AphroditeWP (アフロディーテ, Afurodīte?, Greek: Αφροδίτη) is one of the Twelve Olympians appearing in Fate/Grand Order.
Profile[]
Background[]
Aphrodite was revered as the goddess of Love, Sex, and Beauty. In Roman Mythology, she is known as VenusWP.
Originally, Aphrodite was a Machine God sent by Chaos from another Universe to colonize another planet. After thousands of years of wandering out across the universe, she and the other ship gods made an emergency landing on Earth, which met 78% of their landing conditions. There, humans started to worship them as gods. During 12,000 BC, she was killed by Sefar, and eventually reincarnated in Greece as a Divine Spirit.
She is one of the many Earth Mothers that inherited the power of all creation from the Goddess of Çatalhöyük's Potnia Theron in 6,000 BC.[2]
Aphrodite has two sides to her Divinity:[3][4] UraniaWP, the chaste and lofty Muse of astronomy, and PandemosWP, the lusty and sensual goddess of the earth.[4] Although she was the goddess of Love and Beauty, as the daughter of Zeus, she also acted as the god of Death sometimes. Her body was the Platonic ideal of the female form, and Scandinavia Peperoncino suspects that Ishtar, the Sumerian goddess of Venus, had some influence on her divine manifestation.[3]
Jason was supported by Aphrodite and upon realizing that the King of Colchis was unshakable, she decided to control Medea's mind to help Jason. Medea was made to blindly love Jason, which resulted in her betraying her father and her country for a foreigner she had never seen.[5]
Aphrodite, along with Athena and Hera, the three most beautiful goddesses, chose Paris to act as a judge for the Golden Apple. Hera offered a throne and wealth, Athena granted victory and wisdom, and Aphrodite promised the most beautiful woman in Greece, Helen of Sparta. In turn, Paris chose Aphrodite.[6]
Caligula is the descendant of the goddess Aphrodite. A man called Aeneas was the son of Venus and Prince Anchises of Troy. Aeneas in turn was an ancestor of Rhea Silvia, the Great Mother of Rome.[7] She is also the mother of Eros/Cupid and the ancestor of Gaius Julius Caesar.
Personality[]
Apollo notes that Aphrodite tends to cheat on her husband, Hephaestus, as said husband tends to be considered a gloomy, uptight, can't-look-away-from-your-forge-for-a-minute type of spouse. Proper Human History Apollo speculates that she cheated on him because he cared more about his work than her.
As observed and noted by Koyanskaya and Scandinavia Peperoncino, the Aphrodite of the Proper Human History is the complete opposite of her counterpart in the Atlantic Lostbelt. It is stated that both of them have a different opinion and feelings regarding Humanity, with Aphrodite of the Proper Human History being genuinely loving and caring towards humanity and empathizes with them greatly, she was horrified at the fact that giving her blessings led to the destruction of the City of Troy.
Role[]
Fate/Grand Order[]
Event: Akihabara Explosion[]
Aphrodite is summoned as a side effect of Galatea being summoned, since a piece of her was inside Galatea. She inhabits a statue of Nero Bride and pretends to be the statue brought to life. After the Singularity is resolved, Aphrodite and Artemis - who had realized that "Nero" was actually her - speak about what she was doing there before Aphrodite fades away. Aphrodite says that as long as Galatea was happy with the outcome, then she's happy.
Other Appearances[]
In Fate/EXTELLA during the final route, Nero Claudius summons Venus into herself by using the Sword of Mars as a Catalyst, becoming Saber Venus as a result.
Abilities[]
References[]
- ↑ 1.0 1.1 Fate/Grand Order - Re:Discover Movie Lostbelt No.5 -Olympus-
- ↑
[] Fate/EXTRA CCC - BB (Moon Cancer) Matrix Class: Moon Cancer
Name: BB
Master: None
Noble Phantasm: Cursed Cutting Crater (C. C. C.)
Keyword: Advanced Level AI, Khakkhara of Domination
Strength: ★, Endurance: ★, Agility: ★, Magic: ★, Luck: ★
Golden Grail: EX, Self-Modification: EX, Potnia Theron: EXKeywords 01 - Cursed Cutting Crater (C. C. C.)
An attack on the world by BB in control of the Moon Cell.
Also called the spiritron imaginary pit.
A World Purge through event rewriting that makes maximum use of the EX skill "Conception of All Animals" BB has acquired.
The goddess who is the mother of earth mother goddesses that created earth is, in other words, the 'root' that created all creation. This anti-world Noble Phantasm outputs that information through an ultra-precise 3D printer and crushes the present world with the world the user desires.
The space eroded by BB becomes imaginary space and a curse that consumes reality. "CCC", as the name suggests, is a cursed pit that bores out reality.
In addition to scattering all objects inside on an atomic level and reconstructing them, it is capable of overwriting and reprinting information in fields such as luck and coincidence. While theoretical, it is also thought possible to distort the time axis by interfering with gravitational fields and rewrite the law of cause and effect.
◆
When used in combat, BB's familiars, the shapeshifters, engulf the target and, after turning into a sphere, are wiped out of existence along with the target and the whole dimension.
Normally, a structure in which sense of values can be shared cannot be created in the Far Side of the Moon, which is an imaginary space. What established BB's internal world as the Sakura Labyrinth was the power of this Noble Phantasm.
02 - Advanced Level AI
Artificial intelligences configured according to their programs.
In this age, they are treated as things that "function as programs", but "do not exist as actual beings". In other words, things that "are" right in front of your eyes but "are not". They are merely mechanisms for smooth progression of human lives.
The same applies in the SE.RA.PH. They are virtual lifeforms that are created along with the commencement of the Holy Grail War and disposed along with its conclusion.
Humanoid virtual lifeforms at the SE.RA.PH include NPCs that perform single objectives, AIs who have been granted capabilities for self-judgement, and advanced level AIs who have been entrusted with capabilities for self-judgement and management of sections.
Advanced level AIs are beings made to efficiently promote the Moon Cell's primary objective of "human observation". As perfect reproductions of humans, they have been programmed with even souls, but the souls only "exist" and their contents are colorless.
Virtual lifeforms made in the SE.RA.PH are reset with each round of the Holy Grail War. NPCs and AIs return to zero, but advanced level AIs retain just their personas while their records are reset—as if they never existed.
When the Holy Grail War is over, the only one left alive is the Master standing at the top. This applies not only to the Masters but also to the virtual lifeforms made in the SE.RA.PH.
◆
It appears that BB, like Sakura, is an advanced level AI entrusted with management of Masters' health. However, as she is rampaging for reasons unknown, the methods of "managing the Masters" have become extreme.
03 - Khakkhara of Domination
The teacher's pointer that BB carries.
A device that lets her make full use of her authority as an advanced level AI. Although limited to the Far Side of the Moon, this allows BB to modify the spiritron laws within the SE.RA.PH.
◆
"Ten Crowns of Domination" worn by the Beast of Babylon converted into a teacher's pointer.
This is the male principle corresponding to the female principle of the seven-headed beast, and its true nature is a phallus (erect rod).
The symbol of the king of the world who was granted throne and authority by a great dragon and received the right to, for 42 months, spit out as many insolent words as desired and desecrate all things.
The beast's heads were the seven hills of the Roman Empire... Capitolium, Palatium, Aventinus, Esquilinus, Caelius, Quirinalis, Viminalis. In other words, they meant the Roman Empire itself, and the ten horns symbolized the emperors... Augustus, Tiberius, Caligula, Claudius, Nero, Vespasianus, Titus, Galba, Otho, Vitellius.０１ - C. C. C.
ムーンセルを掌握したＢＢによる、世界を犯す攻撃。
霊子虚構陥穽とも。
ＢＢが獲得したＥＸスキル『百獣受胎』を最大限に活用した、事象書き換えによるワールド・パージ。
大地を創造した地母神たちの母にあたる女神とは、即ち、万物を生み出した「根源」である。
この宝具はその情報を超精密立体プリンターとして出力し、使用者の望むままの世界で、いまある世界を握りつぶす対界宝具である。
ＢＢに侵食された空間は虚数空間となり、現実を蝕む呪いとなる。『Ｃ．Ｃ．Ｃ．』はその名の通り、現実をえぐり切り取る呪いの大穴なのだ。
その場にある物体を原子単位までばらばらにして再構成する他、運不運、偶然といった場の情報を書き換えて再出力する事もできる。
理論上の話になるが、重力場に干渉すれば時間軸を歪めて因果律を書き換える事も可能とされる。
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戦闘に使用した場合、ＢＢの使い魔であるシェイプシフターが対象を包み、球体化したのち、対象と共に次元ごと消滅する。
本来、虚数空間である月の裏側において、価値観を共有できる構造体は創造できない。
ＢＢの心象世界をサクラ迷宮として成立させていたのも、この宝具の力である。
０２ - 上級AI
プログラムによって構成された人工知能。
この時代では『プログラムとして機能しているが』
『存在として成立しないもの』とされている。
つまり、目の前に『有る』が『無い』もの。
人間の生活をスムーズに進めるための機構にすぎない。
それはSE.RA.PHにおいても同様で、彼らは聖杯戦争開始と共に作られ、終了と共に廃棄される仮想生命体とされる。
SE.RA.PHにおける人間型の仮想生命は、単一の目的だけをこなすＮＰＣ、自己判断資格を与えられたＡＩ、自己判断資格とセクション管理を任された上級ＡＩがある。
上級ＡＩはムーンセルの主目的である『人間観察』を効率的に進めるために作られたもの。
人間を完全に再現しており、魂すらプログラムされているが魂は『有る』だけで、その中身は無色のまま。
SE.RA.PHに作られた仮想生命たちは、その回の聖杯戦争が終了するとリセットされる。
ＮＰＣやＡＩはゼロに返るが、上級ＡＩはパーソナルだけ残し、その記録はリセット————無かった事にされる。
聖杯戦争が終わった時、生き残るのは頂点に立ったマスターだけ。
それはマスターだけではなく、SE.RA.PHに作られた仮想生命たちも共通なのだ。
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ＢＢは桜と同じく、マスターたちの健康管理を任された上級ＡＩと思われる。
しかし原因不明の暴走により、『マスターを管理する』 方法が極端なものになってしまったようだ。
０３ - 支配の錫杖
ＢＢが持つ教鞭。
上級ＡＩとしての権限をフルに使用できるデバイス。
月の裏側限定ではあるが、これによってＢＢはSE.RA.PH内の霊子法則を変更する事ができる。
◆
バビロンの獣がかぶる『十の支配の王冠』を教鞭に変えたもの。
これは七つの首の獣が女性原理に対応する男性原理であり、その本質はファロス（まっすぐな棒）だからである。
大いなる竜から王座と権威を与えられ、さらに４２ヶ月の間、どれだけ不遜な言葉を吐いてもよく、あらゆるものを冒涜する権利を与えられたという世界の王の象徴。
獣の首はローマ帝国の七つの丘……
カピトリウム、パラティウム、アウェンティヌス、エスクイリヌス、カエリウス、クイリナリス、ウィミナリス、すなわちローマ帝国そのものを意味し、十の角はその皇帝……
アウグストゥス、ティベリウス、カリグラ、クラウディウス、ネロ、ウェスパシアヌス、ティトゥス、ガルバ、 オト、ウィテリウス……を象徴している。Skills 01 - Golden Grail [EX]
The golden grail that BB owns. Also called the Holy Grail.
A negative grail that grants its owner's impudent and selfish wishes.
The grail held by the great whore of Babylon who appears in the Revelation to John. Though it is a fake Holy Grail, it is for that reason that it has become a "genuine" Holy Grail that grants the desires of humans regardless of right or wrong.
To the Christians who considered honorable poverty a virtue at that time, a grail molded from a symbol of wealth like gold no doubt had connotations of corrupt wealth, avarice, and vanity of trying to adorn oneself.
As the grail held by the great whore of Babylon who personifies the Roman Empire, this grail clearly symbolizes treasures on earth, which is the inverse of the Christ's words "Do not store up treasures on earth."
◆
"I saw a woman sitting on a scarlet beast that was full of blasphemous names, and it had seven heads and ten horns."
According to the Book of Revelation, this is the description of the beast of destruction that appeared in the Holy City and the woman straddling that beast. A huge beast with sevens heads like a hydra appeared from the sea and landed at the Holy City. This beast and the woman, while two, are as one, and it is impossible to think of them separately.
As the woman was said to give birth to all evil, those who were imprudent or greedy could not resist her allure and became corrupted by that grail.
On a side note, the red Saber who calls herself the emperor was regarded the same as this beast and viewed as an enemy by the believers after her death.
02 - Self-Modification [EX]
A skill that allows restructuring of oneself.
AIs made by the Moon Cell were given an absolute command: "You must not improve own function."
However, BB, who escaped from that yoke due to her breakdown, began to expand her own functions. To boost her calculation power, she preyed upon/disassembled NPCs, AIs, and finally, Servants with black noise, then used as her own memory.
Though they are like appendix building additions that do not heed self-collapse, as the result, BB has changed into a hyper level AI with enormous capacity.
That condition resembles a city on reclaimed land that continues to build while submerging or Frankenstein's monster.
03 - Potnia Theron [EX]
Conception of All Animals.
The authority of the goddesses that BB compiled and absorbed from the abyss of the mooncell.
It embodies the power of all creation possessed by the mother goddesses—originating from a forgotten goddess approximately 8000 years ago (the goddess of Çatalhöyük) and branching to Tiamat and Cybele, Ishtar, Inanna, Anat, Astarte, Gaia, Hera, Artemis, Aphrodite, Demeter, Athena, etc.
Many are depicted with mural crowns. This is because many of these goddesses were also guardian deities of cities.
◆
The symbols of this authority include holes opening the earth and the sky (caves and the moon), whirling tides and waterspouts of the sea, calderas of the volcanoes, etc., and from these, evils that bring all manners of death are birthed. However, after these evils have spread death, they promise certain good harvest and fertility. This authority is none other than the power of bringing death as well as giving life.
The earth mother is worshipped by the people and protects them as a guardian deity, but at the same time, she is the very sacrifice that nurtures them with crops born from her body and beasts of the fields and the forests.
The earth mother nurtures men with her flesh and blood, kills men as time passes to restores herself with her own nourishment, and once again nurtures men with her restored flesh and blood.
This process is the cycle of the food chain, and this cycle of life and death can be said to be the true nature of the earth mother. With this authority, most of the goddesses gave birth to countless monsters and giants, posing threats to gods and men, or they gave birth to heroes, thus protecting people.
As representative examples, Tiamat and Gaia became threats, while Hera is a mother of heroes.
◆
Those born on this earth cannot defy the authority of the mother goddess, as that would mean rebelling against the very system of life. However, when they leave this earth, head to space, and end the childhoood as intelligent lifeforms, they will have broken this authority.
The wish of Çatalhöyük is the coming of that day.０１ - 黄金の杯：[ＥＸ]
ＢＢが持つ黄金の杯。聖杯とも。
持ち主の厚顔で自分勝手な願い事を叶える負の聖杯。
ヨハネ黙示録にある、バビロンの大妖婦が持っていた杯。
偽聖杯であるが、偽の聖杯であるからこそ、正邪問わずに人間の欲望を叶える“本物の”聖杯となっている。
当時の清貧を美徳としたキリスト教徒にとって、金などという財の象徴で形作られた杯は、まさしく汚れた富と強欲、そして己を飾ろうとする虚偽を意味するものであった。
ローマ帝国の化身であるバビロンの大妖婦が手にする杯という時点で明瞭であるが、この杯はキリストの「地に富を積んではならない」と言う言葉を反転させた、地上の富を象徴している。
◆
“わたしは、赤い獣にまたがっている一人の女を見た。
この獣は、全身至るところ神を冒涜する数々の名で覆われており、七つの頭と十本の角があった。”
これは黙示録曰く、聖都に現れた滅びの獣と、その獣にまたがっていた女の描写である。
七つの頭を持つヒュドラの如き巨大な獣は海より現れ、聖都に上陸したという。
この獣と女は二つで一つであり、切り離して考える事はできない。
女はすべての邪悪を生み出すものとされ、短慮なる者、欲深き者は彼女の誘惑に逆らえず、その杯によって堕落したという。
余談ではあるが、皇帝を名乗る赤いセイバーはその死後、信徒たちにこの獣と同一視され敵視されたという。
０２ - 自己改造：[ＥＸ]
自身を改造するスキル。
ムーンセルによって作られたＡＩには“機能を向上させてはならない”という絶対命令が備わっている。
しかし、故障によりそのくびきから逃れたＢＢは自己機能の拡張を始めてしまった。
計算能力を高めるためにＮＰＣ、ＡＩ、はてはサーヴァントまで黒いノイズで捕食・分解し、自らのメモリとして使用。
自己崩壊をいとわない後付け増築だが、結果、ＢＢは膨大な容量を持つ超級ＡＩと化した。
その有様は沈水しながらも建築を続ける埋め立て地の都市か、フランケンシュタインの怪物のようでもある。
０３ - 百獣母胎：[ＥＸ]
百獣母胎。
それはＢＢがムーンセルの深淵より編纂し、取り込んだ女神の権能である。
約８０００年前のすでに名の失われた女神（チャタル・ヒュユクの女神）より発し、 ティアマットやキュベレー、イシュタル、イナンナ、アナテ、アスタルテ、ガイア、ヘラ、アルテミス、アフロディーテ、デメテル、アテナなどに派生した、母なる女神の持つ万物を生み出す力の具現である。
多くは城壁冠の形をとってイメージされる。
これはこれらの女神の多くが、同時に都市の守護神でもあったからだ。
◆
大地や空に開いた門（洞窟や月）、海の渦潮や竜巻、火山の火口などに象徴され、そこからあらゆる死をもたらす害悪を生み出す。
ただし、その害悪は死をまき散らした後、確かな豊穣や多産を約束するもの。
この権能は死と同時に生を生み出す力に他ならない。
大地母神は人々によって崇められ、それらを加護する守護神であると同時に、その身から生まれ出る穀物や作物、野や森の獣によって人々を養う犠牲そのものでもある。
大地母神は自らの血肉によって人を養い、そして時を経ればその人を殺して自らの糧として己の血肉を回復し、またその回復した血肉で人を養う。
この過程は食物連鎖の円環そのものでもあり、この生と死の循環こそが大地母神の本質と言っていい。
ほとんどの女神はこの権能で、無数の怪物や巨人を生んで神々や人の脅威となり、あるいは英雄を生み、それから人々を守った。
その代表例は、脅威となったならばティアマットやガイア、英雄の母ならばヘラである。
◆
この大地に生まれたものは、母なる神の権能には逆らえない。それは生命のシステムそのものに反逆する事だからだ。
しかし大地を離れ、宇宙を目指し、知性体としての幼年期を終えた時こそ、この権能が打ち破れる事だろう。
チャタル・ヒュユクの願いは、その日が訪れる事にある。Setting 01 - Spiritron Imaginary Pit
Spiritron Imaginary Pit.
The official name of this stage.
Formerly just an imaginary number space for storing malignant information, "this place" was established as a real number space in the present, past, and future by the fact that BB had reached the Moon Cell core. It was reconstructed by her hands into the “far side of the moon” where even Masters can exist.
◆
With the power of the primordial goddess at hand, BB succeeded in quantifying the "nothingness" before the birth of life. She transformed into the master of the imaginary number space where both time and space and ambiguous.
Although the Moon Cell cannot be hacked no matter how much time is taken, BB took over it by placing herself in "unlimited time".
02 - The remnants of peaceful days
During the preliminaries, when Kiara liberated her free will, she was unable to control that status condition and went into overload.
Since NPCs can only do routine work, they ignored self-destructing Sakura as something "non-existent", and since the Moon Cell's check only takes place at the end of the day in the preliminaries, Sakura was at risk of termination.
Witnessing this condition, [Kishinami Hakuno] called out to her, "Are you okay."
The observation that she "is here" by another let Sakura recover the unconscious on the verge of termination, and due to the nursing afterwards, she gained an ego that clearly "wanted to be here". Her self-termination was averted.
◆
What happened afterwards no longer need to be said.
When the next day comes, everything will be erased by the Moon Cell. Wanting to continue this one day miracle, Sakura used her advanced AI privilege to repeat "the day she came to know [Kishinami Hakuno]" for 69 days.
However, as days passed, Sakura became distressed by her self-contradiction as an AI and the facts surrounding [Kishinami Hakuno].
"Masters participating in the Holy Grail War will all die except one. No, to begin with, [Kishinami Hakuno] is..."
Sakura continued to be distressed by her selfish desire to continue the loop for eternity and her feelings for [Kishinami Hakuno]. In conclusion, she chose to seal the 69 days worth of memory... the "love" she acquired, so she could return to being a normal AI. AIs cannot delete records. Because of that, she moved the memory to a backup frame to reset herself.
She believed that to be the most correct choice for [Kishinami Hakuno].
◆
But even if recollections of the mind are lost, memories recorded by the body live on. Though she should have forgotten everything and returned to being a normal AI, she was shaken by unidentified emotional values every time she talked with [Kishinami Hakuno].
Meanwhile, the backup to whom the memories were transplanted couldn't tolerate herself like that, and she decided to act as BB the rebel who destroys the Moon Cell's system for a certain objective then made her move.
The timing when she seized the Far Side of the Moon was "the Holy Grail War: the end of fifth round ~ before the start of the sixth round". The four who were not eliminated yet—[Kishinami Hakuno], Leo, Rin, and Rani—and the irregular, Jinako, were kidnapped to the Far Side in the middle of the Holy Grail War while they were still alive.
Masters Matou Shinji, Gatou, and Julius were moved to the imaginary space "0.00001 seconds before" the moment the firewall terminated them after their defeat from the Holy Grail War, prolonging their instants of life.
In either case, C. C. C. is a dream by BB. If the dreamer disappears, the world ought to return to the reality where nothing happened.
◆
On a yet another side note, everyday scenery of the prologue that [Kishinami Hakuno] saw in the nightmare was an artificial paradise modeled on the discarded 69 days.
After pulling [Kishinami Hakuno] to the Far Side, BB placed the digital body in the old school building, put it in a deep sleep, and locked them in an unwaking dream.
Normally, they would have lived peacefully in the looping everyday life, but the strong bond with their Servant or [Kishinami]'s will rejecting the peaceful everyday caused cracks in the artificial paradise, and [Kishinami Hakuno] came to notice the abnormality.
To put [Kishinami Hakuno] in a deep sleep once more, BB reset the school building and tried to remake the dream, but [Kishinami Hakuno] escaped the reset as well and leaped into an even deeper part of the imaginary space.
It was a bottom deeper than the bottom of Id. "Death of the collective unconscious" beneath the unconscious. What saved [Kishinami Hakuno] who leaped into a region even BB cannot reach was the voice of the Servant whose fate was shared with theirs.
Thus, the contract was sealed, and [Kishinami Hakuno] woke up in the old school building left in the Far Side.０１ - 霊子虚構陥穽
霊子 虚構 陥穽。
この舞台の正式名称。
悪性情報を貯蔵するだけの虚数空間だった“ここ”は、ＢＢがムーンセル中枢に到達した事実をもって、現在・過去・未来において実数空間として成立。
彼女の手によって、マスターたちでも存在できる“月の裏側”として再構築された。
◆
原初の女神の力を手に入れたＢＢは生命が生まれる前の『無』を数値化する事に成功。
時間も空間もあやふやな虚数空間の使い手に変革した。
どれほどの時間を要しようがハッキングできないムーンセルだが、ＢＢは『無限の時間』の概念に自分を置く事で攻略した。
０２ - 日々の名残
日々の名残：
予選中、キアラの手によって自由性を解放された彼女はそのステータス異常を制御できずに過負荷を起こした。
ＮＰＣたちはルーチンワークしかできないため、自壊しかけていた桜を“無い”ものとしてスルーし、予選ではムーンセルのチェックは一日の終わりにしか行われないため、桜は消滅の危機にあった。
その異常を目の当たりにした岸波白野は彼女に呼びかける。大丈夫か、と。
桜は“自分はここにいる”という他者からの観測を受けて消滅寸前だった無意識を持ち直し、その後の看病によって明確に“ここに在りたい”という自我を獲得。自己消滅から免れた。
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その後の事はもはや語るまでもない。
翌日になればすべてムーンセルの手によって消されてしまう。この、たった一日の奇蹟を続けたがった桜は上級ＡＩの特権を使用して
“岸波白野と知り合った一日”を６９日間、繰り返した。
しかし日が進むにつれ桜はＡＩとしての自己矛盾と、岸波白野を取り巻くある事実に苦しむ事になる。
“聖杯戦争に参加したマスターは、ひとりを除いてみな死亡する。いや、そもそも岸波白野は————”
桜は幸せな時間を永遠にループしていたという我欲と、岸波白野への思いに苦しみ続けた。
結論として、彼女は正常なＡＩに戻るため、６９日に及ぶメモリー……獲得した“愛”を封印する道を選んだ。
ＡＩには記録を消す事はできない。
そのため、バックアップの機体にメモリーを移動させる事で自らをリセットしたのだ。
それが岸波白野にとって、もっとも正しい選択と信じて。
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だが精神の記憶は失っても、肉体が記録した思い出は生き続ける。
すべてを忘れ正常なＡＩに戻ったはずの彼女は、岸波白野と話すたびに正体不明の感情値に揺れ動かされる事になる。
一方、メモリーを移植されたバックアップはそんな自分を許せず、ある目的のためムーンセルのシステムを破壊する反逆者・ＢＢとして自らの方針を定め、行動を開始した。
彼女が月の裏側を掌握したタイミングは、現実時間で“聖杯戦争 五回戦終了～六回戦開始前”。
まだ敗退していなかった岸波白野、レオ、凛、ラニの四名、そしてイレギュラーのジナコは聖杯戦争の途中、生きている状態で月の裏側に拉致された。
間桐シンジ、ガトー、ユリウス、といったマスターは聖杯戦争で敗れた後、ファイヤーウォールによって消滅する“0.00001秒前”に虚数空間に移動させられ、一瞬の命を長らえていた。
どちらにせよ、Ｃ．Ｃ．Ｃ．はＢＢが見ていた夢である。
夢を見ていたものが消え去れば、世界はもとの、何事もなかった現実に戻るだろう。
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また、余談ではあるが岸波白野が悪夢として見た冒頭の日常風景は、捨てられた６９日間をモデルにして作られた人工楽園である。
ＢＢは岸波白野を月の裏側に引きずりこんだ後、旧校舎にその電脳体を安置させ、深い眠りに落とし、覚めない夢の中に閉じこめた。
通常ならループする日常の中で平和に過ごすのだが、サーヴァントとの強い繋がり、あるいは、安寧の日常を否定する岸波の意思によって人工楽園に綻びが生じ、岸波は異常に気がつくのだった。
ＢＢはもう一度岸波白野を深い眠りに落とすため、校舎をリセットして夢をやり直そうとしたが、岸波はそのリセットからも逃れ、虚数空間の更なる深部に飛びこんでしまう。
そこはイドの底のさらに底。
無意識の下にある、“集合無意識の死”である。
ＢＢでさえ手を出せない領域に飛びこんだ岸波白野を救ったのは、運命を共にするサーヴァントの声だった。
かくして契約は交わされ、岸波白野は月の裏側に残された旧校舎で目を覚ます事になる。 - ↑ 3.0 3.1 Fate/Grand Order: Cosmos in the Lostbelt - Olympus: Interstellar Mountainous City, Olympus - The Day to Bring Down Gods, Section 8: Thou, Disarray the Star Emotionally（I）
- ↑ 4.0 4.1 Fate/Grand Order: Cosmos in the Lostbelt - Olympus: Interstellar Mountainous City, Olympus - The Day to Bring Down Gods, Section 12: Thou Art the Ardor that Corrupts the Stars (IV)
- ↑
[] Fate/complete material III: World Material - The Servants of the Fifth Holy Grail War: Caster, p.030-031 [T] Medea
Class: Caster
Master: Souichirou Kuzuki
Alignment: Neutral Evil
Sex: Female
Height: 163cm
Weight: 51kg
Weapon: None
STR: E
CON: D
AGI: C
MGI: A+
LCK: B
Noble Phantasm: C
Legend
Medea, the daughter of King Aeëtes of Colchis in Greece, was a priestess taught by Hecate, the goddess of witchcraft. While she was raised without any discomfort, her fate was shaken greatly by the arrival of the ship Argo that sought the Golden Fleece.
Having fallen under the goddess Aphrodite's curse to fall in love with Jason, the Argo's captain, Medea stole the Golden Fleece from her father and attempted to flee the country together with Jason. Furthermore, to stall her father's ship that had been following them, she violently tore her brother to pieces and scattered his remains in the sea. With this, Medea lost a home she could return to, and came to be despised as a "witch" by the people. After that, Medea, in order to let her beloved Jason sit on the throne, continued to murder any opposition with magic and strategy, but her practices disgusted Jason and caused him to gradually become adverse to her. Eventually, Jason switched his interests to another woman, going so far as to have children, which Medea could not forgive. She murdered his new wife and children with magecraft, the brokenhearted Jason undergoing a miserable last moment.
Thus, Medea's obsessiveness and cruelty made calling her a "witch" appropriate, but despite committing inhuman deeds, she herself received no reward from this. Theories have been left behind that Medea, who achieved an immortal body from her devotion to the study of magecraft, became the reigning queen of the paradise, Elysium.
Tactics
Having mastered magecraft from the Age of the Gods, Medea possessed extraordinary power as a magus. However, because her physical ability as a Servant was the lowest, she was at a disadvantage in battles against Servants with high Magic Resistance. Consequently, she faced the battles with basic tactics, avoiding personal combat to the best of her ability and using her Dragon Tooth Warriors as pawns. Even in combination with Kuzuki, he was the attacker and she bore the role of support with magecraft. She laid out a stratagem to summon Servant Assassin (Sasaki Kojirou) and order him to guard the Ryuudou temple gate while she gathered mana and used her own Noble Phantasm to destroy the other Servants' contracts and make them her allies.
Class Abilities
Territory Creation: A
The ability to create a territory to gather mana is a special characteristic of the Caster class. Medea's inherent magical capacity is not that great but by expanding her territory to collect mana, it becomes possible for her to use high level magecraft. Moreover, because the place Medea selected to establish her territory is the underground limestone cave where the Greater Grail was instituted, Fuyuki City's greatest holy ground Ryuudou Temple, it is possible to gather an enormous amount of mana in a short time. She secured Ryuudou Temple as her main base solely to reserve enough mana to get Artoria and EMIYA to obey her after using "Rule Breaker" having summoning Servant Assassin independently. Furthermore, the influence of her created territory extends not only to Ryuudou Temple but also its surroundings. The rapid breakdown in the health of those inhabiting the periphery of the territory was because their life force was plundered for magical energy.
Because she understood the importance of the Ryuudou Temple territory the best, Sasaki Kojirou was ordered to guard the temple gate, and the interior was fortified so it could not be invaded easily. Furthermore, immediately following the beginning of the Holy Grail War, Medea almost never left the Ryuudou Temple, instead hiding on the grounds and raising mana. However, as soon as she made the judgment that she had collected enough magical energy for combat, she left the territory and turned on to the offensive.
Item Construction: A
Another skill granted to the Caster class. It is possible to construct enchanted tools, from implements of war to items for daily use. Many different articles can be made at will.
The dragon tooth warriors on the next page were made using this ability. In addition, it is also possible to make magical implements known as Mystic Codes. As Mystic Codes are used as devices to supplement thaumaturgy, or wielded as tools to activate specific effects during magical combat, this is a typical skill for a magus to possess. However, with an Item Construction rank of A, there is a great difference between the Mystic Codes that other magi build and the artifacts that Medea can create. Also, this skill requires time to gather components and manufacture items. This is why she spent most of her efforts on Territory Creation and focused on creating dragon tooth warriors. Though it requires preparation and planning, given enough time Item Construction has the potential to be a formidable asset.
Personal Skills
High-Speed Divine Words: A
A skill that assists magical incantations. Normally, the length of an incantation increases with the scale of the thaumaturgy being performed, but this skill allows chants to be greatly abbreviated. It is particularly useful for direct attack magic. There are many examples of Medea personally using direct attack magic during the Holy Grail War, but in the fight against EMIYA she instantly unleashed countless blasts of light in an attack comparable to high thaumaturgy.
Caption: As long as a caster using High-Speed Divine Words has enough prana, she can continually fire powerful thaumaturgical attacks.
Golden Fleece: EX
The pelt of the golden-furred winged ram of Colchis. It contains the legend, "if thrown on the earth, a dragon will appear." Medea does not have the skill to summon the dragon, so she is unable to to do so even if she uses the Golden Fleece. This secret treasure might well have been the heart of the events that altered Medea's fate for the worse.
The Golden Fleece appears in Greek mythology, beginning with the marriage of King Athamas of Thessaly to his second wife Ino. Ino, who despised the children Athamas had with his first wife, the cloud goddess Nephele, plotted to kill the prince Phrixus by telling the king a false oracle and sacrificing the prince in a ritual. But then, Phrixus rescued his sister Helle at the altar. Helle rode a winged ram with golden fleece to safety, brought to her by Hermes, one of the Twelve Olympians. With the help of his sister, Phrixus went to Colchis, sacrificed the meat of the golden ram to Zeus, and offered its pelt to King Aeetes of Colchis. From then on, the Golden Fleece was passed down as a secret treasure of the royal house of Colchis.
Magecraft
Medea used many different types of magic during the Holy Grail War. Against nearby humans, she employed mind control, hypnosis, and other spells to gather intelligence and eliminate threats. She also used magic to lure Emiya Shirou into her own workshop.
In combat, she supported her Master Kuzuki Souichirou, who wielded the assassination technique "Snake." Souichirou, who seemed powerful enough to overwhelm a Servant, was actually being magically Reinforced to give him enough destructive power to damage a Servant.
Additionally, Medea used spatial teleportation whenever she was attacked. This spell was highly versatile.
Magecraft Tool
Dragon Tooth Warriors
Magic that uses dragon teeth as foci to create golems. This is one of the magics Medea specialized in, passed down to the king of Colchis long ago. The combat strength of one dragon tooth soldier is no match for a Servant, and even a human Master can deal with one. However, they are dangerous in large numbers. Medea used these golems to buy time to advance her plans. The dragon tooth soldiers are not necessarily homogeneous in appearance, showing variations in the weapons they wield.
Noble Phantasm
Rule Breaker:
Rank: C
Type: Anti-Thaumaturgy Noble Phantasm
Range: 1 person
A Noble Phantasm with an ability clearly unlike that of the other Servants' Noble Phantasms. Its efficiency as a weapon is virtually nil, but it has the ability to "break" (as in, "violation of commandment" or "transgression of law") any magic on a target pierced by its blade. Targets that can be broken are contracts formed from prana, and life forms born from prana. Rule Breaker can reset the condition of the target to the state before magic was used on it. In other words, contracts formed from prana are wiped clean, and life forms created from prana are forcibly sublimated. Thus, its utility is quite limited, but it is extremely powerful within the context of the Servant system of the Holy Grail War.
In practice, Medea successfully used this Noble Phantasm to nullify the contracts between other Masters and their Servants. For a time, Artoria and EMIYA served Medea as her own Servants. - ↑ Fate/Grand Order material IX - Paris's Servant Profile, translated by ComunCoutinho on Reddit
- ↑ Fate/Grand Order: Cosmos in the Lostbelt - Olympus: Interstellar Mountain City, Section 13: Thou, Disarray the Star Emotionally（V)