Beni-enma Alter (紅閻魔・オルタ?), Class Name Saber (セイバー, Seibā?), is a Saber-class Servant Altered through the influence of Camazotz in the South American Lostbelt.
Profile[]
Identity[]
Also known as Vermillion Bird Beni-enma (朱瑞鳥・紅閻魔?). Beni-enma has become an adult, an agent of kings of Hell after finishing her long training.[1]
Appearance[]
Personality[]
Role[]
Fate/Grand Order[]
Nahui Mictlan: Golden Sea of Trees Travelogue[]
Camazotz transformed Beni-enma into Beni-enma Alter with a Command Spell taken from Ritsuka Fujimaru. She is defeated using Gilgamesh's elixir of youth, turning her back into child Beni-enma.[1]
While Chaldea then continues on through Mictlan, the First Hassan stays behind and teaches Beni-enma the ability to inflict the Concept of Death upon an enemy, although she can only use it within the underworld border. When ORT reaches Beni-enma's underworld border in its attempt to climb to the surface, she turns back into Beni-enma Alter and gives ORT the Concept of Death.[2]
Abilities[]
As an older version of her usual self, she is much stronger and her swordsmanship is much more fearsome, being much more skilled in killing with a single blow and rending iron mountains with her attacks. Camazotz describes her as one who can sever the threads of the soul. Rasputin notes that the scope her Saint Graph is now in the class of a Divine Spirit, and that her sword dance could even slay the dead.[1] In battle, in addition to blinding fast sword strikes in the style of IaijutsuWP, including delayed strikes that only hit after she has sheathed her blade after dashing past her target, her sword and strikes burst with hellish red-and-black flames and energy, increasing the lethality of her strikes. She can also strike from range by slicing distant space itself by only partially drawing her sword, leaving a black-and-red gash suspended in space that only bursts with flames upon sheathing her blade.[3]
In preparation for the fight against ORT (Lostbelt), Beni-enma as her regular self trains off-screen with First Hassan, culminating in her learning from him how to imbue something with the Concept of Death through her sword strike, which she used as her Alter version to enforce the concept of Death onto ORT. However, she can only use it within her underworld border.[2]
Her Skills are:
- Mind's Eye (Fake)
- Acting Juou (十王代行?)
- Enjaku Battōjutsu Esoteric (閻雀抜刀術奥伝?)
- “Know that resistance in court is futile” (「法廷での抵抗は無意味と知れ?)
- “Are you still committing more sins?” (「まだ罪を重ねるか」?)
- "Take my Needle Mountain sword!" (「我が針山剣、受けるがいい!」?)
- "Punishment for sin. This is the principle of heaven." (「罪には罰を。 これ天道の理なり」?)
Her Noble Phantasm is Pandemonium, The Avici Hell (阿鼻叫喚、無間地獄?), where she manipulates the landscape and ground of Itztépetl (イスタウキ, Isutauki?), the second Underworld of Mictlan. A mountain trail littered with sharp obsidian where the dead wander, with flying debris and wind speed of 10m/s and maximum instantaneous wind speed of 20m/s that is said to peel away clothes and flesh to the bones, the freezing temperatures of such winds enough to dull even a Servant's movement. A mountain of needles, and place of never-ending punishment that exists for the sole purpose of tormenting sinners. U-Olga claims the rocks are borderline lethal, and the mountain of blades is sharper than her knifehand strike. Beni-enma is able to use the mountain range as a sword, to cut her targets as easily as cutting tofu, to the point where it looks like the mountains are alive. Rasputin praises her for the scale and creativity of such a feat, though Koyanskaya claims it to be sorry state, fitting for grinding up bigger targets but not so with smaller one. She describes the sword of the original Beni-Enma as invisible, striking instantly and without a beat, and insult the Alter by claiming her sword as a lumbering slash that obscures all sight of her prey. Beni-Enma claims that the mountain range, her absolute sword, weighs 13,500 Kin.[1]
As Beni-Enma was given authority over Itztépetl as Watcher of the Underworld, the Underworld's rules changed accordingly to give it the framework of Hell described in Japanese folklore. Unlike the actual Itztépetl which is a trial the dead must pass in their pilgrimage with a definite way out, Beni-Enma turn it into a enclosed space that endlessly loops with no way out, trapping souls within until they have served their time for their sins. After first fighting Chaldea, Beni-Enma declares that their sentence to be an eon of eons, times 100, translating to one hundred quintillion years until they would be allowed to leave. However, if she were to leave or forced out of Itztépetl, then the underworld would revert back to its original form, allow people to escape their sentence and the underworld. Furthermore, the Underworld is a converging space of cause and effect, including both "past" and "future", allowing for a person to summon Servants endlessly so long as they have the magical energy.[1]
Development[]
Creation and Conception[]
Beni-enma Alter was designed by Harada Takehito in Fate/Grand Order.
References[]
- ↑ 1.0 1.1 1.2 1.3 1.4 Fate/Grand Order: Cosmos in the Lostbelt - Nahui Mictlan: Golden Sea of Trees Travelogue - Section 8: Iztauhqui, the Second Underworld Border
- ↑ 2.0 2.1 Fate/Grand Order: Cosmos in the Lostbelt - Nahui Mictlan: Golden Sea of Trees Travelogue - Section 22: The One Who Rules the Planet
- ↑ Crimson Vermilion Beni-enma - Boss Battle