曲目にあたる。トロイメライはドイツ語で「夢を見る」という意味、この場合は「夢見心地」と訳した方が正しいかもしれない。
“黒”のアサシン、ジャック・ザ・リッパーにせがまれて六導玲霞が弾いた曲。だが、実はシューマンはこれらの曲は子供のためではなく、大人が子供時代を懐かしむための———夢を見るための曲と言及している。もし玲霞がそれを知っていたならば、彼女がこの曲を選んだのはジャックのためだけではなく、今が夢のようだという自分の心を露わにしたのかもしれない。



Trifas[]

[v] Fate/Apocrypha material - Encyclopedia: Trifas [Place name], trang 177 [T]

Trifas [Place name]
Sighișoara is where Vlad III’s family home is. The town next to it is the land managed by Yggdmillennia, Trifas. It was originally the landed overseen by the Prestone family… Darnic’s family. The town resembles Sighișoara, but it has virtually no sightseeing landmarks, so Trifas is rarely considered as a destination in Romania’s sightseeing tours.
Naturally, this is a result of measures taken by Yggdmillennia so as to divert attention away from this land, and members of Yggdmillennia who have secretly infiltrated the country’s travel agencies will immediately take action if someone even brings up Trifas’ name for a sightseeing tour. They do allow a few tourists to visit so as not to make the town too insular and unsociable.
The town’s current population is twenty thousand, and concealed among them are many people connected to Yggdmillennia, who, while not being magi, do know of the existence of magecraft. When tourists go out to bars and the like, the native people all look at them with transparent eyes. Well, an insular town in the countryside is the perfect setting for horror. Horror, you know?

トゥリファス【地名】
ヴラド三世の生家があるシギショアラ。その近隣にある都市がユグドミレニアの管理地、トゥリファスである。元々はプレストーン……ダーニックの一族の管理地であった。都市はシギショアラに酷似しているが、観光名所はほとんどないため、ルーマニアの観光ツアーではトゥリファスはほとんど顧みられることはない。
当然ながら、この土地が目を惹かないようにするためのユグドミレニアの措置であり、トゥリファスに関しては観光ツアーで名前が話題に上るだけで、直ちに旅行会社などに潜伏しているユグドミレニアの血族の手が伸びる。閉鎖的になりすぎないよう、少数の観光客は受け入れている。
現在の人口は約二万人、魔術師ではないが魔術の存在を知っているユグドミレニアに連なる人間たちも多数潜伏している。観光客がバーとかに繰り出すと、地元の人間が皆こっちを透明な瞳で見つめていたりする。まあ、閉鎖的な田舎ってホラーだよね。ホラー。



Trimmau[]

[v] Fate/Apocrypha material - Encyclopedia: Trimmau [Others], trang 178 [T]

Trimmau [Others]
The advanced version of the “Volumen Hydrargyrum: Marrow of the Moon Spirit” Kayneth El-Melloi Archibald used for battles of magecraft in “Fate/Zero”. Currently, the legitimate El-Melloi successor, Reines, is using it as a mercury maid. She (the maid) specializes not only in acting as a bodyguard, but also in using her body to clean and invade places.
People think that she was made by Lord El-Melloi II, but he actually only gave advice to Reines. There are still many secrets regarding the full details of her abilities. These details should be brought to light in “Lord El-Melloi II’s Case Files” (Author: Sanda Makoto), so please look forward to it. (It’s my style to throw difficult subjects at Mr. Sanda.)

トリムマウ【その他】
「Fate/Zero」に登場するケイネス・エルメロイ・アーチボルトが魔術戦で使用した月霊髄液(ヴォールメン・ハイドラグラム)の発展系。現在はエルメロイの正当後継者であるライネスが水銀メイドとして活用している。護衛だけでなく、その体を活かしての掃除や侵入などもお手の物。
ロード・エルメロイII世が作った、と思われていたが実際には助言を加えただけ。彼女の詳細に関してはまだ色々と秘密。この辺は「ロード・エルメロイII世の事件簿」(著作:三田誠)で明かされていくはずなので乞うご期待(難しいことは三田先生にブン投げるスタイル)。



Troias Tragōidia[]

[v] Fate/Apocrypha material - Encyclopedia: Tempestuous Immortal Chariot [Noble Phantasm], trang 178 [T]

Tempestuous Immortal Chariot [Noble Phantasm]
Troias Tragōidia. The Noble Phantasm of Rider of Red, Achilles. An A rank chariot driven by three steeds. The horses consist of the two divine horses which the sea god Poseidon gave to Achilles’ father Peleus as a wedding gift, Xanthus and Balius, and the famous horse which Achilles stole from a city he attacked using his divine horses, Pedasos. According to legend, Achilles’ chariot is thought to been driven by three or four horses. Xanthus and Balius apparently served as the central pivot while Pedasos had a supporting role.
As divine horses received from Poseidon, Xanthus and Balius were clearly stated to have both been immortal in the original texts. After being summoned as a Servant’s Noble Phantasm, they aren’t quite immortal, but at the very least, they can be considered as tough as Servants themselves.
When Achilles is summoned as a Rider, his most harshly prana-consuming Noble Phantasm is this chariot. In the worst case, it is estimated that it can consume enough prana to summon another Servant besides Achilles.
Xanthus is a truly unpleasant horse who has fun telling Achilles when he falls into a dangerous situation.

疾風怒濤の不死戦車【宝具】
トロイアス・トラゴーイディア。“赤”のライダー、アキレウスの宝具。三頭立てのAランク戦車。馬は海神ポセイドンがアキレウスの父ペレウスの婚姻祝いに贈った二頭の神馬クサントスとバリオス、そしてアキレウスがこれらの馬を率いて襲った都市から奪った名馬ペーダソスで構成されている。伝承によるとアキレウスの戦車は三頭〜四頭立てと考えられている。クサントスとバリオスが中心となり、ペーダソスが補助の役割を果たしていたらしい。
ポセイドンから賜った神馬だけあって、クサントスとバリオスは原典において二頭とも不死とはっきり明言されている。サーヴァントの宝具として召喚されて、さすがに不死という訳にはいかないだろうが少なくともサーヴァントクラスの頑丈さはあると考えていいだろう。
アキレウスがライダーとして召喚された場合、もっとも魔力消費が激しい宝具がこの戦車である。下手をするとアキレウス以外にサーヴァントをもう一体召喚している程度の魔力消費ではないかと推測される。
クサントスはアキレウスが危機的状況に陥ると楽しそうに喋り出すという地味に嫌な馬。



Twelve Paladins of Charlemagne[]

[v] Fate/Apocrypha material - Encyclopedia: Twelve Paladins of Charlemagne [Organization], trang 171 [T]

Twelve Paladins of Charlemagne [Organization]
The knights of Charlemagne (Charles the Great) who Astolfo served under, for which only the most excellent people were selected to join. They are similar to the Knights of the Round Table in King Arthur’s legend, and the number and members of the Paladins differ depending on the documents which reference them. Among these uncertainties, Astolfo is also definitely confirmed to be one of the Paladins, and other members such as Roland, famed for being the wielder of Durandal, and Oliver, who wielded Hauteclaire, boast of great popularity and renown.
Roland felt in love with a beautiful queen known as Angelica, but due to being a proud woman, she rejected the idea of falling in love with a mere soldier and eloping with him, and so Roland went mad, throwing off all his clothes as he began rampaging around while completely naked. Concerned for him, Astolfo and the other Paladins worked hard to capture him and gave him a bottle of reason brought from the moon, thereby restoring his sanity. Astolfo’s current appearance is connected to how he dressed up as a girl during this episode.

シャルルマーニュ十二勇士【組織】
アストルフォが仕えていたシャルルマーニュ(カール大帝)の騎士で、もっとも優れた者たちのことを指す。アーサー王伝説における円卓の騎士のようなものであり、文献によって十二勇士の数が違ったりメンバーが異なっていたりする。アストルフォはその中では、ほぼ間違いなく十二勇士のメンバーに加わっていて、他にはデュランダルの使い手として有名なローランやオートクレールを使うオリヴィエなどが人気を誇っている。
ローランはアンジェリカという美しい王女に恋をしていたのだが、誇り高かった彼女がただの兵士と恋に落ちて駆け落ちしてしまったという事実を認められず、狂乱して何もかもを脱ぎ捨て、全裸で暴れ出す。それを憂いたアストルフォたちは、苦労して彼を捕らえて月から持ちだしてきた理性の瓶を与えて正気を取り戻させるのであつた。この際に女装したことが、今のアストルフォに繋がっている。



Vasavi Shakti[]

[v] Fate/Apocrypha material - Encyclopedia: O Sun, Abide to Death [Noble Phantasm], trang 156 [T]

O Sun, Abide to Death [Noble Phantasm]
Vasavi Shakti. The Anti-Divine Noble Phantasm of Lancer of Red, Karna. A god-killing spear given to him by the thunder god Indra in the “Mahabharata”. The secret weapons among secret weapons, which doesn’t exist even in the treasure vault of the King of Heroes. Just as shown in the illustrations within “Complete Material IV”, his spear transforms and officially becomes this Noble Phantasm after he sheds his golden armor.
It’s not like the spear he usually uses is a fake, but it can’t activate its name of “Vasavi Shakti: O Sun, Abide to Death” in this state.

日輪よ、死に随え【宝具】
ヴァサヴィ・シャクティ。“赤”のランサー、カルナの対神宝具。『マハーバーラタ』にて、雷神インドラより渡された神殺しの槍。かの英雄王の宝物庫にすら存在しない、まさに秘密兵器中の秘密兵器。「コンプリートマテリアルⅣ」に図解で掲載されている通り、黄金の鎧が剥がされ変形することで正式にこの槍となる。
通常振るっている槍も偽物という訳ではないのだが、『日輪よ、死に随え』の真名を発動させることはできない。



Victor Frankenstein[]

[v] Fate/Apocrypha material - Encyclopedia: Victor Frankenstein [Person's name], trang 156 [T]

Victor Frankenstein [Person's name]
The creator, or perhaps parent, of Berserker of Black, Frankenstein. In the light novel, he appears as a real historical person. He was a scientist and alchemist. Like Caster of Black, he aimed to create Adam and Eve. He differs from Caster in that he didn’t see the creation of Adam and Eve as the gateway to Eden, but rather simply wanted to create a being as close to God as possible.
Eve was born defective—at the very least, that was how Frankenstein saw her. An artificial life-form that does not have emotions was, to him, equivalent to a badly made living creature.
He doesn’t get it, he really doesn’t get it, this guy.

ヴィクター・フランケンシュタイン【人名】
“黒”のバーサーカー、フランケンシュタインの作り手、あるいは生みの親。本編において実在する人間として登場する。科学者にして錬金術師。“黒”のキャスターと同じく、アダムとイヴの創造を目指した。キャスターと異なるのは、アダムとイヴの創造を楽園への扉と見なすのではなく、単純にもっとも神に近い存在を創造したかったという点。
イヴが欠陥を抱えたまま誕生した―――少なくともヴィクターにはそう見えた。情緒が存在しない人工生命など、彼にしてみれば出来損ないの生物に等しかったのである。
分かってねぇ、分かってねぇよコイツ。



Volumen Hydrargyrum[]

[v] Fate/Apocrypha material - Encyclopedia: Marrow of the Moon Spirit [Magecraft], trang 156 [T]

Marrow of the Moon Spirit [Magecraft]
Volumen Hydrargyrum.
→See the entry on Trimmau.

ヴィクター・フランケンシュタイン【魔術】
ヴォールメン・ハイドラグラム。
→トリムマウの項目を参照せよ。



Waver Velvet[]

[v] Fate/Apocrypha material - Encyclopedia: Waver Velvet [Person's name], trang 156 [T]

Waver Velvet [Person's name]
→See the entry on Lord El Melloi II.

ウェイバー・ベルベット【人名】
→ロード・エルメロイII世の項目を参照せよ



Wisdom of Divine Gift[]

[v] Fate/Apocrypha material - Encyclopedia: Wisdom of Divine Gift [Skill], trang 172-173 [T]

Wisdom of Divine Gift [Skill]
The Cheat of Cheats skill of our Professor Chiron. It bundles together the various skills and abilities that he received from the Greek Gods. It covers various skills, from artistic categories like music, to battle techniques like archery and spearmanship, and even to ranger skills such as outdoor pursuit and medicinal harvesting.
However, these skills are based on the techniques of Greece’s mythic era, and as such Chiron cannot acquire skills developed in another time and place. Unique skills limited to specific individual such as “Imperial Priviledge” and “Pioneer of the Stars” all fall outside the scope of “Wisdom of Divine Gift”.
Thanks to this skill, Chiron can also bestow generic skills to other Servants… but almost all Servants can be summoned precisely because they are complete as heroes, so there exist very few laudable Servants who would ask to be taught by him.
The only possible person who might be taught by him in this work is Sieg, but Chiron perceived that he could not bestow skills upon (teach) him unless he transforms into Siegfried in the first place, and he couldn’t teach him anything he could learn within a three-minute time limit.
Professor Chiron seemed a bit lonely after he realized that.

神授の智慧【スキル】
我らがケイローン先生のチート・オブ・チートスキル。ギリシャの神々より与えられた様々な技能を一纏めにしたもの。音楽のような芸術的なものから、弓術、槍術といった戦闘方面、更には野外追跡や薬草採取のようなレンジャー的なスキルと多岐に渡る。
ただしこのスキルはギリシャ神話時代の技術をベ一スにしており、例えば中国拳法のように別の時代、別の場所で発達したスキルを身につけられる訳ではない。他にも『皇帝特権』や『星の開拓者』のような特定の個人だけに限定される特殊スキルも『神授の智慧』の適用外である。
また、このスキルによって汎用的なスキルを他サーヴァントに付与することが可能……なのだが、サーヴァントのほとんどは英雄として成立しているからこそ召喚されるのであり、教えを乞おうという殊勝なサーヴァントはなかなか存在しない。
本編において唯一可能性があったのはジークであったが、ジークはそもそもジークフリートに変身しなければスキルを付与できない(学べない)ということが発覚し、三分間のリミットでは教えられるものも教えられないのである。
そのことに気付いたケイローン先生は、ちょっとだけ寂しそうだったらしい。



Yggdmillennia[]

[v] Fate/Apocrypha material - Encyclopedia: Yggdmillennia [Others], trang 185 [T]

Yggdmillenia [Others]
Otherwise known as the “Tree of a Thousand Realms”. It is a clan of magi that originates from Northern Europe. The clan’s notable characteristic is that its Magic Crest is extremely diluted. Or, rather than diluted, it’s more like it hardly exists at all. Generally, a Crest is proof of a magus being the successor of their family and is passed down from generation to generation. There are also cases where the Crest is divided up, but it is fundamentally limited to close relatives.
However, just as its name implies, Yggdmillennia has thinly spread out its roots over a long time—in other words, the clan has lost most of the functions of its Crest and has chosen the method of increasing its members with families who are “Yggdmillennia” in name only. The important point is that the clan’s Crest is capable of being simply transplanted like a seal pasted onto an arm, even if the person is a complete stranger or they already have another Crest.
This Crest’s functions only allow for some slight sympathy between their spells and for determining whether or not someone is connected to “Yggdmillennia”. It is has lost any special characteristics it once had, but it is precisely this last remaining universal function that aid the abnormal increase in Yggdmillennia clan members.
Yggdmillennia swelled up in size by gathering up families who have been forced out of the world of magi, such as families whose Magic Circuits are gradually deteriorating away, families who have lost their Magic Crests in accidents or families who lost in political conflicts.
Of course, even if any of them attain Sorcery or reach the Root, it will never turn into praise for Yggdmillennia itself, but—just having their desire to “have their name remembered in history” investigated by others may be the proof of this diluted clan known as Yggdmillennia having existed.
In truth, quite a number of magi are included in Yggdmillennia under the table in the world of “Fate/Apocrypha”. Many of the magi who cause subspecies Holy Grail Wars are connected to Yggdmillennia. It goes without saying that it was for the sake of collecting data on the Holy Grail War.
The current leader is Darnic Prestone Yggdmillennia. The leader after the end of the novels is Caules Forvedge Yggdmillennia.

ユグドミレニア【その他】
通称「千界樹」。北欧に端を発する魔術師の家系である。特色として、魔術刻印が極めて薄いということが挙げられる。薄い、というよりはほとんど存在しないに近い。通常、刻印は血を繋いだ魔術師が後継者であるという証であり、次へ次へと繋いでいくもの。刻印の株分けをすることもあるが、基本的には近親者のみに限られる。
ところがユグドミレニアはその名の通り、長い年月を掛けて薄く薄く根を伸ばしていく———つまり、刻印そのものの機能を大部分喪失させ、「ユグドミレニア」という名ばかりの血族が増える方を選んだ。重要な点は、この刻印には赤の他人であろうが他の刻印を移植していようが、まるで腕に貼り付けたシールのように簡単に移植が可能ということである。
この刻印の機能はほんのわずかな同調観念と、「ユグドミレニア」に連なる者であるかどうかの判断が可能なだけ。あらゆる特殊性を喪失して、最後に残った普遍性こそがこのユグドミレニア一族の異常な増殖に繫がった。
魔術回路が衰退しつつある一族、刻印を事故で失った一族、政争に敗れた一族、そういった魔術師の世界から弾き出されそうな一族たちを集めて、ユグドミレニアは膨れ上がった。
もちろん、それで魔法に到達しようが、あるいは根源に至ろうが、決してユグドミレニアへの賞賛になる訳がないのだが———ただ「名を残す」という我欲を突き詰めたのが、彼らユグドミレニアという薄い血族の証なのかもしれない。
実のところ、「Fate/Apocrypha」の世界では相当数の魔術師が水面下でユグドミレニアに組み込まれている。亜種聖杯戦争を起こしているのも、ユグドミレニアに連なる魔術師たちが多い。それは言うまでもなく、聖杯戦争のデータを集めるためであった。
現在のリーダーはダーニック・プレストーン・ユグドミレニア。原作終了後のリーダーは、カウレス・フォルヴヴェッジ・ユグドミレニア。



Servant Profiles[]

Archer Đen[]

[v] Fate/Apocrypha material - Trạng thái: Archer Đen, trang 020-021

Trường phái: Archer
Master: Fiore Forvedge Yggdmillennia
Tên thật: Chiron
Giới tính: nam
Chiều cao/Cân nặng: 179cm/81kg
Thiên tính: Chân chính

Sức Mạnh: B
Sức Bền: B
Nhanh Nhẹn: A+
Ma Lực: B
May Mắn: C
Bảo Khí: A

Kỹ năng trường phái
Kháng Ma Lực: B
Vô hiệu hóa những lời phép phát động ma thuật có từ ba nhịp trở xuống.
Thậm chí khó có thể bị tổn thương bởi Đại Ma Thuật, Chú Pháp Nghi Lễ, vân vân...

Hành Động Độc Lập: A
Có thể hành động ngay cả khi không có Master.
Tuy nhiên, trong trường hợp cần đến một lượng ma lực to lớn như khi sử dụng Bảo Khí thì vẫn phải có Master hỗ trợ.

Kỹ năng vốn có
Thiên Lý Nhãn: B+
Độ tốt của thị lực. Nắm bắt đích ngắm ở xa, tăng cường thị lực chuyển động cơ thể.
Để cân bằng với Tâm Nhãn (thật), còn có khả năng nhìn thấy tương lai một cách giới hạn.

Tâm Nhãn (thật): A
Sức mạnh nhìn thấu được bồi dưỡng bằng tu hành và rèn luyện.
Bình tĩnh nắm bắt tình trạng bản thân cũng như năng lực của kẻ địch trong những tình thế nan giải, và "logic chiến đấu" để suy ra cách thoát khỏi hoàn cảnh đó.

Thần Tính: C
Dù là một sự tồn tại được sinh ra bởi Thần Đại Địa với một Yêu Tinh, nhưng do cơ thể đó bị giáng xuống làm con người ngay trước khi ông chết, nên kỹ năng này đã giảm hạng rất nhiều.

Trí Tuệ Thần Ban: A+
Trí tuệ đa dạng như một hiền giả được các vị thần trong thần thoại Hy Lạp ban cho.
Ngoại trừ những thứ độc đáo của riêng các anh hùng, ông có thể phát huy hầu như mọi kỹ năng ở mức thành thạo hạng B~A.
Ngoài ra, nếu có sự đồng ý của Master, ông còn có thể truyền thụ kỹ năng cho các Servant khác.

Bảo Khí
■ Antares Snipe: Bọ Cạp Nhất Xạ
Hạng: A
Loại: Bảo Khí Kháng Nhân
Phạm vi: 5~99
Mục tiêu tối đa: 1 người
The embodiment of the episode where Chiron who turned into Sagittarius is always aiming at the Scorpion in the sky.
Said to have pierced a star, it is the ultimate shot that an Archer can reach.
The moment the target is determined firing is possible. Not from the bow, but the star shoots a comet shot. In the case of death, automatic invocation happens after a turn.
After this Noble Phantasm has been used it cannot be used until the next night.

CLASS アーチャー
マスター:フィオレ・フォルヴェッジ・ユグドミレニア
真名:ケイローン
性別:男性
身長・体重:179cm/81kg
属性:秩序・善

筋力:B
耐力:B
敏捷:A+
魔力:B
幸運:C
宝具:A

クラス別能力:
対魔力:B
魔術発動における詠唱が三節以下のものを無効化する。
大魔術、儀礼呪法等を以ってしても、傷つけるのは難しい。

単独行動:A
マスター不在でも行動できる。
ただし宝具の使用などの膨大な魔力を必要とする場合はマスターのバックアップが必要。

固有スキル
千里眼:B+
視力の良さ。遠方の標的の捕捉、動体視力の向上。
心眼(真)との兼ね合いによっては限定的な未来視も可能とする。

心眼(真):A
修行・鍛錬によって培った洞察力。
窮地において自身の状況と敵の能力を冷静に把握し、その場で残された活路を導き出す“戦闘論理”。

神性:C
大地の神と妖精との間に生まれた存在であるが、死ぬ直前にその身を人間へと貶めているため、大幅にランクダウンしている。

神授の智慧:A+
ギリシャ神話の神から与えられた賢者としての様々な智慧。
英雄独自のものを除く、ほぼ全てのスキルにB~Aランクの習熟度を発揮できる。
また、マスターの同意があれば他サーヴァントにスキルを授けることも可能。

宝具
天蠍一射アンタレス・スナイプ
ランク:A
種別:対人宝具
レンジ:5〜99
最大捕捉:1人
射手座となったケイローンが常に天の蠍を狙っているエピソードの具現化。
星を穿つという、弓兵が到達できる究極の一撃。
射つことを決定した時点で発射することが可能で、弓からではなく、欲しから放たれる流星の一撃。 死亡した際も、一ターン後に自動発動する。
宝具使用後、次の夜まで使用不可となる。



Archer Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Archer Đỏ, trang 034-035

Trường phái: Archer
Master: Shirou Kotomine
Tên thật: Atalanta
Giới tính: nữ
Chiều cao/Cân nặng: 166cm/57kg
Thiên tính: Gian xảo

Sức Mạnh: D
Sức Bền: E
Nhanh Nhẹn: A
Ma Lực: B
May Mắn: C
Bảo Khí: C

Kỹ năng trường phái
Kháng Ma Lực: D
Vô hiệu hóa các ma thuật thực hiện bằng một công đoạn (Single Action).
Kháng ma lực ở mức độ một lá bùa tránh ma lực.

Hành Động Độc Lập: A
Có thể hành động ngay cả khi không có Master.
Tuy nhiên, trong trường hợp cần đến một lượng ma lực to lớn như khi sử dụng Bảo Khí thì vẫn phải có Master hỗ trợ.

Kỹ năng vốn có
Vượt Qua Arcadia: B
Có thể di chuyển và phi vượt qua mọi chướng ngại trên chiến trường, bao gồm cả kẻ địch.

Mỹ Học Bứt Phá: C
Để cho kẻ địch khởi đầu trước, rồi sau khi xác nhận hành động đó thì bản thân cô có thể hành động và đón đầu chặn trước hắn.

Bảo Khí
■Phoebus Catastrophe: Tiễn Thư Thỉnh Cầu
Hạng: B
Loại: Bảo Khí Chống Quân
Phạm vi: 2~50
Mục tiêu tối đa: 100 người
A complaint letter on an arrow seeking the divine protection of Artemis and Apollo with the Tauropolos received from the Guardian Deity Artemis. In the next turn arrows will rain on all enemies as if a downpour. Range can be set.

■Agrius Metamorphosis: Lợn Hoang Thần Phạt
Hạng: B+
Loại: Bảo Khí Kháng Nhân (bản thân)
Phạm vi: 0
Mục tiêu tối đa: 1 người
The Monstrous Beast of Calydonia that Atalanta killed. A cursed Noble Phantasm where one owns the power of the Monstrous Beast when she wears the pelt.
Even though Tauropolos is sealed, other than luck, all other stats rise. And an A Rank "Mad Enhancement" equivalent status is taken on.
The skill "Shapeshift: A" is added. In battle, the wearer's form, therefore nature, changes.

CLASS アーチャー
マスター:シロウ・コトミネ
真名:アタランテ
性別:女性
身長・体重:166cm/57kg
属性:中立・悪

筋力:D
耐力:E
敏捷:A
魔力:B
幸運:C
宝具:C

クラス別能力:
対魔力:D
一工程(シングルアクション)による魔術行使を無効化する。
魔力避けのアミュレット程度の対魔力。

単独行動:A
マスター不在でも行動できる。
ただし宝具の使用などの膨大な魔力を必要とする場合はマスターのバックアップが必要。

固有スキル
アルカディア越え:B
敵を含む、フィールド上のあらゆる障害を飛び越えて移動できる。

追い込みの美学:C
敵に先手を取らせ、その行動を確認してから自分が先回りして行動できる

宝具
訴状の矢文ポイボス・カタストロフェ
ランク:B 
種別:対軍宝具
レンジ:2~50
最大捕捉:100人
守護神アルテミスから授かった『天穹の弓タウロポロス』によりアポロンとアルテミスに加護を求める矢文を送る。
次ターンに矢の雨が降り注ぎ、全体攻撃を行う。範囲設定も可能。

神罰の野猪アグリオス・メタモローゼ
ランク:B+
種別:対人(自身)宝具
レンジ:0
最大捕捉:1人
アタランテが仕留めたというカリュドンの魔獣、その皮を身に纏うことで魔獣の力を我が物とする呪いの宝具。
タウロポロスの封印と引き換えに幸運以外の全ステータスが上昇するが、Aランクの『狂化』を獲得したバーサーカーとほぼ同等の状態となってしまう。
追加されるスキルに『変化:A』があり、戦闘状況と纏った者の性質により形態が変化する。



Assassin Đen[]

[v] Fate/Apocrypha material - Trạng thái: Assassin Đen, trang 028-029

Trường phái: Assassin
Master: Rikudou Reika
Tên thật: Jack the Ripper
Giới tính: nữ
Chiều cao/Cân nặng: 150cm/45kg
Thiên tính: Phá hoại

Sức Mạnh: C
Sức Bền: C
Nhanh Nhẹn: A
Ma Lực: C
May Mắn: E
Bảo Khí: C

Kỹ năng trường phái
Che Giấu Hiện Diện: A+
Dứt bỏ sự hiện diện như một Servant, một kỹ năng thích hợp cho hoạt động do thám.
Nếu đã dứt bỏ hoàn toàn sự hiện diện thì việc phát hiện gần như là không thể.
Khi chuyển sang thế tấn công thì thứ hạng Che Giấu Hiện Diện sẽ hạ xuống rất nhiều, nhưng khuyết điểm này được bù đắp bằng kỹ năng "Sát Nhân Đêm Sương Mù", và một đòn tập kích bất ngờ hoàn hảo sẽ trở nên khả thi.

Kỹ năng vốn có
Sát Nhân Đêm Sương Mù: A
Dựa trên đặc tính của một con quỷ sát nhân chứ không phải sát thủ, kẻ giết người là cô luôn có thể chủ động ra tay với nạn nhân là đối thủ.
Tuy nhiên, chỉ có thể chủ động ra tay vào ban đêm.

Ô Nhiễm Tinh Thần: C
Làm gián đoạn các ma thuật thuộc loại can thiệp vào tinh thần với xác suất trung bình.

Xóa Bỏ Thông Tin: B
Ngay khi trận đấu kết thúc, các thông tin về cô như năng lực, tên thật, đặc trưng ngoại hình sẽ biến mất khỏi ký ức của các nhân chứng và địch thủ đối chiến.

Phẫu Thuật Ngoại Khoa: E
Có thể điều trị cho Master và bản thân bằng cách sử dụng những con dao mổ nhuốm máu.
Nhìn bề ngoài thì không có gì đảm bảo, nhưng tạm thời cô sẽ xoay sở được bằng cách này hay cách khác.

Bảo Khí
Maria the Ripper: Thánh Mẫu Phanh Thây
Hạng: D~B
Loại: Bảo Khí Kháng Nhân
Phạm vi: 1-10
Mục tiêu tối đa: 1 người
Jack the Ripper's murder reproducing Noble Phantasm.
When the conditions, "it is night-time," "opponent is a woman (female)," "misty," are met and the Noble Phantasm is used the contents of the body are expelled and they turn into a dismembered corpse.
In the case that not all conditions are met only simple damage is dealt, however, as each condition is met the power rises. This Noble Phantasm is not a knife attack but a kind of curse which makes long range use available.
To defend against this Noble Phantasm, rather than physical defense resistance against curses is necessary.

The Mist: Đô Thị Mù Sương Hắc Ám
Hạng: C
Loại: Bảo Khí Kết Giới
Phạm vi: 1-10
Mục tiêu tối đa: 50 người
Mist Bounded Field producing Bounded Field Noble Phantasm. The Noble Phantasm is the sulfuric mist created from magical energy. Servants do not take damage. Agility is one Rank-Down. The user is able to decide who suffers the effects. Because the mist causes one to lose their sense of direction, to escape, B rank or higher "Instinct," or the use of magecraft is required.

CLASS アサシン
マスター:六導玲霞
真名:ジャック・ザ・リッパー
性別:女性
身長・体重:150cm/45kg
属性:混沌・悪

筋力:C
耐力:C
敏捷:A
魔力:C
幸運:E
宝具:C

クラス別能力:
気配遮断:A+
サーヴァントとしての気配を断つ、隠密行動に適したスキル。
完全に気配を断てば発見することは不可能に近い。
攻撃態勢に移ると気配遮断のランクが大きく落ちてしまうが、この欠点は“霧夜の殺人”によって補われ、完璧な奇襲が可能となる。

固有スキル
霧夜の殺人:A
暗殺者ではなく殺人鬼という特性上、加害者の彼女は被害者の相手に対して常に先手を取れる。
ただし、先手を取れるのは夜のみ。

精神汚染:C
精神干渉系の魔術を中確率で遮断する。

情報抹消:B
対戦が終了した瞬間に目撃者と対戦相手の記憶から彼女の能力・真名・外見特徴などの情報が消失する。

外科手術:E
血まみれのメスを使用してマスター及び自己の治療が可能。
見た目は保証されないが、とりあえずなんとかなる。

宝具
解体聖母マリア・ザ・リッパー
ランク:D~B
種別:対人宝具
レンジ:1~10
最大捕捉:1人
ジャック・ザ・リッパーの殺人を再現する宝具。
「時間帯が夜である」、「相手が女性(または雌)である」、「霧が出ている」すべての条件が整っているときに宝具を使用すると、対象の身体の中身を問答無用で外に弾きだし、解体された死体にする。
条件が整ってない場合は単純なダメージを与えるに留まるが、その際も条件が一つ整うたびに威力が跳ね上がる。この宝具はナイフによる攻撃ではなく一種の呪いであるため、遠距離でも使用可能。
宝具を防ぐには物理的な防御力ではなく、呪いへの耐性が必要となる。

暗黒霧都ザ・ミスト
ランク:C
種別:結界宝具
レンジ:1~10
最大捕捉:50人
霧の結界を張る結界宝具。魔力で発生させた硫酸の霧そのものが宝具である。サーヴァントならばダメージは受けないが、敏捷が1ランクダウンする。霧の中にいる誰に効果を与え、誰に効果を与えないのかは宝具の使用者が選択可能。霧によって方向感覚が失われるため、脱出するにはランクB以上のスキル“直感”、もしくは何らかの魔術行使が必要になる。



Assassin Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Assassin Đỏ, trang 044-045

Trường phái: Assassin
Master: Shirou Kotomine
Tên thật: Semiramis
Giới tính: nữ
Chiều cao/Cân nặng: 169cm, 51kg
Thiên tính: Hiểm ác

Sức mạnh: E
Sức bền: D
Nhanh nhẹn: D
Ma lực: A
May mắn: A
Bảo Khí: B

Kỹ năng trường phái
Che Giấu Hiện Diện: C+
Dứt bỏ sự hiện diện như một Servant. Thích hợp cho hoạt động do thám.
Khi bản thân chuyển sang tư thế sẵn sàng tấn công thì cấp độ Che Giấu Hiện Diện sẽ giảm rất nhiều.
Tuy nhiên, trong trường hợp lén hạ độc thì hạn chế này không tồn tại.

Tạo Dựng Trận Địa: EX
Dựng lên những trận địa có lợi cho bản thân với tư cách một pháp sư.
Bằng cách thu thập những vật liệu cụ thể, cô có thể tạo thành một "Vườn Treo" vượt trội hơn so với "Thần Điện".

Tạo Thành Dụng Phẩm: C
Có thể tạo ra những dụng cụ nhiễm ma lực.
Semiramis chuyên về độc dược, cô không thể tạo thành dụng phẩm nào khác ngoài nó.

Kỹ năng vốn có
Khiển Sứ Linh (bồ câu): D
Có thể sai khiến bồ câu làm Khiển Sứ Linh.
Một năng lực chỉ bằng cách truyền tải suy nghĩ chứ không cần khế ước.

Triệu Hồi Kép: B
Có được các kỹ năng đặc biệt của cả hai trường phái Assassin và Caster khi hiện thế.
Một đặc tính hiếm có mà chỉ một số rất ít Servant sở hữu.

Thần Tính: C
Cô là con gái của Thần Cá Syria Derketo và một con người.

Bảo Khí
Hanging Gardens of Babylon: Định Không Phù Hoa Viên
Hạng: EX
Loại: Bảo Khí Diệt Thế
Phạm vi: 10~100
Mục tiêu tối đa: 1000

The Hanging Gardens of Babylon. In reality, Semiramis had nothing to do with its construction.
However, due to the misunderstandings of countless people, it became her Noble Phantasm.
Because this Noble Phantasm is "vanity" itself, the conditions for its activation are strict.
It is necessary to gather a fixed amount of soil and stone from ruins in the vicinity of Baghdad, Iraq, and only once these materials are prepared can the activation proceed.
(This entire process takes at least three days.)
As the name suggests, it manifests as an "enormous fortress hanging in the air".
And, within this fortress, all of Semiramis' parameters are increased in rank.
On top of that, her fame level is also boosted to the highest class, and attacks are revised in her favor.

Sikera Ušum: Mỹ Tửu Của Đế Vương Kiêu Ngạo
Hạng: B+
Loại: Chống Quân
Phạm vi: 1~20
Mục tiêu tối đa: 10 người
A Noble Phantasm that can only be invoked at the throne in the Aerial Gardens of Vanity.
The atmosphere and magecraft receive a "poison," environmental property.
When this Noble Phantasm is invoked, the magecraft Semiramis uses is granted a "poison," attribute.
Heroes who posses legends that say "Poison had no effect" are granted a debuff bonus, on the other hand, if they have an episode where they died to poison, damage is doubled. Different types of poison can be selected as well.
In regards to the image, the poison's appearance manifests as chains.

CLASS アサシン
マスター:シロウ・コトミネ
真名:セミラミス
性別:女性
身長・体重:169cm/51kg
属性:秩序・悪

筋力:E
耐力:D
敏捷:D
魔力:A
幸運:A
宝具:B

クラス別能力:
気配遮断:C+
サーヴァントとしての気配を断つ。隠密行動に適している。
自らが攻撃態勢に移ると気配遮断のランクは大きく落ちる。
ただし、毒を忍ばせる場合はこの限りではない。

陣地作成:EX
魔術師として、自らに有利な陣地を作り上げる。
具体的な材料を集めることで、“神殿”を上回る“空中庭園”を形成することが可能。

道具作成:C
魔力を帯びた器具を作成できる。
セミラミスは毒薬に特化しており、それ以外の道具を作成することはできない。

固有スキル
使い魔(鳩):D
鳩を使い魔として使役できる。
契約は必要なく、思念を送るだけで可能。

二重召喚:B
アサシンとキャスター、両方のクラス別スキルを獲得して現界する。
極一部のサーヴァントのみが持つ希少特性。

神性:C
シリアの魚神であるデルケットと人間の間の娘。

宝具
虚栄の空中庭園ハンギングガーデンズ・オブ・バビロン
ランク:EX
種別:対界宝具
レンジ:10~100
最大捕捉:1000人
バビロンの空中庭園。実際には、セミラミスはバビロンの空中庭園に携わった訳ではなかった。
だが誤解した数多の人々の信仰を利用し、宝具として成立させた。

あくまで「虚栄」であるため、宝具の発動条件は厳しい。
イラクの首都バグダッド近辺の遺跡から、土と石を一定量運び、それを組み上げることによってようやく発動準備が完了する。(発動準備からの必要な日数は最低でも三日程度)

文字通り、「空中を浮遊する大要塞」として顕現する。
そしてこの要塞内部である限り、セミラミスのステータスは全ランクアップ。
知名度も最高クラスに向上し、更に攻撃の際は有利な補正が加わる。

驕慢王の美酒シクラ・ウシュム
ランク:B+
種別:対軍宝具
レンジ:1〜20
最大捕捉:10人
虚栄の空中庭園、その玉座の間でのみ発動可能な宝具。
空間や魔術に「毒」という環境特性を付与させる。
この宝具が発動している場合、セミラミスの使う魔術そのものにも「毒」の特性が付与される。
「毒が効かなかった」という逸話を持つ英霊ならば、弱体化のボーナスが獲得できるが、逆に毒殺されたというエピソードがある場合はダメージが倍加する。
毒の種類も選択可能。イメージ的には、毒々しい色をした鎖という形で顕現する。



Berserker Đen[]

[v] Fate/Apocrypha material - Trạng thái: Berserker Đen, trang 030-031

Trường phái: Berserker
Master: Caules Forvedge Yggdmillennia
Tên thật: Frankenstein
Giới tính: nữ
Chiều cao/Cân nặng: 172cm/48kg
Thiên tính: Tự do

Sức Mạnh: C
Sức Bền: B
Nhanh Nhẹn: D
Ma Lực: D
May Mắn: B
Bảo Khí: C

Kỹ năng trường phái
Cuồng Hóa: D
Nâng cao thông số Sức Mạnh và Sức Bền, nhưng năng lực ngôn ngữ trở nên đơn giản, và việc liên tục suy nghĩ phức tạp trong thời gian dài trở nên khó khăn.

Kỹ năng vốn có
Tiếng Sầu Than Của Vật Sống Trống Rỗng: D
Được nâng cao khi Cuồng Hóa, một tiếng thét the thé không biết khi nào kết thúc.
Tước đoạt khả năng suy nghĩ bất kể kẻ địch hay đồng minh, những người không có sức kháng cự sẽ bị khiếp đảm và trở nên không còn khả năng hô hấp.

Điện Một Chiều: B
Tự do lưu chuyển, tích lũy dòng điện sinh học và ma lực. Những đòn công kích không có thực thể như ánh sáng ma thuật, gió ma thuật, đạn ma thuật sẽ bị chuyển hóa thành điện trong nháy mắt, và bị vô hiệu hóa bằng cách phóng điện ra xung quanh.
Ngoài ra, nó cũng cường hóa cơ thể và phục hồi những tổn hại một cách mau lẹ tùy theo lượng điện tích lũy.

Bảo Khí
Bridal Chest: Trinh Bạch Thiếu Nữ
Hạng: C
Loại: Bảo Khí Kháng Nhân
Phạm vi: 1
Mục tiêu tối đa: 1 người
A mace, war hammer, that discharges electricity that looks like the branches of a tree. The orb on the tip is her very heart itself. When out of battle it's always on her. The fin of the tail and the fin on the side of her head supply electrical energy. She can recycle the magical energy lost to her surroundings with high efficiency, and in environments with surplus magical energy like in the midst of combat by using Galvanism at the same time to imitate a Second Type Perpetual Motion Machine.

Blasted Tree: Cây Sét Đóng Đinh
Hạng: D~B
Loại: Bảo Khí Chống Quân
Phạm vi: 1~10
Mục tiêu tối đa: 30 người
Maiden's Chastity pierces the ground and the entire limiter is released discharging all the electricity.
A towering silhouette of a large tree rains down, scattering homing thunder. With a single enemy and short distance away, it can be activated without Maiden's Chastity.
Because of the limiter, releasing it means the power is tremendous.
However in this case the user will come to a complete stop. In other words "death." It is possible for this lightning attack to give birth to a second Frankenstein's Monster though her death means she cannot see the results of her actions.

CLASS バーサーカー
マスター:カウレス・フォルヴェッジ・ユグドミレニア
真名:フランケンシュタイン
性別:女性
身長・体重:172CM/48KG
属性:混沌・中庸

筋力:C
耐力:B
敏捷:D
魔力:D
幸運:B
宝具:C

クラス別能力:
狂化:D
筋力と耐久のパラメータをアップさせるが、言語能力が単純になり、複雑な思考を長時間続けることが困難になる。

固有スキル
虚ろなる生者の嘆き:D
狂化時に高まる、いつ果てるともしれない甲高い絶叫。
敵味方を問わず思考力を奪い、抵抗力のない者は恐慌をきたして呼吸不能になる。

ガルバニズム:B
生体電流と魔力の自在な転換、および蓄積。
魔光、魔風、魔弾など実体のない攻撃を瞬時に電気へ変換し、周囲に放電することで無効化する。また、蓄電の量に応じて肉体が強化され、ダメージ修復も迅速に行われるようになる。

宝具
乙女の貞節ブライダル・チェスト
ランク:C
種別:対人宝具
レンジ:1
最大捕捉:1人
樹の枝状の放電流を纏う戦槌メイス
先端の球体は彼女の心臓そのものであり、戦闘時以外も肌身離さず所持している。尾部のフィンと、本体側側頭部のフィンによって電力の供給が行われる仕組み。自分や周囲から漏れる魔力を効率よく回収し蓄積するため、周囲に余剰の魔力が豊富に発生し続ける戦闘時は、ガルバニズムと合わせて疑似的に『第二種永久機関』の動作をすることになる。

磔刑の雷樹ブラステッド・ツリー
ランク:D~B
種別:対軍宝具
レンジ:1~10
最大捕捉:30人
『乙女の貞節』を地面に突き立て、全リミッターを解除して行う全力放電。
聳え立つ大樹のシルエットで降り注ぐ、拡散ホーミングサンダーである。
敵が単体かつ近距離であれば"乙女の貞節"がなくとも発動可能。
リミッターによって制御されているが、解除した場合の威力は絶大。
ただしその場合、使用者は完全に活動を停止する。つまり『死』である。
この雷撃は、低い確率で第二のフランケンシュタインの怪物を生む可能性がある。もっとも、死亡する彼女はその結果を見ることができない。



Berserker Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Berserker Đỏ, trang 040-041

Trường phái: Berserker
Master: -
Tên thật: Spartacus
Giới tính: nam
Chiều cao/Cân nặng: 221cm/165kg
Thiên tính: Trung lập

Sức Mạnh: A
Sức Bền: EX
Nhanh Nhẹn: D
Ma Lực: E
May Mắn: D
Bảo Khí: C

Kỹ năng trường phái
■ Cuồng Hóa: EX
Các thông số được nâng cấp, nhưng quá nửa lý trí bị tước đoạt.
Dù đã tiếp nhận Cuồng Hóa, Spartacus vẫn có thể nói chuyện, nhưng ông ta bị cố định với suy nghĩ "luôn luôn đưa ra lựa chọn khó khăn nhất", nên thực chất thì việc hiểu ý nhau với ông là điều không thể.

Kỹ năng vốn có
Danh Dự Kẻ Bị Ngược Đãi: B
Trong trường hợp điều trị cho cơ thể của Spartacus bằng kỹ năng ma thuật, thì chỉ đòi hỏi lượng ma lực tiêu thụ cần thiết bằng 1/4 bình thường.
Ngoài ra, cho dù không thực hiện ma thuật thì qua một khoảng thời gian nhất định, vết thương cũng sẽ tự động được chữa lành.

Bảo Khí
■ Crying Warmonger: Tiếng Hống Thương Thú
Hạng: A
Loại: Bảo Khí Kháng Nhân
Phạm vi: 0
Mục tiêu tối đa: 1 người
Always active-type Noble Phantasm.
Damage inflicted by the opponent is converted into magical energy and stored in the body.
Spartacus can use the magical energy deposited in the body for a boost.
In the case relative to a strong servant, the body itself can transform.

CLASS バーサーカー
マスター:-
真名:スパルタクス
性別:男性
身長・体重:221cm/165kg
属性:中立・中庸

筋力:A
耐力:EX
敏捷:D
魔力:E
幸運:D
宝具:C

クラス別能力:
狂化:EX
パラメーターをランクアップさせるが、理性の大半を奪われる。
狂化を受けてもスパルタクスは会話を行うことができるが、彼は“常に最も困難な選択をする”という思考で固定されており、実質的に彼との意思の疎通は不可能である。

固有スキル
被虐の誉れ:B
サーヴァントとしてのスパルタクスの肉体を魔術的な手法で治療する場合、それに要する魔力の消費量は通常の1/4で済む。
また、魔術の行使がなくとも一定時間経過するごとに傷は自動的に治癒されていく。

宝具
疵獣の咆吼クライング・ウォーモンガー
ランク:A
種別:対人(自身)宝具
レンジ:0
最大捕捉:1人
常時発動型の宝具。
敵から負わされたダメージの一部を魔力に変換し、体内に蓄積できる。
体内に貯められた魔力は、スパルタクスの能力をブーストするために使用可能である。
強力なサーヴァントなどと相対すれば、肉体そのものに至るまで変貌していくだろう。



Caster Đen[]

[v] Fate/Apocrypha material - Trạng thái: Caster Đen, trang 026-027

Trường phái: Caster
Master: Roche Frain Yggdmillennia
Tên thật: Avicebron
Giới tính: nam
Chiều cao/Cân nặng: 161cm/52kg
Thiên tính: Nguyên tắc

Sức mạnh: E
Sức bền: E
Nhanh nhẹn: D
Ma lực: A
May mắn: B
Bảo Khí: A+

Kỹ năng trường phái
Tạo Dựng Trận Địa: B
Dựng lên những trận địa có lợi cho bản thân với tư cách một pháp sư.
Có khả năng tạo thành một "Xưởng Phép" chuyên biệt về sản xuất golem.

Tạo Thành Dụng Phẩm: B+
Có thể tạo ra những dụng cụ nhiễm ma lực.
Kỹ năng của Caster là chuyên về golem, ngoài ra thì không thể tạo ra thứ gì khác được cả.

Kỹ năng vốn có
Thần Số Học: B
Một hệ thống ma thuật, Kabbalah.
Nhờ kết hợp với việc rút ngắn lời phép bằng Notarikon, có thể nhập nhiều lệnh cho nhiều golem trong khoảnh khắc.

Bảo Khí
Golem Keter Malkuth: Vương Miện - Ánh Sáng Trí Tuệ
Hạng: A+
Loại: Bảo Khí Chống Quân
Phạm vi: 1-10
Mục tiêu tối đa: 100 người
The Noble Phantasm that Caster could not complete during his life.
Imitating Primordial Human, Adam, who, as long as he exists continues to repaint the world with his autonomous Reality Marble.
Continues to move, unhindered, even if the maker, Caster, perishes.
Is able to receive the blessing of the earth, so that as long as it's feet are on the earth, it cannot be destroyed with any means.
After it is born it's body doubles in one hour intervals, the largest size is approximately 1000 meters.
Furthermore, to work, it is necessary for a magus to be in the core.

CLASS キャスター
マスター:ロシェ・フレイン・ユグドミレニア
真名:アヴィケブロン
性別:男性
身長・体重:161cm/52kg
属性:秩序・中庸

筋力:E
耐力:E
敏捷:D
魔力:A
幸運:B
宝具:A+

クラス別能力:
陣地作成:B
魔術師として、自らに有利な陣地を作り上げる。
ゴーレムの鋳造に一点特化した“工場”の形成が可能。

道具作成:B+
魔力を帯びた器具を作成できる。
キャスターのスキルはゴーレムに特化しており、それ以外は何も作ることができない。

固有スキル
数秘術:B
魔術系統の一つ、カバラ。
ノタリコンによる短縮詠唱と組み合わせることにより、複数のゴーレムに複数のコマンドを一瞬で打ち込むことを可能とする。

宝具
王冠:叡智の光ゴーレム・ケテルマルクト
ランク:A+ 
種別:対軍宝具
レンジ:1~10
最大捕捉:100人
キャスターが生前に作ること叶わなかった未完成の宝具。

原初の人間アダム』を模倣した、存在する限り世界を塗り替え続ける自律式固有結界。
作り手であるキャスターが滅んでも、構わず動き続ける。
大地からの祝福を得ることができ、足が大地についている限りは決して滅ぶことがない。
生まれ落ちると一時間ごとに体躯が倍増し、最大サイズは約一千メートル。
なお、動力として心臓部分に魔術師を一体必要とする。



Caster Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Caster Đỏ, trang 042-043

Trường phái: Caster
Master: Shirou Kotomine
Tên thật: Shakespeare
Giới tính: nam
Chiều cao/Cân nặng: 180cm/75kg
Thiên tính: Trung lập

Sức Mạnh: E
Sức Bền: E
Nhanh Nhẹn: D
Ma Lực: C++
May Mắn: B
Bảo Khí: C+

Kỹ năng trường phái
Tạo Dựng Trận Địa: C
Dựng lên những trận địa có lợi cho bản thân với tư cách pháp sư.
Nhưng thứ ông tạo ra không phải Xưởng Phép, mà là một "thư phòng" để sáng tác truyện.

Tạo Thành Dụng Phẩm: -
Kỹ năng Tạo Thành Dụng Phẩm của ông bị mất do kỹ năng "Bùa Phép".

Kỹ năng vốn có
Bùa Phép: A
Ban tặng khái niệm.
Ban các tính năng ma thuật cho những vật phẩm quan trọng thuộc sở hữu của người khác.
Về cơ bản nó là năng lực cường hóa để cho Master chiến đấu.
Bản thân ông như một khán giả quan sát trận chiến, lắng nghe từng trạng thái tinh thần và kích động Master của mình.

Tự Bảo Toàn: A
Bù lại việc bản thân hoàn toàn không có năng lực chiến đấu, chừng nào Master còn vô sự thì ông còn có thể trốn thoát khỏi hầu hết những mối nguy cơ.
Nói cách khác, bản thân ông hoàn toàn không chiến đấu.
Thế nhưng ông lại chỉ ưa thích những chiến thuật rủi ro lớn lợi ích cao.

Bảo Khí
First Folio: Đến Phút Khai Diễn, Nơi Này Tung Hô Như Vạn Sấm
Hạng: B
Loại: Bảo Khí Kháng Nhân
Phạm vi: 1~30
Mục tiêu tối đa: 1 người
The ultimate play that Shakespeare invokes. Depending on the circumstances, when invoked, the effects may vary.
In regards to the target's life, it replays the scenes that mentally damages the target the most. In Shakespeare's words, it inflicts despair.
A theater Noble Phantasm meant for Heroic Spirits' spirits. Also, from curtain rising to curtain call, the target cannot receive or deal physical damage.

CLASS キャスター
マスター:シロウ・コトミネ
真名:シェイクスピア
性別:男性
身長・体重:180cm/75kg
属性:中立・中庸

筋力:E
耐力:E
敏捷:D
魔力:C++
幸運:B
宝具:C+

クラス別能力:
陣地作成:C
魔術師として、自らに有利な陣地を作り上げる。
だが彼が作るのは工房ではなく、物語を紡ぐ“書斎”である。

道具作成:-
道具作成スキルは、スキル『エンチャント』によって失われている。

固有スキル
エンチャント:A
概念付与。
他者や他者の持つ大切な物品に、強力な機能を付与する。
基本的にはマスターを戦わせるための強化能力。
彼自身は観客として戦闘を見物したり、心境をいちいち聞いたりしてマスターを苛立たせる。

自己保存:B
自身はまるで戦闘力がない代わりに、マスターが無事な限りは殆どの危機から逃れることができる。
つまり、本人は全然戦わない。
そのくせハイリスク・ハイリターンな戦術ばかりを好む。

宝具
開演の刻は来たれり、此処に万雷の喝采をファースト・フォリオ
ランク:B
種別:対人宝具
レンジ:1~30
最大捕捉:1人
シェイクスピアが発動する究極劇。発動した状況によってその効果は異なる。
対象の人生において、精神的にもっとも打撃を加えられる場面を再現し、シェイクスピアの言葉によって、絶望を加えられる。
英雄たちの心を折るための演劇宝具。また劇が開始すると閉幕するまでは対象には一切肉体的損害が与えられず、与えることもできない。



Lancer Đen[]

[v] Fate/Apocrypha material - Trạng thái: Lancer Đen, trang 022-023

Trường phái: Lancer
Master: Darnic Prestone Yggdmillennia
Tên thật: Vlad III
Giới tính: nam
Chiều cao/Cân nặng: 191cm/86kg
Thiên tính: Nguyên tắc

Sức Mạnh: B
Sức Bền: B
Nhanh Nhẹn: A
Ma Lực: A
May Mắn: D
Bảo Khí: A

Kỹ năng trường phái
Kháng Ma Lực: B
Vô hiệu hóa những lời phép phát động ma thuật có từ ba nhịp trở xuống.
Thậm chí khó có thể bị tổn thương bởi Đại Ma Thuật, Chú Pháp Nghi Lễ, vân vân...

Kỹ năng vốn có
Quỷ Tướng Hộ Quốc: EX
Bằng cách đảm bảo các địa mạch từ trước, xem một phạm vi đã định sẵn như là "lãnh thổ của bản thân".
Tại những trận chiến bên trong lãnh thổ này, đức vua Vlad III có thể nhận được sức mạnh chiến đấu phụ thêm cao ở mức sánh ngang với "Cuồng Hóa" hạng A của Berserker.
Kazikli Bey - Chúa Tể Cực Hình là một Bảo Khí chỉ có thể được sử dụng ở bên trong vùng lãnh thổ được hình thành bởi kỹ năng này.

Bảo Khí
Kazikli Bey - Chúa Tể Cực Hình
Hạng: B
Loại: Bảo Khí Chống Quân
Phạm vi: 1-99
Mục tiêu tối đa: 666 người
From space a large amount of spears appear skewering the opponent
Attack radius is 1km. Maximum amount of stakes reaches 20,000
Also, every time a spear is taken in the hand and hits the opponent, the effect "skewered" is born. With the heart as the origin and oriented outwards stakes appear
In addition, seeing countless amounts of spears gives the opponent a feeling of oppression

Legend of Dracula: Lưu Truyền Máu Tươi
Hạng: A+
Loại: Bảo Khí Kháng Nhân (bản thân)
Phạm vi: -
Mục tiêu tối đa: 1 người
Due to his oral tradition, he incarnates into his Dracula image. Transformation into a vampire.
Becoming Count Dracula, Vlad III's normal skills and Noble Phantasms are sealed in exchange for: extreme amplification of the body's ability, animal and fog shapeshifting, healing ability, Mystic Eyes of Enchantment, and a vulnerability to light and holy symbols weak point is also obtained.

CLASS ランサー
マスター:ダーニック・プレストーン・ユグドミレニア
真名:ヴラド三世
性別:男性
身長・体重:191cm/86kg
属性:秩序・中庸

筋力:B
耐力:B
敏捷:A
魔力:A
幸運:D
宝具:A

クラス別能力:
対魔力:B
魔術発動における詠唱が三節以下のものを無効化する。
大魔術、儀礼呪法等を以ってしても、傷つけるのは難しい。

固有スキル
護国の鬼将:EX
あらかじめ地脈を確保しておくことにより、特定の範囲を“自らの領土”とする。この領土内の戦闘において、王であるヴラド三世はバーサーカーのAランク『狂化』に匹敵するほどの高い戦闘力ボーナスを獲得できる。『極刑王カズィクル・ベイ』はこのスキルで形成した領土内においてのみ、行使可能な宝具である。

宝具
極刑王カズィクル・ベイ
ランク:B
種別:対軍宝具
レンジ:1~99
最大捕捉:666人
空間から大量の杭を出現させ、敵を串刺しにする。
攻撃範囲は半径1km、杭の数は最大二万本に及ぶ。
また、手にした槍が敵に一撃を与えるたびに“串刺しにした”概念が生まれ、心臓を起点として外側へ向けて、杭が出現する。
加えて、無数の杭の数を目視した敵には精神的な圧迫感も与える。

鮮血の伝承レジェンド・オブ・ドラキュリア
ランク:A+
種別:対人(自身)宝具
レンジ:-
最大捕捉:1人
後の口伝によるドラキュラ像を具現化させ、吸血鬼へ変貌する。
ドラキュラ伯となったヴラド三世は通常のスキル・宝具を封印される代わりに、身体能力の大幅増幅、動物や霧への形態変化、治癒能力、魅了の魔眼といった特殊能力と、陽光や聖印に弱いという弱点を獲得する。



Lancer Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Lancer Đỏ, trang 036-037

Trường phái: Lancer
Master: Shirou Kotomine
Tên thật: Karna
Giới tính: nam
Chiều cao/Cân nặng: 178cm/65kg
Thiên tính: Chân chính

Sức Mạnh: B
Sức Bền: C
Nhanh Nhẹn: A
Ma Lực: B
May Mắn: D
Bảo Khí: EX

Kỹ năng trường phái
Kháng Ma Lực: C
Vô hiệu hóa các ma thuật với lời phép có từ hai nhịp trở xuống.
Không thể ngăn chặn những ma thuật quy mô lớn như Đại Ma Thuật và Chú Pháp Nghi Lễ.
Tuy nhiên, khi nhận thêm hiệu quả của Bảo Khí hoàng kim chiến giáp, thì kỹ năng này là không có giới hạn.

Kỹ năng vốn có
Kiến Thức Kẻ Nghèo: A
Khả năng quan sát nhận thấu tính cách và thuộc tính của đối thủ.
Sẽ không có chuyện anh bị lừa bởi sự biện minh, dối trá qua lời nói.
Nó biểu thị năng lực nắm bắt bản chất của đối thủ mà Karna, người từng có được cơ hội hỏi về sự sống và giá trị của kẻ yếu khi bản thân cô độc nơi đất khách, sở hữu.

Điều Khiển Vật Cưỡi: A
Có thể thoải mái điều khiển mọi loài thú và phương tiện giao thông, ngoại trừ Huyễn Thú và Thần Thú.

Võ Nghệ Không Ngai: -
Năng lực của binh khí sẽ không bị người khác nhận thấy bởi nhiều lý do khác nhau.
Đối thủ sẽ thấy cấp bậc kiếm, thương, cung, Điều Khiển Vật Cưỡi và Thần Tính của anh đều giảm đi một bậc so với thực tế.
Một khi danh tính đã bị tiết lộ, tác dụng này sẽ biến mất.

Bộc Phát Ma Lực (lửa): A
Tăng cường năng lực bằng cách truyền ma lực vào vũ khí hoặc cơ thể bản thân, rồi lập tức phóng xuất nó.
Trong trường hợp của Karna, ngọn lửa cháy rực sẽ trở thành ma lực và lưu lại trong món vũ khí được sử dụng.

Thần Tính: A
Là con trai của Thần Mặt Trời Surya và hợp thành một thể với Surya sau khi chết, Karna sở hữu năng lực Thần Linh cao nhất.
Khi chống lại các Anh Linh thuộc nhóm Thần Mặt Trời có Thần Tính dưới hạng B, năng lực Thần Linh này sẽ phát huy sức mạnh phòng ngự rất cao.

Bảo Khí
Kavacha và Kundala: Hỡi Vầng Dương, Hóa Giáp Trụ
Hạng: A
Loại: Bảo Khí Kháng Nhân (bản thân)
Phạm vi: 0
Mục tiêu tối đa: 1 người
Fearing becoming an unmarried mother, Karna's mother, Kunti, for the sake of protecting her son, begged Surya for protection and was bestowed golden armor and an earring.
Emitting the radiance of the sun, the armor is a strong defensive Noble Phantasm.
As it is an existence formed from light even gods find it difficult to destroy.
It has become one with Karna's body.

Brahmastra Kundala: Hỡi Brahma, Nguyền Rủa Ta
Hạng: A+
Loại: Bảo Khí Diệt Quốc
Phạm vi: 2~90
Mục tiêu tối đa: 600 người
The Anti-Country Noble Phantasm Karna got from the Brahman Parashurama.
It is a bow if his class is Archer, in other classes it manifests as a projectile.
Granted Karna's fiery attribute, one blow is likened to a nuclear weapon.

Vasavi Shakti: Hỡi Vầng Dương, Phục Tùng Ta Đến Chết
Hạng: EX
Loại: Khắc Thần
Phạm vi: 2~5
Mục tiêu tối đa: 1 người
An one-shot only spear of light that takes down even gods. A spear of mortality made out of lightning.
Manifested by converting the golden armor, in exchange of a tremendous defensive power, a spear with a powerful "anti-god" performance is equipped.

CLASS ランサー
マスター:シロウ・コトミネ
真名:カルナ
性別:男性
身長・体重:178cm/65kg
属性:秩序・善

筋力:B
耐力:C
敏捷:A
魔力:B
幸運:D
宝具:EX

クラス別能力:
対魔力:C
二節以下の詠唱による魔術を無効化する。
大魔術、儀礼呪法など、大掛かりな魔術は防げない。
ただし宝具である黄金の鎧の効果を受けているときは、この限りではない。

固有スキル
貧者の見識:A
相手の性格・属性を見抜く眼力。
言葉による弁明、欺瞞に騙される事がない。
天涯孤独の身から弱きものの生と価値を問う機会に恵まれたカルナが持つ、相手の本質を掴む力を表す。

騎乗:A
幻獣・神獣ランクを除くすべての獣、乗り物を自在に操れる。

無冠の武芸:-
様々な理由から他者に認められなかった武具の技量。
相手からは剣、槍、弓、騎乗、神性のランクが実際のものより一段階低く見える。
真名が明らかになると、この効果は消滅する。

魔力放出(炎):A
武器ないし自身の肉体に魔力を帯びさせ、瞬間的に放出することによって能力を向上させる。
カルナの場合、燃え盛る炎が魔力となって使用武器に宿る。

神性:A
太陽神スーリヤの息子であり、死後にスーリヤと一体化するカルナは、最高の神霊適正を持つ。
この神霊適正は神性がB以下の太陽神系の英霊に対して、高い防御力を発揮する。

宝具
日輪よ、具足となれカヴァーチャ&クンダーラ
ランク:A
種別:対人(自身)宝具
レンジ:0
最大捕捉:1人
カルナの母クンティーが未婚の母になることに恐怖を感じ、息子を守るためにスーリヤに願って与えた黄金の鎧と耳輪。太陽の輝きを放つ、強力な防御型宝具である。
光そのものが形となった存在であるため、神々でさえ破壊は困難。カルナの肉体と一体化している。

梵天よ、我を呪えブラフマーストラ・クンダーラ
ランク:A+
種別:対国宝具
レンジ:2~90
最大捕捉:600人
カルナがバラモンのバラシュラーマから授けられた対国宝具。
クラスがアーチャーなら弓、他のクラスなら別の飛び道具として顕現する。
カルナの属性である炎熱の効果を付与された一撃は、核兵器に例えられるほど。

日輪よ、死に随えヴァサヴィ・シャクティ
ランク:EX
種別:対神宝具
レンジ:2〜5
最大捕捉:1人
神々をも打ち倒す、一撃のみの光槍。雷光でできた必滅の槍。
黄金の鎧と引き換えに顕現し、絶大な防御力の代わりに強力な"対神"性能の槍を装備する。



Rider Đen[]

[v] Fate/Apocrypha material - Trạng thái: Rider Đen, trang 024-025

Trường phái: Rider
Master: Celenike Icecolle Yggdmillennia
Tên thật: Astolfo
Giới tính: nam
Chiều cao/Cân nặng: 164cm/56kg
Thiên tính: Nổi loạn

Sức Mạnh: D
Sức Bền: D
Nhanh Nhẹn: B
Ma Lực: C
May Mắn: A+
Bảo Khí: C

Kỹ năng trường phái
Kháng Ma Lực: A
Hủy bỏ hoàn toàn mọi ma thuật dưới hạng A.
Trên thực tế, Astolfo không thể bị đả thương bởi pháp sư hiện đại.
Nhờ "cuốn sách" Bảo Khí nên cấp độ của kỹ năng này được nâng lên rất nhiều, còn thông thường nó ở vào hạng D.

Điều Khiển Vật Cưỡi: A+
Tài năng điều khiển vật cưỡi. Nếu là thú thì có thể cưỡi được Huyễn Thú và Thần Thú. Tuy nhiên, không áp dụng với loài Rồng.

Kỹ năng vốn có
Bốc Hơi Lý Trí: D
Lý trí bị bốc hơi, và không thể giữ bất kỳ một bí mật nào.
Lỡ miệng tán gẫu về danh tính và điểm yếu của phe đồng minh, quên mất những điều quan trọng, vân vân... một dạng như lời nguyền.
Kỹ năng này cũng hoạt động như "Trực Giác", có thể cảm nhận trong một chừng mực nào đó cách triển khai thích hợp nhất cho bản thân khi chiến đấu.

Quái Lực: C-
Có thể nâng chỉ số Sức Mạnh lên một hạng.
Tuy nhiên, nếu kỹ năng này được phát động thì sẽ phải chịu thương tổn theo từng lượt.

Hành Động Độc Lập: B
Khả năng tự lập tạm thời cho dù từ chối việc cung cấp ma lực từ Master.
Nếu là hạng B, có thể hiện diện trên thế giới hai ngày dù đã mất Master.

Bảo Khí
La Black Luna: Ma Sáo Khơi Gợi Hoảng Loạn
Loại: Bảo Khí Chống Quân
Hạng: C
Phạm vi: 1-50
Mục tiêu tối đa: 100 người
A hunting horn that fires a magical sound similar to the roar of a dragon and the neighing of a divine horse.
Existences present inside the range are slammed by the force of the explosion of sound.
In the situation that the target's HP is less than the damage, it becomes dust scattered in the cardinal directions.
Granted to Astolfo by the good witch Logestila it was used by Astolfo to drive away a large flock of Harpies.
Most of the time it can be hung at the hip. When using it is big enough to encircle Astolfo.

Casseur de Logistille: Tuyên Ngôn Phá Hoại
Loại: Bảo Khí Kháng Nhân (bản thân)
Hạng: C
Phạm vi: -
Mục tiêu tối đa: 1 người
Inherited from a certain witch. A book with the records of the means to shatter any magecraft. The one who owns it can automatically chance A rank magecraft and below. Besides Reality Marbles, as far as things extremely close to High-Thaumaturgy are concerned, one must release the book's true name and read the book and it becomes possible to break.

Trap of Argilia: Một Chạm Đổ Nhào!
Hạng: D
Loại: Bảo Khí Kháng Nhân
Phạm vi: 2-4
Mục tiêu tối đa: 1 người
Lance of the knight, Argilia. Has a golden tip.
Killing ability is low although wound is attached to the leg of the spiritual body. To come back from falling, a LUC check is necessary. In the case of a failure the bad status "falling" continues to linger.
However because LUC re-adjusts itself upwards, it's not hard to succeed.

Hippogriff - Huyễn Mã Dị Giới
Loại: Bảo Khí Chống Quân
Hạng: B+
Phạm vi: 2-50
Mục tiêu tối đa: 100 người
Top half is a Griffon, bottom half is a horse. A Phantasmal Beast that's essentially an "impossible" existence.
Inferior in rank to a Griffon from the Age of Gods. It's demolishing attack due to it's run is equal to an A rank physical attack.
Essential regarded as "improbable," because it is born from a Griffon and a Horse, it's existence is incredibly vague. For only a moment, it is able to place itself in an interdimensional rift.
Therefore, it is able to phase through every single attack.

CLASS ライダー
マスター:セレニケ・アイスコル・ユグドミレニア
真名:アストルフォ
性別:男性
身長・体重:164cm/56kg
属性:混沌・善

筋力:D
耐力:D
敏捷:B
魔力:C
幸運:A+
宝具:C

クラス別能力:
対魔力:A
A以下の魔術は全てキャンセル。
事実上、現代の魔術師ではアストルフォに傷をつけられない。
宝具である『本』によって、ランクが大きく向上しており、通常はDランクである。

騎乗:A+
騎乗の才能。獣であるのならば幻獣・神獣のものまで乗りこなせる。ただし、竜種は該当しない。

固有スキル
理性蒸発:D
璃正が蒸発しており、あらゆる秘密を堪えることができない。
味方側の真名や弱点をうっかり喋る、大切な物を忘れるなど最早呪いの類い。
このスキルは「直感」も兼ねており、戦闘時は自身にとって最適な展開をある程度感じ取ることが可能。

怪力:C-
筋力を1ランクアップさせることが可能。
ただし、このスキルが発動している場合は1ターンごとにダメージを負う。

単独行動:B
マスターからの魔力供給を断ってもしばらくは自立できる能力。
ランクBならば、マスターを失っても二日間現界可能。

宝具
恐慌呼び起こせし魔笛ラ・ブラック・ルナ
ランク:C
種別:対軍宝具
レンジ:1~50
最大捕捉:100人
竜の咆吼や神馬の嘶きにも似た魔音を発する角笛。 レンジ内に存在するものに、爆音の衝撃を叩きつける。
対象のHPがダメージ以下だった場合、塵になって四散する。
善の魔女・ロゲスティラがアストルフォに与え、ハルピュイアの大群を追い払うのに使用された。 通常時は腰に下げられるサイズだが、使用時はアストルフォを囲うほどの大きさになる。

破却宣言キャッサー・デ・ロジェスティラ
ランク:C 
種別:対人(自身)宝具
レンジ:-
最大捕捉:1人
さる魔女から譲り受けた、全ての魔術を打ち破る手段が記載されている書物。
所有しているだけで、自動的にAランク以下の魔術をキャンセルすることが可能。
固有結界か、それに極めて近い大魔術となるとその限りではないが、その場合も真名を解放して、書を読み解くことで打破する可能性を掴める。

触れれば転倒!トラップ・オブ・アルガリア
ランク:D
種別:対人宝具
レンジ:2~4
最大捕捉:1人
騎士アルガリアの馬上槍。金の穂先を持つ。 殺傷能力こそ低いものの、傷をつけただけで相手の足を霊体化、または転倒させることが可能。
この転倒から復帰するためにはLUC判定が必要なため、失敗すればバッドステータス「転倒」が残り続ける。 ただし1ターンごとにLUCの上方修正があるため、成功はしやすくなる。

この世ならざる幻馬ヒポグリフ
ランク:B+
種別:対軍宝具
レンジ:2~50
最大捕捉:100人
上半身がグリフォン、下半身が馬という本来「有り得ない」存在の幻獣。
神代の獣であるグリフィンよりランクは劣るものの、その突進による粉砕攻撃はAランクの物理攻撃に匹敵する。
本来「ありえない」とされたグリフォンと馬のハーフであるという出自から、彼の存在はひどく曖昧であり、次元の狭間に一瞬だけその身を置くことができる 。
これにより、あらゆる攻撃を透過しつつ移動できる 。



Rider Đỏ[]

[v] Fate/Apocrypha material - Trạng thái: Rider Đỏ, trang 038-039

Trường phái: Rider
Master: Shirou Kotomine
Tên thật: Achilles
Giới tính: nam
Chiều cao/Cân nặng: 185cm/97kg
Thiên tính: Nguyên tắc

Sức Mạnh: B+
Sức Bền: A
Nhanh Nhẹn: A+
Ma Lực: C
May Mắn: D
Bảo Khí: A+

Kỹ năng trường phái
Kháng Ma Lực: C
Vô hiệu hóa các ma thuật với lời phép có từ hai nhịp trở xuống.
Không thể ngăn chặn những ma thuật quy mô lớn như Đại Ma Thuật và Chú Pháp Nghi Lễ.

Điều Khiển Vật Cưỡi: A+
Tài năng điều khiển vật cưỡi. Nếu là thú thì có thể cưỡi được Huyễn Thú và Thần Thú.
Tuy nhiên, không áp dụng với loài Rồng.

Kỹ năng vốn có
Duy Trì Chiến Đấu: A
Không biết khi nào thì bỏ cuộc.
Ngay cả khi bị bắn thủng những điểm yếu là gót chân Achilles và trái tim thì anh vẫn còn tiếp tục chiến đấu một thời gian.

Dũng Mãnh: A+
Năng lực vô hiệu hóa những sự can thiệp vào tinh thần như áp chế, hỗn loạn, mê hoặc.
Ngoài ra, nó còn có hiệu quả tăng cường sát thương trong chiến đấu tay đôi.

Sự Sủng Ái Của Nữ Thần: B
Anh nhận được sự sủng ái từ mẹ là nữ thần Thetis.
Mọi trạng thái đều được tăng hạng ngoại trừ Ma lực và May mắn.

Thần Tính: C
Anh là con lai giữa nữ thần biển Thetis và vị anh hùng loài người Peleus.

Bảo Khí
Troias Tragoidia: Bất Tử Chiến Xa Cuồng Phong Dậy Sóng
Hạng: A
Loại: Bảo Khí Chống Quân
Phạm vi: 2~60
Mục tiêu tối đa: 50 người
Three-horsed chariot. Posiden the sea god, bestowed two immortal divine horses, the other, a great horse, was pillaged from a city. He tramples through the battlefield with godspeed. Increase is speed is also proportional to increase in damage dealt. At the highest speed it is just like a giant galloping lawnmower.

Dromeus Cometes: Nước Chạy Sao Chổi
Hạng: A+
Loại: Bảo Khí Kháng Nhân
Phạm vi: 0
Mục tiêu tối đa: 1 người
A Noble Phantasm whose activation is usually triggered by stepping out of "Tempeteous Immortal Chariot."
It is an embodiment of the legend that he is the fastest among all heroes of all eras.
He can run through a giant battlefield in one breath, obstacles on the field will not slow him down.
It must expose his weak-point, the Achilles Heel, however there aren't many heroic spirits that can keep up with his speed.

Andres Amarantos: Đóa Hoa Không Tàn Của Người Dũng Sĩ
Hạng: B
Loại: Bảo Khí Kháng Nhân (bản thân)
Phạm vi: 0
Mục tiêu tối đa: 1 người
Other than the heel, his mother, goddess Thetis, gave him immortality.
Any type of attack is nullfied. A person with a certain rank or above in the skill Divinity would negate this effect.

Diatrekhōn Astēr Lonkhē: Mũi Thương Tinh Tú Phi Khắp Bầu Trời
Hạng: B+
Loại: Bảo Khí Kháng Nhân
Phạm vi: 2~10
Mục tiêu tối đa: 1 người
A Noble Phantasm that becomes usable when dismounted from Troias Tragōidia.
A long spear that Chiron sent as a wedding gift to Achilles's parent's.
For the purpose of allowing fellow Heroic Spirits a one on one match, an area that is comparable to a Reality Marble is construction.
Because he has not been summoned as a Lancer, one part of the spear's ability, a curse of mortality, has been lost.
Also, because he killed the Amazon Queen Penthesilea with this spear, he cannot invoke the true name against female opponents due to an awful amount of regret.

Akhilleus Kosmos: Tiểu Thế Giới Bọc Dưới Trời Xanh
Hạng: A+
Loại: Bảo Khí Kết Giới
Phạm vi: 0
Mục tiêu tối đa: 1 người
A defense type, bounded field Noble Phantasm that is comparable to Rho Aias. A shield said to be constructed by the god of smithing, Hephaestus. The world that Achilles saw. The outer circumference portion has a swirling ocean currents because of the sea god.
To oppose this shield is the same as making a world your opponent.
Can protect from Anti-Fortress, Anti-Country, Anti-God Noble Phantasms.

CLASS ライダー
マスター:シロウ・コトミネ
真名:アキレウス
性別:男性
身長・体重:185cm/97kg
属性:秩序・中庸

筋力:B+
耐力:A
敏捷:A+
魔力:C
幸運:D
宝具:A+

クラス別能力:
対魔力:C
二節以下の詠唱による魔術を無効化する。
大魔術、儀礼呪法など大掛かりな魔術は防げない。

騎乗:A+
騎乗の才能。獣であるのならば幻獣・神獣のものまで乗りこなせる。
ただし、竜種は該当しない。

固有スキル
戦闘続行:A
往生際が悪い。
弱点であるはずのアキレス腱と心臓を射抜かれてもしばらく戦い続けた。

勇猛:A+
威圧・混乱・幻惑といった精神干渉を無効化する能力。
また、格闘ダメージを向上させる効果もある。

女神の寵愛:B
母である女神テティスからの寵愛を受けている。
魔力と幸運を除く全ステータスがランクアップする。

神性:C
海の女神テティスと人間の英雄ペレウスとの間の子。

宝具
疾風怒濤の不死戦車トロイアス・トラゴーイディア
ランク:A 
種別:対軍宝具 
レンジ:2~60 
最大捕捉:50人
三頭立ての戦車。馬は海神ポセイドンから賜った不死の神馬が二頭、都市から略奪した名馬が一頭。
その神速でもって戦場を蹂躙する。速度の向上に比例して追加ダメージを与えることができる。最高速度では、さながら疾走する巨大な芝刈り機。

彗星走法ドロメウス・コメーテース
ランク:A+
種別:対人(自身)宝具
レンジ:0
最大捕捉:1人
『疾風怒濤の不死戦車』から降り立つことによって起動する常時発動型の宝具。
あらゆる時代のあらゆる英雄の中で、もっとも迅いという伝説が具現化したもの。
広大な戦場を一呼吸で駆け抜け、フィールド上に障害があっても速度は鈍らない。
自身の弱点であるアキレス腱を露出しなくてはならないが、この速度を捕らえきれる英霊は数少ない。

勇者の不凋花アンドレアス・アマラントス
ランク:B
種別:対人(自身)宝具
レンジ:0
最大捕捉:1人
踵を除く全てに母である女神テティスが与えた不死の祝福がかかっている。
いかなる攻撃をも無効化するが、一定ランク以上のスキル『神性』を持つ者にはこの効果が打ち消されてしまう。

宙駆ける星の穂先ディアトレコーン・アステール・ロンケーイ
ランク:B+
種別:対人宝具
レンジ:2〜10
最大捕捉:1人
疾風怒濤の不死戦車トロイアス・トラゴーイディア』から降り立つことによって使用可能になる宝具。
アキレウスの父母が結婚する際、ケイローンが彼らに贈った長槍。
英雄同士の一騎討ちを目的とする領域を作り上げるという、固有結界に匹敵する大魔術。
ランサーとして召喚されていないため、不治の呪いなど一部能力が失われている。
また、アマゾネスの女王ペンテシレアをこの槍で殺した際、酷く後悔したという逸話のために女性相手では真名を発動できない。

蒼天囲みし小世界アキレウス・コスモス
ランク:A+
種別:結界宝具
レンジ:0
最大捕捉:1人
熾天覆う七つの円環ロー・アイアス』に匹敵する防具系の結界宝具。
鍛冶神ヘパイストスに作られたという盾。アキレウスが見てきた世界そのものが投影されており、外周部分には海神による海流が渦巻いている。
この盾に立ち向かうということは、即ち世界を相手取るということであり、発動させれば対城・対国・対神すら防ぎ切れる。



Ruler (Shirou)[]

[v] Fate/Apocrypha material - Trạng thái: Ruler, trang 016-017

Trường phái: Ruler
Master: không có
Tên thật: Shirou Amakusa Tokisada
Giới tính: nam
Chiều cao/Cân nặng: 169cm/59kg
Thiên tính: Chân chính

Sức Mạnh: C
Sức Bền: C
Nhanh Nhẹn: B
Ma Lực: A
May Mắn: B
Bảo Khí: D

Kỹ năng trường phái
Kháng Ma Lực: A
Nắm giữ khả năng Kháng Ma Lực ở cấp độ Saber, nhưng không đối phó được với các Bí Tích của Giáo Hội.

Thấu Suốt Danh Tính: B
Khi được triệu hồi làm Ruler, tên thật của tất cả các Servant đã gặp gỡ trực tiếp cũng như thông tin về trạng thái của họ sẽ tự động bị tiết lộ.
Tuy nhiên, đối với những Servant có khả năng che giấu, sẽ cần phải phán đoán theo một giá trị may mắn.

Nghị Quyết Thần Minh: -
Vì anh không phải là người tham gia Cuộc Chiến Chén Thánh lần này, nên kỹ năng này bị mất.

Kỹ năng vốn có
Mặc Khải: A
Một kỹ năng tương đương với "Trực Giác".
Trực Giác là giác quan thứ sáu trong chiến đấu, nhưng "Mặc Khải" thích ứng với mọi sự việc liên quan đến việc đạt thành mục tiêu (ví dụ như lựa chọn con đường thích hợp nhất giữa cuộc hành trình).
Vì nó không dựa vào căn cứ nào cả (có vẻ như vậy đối với bản thân), nên không thể giải thích rõ ràng cho người khác được.

Uy Tín Lãnh Đạo: C-
Tài năng thiên bẩm chỉ huy một đạo quân. Không thể quản lý một quốc gia, nhưng có mối liên kết bền chặt căm ghét cái chết với những cộng sự cùng chung chí hướng.
Ngoài ra, bằng kỹ năng này, anh có thể khiến cho cộng sự tin vào nội dung của "Mặc Khải".

Lời Phép Rửa Tội: B+
Một ma thuật được cải biến hình thức theo phong cách của Giáo Hội. Gây tác dụng cực lớn chống lại các Linh Thể.
Bằng cách kết hợp với hai Bảo Khí mà anh sở hữu, nó có khả năng làm thăng hoa cả Servant.

Bảo Khí
Right Hand - Evil Eater: Cánh Tay Phải – Mồi Sống Ác Nghiệt
Left Hand - Xanadu Matrix: Cánh Tay Trái – Nền Tảng Thiên Ân
Hạng: D
Loại: Bảo Khí Kháng Nhân
Phạm vi: 1
Mục tiêu tối đa: 1 người

CLASS ルーラー
マスター:なし
真名:天草四郎時貞
性別:男性
身長・体重:169cm/59kg
属性:秩序・善

筋力:C
耐力:C
敏捷:B
魔力:A
幸運:B
宝具:D

クラス別能力:
対魔力:A
セイバー級の対魔力を保有するが、教会の秘蹟には対応しない。

真名看破:B
ルーラーとして召喚されると、直接遭遇した全てのサーヴァントの真名及びステータス情報が自動的に明かされる。
ただし、隠蔽能力を持つサーヴァントに対しては、幸運値の判定が必要になる。

神明議決:-
今回の聖杯戦争の参加者ではないため、このスキルは失われている。

固有スキル
啓示:A
"直感"と同等のスキル。
直感は戦闘における第六感だが、"啓示"は目標の達成に関する事象全て(例えば旅の途中で最適の道を選ぶ)に適応する。
根拠がない(と本人には思える)ため、他者にうまく説明できない。

カリスマ:C-
軍団を指揮する天性の才能。国家を運営することはできないが、志を共にする仲間たちとは死を厭わない強固な繋がりを持つ。
また、このスキルによって仲間には"啓示"の内容を信じさせることが出来る。

洗礼咏唱:B+
教会流に形式を変化させた魔術。霊体に対して絶大な効果を及ぼす。
保有する二つの宝具と連動させる事によって、サーヴァントすらも昇華可能。

宝具
右腕・悪逆捕食ライトハンド・イヴィルイーター
左腕・天恵基盤レフトハンド・キサナドゥマトリクス
ランク:D
種別:対人宝具
レンジ:1
最大捕捉:1人
苦難の道を歩む信徒たちに希望を抱かせるため、奇跡を起こし続けた彼自身の両腕が宝具と化したもの。あらゆる魔術基盤に接続し、如何なる魔術をも行使可能にする万能鍵スケルトンキー
同時に右腕はスキル『心眼(真)』、左腕は『心眼(偽)』に類似した能力を発動させ、洗礼詠唱を強化する。



Ruler (Joan)[]

[v] Fate/Apocrypha material - Trạng thái: Ruler, trang 014-015 [T]

Trường phái: Ruler
Master: -
Tên thật: Jeanne d'Arc
Giới tính: nữ
Chiều cao/Cân nặng: 159cm/44kg
Thiên tính: Chân Chính

Sức Mạnh: B
Sức Bền: B
Nhanh Nhẹn: A
Ma Lực: A
May Mắn: C
Bảo Khí: A++

Kỹ năng trường phái
Kháng Ma Lực: EX
Cộng với kỹ năng Kháng Ma Lực của trường phái Saber, cô còn phát huy khả năng chống chọi ma lực cao nhờ lòng mộ đạo không lay chuyển của mình. Tuy nhiên, vì nó chỉ đánh chệch (tránh né) ma thuật, nên trong trường hợp đòn công kích ma thuật phạm vi rộng, sẽ chỉ có mình Jeanne được cứu. Nó không đối phó được với các Bí Tích của Giáo Hội.

Thấu Suốt Danh Tính: B
Khi được triệu hồi làm Ruler, tên thật của tất cả các Servant đã gặp gỡ trực tiếp cũng như thông tin về trạng thái của họ sẽ tự động bị tiết lộ.
Tuy nhiên, đối với những Servant có khả năng che giấu, sẽ cần phải phán đoán theo một giá trị may mắn.

Nghị Quyết Thần Minh: A
Đặc quyền tối cao của Ruler.
Cô có thể sử dụng hai Lệnh Chú với tất cả các Servant tham gia Cuộc Chiến Chén Thánh. Không thể chuyển đổi sử dụng Lệnh Chú dùng cho Servant khác được.

Kỹ năng vốn có
Mặc Khải: A
Một kỹ năng tương đương với "Trực Giác".
Trực Giác là giác quan thứ sáu trong chiến đấu, nhưng "Mặc Khải" thích ứng với mọi sự việc liên quan đến việc đạt thành mục tiêu (ví dụ như lựa chọn con đường thích hợp nhất giữa cuộc hành trình).
Vì nó không dựa vào căn cứ nào cả (có vẻ như vậy đối với bản thân), nên không thể giải thích rõ ràng cho người khác được.

Uy Tín Lãnh Đạo: C
Tài năng thiên bẩm chỉ huy một đạo quân. Hình dáng Jeanne giương cao lá cờ trên chiến trường và tham gia tấn công sẽ nâng cao tinh thần chiến đấu của binh sĩ lên đến cực điểm và thống nhất một đội quân lại với nhau. Nhờ vào Uy Tín Lãnh Đạo, cô có thể khiến người khác tin vào nội dung của "Mặc Khải" mà không dựa vào căn cứ nào hết.

Thánh Nhân: B
Biểu hiện của con người được thừa nhận như một thánh nhân. Khi cô được triệu hồi như một Servant, năng lực Thánh Nhân có thể là một trong các lựa chọn "tăng cao hiệu quả của Bí Tích", "tự động hồi phục HP", "nâng Uy Tín Lãnh Đạo lên 1 cấp" và "có thể tạo ra Vải Liệm Thánh".

Bảo Khí
La Pucelle: Thánh Nữ Sen Hồng
Hạng: C (trước khi tiết lộ) EX (sau khi tiết lộ)
Loại: Bảo Khí Hy Sinh
Phạm vi: ???
Mục tiêu tối đa: ???
Với thần chú phát động là câu nói của cô khi từ biệt thế gian "Hỡi Chúa, con xin hiến dâng thể xác này---", thanh thánh kiếm sẽ phát ra ngọn lửa. Một vũ khí kết tinh khái niệm diễn giải ngọn lửa thiêu chết Jeanne thành đòn tấn công. Một dạng nhánh phân loại của Cố Hữu Kết Giới, một hình ảnh tâm tưởng được kết tinh hóa thành thanh kiếm. Thanh kiếm này chính là Anh Linh Jeanne d 'Arc, và sau trận chiến mà Bảo Khí này được tiết lộ, Jeanne sẽ bị tan biến.

Luminosité Eternelle: Chúa Ta Ở Nơi Đây
Hạng: A
Loại: Bảo Khí Kết Giới
Phạm vi: 1-10
Mục tiêu tối đa: ???
Lá cờ thánh mà lúc sinh thời Jeanne vẫy đã trở thành Bảo Khí. Lá cờ này bảo vệ bên trong phạm vi 10 tính từ trung tâm bằng sự chúc phúc của thiên sứ. Nó có khả năng sử dụng kỹ năng Kháng Ma Lực được coi là vượt ra ngoài quy cách (cấp EX) của Jeanne như một sức mạnh phòng ngự vật lý. Tuy nhiên, trong khi dựng lá cờ này, Jeanne hoàn toàn không thể tấn công được. Ngoài ra, vì bản thân lá cờ tích lũy những tổn hại, nên nó sẽ trở nên vô dụng nếu như bị lạm dụng bừa bãi.

CLASS ルーラー
マスター:-
真名:ジャンヌ・ダルク
性別:女性
身長・体重:159cm/44kg
属性:秩序・善

筋力:B
耐力:B
敏捷:A
魔力:A
幸運:C
宝具:A++

クラス別能力:
対魔力:EX
セイバーの対魔力に加え、揺るぎない信仰心によって高い抗魔力を発揮する。ただし、魔術を逸らして(かわして)いるだけなので、広範囲魔術攻撃の場合、助かるのはジャンヌだけである。教会の秘蹟には対応しない。

真名看破:B
ルーラーとして召喚されると、直接遭遇した全てのサーヴァントの真名及びステータス情報が自動的に明かされる。
ただし、隠蔽能力を持つサーヴァントに対しては、幸運値の判定が必要になる。

神明議決:A
ルーラーとしての最高特権。
聖杯戦争に参加した全サーヴァントに二回令呪を行使することができる。他のサーヴァント用の令呪を転用することは不可。

固有スキル
啓示:A
"直感"と同等のスキル。
直感は戦闘における第六感だが、"啓示"は目標の達成に関する事象全て(例えば旅の途中で最適の道を選ぶ)に適応する。
根拠がない(と本人には思える)ため、他者にうまく説明できない。

カリスマ:C
軍団を指揮する天性の才能。戦場で旗を掲げ突撃に参加するジャンヌの姿は、兵士の士気を極限まで高め、軍を一体のものとする。彼女はカリスマのおかげで根拠のない"啓示"の内容を他者に信じさせることが出来る。

聖人:B
聖人として認定された者であることを表す。聖人の能力はサーヴァントとして召喚された時に"秘蹟の効果上昇"、"HP自動回復"、"カリスマを1ランクアップ"、"聖骸布の作成が可能"から、ひとつ選択される。

宝具
紅蓮の聖女ラ・ピュセル
ランク:C(発現前)EX(発現後)
種別:特攻宝具
レンジ:???
最大捕捉:???
"主よ、この身を委ねます――――"という辞世の句を発動の呪文とし、炎を発現させる聖剣。ジャンヌの火炙りを攻撃的に解釈した概念結晶武装。固有結界の亜種であり、心象風景を剣として結晶化したもの。この剣は英霊ジャンヌ・ダルクそのものであり、宝具を発現させると戦闘後、ジャンヌは消滅する。

我が神はここにありてリュミノジテ・エテルネッル
ランク:A
種別:結界宝具
レンジ:1~10
最大捕捉:???