Encyclopedia/FEM

Fate/EXTRA material and Fate/EXTRA Visual Fanbook entries. Credits to food, deadfish English translations.

Character profiles

Alice

[v] Fate/EXTRA material - Character Profile: Alice & Alice CASTER, p.078
English Japanese Alice & Alice CASTER Height: 137cm Weight: 30kg Blood type: Unknown Birthday: Unknown Image colour: Light Blue Talents: Nothing in particular Likes: Playing chase, sweet tea party Dislike: Doctors, Armies Enemy: Dan, Twice, No Name マリスとありす Caster 身長:137cm 体重:30kg 血液型：不明 誕生日：不明 イメージカラー：水色 特技：とくになし 好きな物：おいかけっこ、甘いお茶会 嫌いな物：お医者さん、軍隊 天敵:ダン、トワイス、無銘

Arcueid Brunestud

[v] Fate/EXTRA material - Character Profile: Arcueid Brunestud Berserker, p.086
English Japanese Arcueid Brunestud Berserker Height: 167cm Weight: 53kg Blood type: Unknown Birthday: 24th December Image colour: White Talents: World break Likes: Human Dislike: Gatou Enemy: Gilgamesh アルクェイド Berserker 身長: 167cm 体重: 53kg 血液型： 不明 誕生日： 12月24日 イメージカラー： 白 特技： ワールドブレイク 好きな物： 人間 嫌いな物： ガトー 天敵: ギルガメッシュ

BB

[v] Fate/EXTRA material - Character Profile: BB, p.102
English Japanese BB Height: 156cm Weight: 46kg Blood type: O Birthday: 2nd March Image colour: Black Talents: Cheating, tampering rules Likes: Senpai Dislike: Everything else except Senpai Enemy: Kiara Sessyoin BB 身長：156cm 体重：46kg 血液型：O型 誕生日：3月2日 イメージカラー：黒 特技：チート行為、ルール改竄 好きな物：先輩 嫌いな物：先輩外全て 天敵：殺生院キアラ

Buddha

[v] Fate/EXTRA material - Character Profile: Buddha SAVER, p.098
English Japanese Buddha SAVER Height: Unknown Weight: Unknown Blood type: Unknown Birthday: Unknown Image colour: Green Talents: Humanity salvation Likes: Discipline, dialogue, entering nirvana Dislike: Poisonous mushroom Enemy: Different method of Salvation 覚者 SAVER 身長:不明 体重:不明 血液型：不明 誕生日：不明 イメージカラー：緑 特技：人類救済 好きな物：修行、対話、入滅 嫌いな物：毒茸 天敵:別の救世者

Cu Chulainn

[v] Fate/EXTRA material - Character Profile: Cu Chulainn, p.062
English Japanese Cu Chulainn Height: 185cm Weight: 75kg Blood type: Unknown Birthday: Unknown Image Color: Blue Talent: Fishing, diving, mountain climbing Likes: Women with strong will, irrational promises Dislikes: Devious methods, betrayal Natural enemy: Julius, Leo クー・フーリン 身長:　１８５ｃｍ 体重:　７５ｋｇ 血液型:　不明 誕生日:　不明 イメージカラー:　青　 特技:　魚釣り、素潜り、山登り 好きなもの:　気の強い女、無茶な約束 嫌いなもの:　回りくどい方針、裏切り 天敵:　ユリウス、レオ

Dan Blackmore

[v] Fate/EXTRA material - Character Profile: Dan Blackmore, p.074
English Japanese Dan Blackmore Height: 166cm Weight: 73kg Blood type: B Birthday: 10th October Image colour: Pea green Talents: Snipe Likes: Gardening, Japanese dance Dislike: Pest, Sweet things Enemy: El Draque ダン・ブラックモア 身長:175cm 体重:73kg 血液型：B型 誕生日：10月8日 イメージカラー：黄緑 特技：狙撃 好きな物：園芸、日本舞踊 嫌いな物：害虫、甘いもの 天敵:エルドラゴ

El Draque

[v] Fate/EXTRA material - Character Profile: El Draque RIDER, p.072
English Japanese El Draque RIDER Height: 162cm Weight: 55kg Blood type: Unknown Birthday: Unknown Image colour: Maroon Talents: Hard sell, Gold account Likes: Alcohol, Largess Dislike: Men of justice, Planning, Tone-deafness Enemy: Elizabeth, Main Protagonist エルドラゴ RIDER 身長:162cm 体重:55kg 血液型：不明 誕生日：不明 イメージカラー：えんじ色 特技：押し売り、金勘定 好きな物：酒、大盤振る舞い 嫌いな物：正義漢、計画性、音痴 天敵:エリザベート、主人公

Erzsebet Bathory

[v] Fate/EXTRA material - Character Profile: Erzsebet Bathory LANCER, p.110
English Japanese Erzsebet Bathory LANCER Height: 154cm Weight: 44kg Blood type: Unknown Birthday: 17th May Image colour: Red Talents: Singing of course! Likes: ：......Pig......? Dislike: Desertion, treason, talk back Enemy: AUO エリザベート＝バートリー LANCER 身長:167cm 体重:44kg 血液型：不明 誕生日：5月17日 イメージカラー：紅 特技：もちろん歌よ！ 好きな物：：……子ブタ……？ 嫌いな物：脱走、反逆、口答え 天敵:AUO

Gawain

[v] Fate/EXTRA material - Character Profile: Gawain SABER, p.094-095

English Japanese Gawain SABER Height: 180cm Weight: 78kg Blood type: Unknown Birthday: Unknown Image colour: Silver Talents: Effective hit confirmation with the Holy sword use Likes: King Arthur Dislike: Older wife Enemy: Alice ガウェイン SABER 身長：１８０ｃｍ 体重：７８ｋｇ 血液型：不明 誕生日：不明 イメージカラー：白銀 特技：hit確認からの聖剣の有効利用 好きな物：アーサー王 嫌いな物：年上の妻 天敵：ありす 奈須： アルトリア「わたしの円卓の騎士たちがこんなに残念な筈がない」。 ワダ：王マジ乙…！！！ベディヴィエールさんなら…ベディヴィエールさんならきっと…！！ 奈須：セイバークラスのお手本とも言えるデザインですよね。甘いマスク＋白銀のプレート＋聖剣、とこんな完壁なキャラ見た事ねえ！ ワダ：武内さんの顔ラフのガウェイソがめちゃエ口顔のイケメンなんですが私の力量不足で印象寄せれなかったのが非常に心残りです…。

Gatoh Monji

[v] Fate/EXTRA material - Character Profile: Gato Monji, p.084
English Japanese Gato Monji Height: 190cm Weight: 83kg Blood type: A Birthday: 31st March Image colour: Orange Talents: Hill climbing Likes: Meditation Dislike:Stray Enemy: Kiara Sessyoin 臥藤門司 身長:162cm 体重:59kg 血液型：A型 誕生日：3月31日 イメージカラー：オレンジ 特技：山登り 好きな物：瞑想 嫌いな物：迷走 天敵:殺生院キアラ

Gilgamesh

[v] Fate/EXTRA material - Character Profile: Gilgamesh, p.054
English Japanese Gilgamesh Height: 182cm Weight:　68kg Blood type:　Unknown Birthday:　Unknown Image Color:　Gold Talent: Golden rule Likes: Himself, Power Dislikes: Himself, Snakes Natural enemy: None ギルガメシュ 身長:　１８２ｃｍ 体重:　６８ｋｇ 血液型:　不明 誕生日:　不明 イメージカラー:　金 特技:　黄金律 好きなもの:　自分・権力 嫌いなもの:　自分・蛇 天敵:　なし

Hans Christian Andersen

[v] Fate/EXTRA material - Character Profile: Hans Christian Andersen Caster, p.120
English Japanese Hans Christian Andersen Caster Height: 146cm Weight: 39kg Blood type: Unknown Birthday: 2nd April Image colour: Light Blue Talents: Human Observation Likes: The moment when the writing is finished Dislike: Writer's block Enemy: Twice, Rani, Gawain アンデルセン Caster 身長:146cm 体重:39kg 血液型：不明 誕生日：4月2日 イメージカラー：水色 特技：人間観察 好きな物：執筆が終わった瞬間 嫌いな物：執筆作業 天敵:トワイス、ラニ、ガウェイン

Hero

[v] Fate/EXTRA material - Character Profile: Hero, p.026
English Japanese Hero Height:　170cm Weight:　63kg Blood type:　Player decision Birthday:　Player decision Image Color:　Dark brown Talent:　Mental firmness Likes: Anmitsu, Devotion Dislikes: Debt collectors, Warmed goods Natural enemy: Sessyoin Kiara, Student council president 男主人公 身長:　１７０ｃｍ 体重:　６３ｋｇ 血液型:　プレイヤー決定 誕生日:　プレイヤー決定 イメージカラー:　焦げ茶 特技:　精神的に頑丈 好きなもの:　あんみつ、まごころ 嫌いなもの:　借金取り　温められた商品 天敵:　殺生院キアラ、生徒会長

Heroine

[v] Fate/EXTRA material - Character Profile: Heroine, p.028
English Japanese Heroine Height:　160cm Weight:　45kg Blood type:　Player decision Birthday:　Player decision Image Color:　Light brown Talent:　Never gives up Likes: Candy, Caring Dislikes: Weapon bragging, Hard beds Natural enemy: Twice, Student council president 女主人公 身長:　１６０ｃｍ 体重:　４５ｋｇ 血液型:　プレイヤー決定 誕生日:　プレイヤー決定 イメージカラー:　薄茶 特技:　諦めの悪さ 好きなもの:　 飴、気遣い 嫌いなもの:　武器自慢話　固い床 天敵:　トワイス、生徒会長

Jinako Carigiri

[v] Fate/EXTRA material - Character Profile: Jinako Carigiri, p.112
English Japanese Jinako Carigiri Height: 153cm Weight: 82kg Blood type: B Birthday: 3rd November Image colour: Cocoa Brown Talents: Routine work Likes: Games, junk food Dislike: Rear charge, blazing up Enemy: Karna, Rin, Andersen ジナコ＝カリギリ 身長:153cm 体重:82kg 血液型：B型 誕生日：11月3日 イメージカラー：ココアブラウン 特技：ルーチンワーク 好きな物：ゲーム、ジャンクフード 嫌いな物：リア充、炎上 天敵:カルナ、凛、アンデルセン

Julius B. Harwey

[v] Fate/EXTRA material - Character Profile: Julius B. Harwey, p.088
English Japanese Julius B. Harwey Height: 162cm Weight: 59kg Blood type: A Birthday: Unknown Image colour: Ultramarine Talents: Assassination Likes: Nothing in particular Dislike: Nothing in particular Enemy: Main protagonist ユリウス・ベルキスク・ハーウェイ 身長:１６２ｃｍ 体重:５９ｋｇ 血液型：A型 誕生日：不明 イメージカラー：群青 特技：暗殺 好きな物：とくになし 嫌いな物：とくになし 天敵:主人公

Karna

[v] Fate/EXTRA material - Character Profile: Karuna LANCER, p.114

English Japanese Karna LANCER Height: 178cm Weight: 75kg Blood type: Unknown Birthday: Unknown Image colour: Sharp gold shining in the dark Talents: Positive thinking Likes: Friendship, Effort, Reconciliation Dislike: The word "communication skill" Enemy: Gilgamesh, Passionlip カルナ LANCER 身長:178cm 体重:75kg 血液型：不明 誕生日：不明 イメージカラー：暗中に輝く鋭利なる黄金 特技：ポジティブシンキング 好きな物：友情、努力、和解 嫌いな物：コミュ力という言葉 天敵: ギルガメッシュ、パッションリップ

Kazuradrop

[v] Fate/EXTRA material - EXTRA: Kazuradrop, p.146

English Japanese Kazuradrop Height: 133cm Weight: 30kg Blood type: Unknown Birthday: 12th April Image colour: Bright green Talents: Sugoroku Board Game, Cleaning Likes: Everything besides her kind Dislike: None Enemy: Comment from Kinoko Nasu One of the unused sakura five members, see more in the glossary. A Japanese system, she would become a rival against Casko How Sad (Nasu) カズラドロップ 身長:133cm 体重:30kg 血液型：不明 誕生日：4月12日 イメージカラー：若草色 特技：双六遊び、掃除 好きな物：自分達以外 嫌いな物：なし 天敵:天敵しかいない Comment from Kinoko Nasu 設定の海に沈んだサクラファイブの一休。詳細は用語辞典に。 まらかの和風系ア儿夕ーゴで、もし採用さゎていたらキヤス狐のライバルになっていたのは火を見るよ明らか。ただし内面のキレイさは比べるベ<もぉい。 「CCCに足らりないものは幼女成分だ」と我々も分かつてはいたものの、ボスとして成立しづらいし、和風キヤラとしてキアラとも被るしでゃむを得ず没になつた。悲しい。 (奈須)

Kingprotea

[v] Fate/EXTRA material - EXTRA: Kingprotea, p.148

English Japanese Kingprotea Height: 30 ~ ? m Weight: ? kg Blood type: Unknown Birthday: 1st April Image colour: iris Talents: None Likes: None Dislike: None Enemy: Passionlip Comment from Kinoko Nasu キングプロテア 身長:30 ~ ? m 体重:? kg 血液型：不明 誕生日：4月1日 イメージカラー：ぺール·アイリス 特技：なし 好きな物：なし 嫌いな物：なし 天敵:パッションリップ Comment from Kinoko Nasu サクラフアイブの一体。 際限なく成長するアル夕一エゴ。 長時間アリ一ナにると手を出してくるお邪魔キャラとして予定されていた。 ようは迷宮を破壞する大魔神。ラスポスを上回る隱しボス。ただし、倒しても得られるEXP は1。みたいな。 一定値より大き〈なるとBBのかけたプロテクトが発動し、箱詰蹟め状態になつてしまう。箱に詰まつてしまうと、その中でプロテアがどこまで育つているのかは誰にも計測できなくなる。 戦闘画面では空中に浮いた籍から巨大な手ゃら惑星ゃらが飛び出してくるという、ミミシク的な仕掛けも考えられていた。〔奈須〕

Li Shuwen

[v] Fate/EXTRA material - Character Profile: Li Shuwen ASSASSIN, p.090
English Japanese Li Shuwen ASSASSIN Height: 166cm Weight: 60kg Blood type: Unknown Birthday: Unknown Image colour: Orange Talents: Nothing in particular Likes: Family Dislike: Photo, Tatari Enemy: Vlad III 李書文 ASSASSIN 身長:166cm 体重:60kg 血液型：不明 誕生日：不明 イメージカラー：橙 特技：とくになし 好きな物：鍛錬、試合、家族 嫌いな物：写真、タタリ 天敵:ヴラド三世

Leonardo B Harwey

[v] Fate/EXTRA material - Character Profile: Leonardo B Harwey, p.092
English Japanese Leonardo B Harwey Height: 155cm Weight: 52kg Blood type: A Birthday: 24th December Image colour: Noble red Talents: Human nature grasp, organization maintenance Likes: Peace Dislike: Decline Enemy: Main protagonist レオナルド・ビスタリオ・ハーウェイ 身長:１５５ｃｍ 体重:５２ｋｇ 血液型：A型 誕生日：１２月２４日 イメージカラー：ノウブル・レッド 特技：人心掌握、体制維持 好きな物：平和 嫌いな物：衰退 天敵:主人公

Lu Bu

[v] Fate/EXTRA material - Character Profile: Lu Bu Berserker, p.068-069

English Japanese Lu Bu Berserker Height: 225cm Weight: 153kg Blood type: Unknown Birthday: Unknown Image colour: Red Copper Talents: Betrayal, All kinds of martial arts Likes: Betrayal, His Wife, Chen Gong Dislike: Betrayal, Siege Enemy: His Wife 呂布 Berserker 身長：２２５ｃｍ 体重：１５３ｋｇ 血液型：不明 誕生日：不明 イメージカラー：赤銅 特技：裏切り、武芸百般 好きな物：裏切り、妻、陳宮 嫌いな物：裏切り、包囲網 天敵：妻 奈須：武内デザインによる呂布ですね。あいつ呂布好きなんで、「変化球は投げない。THE・呂布を描く」と楽しんでました。 ワダ：何の説明もなく見せて頂いたのにひと目で呂布だとわかる…本当に素晴らしい…。呂布マジ呂布…！ 奈須：stay night から、大男の狂戦士には可憐な美少女がつくものなのです。さすがラニ、アトラスの系譜にしてホムンクルスの系譜。 ワダ：一度でいいから二人並べて描いてみたいですね。もちろん肩乗せでも！

Meltryllis

[v] Fate/EXTRA material - Character Profile: Meltlilith Alto Ego S, p.108
English Japanese Meltlilith Alto Ego S Height: 190cm Weight: 33kg Blood type: O Birthday: 9TH April Image colour: Ice Blue Talents: Doll appraisal Likes: Main Protagonist, Figurines Dislike: Human Enemy: No Name, Kingprotea メルトリリス Alter Ego 身長:190cm 体重:33kg 血液型：O 誕生日：4月9日 イメージカラー：アイスブルー 特技：人形鑑定 好きな物：主人公、フィギュア 嫌いな物：人間 天敵:無銘、キングプロテア

Nero Claudius Caesar Augustus Germanicus

[v] Fate/EXTRA material - Character Profile: Nero Claudius Caesar Augustus Germanicus, p.030
English Japanese Nero Claudius Caesar Augustus Germanicus Height:　150cm Weight:　42kg Blood type:　Unknown Birthday:　December 15 Image Color:　Red rose Talent:　I can do everything! Likes: Herself, Praetor Dislikes: Moderation, Rebellion, Downfall Natural enemy: Seneca, Her mother ネロ・クラウディウス 身長:　１５０ｃｍ 体重:　４２ｋｇ 血液型:　不明 誕生日:　１２月１５日 イメージカラー:　薔薇の赤 特技:　なんでもできるぞ！ 好きなもの:　自分　奏者 嫌いなもの:　節制・反逆・没落 天敵: セネカ　母親

No name

[v] Fate/EXTRA material - Character Profile: No name, p.046
English Japanese No name Height:　187cm Weight:　78kg Blood type:　Unknown Birthday:　Lost Image Color:　Red Talent: Fiddle with junks, all kinds of housework Likes: All kinds of housework (he denies it) Dislikes: Immature self Natural enemy: Meltlilith 無銘 身長:　１８７ｃｍ 体重:　７８ｋｇ 血液型:　不明 誕生日:　消失 イメージカラー:　赤 特技:　ガラクタいじり、家事全般 好きなもの:　家事全般　(本人は否定) 嫌いなもの:　未熟な自分 天敵:　メルトリリス

Passionlip

[v] Fate/EXTRA material - Character Profile: Passionlip Alto Ego M, p.106
English Japanese Passionlip Alto Ego M Height: 156cm Weight: 1t Blood type: O Birthday: 10th April Image colour: Dark purple Talents: Karate ~ Deadly strike Likes: Main Protagonist, Dessert time Dislike: Unfriendly people Enemy: Meltlilith, Robin Hood パッションリップ Alter Ego 身長:156cm 体重:1t 血液型：O 誕生日：4月10日 イメージカラー：ダークパープル 特技：空手道～一撃必殺～ 好きな物：主人公、デザートタイム 嫌いな物：優しくない人たち 天敵:メルトリリス、ロビンフッド

Rani VIII

[v] Fate/EXTRA material - Character Profile: Rani VIII, p.064
English Japanese Rani=VIII Height: 157cm Weight: 45kg Blood type: A Birthday: 1st January Image colour: Purple Talents: High-speed thinking, Division thinking Likes: Astronomy Dislike: Gambling Enemy: Gatou ラニ＝VIII 身長:157cm 体重:45kg 血液型：A型 誕生日：1月1日 イメージカラー：紫 特技：高速思考、分割思考 好きな物：占星術、数式、無駄の無い物 嫌いな物：ギャンブル 天敵:ガトー

Rin Tohsaka

[v] Fate/EXTRA material - Character Profile: Tohsaka Rin, p.058
English Japanese Tohsaka Rin Height: 159cm Weight: 48kg Blood type: 0 Birthday: February 4 Image Color: Vermilion Talent: Hacking, Survival Likes: Money, Rival Dislikes: Self-deception, Self-justification Natural enemy: Julius, Leo 遠坂凛 身長: １５９ｃｍ 体重:　４８ｋｇ 血液型:　０型 誕生日:　２月４日 イメージカラー:　朱色 特技:　ハッキング、サバイバル 好きなもの:　お金、ライバル 嫌いなもの:　自己欺瞞、自己弁護 天敵: ユリウス、レオ

Robin Hood

[v] Fate/EXTRA material - Character Profile: Robin Hood ARCHER, p.076
English Japanese Robin Hood ARCHER Height:　176cm Weight:　65kg Blood type:　Unknown Birthday:　Unknown Image Color:　Grass green Talent: Farming, cooking Likes: Pickup Dislikes: Chivalry, Architectural beams, Stunted Girls Natural enemy: Cas-ko ロビンフッド 身長:　175cm 体重:　65kg 血液型:　不明 誕生日:　不明 イメージカラー:　草色 特技: 農耕、調理 好きなもの:　ナンパ 嫌いなもの:　騎士道、建前、いじけた女 天敵:　キャス狐

Run Ru

[v] Fate/EXTRA material - Character Profile: Run Ru, p.080
English Japanese Run Ru Height: 185cm Weight: 44kg Blood type: O Birthday: 16th November Image colour: Brown Talents: Nothing in particular Likes: Already lost Dislike: Appetite Enemy: Kiara Sessyoin ランルー 身長:１８５ｃｍ 体重:４４ｋｇ 血液型：O型 誕生日：１１月１６日 イメージカラー：ブラウン 特技：とくになし 好きな物：既に失われている 嫌いな物：食欲 天敵:殺生院キアラ

Sakura

[v] Fate/EXTRA material - Character Profile: Sakura, p.100
English Japanese Sakura Height: 156cm Weight: 46kg Blood type: O Birthday: 2nd March Image colour: Cherry Blossoms Talents: Health management, Manipulation Likes: Something sweet, Ghost stories Dislike: Herself Enemy: Rin, Kirei 桜 身長:156cm 体重:46kg 血液型：O型 誕生日：3月2日 イメージカラー：桜 特技：健康管理、整体 好きな物：：甘いもの、怪談 嫌いな物：不正、自分 天敵:凛、言峰

Sessyoin Kiara

[v] Fate/EXTRA material - Character Profile: Sessyoin Kiara, p.116
English Japanese Sessyoin Kiara Height: 166cm Weight: 53kg? Blood type: A Birthday: 4th June Image colour: White (pink) Talents: Counseling (In a sexual sense) Likes: Bean cake, Fairy tale, Humans Dislike: Tsundere men Enemy: Saver 殺生院キアラ 身長：１６６ｃｍ 体重：５３ｋｇ？ 血液型：A型 誕生日：６月４日 イメージカラー：白（ピンク） 特技：カウンセリング（性的な意味で） 好きな物：おはぎ、童話、人間 嫌いな物：男のツンデレ 天敵：セイヴァー

Shinji Matou

[v] Fate/EXTRA material - Character Profile: Matou Shinji, p.070
English Japanese Shinji Matou Height: 171cm Weight: 59kg Blood type: B Birthday: 5th May Image colour: Marine...Blue... Talents: Sabotage Likes: Game Dislike: Guy who stands out more than him Enemy: El Draque 間桐慎二 身長:１７１ｃｍ 体重:５９ｋｇ 血液型：B型 誕生日：５月５日 イメージカラー：マリン…ブルー… 特技：妨害工作 好きな物：ゲーム 嫌いな物：自分より目立っているヤツ 天敵:エルドラゴ

Tamamo-no-Mae

[v] Fate/EXTRA material - Character Profile: Tamamo-no-Mae, p.038
English Japanese Tamamo no Mae Height:　163cm Weight:　49kg Blood type:　Unknown Birthday:　Unknown Image Color:　Pink Talent:　Serious Break Likes: 4½ tatami mat of happiness Dislikes: The her on the earth Natural enemy: Dark Studmon Seimei 玉藻の前 身長:　１６３ｃｍ 体重:　４９ｋｇ 血液型:　不明 誕生日:　不明 イメージカラー:　桃色　 特技:　シリアスブレイク 好きなもの:　幸せ四畳半 嫌いなもの:　地の自分 天敵: 暗黒イケモン・セイメイ

Twice Peaceman

[v] Fate/EXTRA material - Character Profile: Twice H. Pieceman, p.096
English Japanese Twice H. Pieceman Height: 175cm Weight: 58kg Blood type: A Birthday: 30th April Image colour: Grey Talents: Fieldwork Likes: Study, Growth Dislike: Self-destruction, Stagnation Enemy: El Draque, Main Protagonist トワイス・H・ピースマン 身長:１７５ｃｍ 体重:５８ｋｇ 血液型：A型 誕生日：４月３０日 イメージカラー：灰色 特技：フィールドワーク 好きな物：研究、成長 嫌いな物：自滅、停滞 天敵:エルドラゴ、主人公

Violet

[v] Fate/EXTRA material - EXTRA: Violet, p.147

English Japanese Violet Height: 133cm Weight: 64kg Blood type: Unknown Birthday: 11th April Image colour: Violet Talents: Designing, sewing, cooking Likes: Reading Books Dislike: Wasteful spending Enemy: Meltlilith Comment from Kinoko Nasu ヴァイ才レシト 身長:133cm 体重:30kg 血液型：不明 誕生日：4月11日 イメージカラー：バイオレット 特技：設計、裁縫、料理 好きな物：読書 嫌いな物：無駄遣い 天敵:天敵しかいない Comment from Kinoko Nasu サクラファイブの一本。stay nightのライダ一オマ一ジユ。 眼鏡丶年上のお姉さん丶スーッの秘書丶ドリル丶がキーワー卜。 手は繊維化させ丶これを螺旋状に操り、対象を抉り穿つ。 決戦時には全身を繊維イヒし、何億という蛇がねじり集まつたような形態〔ゴルゴン化)になる。になる。こう見えて触手キャラなのか。 対個人・対軍隊、共に高い制圧力を誇るが、流体と個体の中聞にあるため、完全流体であるメ儿卜リリスとの相性は悪い。 〔奈須〕

Vlad III

[v] Fate/EXTRA material - Character Profile: Vlad III LANCER, p.082
English Japanese Vlad III LANCER Height: 191cm Weight: 90kg Blood type: Unknown Birthday: 10th November Image colour: Red Tea Talents: Scorched earth tactic Likes: Iron discipline, faith Dislike: Immorality, not prepared Enemy: El Draque ヴラド三世 LANCER 身長:191cm 体重:90kg 血液型：不明 誕生日：11月10日 イメージカラー：赤茶 特技：焦土作戦 好きな物：鉄の規律、信仰 嫌いな物：不道徳、不覚悟 天敵:ありす

Servant profiles

Archer

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT ARCHER, p.008

English Japanese SERVANT ARCHER Master: Main protagonist Identity: No Name Gender: Male Height, Weight: 178cm/78kg Alignment：True Neutral Strength: C Endurance: C Agility: C Mana: B Luck: D Noble Phantasm: ? Class Skills ■ Independent Action: C ■ Magic Resistance: D Personal skills ■ Eye of the Mind (False): B ■ Clairvoyance: C+ ■ Magecraft: C- Noble Phantasm ■ Unlimited Blade Works: Infinite Creation of Swords Rank: E- ~ A++ Type: Anti-Unit Range: 30 ~ 66 Maximum number of targets: ??? EX Rank Noble Phantasms are in principle impossible to replicate. (However, in the circumstance where the support of the original owner exists, replication becomes possible. アーチャー マスター：主人公 真名：無銘 性別：男性 身長・体重：１７８ｃｍ／７８ｋｇ 属性：中庸・中立 筋力：C 耐久：C 敏捷：C 魔力：B 幸運：D 宝具：？ クラス別筋力 ■ 単独行動：C マスターからの魔力供給を断ってもは自立できる能力。ランクCならマスターを失っても一日間現界可能。無銘となった事で「筋力」「幸運」がやや向上している。 ■ 対魔力：D 一工程による魔術行使を無効化する。 魔力避けのアミュレット程度の対魔力。 保有スキル ■ 心眼（偽）：B 修行・鍛錬によって培った洞察力。 窮地において自身の状況と敵の能力を冷静に把握し、その場で残された活路を導き出す戦闘論理。 ■ 千里眼：C＋ 視力の良さ。遠方の標的の捕捉、動体視力。プラスは魔術による瞬間的な向上を含めたもの。 ■ 魔術：C- オーソドックスな魔術を習得。道具の本質を一時的に增幅する「強化」、物質の構造を把握し、一時的に複製する「投影」を得意とする。 宝具 ■ 無限の剣製(アンリミテッドブレイドワークス) ランク：E-～A＋＋ 種別：対人宝具 レンジ：30～60 最大補足：？？？ 武器ではなく一つの魔術、固有結界の名称である。 固有結界とは術者の心象世界を具現化し、一時的にせよ現実を書き換える魔術の総称。 固有結界は大禁呪と言われる特別な魔術であり、修得している者は極めて少ない “無限の剣製”は剣を鍛える事に特化した魔術師が生涯をかけて辿り着いた一つの極地である。 この固有結界には彼が視た“剣”の概念を持つ兵器、そのすべてが蓄積されている。 剣に該当するものなら宝具であろうと複製する。ただしランクは一つ下がってしまい、EXランクの宝具の複製は原則として不可能とされる。（所有者の協力があれば可能とも)

Archer (Green)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT ARCHER, p.010

English Japanese SERVANT ARCHER Master: Dan Blackmore Identity: Robin Hood Gender: Male Height, Weight: 175cm/65kg Alignment：Neutral Good Strength: C Endurance: C Agility: B Mana: B Luck: B Noble Phantasm: D Class Skills ■ Magic Resistance: D ■ Independent Action: A Personal skills ■ Subversive Activities: A Noble Phantasm ■ Yew Bow: The Bow of Prayer Rank: D Type: Anti-Unit Range: 4 ~ 10 Maximum number of targets: 1 Person アーチャー マスター：ダン・ブラックモア 真名：ロビンフッド 性別：男性 身長・体重：１７５ｃｍ／６５ｋｇ 属性：中庸・善 筋力：C 耐久：C 敏捷：C 魔力：B 幸運：B 宝具：D クラス別筋力 ■ 対魔力：D 一工程による魔術行使を無効化する。 魔力避けのアミュレット程度の対魔力。 ■ 単独行動：A マスターからの魔力供給を断っても自立できる能力。 ランクAならば、マスターを失っても一週間は現界可能。 保有スキル ■ 破壊工作：A 戦闘を行う前、準備段階で相手の戦力をそぎ落とす才能。 トラップの達人。ランクAならば、相手が進軍してくる前に六割近い兵力を戦闘不能に追い込むことも可能。ただし、このスキルが高ければ高いほど英雄としての霊格は低下していく。 宝具 ■ 祈りの弓(イー・バウ) ランク：D 種別：対人宝具 レンジ：4～10 最大補足：一人 ロビンフッドが拠点としたシャーウッドの森の、イチイの本から作った弓。 標的が腹に溜めこんでいる不浄を瞬間的に增幅・流出さセる。 対象が毒を帯びているなら、その毒を火薬のように爆発さセ、致死量に近いダメージを与える。 EXTRAでは対象のステー夕スが「毒」状態である事が成立の条になっている。解毒アイテムは忘れずに。

Assassin

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT ASSASSIN, p.014

English Japanese SERVANT ASSASSIN Master: Julius B. Harwey Identity: Li Shuwen Gender: Male Height, Weight: 166cm/60kg Alignment：Neutral Evil Strength: B Endurance: C Agility: A Mana: E Luck: E Noble Phantasm: None Class Skills ■ Presence Concealment: Not applicable Personal skills ■ Chinese Martial Arts: EX ■ Sphere Boundary: A Noble Phantasm ■ No Second Strike Rank: None Type: Anti-Unit Range: 1 Maximum number of targets: One Person "When a Heroic Spirit's martial arts becomes his most singular ["one and only"] asset, the 'skill' itself is sublimated as a Noble Phantasm. This is one such Noble Phantasm. Even one of Li Shuwen's powerful strikes was enough to take the enemy's life, including those intended as diversions of feints. 'Li Shuwen never needs to strike twice (godly spear no second strike)' No Second Strike is his title, given form." アサシン マスター：ユリウス・B・ハーウェイ 真名：李書文 性別：男性 身長・体重： １６６ｃｍ／６０ｋｇ 属性：中立・悪 筋力：B 耐久：C 敏捷：A 魔力：E 幸運：E 宝具：なし クラス別筋力 ■ 気配遮断：該当なし アサシンのクラスが持ち共通スキルだが、このサーヴァントが持つ気配遮断はそれらのどれにも該当しない。 保有スキル ■ 中国武術：A＋＋＋ 中華の合理。 宇宙と一体になる事を目的とした武術をどれほど極めたかの値。 修得の難易度は最高レベルで、他のスキルと違い、Aでようやく“修得した”と言えるレベル。＋＋＋ともなれば達人の中の達人。 ■ 圏境：A 気を使い、周囲の状況を感知し、また、自らの存在を消失させる技法。 極めたものは天地と合一し、その姿を自然に透けこませる事すら可能となる。 宝具 ■ 无二打 ランク：なし 種別：対人宝具 レンジ：1 最大補足：一人 その英霊が修得した武術が唯一無二の至宝となった時、“技” そのものが宝具として昇華する事がある。この宝具もその一つ。 李書文の剛打は、牽制やフェイントの為に放ったはすの一撃ですら敵の命を奪うに足るものであった。 「李書文に二の打ち要らず（神槍无二打）」 无二打は、そんな彼の称号が力夕チになったものである。

Berserker (Lu)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT BERSERKER, p.015

English Japanese SERVANT BERSERKER Master: Rani=VIII Identity: Lu Bu Fengxian Gender: Male Height, Weight: 225cm/153kg Alignment：Chaotic Evil Strength: A+ Endurance: A+ Agility: B+ Mana: C+ Luck: C+ Noble Phantasm: A Class Skills ■ Mad enhancements A Personal skills ■ Bravery: B   ■ Nature of a Rebellious Spirit: B Noble Phantasm ■ God Force: The Five Soldiers of the War God Rank: A Type: Anti-Unit, Anti-Army, Anti-Fortress Range:1 ~ 40 Maximum number of targets: 1 ~ 50 people バーサーカー マスター：ラニ＝VIII 真名：呂布奉先 性別：男性 身長・体重：２２５ｃｍ／１５３ｋｇ 属性：混沌・悪 筋力：A＋ 耐久：A＋ 敏捷：B＋ 魔力：C＋ 幸運：C＋ 宝具：A クラス別筋力 ■ 狂化：A パラメーターをランクアップさせるが、理性の大半を奪われる。 マスターの戦闘意識とリソクさせられているため、より機械的なサーヴァントとなっている。 保有スキル ■ 勇猛：B 威圧・混乱・幻惑といった精神干渉を無効化する能力。また、格闘ダメージを向上させる効果もある。 ただし、現在はバーサーカー化しているため、勇猛さは意味をなさない。 ■ 反骨の祖：B 一つの場所に留まらず、また、一つの主君を抱かぬ気性。 自らは王の器ではなく、また、自らの王を見つける事のできない放浪の星である。 同ランクの「カリスマ」を無効化する。 宝具 ■ 軍神五兵(ゴッド・フォース) ランク：A 種別：対人、対軍、対城宝具 レンジ：1～40 最大補足：1〜50人 呂布奉先の主武器として知れ渡っている、両手武器・方天画戟の真名。 方天画戟は既にして、兵器として名作である。 切斬、刺突、打撃、薙ぎ、払い。 大型両手武器の特徴をすべて活かした万能武器であるからだ。 ただし、実際には北宋時代の武器であり、呂布が活躍した頃は存在していない。

Berserker (Red)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT BERSERKER, p.021

English Japanese SERVANT BERSERKER Master: Meltlilith Identity: Erzebet Bathory Gender: Female Height, Weight: 154cm/44kg Alignment： Strength: A Endurance: A Agility: B Mana: D Luck: C Noble Phantasm: E- Class Skills Mad enhancements: E- Magic Resistance: A Personal skills Mental Disorder: A Innocent Monster: A Noble Phantasm Bathory Erzsebet: Fresh Blood Demoness Rank: E- Type: Anti-Unit Range: 3 ~ 60 Maximum number of targets: Thousand people バーサーカー マスター：メルトリリス 真名：エリザベート・バートリー 性別：女性 身長・体重：１５４ｃｍ／４４ｋｇ 属性：狂化・暴走 筋力：A 耐久：A 敏捷：B 魔力：D 幸運：C 宝具：E- クラス別筋力 ■ 狂化：E- 凶暴化する事で能力をアップさせる。 ……が、理性を残しているのでその恩恵はほとんどない。 筋力と耐久がより“痛みを知らない”に留まっている。 ■ 対魔力：A 実は本当に竜の血ま混じっていた。 本人も気づいていない隱しスキル。stay nightにおけるセイバー級の対魔力を有する。 保有スキル ■ 精神異常：A 精神を病んでいる。他人の痛みを感じず、周囲の空気を読めなくなっている。 精神的なスーパーアーマー能力。 ■ 無辜の怪物：A 竜の混血として魔人化している。 竜にはそれぞれ属性を生かした息吹があり、エリザベートのドラゴンブレスは超音波に属する。 宝具 ■ 鮮血魔嬢(バートリ・エルジェーベト) ランク：E- 種別：対人宝具 レンジ：3～30 最大補足：千人 エリザベートがその生涯に渡り君臨した居城を召喚し、己を際立たせる舞台（ステージ）とする宝具。

Berserker (White)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT BERSERKER, p.013

English Japanese SERVANT BERSERKER Master: Gatou Monji Identity: Arcueid Brunestud Gender: Female Height, Weight: 167cm/53kg Alignment：Lawful Neutral Strength: A+ Endurance: B Agility: A Mana: C Luck: D Noble Phantasm: E Class Skills ■ Mad Enhancements: A→C Personal skills ■ Mystic Eyes: A→C ■ Ultimate One: EX→Unavailable Noble Phantasm ■ Blut die Schwester: Sister of blood Rank: E Type: Anti-Unit Range: None Maximum number of targets: No limit バーサーカー マスター：臥藤門司 真名：アルクェイド・ブリュンスタッド 性別：女性 身長・体重：１６７ｃｍ／５３ｋｇ 属性：秩序・中立 筋力：A＋ 耐久：B 敏捷：A 魔力：C 幸運：D 宝具：E クラス別筋力 ■ 狂化：A→C パラメーターをランクアップさせるが、理性の大半を奪われる。……のだが、マスターの勘違いでうまくいっていないようだ。 また、狂化中の属性化・暴走となる 保有スキル ■ 魔眼：A→C 見たもの、見るものの魂を魅了する魔眼を所持しているようだが、マスターの勘違いでうまく機能していないようだ。 ■ 原初の一：EX→使用不可 アルテミット・ワン。 星からのバックアップを受ける事で、敵対する相手より一段階上のスペックになるスキル。……なのだが、マスターの勘違いでまったく機能していないようだ。 宝具 ■ 血の姉妹(プルート・ディ・シェヴェスタァ) ランク：E 種別：対人宝具 レンジ：なし 最大補足：制限なし 血の姉妹による盟約。 宝具というよりは彼女が持つ特性のようなもの。 地球の触覚であるこの素体は、周囲を地球環境化（テラフォーミング）する。 そのため、月の法則にのっとったムーンセルでは多大な重力負荷を引き起こしてしまう。 ムーンセルのルールによって再現されたサーヴァン卜や魔術師たちは、彼女の前では六倍の重力下に置かれてしまう。

Caster (Black)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT CASTER, p.011

English Japanese SERVANT CASTER Master: Alice Identity: Nursery Rhyme Gender: Undefined Height, Weight: Undefined Alignment：Undefined Strength: D~E Endurance: D~E Agility: D~E Mana: D~E Luck: D~E Noble Phantasm: EX Class Skills ■ Territory Creation: A Personal skills ■ Shapeshift: A+ ■ Self-Modification: A Noble Phantasm ■ The Queen's Glass Game Rank: C Type: Anti-Unit (self) Range:0 Maximum number of targets: 1 person ■ Nursery Rhyme: A Story For Somebody's Sake Rank: EX Type: Anti-Unit Range:0 Maximum number of targets: 1 person キャスター マスター：ありす 真名：ナーサリー・ライム 性別：不定 身長・体重：不定 属性：不定 筋力：E 耐久：E 敏捷：E 魔力：EX 幸運：E 宝具：C クラス別筋力 ■ 陣地作成：A 『小さな扉、くるくるお茶会、白黒マス目の虹色草原、お喋り双子の禅問答。でもでも、お気に入りはやっぱり一つ。全てを忘れる、名無しの森にご招待！』 保有スキル ■ 変化：A＋ 『変身するわ、変身するの。私は貴方、貴方は私。変身するぞ、変身したぞ。俺はおまえで、おまえは誰だ。』 ■ 自己改造：A 『自身の肉体にまったく別の肉体を付属・融合させる適性。このランクが上がればあがるほど正純の英雄から遠ざかっ、カカ、かかか関係ない関係ないそんなのまったく関係ない！何であろうときっかけ貴方の注文通り！』 宝具 ■ 永久機関・少女帝国(クイーンズ・グラスゲーム) ランク：C 種別：対己宝具 レンジ：0 最大補足：1人 『物語は永遠に続く。か細い指を一頁目に戻すようにあるいは二巻目を手に取るように。その読み手が、現実を拒み続けるかぎり。』 ■ 誰かの為の物語(ナーサリー・ライム) ランク：EX 種別：対人宝具 レンジ：0 最大補足：1人 『ナーサリーライムは童歌。トミーサムの可愛い絵本。マザーグースのさいしょのカタチ。寂しいアナタに悲しいワタシ。最期の望みを、叶えましょう。』

Caster (Blue)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT CASTER, p.025

English Japanese SERVANT CASTER Master: Kiara Sessyoin Identity: Hans Christian Andersen Gender: Male Height, Weight: 146cm/39kg Alignment：True Neutral Strength: E Endurance: E Agility: E Mana: EX Luck: E Noble Phantasm: C Class Skills ■ High-Speed Aria: E ■ Item Construction: C Personal skills ■ Innocent Monster: D ■ Human Observation: B Noble Phantasm ■ Marchen Meines Lebens: A Story Just For You Rank: C Type: Anti-Unit Range:0 Maximum number of targets: 1 person キャスター マスター：殺生院キアラ 真名：ハンス・C・アンデルセン 性別：男性 身長・体重：１４６ｃｍ／３９ｋｇ 属性：中庸・中立 筋力：E 耐久：E 敏捷：E 魔力：EX 幸運：E 宝具：C クラス別筋力 ■ 高速詠唱：E ■ アイテム作成：C 保有スキル ■ 無辜の怪物：D ■ 人間観察：A 宝具 ■ 貴方のための物語(メルヒェン・マイネスレーベンス) ランク：C 種別：対人宝具 レンジ：0 最大補足：1人 アンデルセンが書いた自伝、「我が生涯の物語」の生原稿。 この本を白紙に戻し一から執筆

Caster

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT CASTER, p.007

English Japanese SERVANT CASTER Master: Main protagonist Identity: Tamamo no Mae Gender: Female Height, Weight: 163cm/49kg Alignment：Neutral Evil Strength: E Endurance: E Agility: B Mana: A Luck: D Noble Phantasm: B Class Skills ■ Territory Creation: C Personal skills ■ Witchcraft: EX ■ Shapeshift: A Noble Phantasm ■ Eightfold Blessings of Amaterasu on the Weight Stone under the Sunlit Watery Heavens Rank: D Type: Anti-Army Range: 3 ~ 30 Maximum number of targets: Up to 100 people キャスター マスター：主人公 真名：玉藻の前 性別：女性 身長・体重：１６３ｃｍ／４９ｋｇ 属性：中立・悪 筋力：E 耐久：E 敏捷：B 魔力：A 幸運：D 宝具：B クラス別筋力 ■ 陣地作成：C 魔術師として、自らに有利な陣地を作り上げる。 性格的に向いていないらしく、工房を作ることさえ難しい。 保有スキル ■ 呪術：EX ダキニ天法。 地位や財宝を得る法（男性用）、権力者の寵愛を得る法（女性用）といった、権力を得る秘術や死期を悟る法がある。しかし、過去さんざん懲りたのか、あまり使いたがらない。 ■ 変化：A 借体成形とも。 玉藻の前と同一視される中国の千年狐狸精の使用した法。殷周革命（『封神演義』）期の妲己に憑依・変身した術だが、過去のトラウマからか、あまり使いたがらない。 宝具 ■ 水天日光天照八野鎮石(すいてんにっこうあまてらすやのしずいし) ランク：D 種別：対軍宝具 レンジ：3～30 最大補足：百人まで 玉藻の前が身につける鏡。 呪詛によって常世の理を遮断した結界で、この結界の中ではあらゆる呪力行使コストがゼロになる。 本人の霊格が落ちている為、ランクも下がっている。 本来ならEXランクの対界宝具。EX時の範囲は一国を覆うとされる。 キャスターの扱う呪術はすべてキャスター自身の体を使って行われる物理現象だ。通常の魔術は“そこにあるものを組み替える”プログラムだが、呪術は“自身の肉体を素材にして組み替える”プログラム。 「今回はムーンセルからの制約で一つしかありませんが、本来なら多数の尾から百万の軍勢を生み出せるのです！」 とはキャスター本人の弁。実に眉唾である。

Gilgamesh

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT GILGAMESH, p.019

English Japanese SERVANT GILGAMESH Master: Main protagonist Identity: Gilgamesh Gender: Male Height, Weight: 182cm/68kg Alignment：Chaotic Good Strength: B Endurance: B Agility: B Mana: A Luck: A Noble Phantasm: EX Class Skills ■ Independent Action: EX Personal skills ■ Golden Rule : A ■ Divinity: B (A+) ■ Collector: EX Noble Phantasm ■ Enuma Elish: The Star of Creation that Split Heaven and Earth Rank: EX Type: Anti-World Range: 1 ~ 999 Maximum number of targets: 1000 people ギルガメッシュ マスター：主人公 真名：ギルガメッシュ 性別：男性 身長・体重：１８２ｃｍ／６８ｋｇ 属性：渾沌・善 筋力：B 耐久：B 敏捷：B 魔力：A 幸運：A 宝具：EX クラス別筋力 ■ 単独行動：EX マスター不在でも行動できる。 ただし宝具の使用等、多大な魔力を必要とする行為にはマスターのバックアップが必要となる。 保有スキル ■ 黄金律：A 身体の黄金比ではなく、人生において金銭がどれほどついて回るかの宿命。 ラソクAともなれば黄金の魂と言える。 大富豪でもやっていける金ピカぶり。一生金には困らない。ハサンとは違うのである。 ■ 神性：B（A＋） その体に神性属性があるかないかの判定。 最大の神霊適正を持つのだが、ギルガメッシュ本人が神を嫌っているのでランクダウンしている。 ■ コレクター：EX より品質の良いアイテムを取得する才能。 レアアイテムすら頻繁に手に入れる幸運だが、ギルガメッシュ本人にしか適用されない為、マスターに恩恵はない。 ギルガメッシュは財宝のコレクターでもある。 “地上の宝はすべて集めた”がギルガメッシュの口癖だが、それは比喩でも何でもない。彼は彼の時代において発生した、あらゆる技術の雛形を集め、納め、これを封印した。 ギルガメッシュが貯蔵したものは財宝というより、“人類の知恵の原典”そのものである。 英雄王の蔵にないものがあるとすれば、それは“新人類が生み出す、まったく新しい概念によるもの” “他天体の知的生命体による文明技術によるもの” のどちらかとなる。 宝具 ■ 天地乖離す開闢の星(エヌマ・エリシュ) ランク：EX 種別：対界宝具 レンジ: 1～999 最大補足：1000人 開闢————すべての始まりを示す、ギルガメッシュの最終宝具。 メソポタミア神話における神の名を冠した剣、乖離剣エアによる空間切断。 エア神はまだ地球が原始状態だった頃、マグマの海とガスとに覆われた地表を回し、砕き、安定させた星の力が擬神化したものとされる。多くの神は原始地球が安定し生命が住まう世界となった後で国造りを始めるが、エアはその以前、星造りを行った一神とされる。

Lancer (Black)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT LANCER, p.012

English Japanese SERVANT LANCER Master: Run Ru-kun Identity: Vlad III Gender: Male Height, Weight: 191cm/90kg Alignment：Lawful Good Strength: B Endurance: A Agility: E Mana: A Luck: D Noble Phantasm: C Class Skills Magic Resistance: C Personal skills Numeral of the Saint: A+++ Battle Continuation: A Innocent Monster: A Noble Phantasm Kazikli Bey Rank: A+ Type: Anti-Army Range: 20 ~ 40 Maximum number of targets: Three Hundred People ランサー マスター：らんみークン 真名：ヴラド三世 性別：男性 身長・体重：１９１ｃｍ／９０ｋｇ 属性：秩序・善 筋力：B 耐久：A 敏捷：E 魔力：A 幸運：D 宝具：C クラス別筋力 ■ 対魔力：C 第二節以下の詠唱による魔術行使を無効化する。 大魔術、儀礼呪法など大掛かりな魔術は防げない。 保有スキル ■ 信仰の加護：A＋＋＋ 一つの宗教観に殉じた者のみが持つスキル。加護とはいうが、最高存在からの恩恵はない。 あるのは信心から生まれる、自己の精神・肉体の絶対性のみである。……高すぎると、人格に異変をきたす。 ■ 戦闘続行：A 戦闘から離脱する能力。 また、敗戦において自軍領地まで生きて辿り着く能力。 ■ 無辜の怪物：A 生前の行いから生まれたイメージによって、過去や在り方をねじ曲げられた怪物の名。 能力・姿が変貌してしまう。ちなみに、このスキルは外せない。 宝具 ■ 串刺城塞(カズィクル・ベイ) ランク：C 種別：対軍宝具 レンジ：0～50 最大補足：三百人 串刺し公・ヴラド三世の名詞と言える宝具。 魔槍から放つ、呪いと鉄槌の拷問魔城。 地面から出現す無数の槍が罪深きものどもを処断する。 相手が持つ不義・堕落の罪に応じて痛みを增す、まさに正義の一撃である。

Lancer (Blue)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT LANCER, p.016

English Japanese SERVANT LANCER Master: Rin Tohsaka Identity: Cú Chulainn Gender: Male Height, Weight: 185cm/70kg Alignment：Lawful Neutral Strength: B Endurance: A Agility: A Mana: C Luck: E Noble Phantasm: B Class Skills Magic Resistance : C Personal skills Battle Continuation: D Divinity: B Noble Phantasm Gae Borg: Barbed Spear that Pierces with Death Rank: B Type: Anti-Unit Range: 2 ~ 4 Maximum number of targets: 1 person ランサー マスター：遠坂凛 真名：クー・フーリン 性別：男性 身長・体重：１８５ｃｍ／７０ｋｇ 属性：秩序・中庸 筋力：B 耐久：B 敏捷：A 魔力：C 幸運：E 宝具：B クラス別筋力 ■ 対魔力：C 第二節以下の詠唱による魔術行使を無効化する。 大魔術、儀礼呪法など大掛かりな魔術は防げない。 保有スキル ■ 戦闘続行：A→C 窮地における生命力の強さ。 瀕死の傷でも戦闘を可能とし、決定的な致命傷を受けない限り生き延びる。 マスターにより耐久値がブーストされたためか、一時的にランクが下がっている。 ■ 神性：B 神霊適性を持つかどうか。 高いほどより物質的な神霊との混血とされる。粛清防御と呼ばれる特殊な防御値をランク分だけ削減する効果もある。菩堤樹の悟り、信仰の加護、といったスキルを打ち破る。 宝具 ■ 刺し穿つ死棘の槍(ゲイ・ボルク) ランク：B 種別：対人宝具 レンジ：2～4 最大補足：1人 突けば必ず相手の心臓を貫く、と恐れられた呪いの朱槍。 連命そのものに対し攻撃。 ゲイ・ボルクを回避するには敏捷性の高さではなく、ゲイ・ボルクの発動前に運命を逆転させる力……幸運値の高さが重要となる。 宝具発動に必要とする魔力量が少なく、しかも一撃一殺という、最も効率のいい宝具。

Lancer (Karna)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT LANCER, p.024

English Japanese SERVANT LANCER Master: Jinako Carigiri Identity: Karna Gender: Male Height, Weight: 178cm/75kg Alignment：Neutral Good Strength: B Endurance: A Agility: A Mana: B Luck: A+ Noble Phantasm: A++ Class Skills Magic Resistance: C Riding: B Personal skills Uncrowned Arms Mastership: - Divinity: A Noble Phantasm Vasavi Shakti: O Sun, Abide to Death Rank: A++ Type: Anti-Army, Anti-Divine Range: 40~99 Maximum number of targets: 1000 units セイヴァー 真名：カルナ 性別：男性 身長・体重：１７８ｃｍ／７５ｋｇ 属性：中立・善 筋力：B 耐久：A 敏捷：A 魔力：B 幸運：A+ 宝具：A++ クラス別筋力 対魔力：C 二節以下の詠唱による魔術を無効化する。 大魔術、儀礼呪法など大掛かりな魔術は防げない。 騎乗：B 騎乗の才能。大抵の乗り物なら人並み以上に乗りこなせるが、幻想種は乗りこなせない。 保有スキル 無冠の武芸：－ 様々な理由から認められる事のなかった武具の技量。 剣、槍、弓、騎乗、神性のそれぞれのスキルランクをマイナス１し、属性を真逆のものとして表示する。 真名が明かされた場合、このスキルは消滅する。 また余談ではあるが、幸運値のランクはカルナ本人による申告である。 神性：A 太陽神スーリヤの息子。 のちにスーリヤと一体化するため、最高の神性を持つ。 神性がB以下の太陽神系の英霊に対して高い防御力を発揮する。 宝具 日輪よ、死に随え(ヴァサヴィ・シャクティ) ランク：A++ 種別：対軍、対神宝具 レンジ：40～99 最大捕捉：千単位 一撃のみの光槍。雷光で出来た必滅の槍。 敵陣である神々の王・インドラから与えられたもの。 神々をも打ち倒す力を持つというが、神話においてカルナがこれを使用した記録はない。

Lancer (Red)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT LANCER, p.020

English Japanese SERVANT LANCER Master: Rin, Rani Identity: Erzebet Bathory Gender: Female Height, Weight: 154cm/44kg Alignment：Chaotic Evil Strength: C Endurance: D Agility: A Mana: E Luck: B Noble Phantasm: D Class Skills ■ Territory Creation: C ■ Battle Continuation: B Personal skills ■ Torture Technology: A ■ Charisma: C Noble Phantasm ■ Kilenc Sárkány: Dragon Cry Thundering Voice Rank: D Type: Anti-Unit Range: 3 ~ 30 Maximum number of targets: Five hundred people ランサー マスター：凛、ラニ 真名：エリザベート・バートリー 性別：女性 身長・体重：１５４ｃｍ／４４ｋｇ 属性：渾沌・悪 筋力：C 耐久：D 敏捷：A 魔力：E 幸運：B 宝具：D クラス別筋力 ■ 陣地作成: C 監獄城を作り上げ、少女たちを監禁すし、 ■ 戦闘続行: B 保有スキル ■ 拷問技術: A ランクＡに該当。卓越した拷問技術。 拷問器具を使ったダメージにプラス補正がかかる。 ■ カリスマ：C 支配階級としての威圧を示す。 特殊な伝承補佐により、女性に対してワンランクアップ。 宝具 ■ 竜鳴雷声(キレンツ・サカーニィ) ランク：D 種別：対人宝具 レンジ：3～30 最大補足：五百人 ハンガリーに古くから伝わる天候の精霊にして、雷鳴のドラゴンの威風を宝具としてコンバートしたもの。 サカーニィとはこのドラゴンの名である。 音と振動を増幅し、その共鳴によって風雨を呼ぶとされる。 本来の機能は、持つ者の声に宿る威厳やカリスマ、癒しの波動、聞くだけで心を砕く悪意、または単に声量を９の９倍にまで増幅する。 聴く者の体ばかりか心まで破壊・蹂躪する、魔の歌声である。

Meltlilith

[v] Fate/EXTRA material - SERVANT Parameter and Skills: Alter Ego S, p.023

English Japanese Alter Ego S Master: BB Identity: Meltlilith Gender: Female Height, Weight: 190cm/33kg Alignment：Lawful Good Strength: E Endurance: C Agility: A+ Mana: A Luck: B Noble Phantasm: EX Class Skills Melt Virus: EX Personal Skills Sadistic Constitution: A Riding: B Noble Phantasm Sarasvati Meltout: Benzaiten's Five-String Biwa Rank: EX Type: Anti-World Range: 1 ~ 999 Maximum number of targets: 1 person アルターエゴ S マスター：BB 真名：メルトリリス 性別：女性 身長・体重：１９０ｃｍ／３３ｋｇ 属性：秩序・善 筋力：E 耐久：C 敏捷：A+ 魔力：A 幸運：B 宝具：EX クラス別筋力 ■ メルトウィルス：EX イデス。スキル『吸収』から進化したチートスキル。 エナジードレインの最上級。ドレインを基本とし、その応用として対象のコピー、スケールダウンなどを可能とする。 カタチさえあれば有機物、無機物、問わずドレインする事が可能だが、カタチのないものを“自分のもの”に変換する事は難しく、単純な養分にする事しかできないようだ。 このため、メルトリリスが“自分のもの”にできるのはおもに『経験値』『容量』がメインとなる。 保有スキル ■ 加虐体質：A 戦闘において、自己の攻撃性にプラス補正がかかるスキル。 プラススキルのように思われがちだが、これを持つ者は戦闘が長引けば長引くほど加虐性を増し、普段の冷静さを失ってしまう。バーサーカー一歩手前の暴走スキルと言える。 ■ 騎乗：B 騎乗の才能。 現存する動物なら野生のものであれ乗りこなせる。 宝具 ■ 弁財天五弦琵琶(サラスヴァティー・メルトアウト) ランク：EX 種別：対界宝具 レンジ：1～999 最大補足：1人 ＢＢがアルターエゴに与えた宝具。本来は対人ではなく対衆、対界宝具。 戦闘や戦士に用いるものではなく、一定の文明を築いた文明圏に用いるもの。 メルトリリスの蜜は肉体だけでなく精神まで甘く溶かす。 この宝具はそのコミュニティーの良識、道徳をとろけさせ、群体のように一体化させてしまう。 そうして身も心も社会もスライム化したものを踏みにじり、吸収するのが本来の力である。非戦闘員に対して絶大な効果を発揮するあたり、メルトリリスのたちの悪さがにじみ出ている。 材料になったものは七福神の一柱であり、宗像三女神、宇賀神などと同一視される女神、弁財天。

Passionlip

[v] Fate/EXTRA material - SERVANT Parameter and Skills: Alter Ego M, p.023

English Japanese Alter Ego M Master: BB Identity: Passionlip Gender: Female Height, Weight: 156cm/1t Alignment：Lawful Neutral Strength: A+ Endurance: A Agility: C Mana: B Luck: E Noble Phantasm: C Class Skill ■ Trash & Crash: EX Personal Skills ■ Quality as a Target of Abuse: A ■ Presence Concealment: A+ Noble Phantasm ■ Brynhild Romantia: Until Death Divide the Two Apart Rank: C Type: Anti-Unit Noble Phantasm Range: 1 Maximum number of targets: 1 person アルターエゴ M マスター：ＢＢ 真名：パッションリップ 性別：女性 身長・体重：１５６ｃｍ／１ｔ 属性：秩序・中立 筋力：A＋ 耐久：A 敏捷：C 魔力：B 幸運：E 宝具：C クラス別筋力 ■ トラッシュ＆クラッシュ：EX イデス。スキル『怪力』から進化したチートスキル。 どれほど巨大な容量であろうと“手に包んでしまえるもの”なら何であれその爪で潰し、圧縮する事ができる。 圧縮されたものは五センチ四方のキューブとなるが、その質量は圧縮前の十分の一ほどしか軽量化できない。 圧縮したものは、以後ダストデータとして扱われる。 保有スキル ■ 被虐体質：A 集団戦闘において、敵の標的になる確率が増すスキル。 マイナススキルのように思われがちだが、強固な守りを持つサーヴァントがこのスキルを持っていると優れた護衛役として機能する。 ■ 気配遮断：A＋ 姿を隠して行動するスキル。 アサシンのクラスが基本能力として持つスキルだが。その臆病さ、慎重さから優れた気配遮断を発揮するが、巨大な爪が邪魔をしてすぐに発見されてしまう。爪さえなければ優れたストーカーになっただろう。 宝具 ■ 死がふたりを分断つまで(ブリュンヒルデ・ロマンシア) ランク：C 種別：対人宝具 レンジ：1 最大補足：一人 ＢＢがアルターエゴに与えた宝具。 対象への愛情が深ければ深いほど、命中精度とダメージ数値を増していく宝具。 たとえそれが一方通行のものであったとしても、愛した相手は決して逃さない。 材料になったサーヴァントは『ヴォルスンガ・サガ』に登場するワルキューレ、ブリュンヒルデ。

Rider

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT RIDER, p.009

English Japanese SERVANT RIDER Master: Shinji Matou Identity: Francis Drake Gender: Female Height, Weight: 162cm/55kg Alignment：Chaotic evil Strength: D Endurance: C Agility: B Mana: E Luck: EX Noble Phantasm: A+ Class Skills ■ Magic Resistance: D Personal skills ■ Voyager of the Storm: A+ ■ Pioneer of the Stars: EX Noble Phantasm ■ Golden Wild Hunt: The Night of the Golden Hind and the Storm Rank: A+ Type: Anti-Army Range: 20 ~ 40 Maximum number of targets: 20 ships forward deployment バーサーカー マスター：間桐 慎二 真名：フランシス・ドレイク 性別：女性 身長・体重：１６２ｃｍ／５５ｋｇ 属性：混沌・悪 筋力：D 耐久：C 敏捷：B 魔力：E 幸運：EX 宝具：A＋ クラス別筋力 ■ 対魔力：D 一工程による魔術行使を無効化する。 魔力避けのアミュレット程度の対魔力。 保有スキル ■ 嵐の航海者：A＋ 船と認識されるものを駆る才能。 集団のリーダーとしての能力も必要となるため、軍略、カリスマの効果も兼ね備えた特殊スキル。 ■ 星の開拓者：EX 人類史においてターニングポイントになった英雄に与えられる特殊スキル。 あらゆる難航、難行が“不可能なまま”“実現可能な出来事”になる。 宝具 ■ 黄金鹿と嵐の夜(ゴールデン・ワイルドハント) ランク：A＋ 種別：対軍宝具 レンジ：20～40 最大補足：前方展開20船 ライダーの奥の手にして日常とも言える宝具。 主船・黄金の鹿(ゴールデンハインド)号を中心に、無数の小船を展開、圧倒的火力をもって敵を殲滅する。 スペインの無敵艦隊を破った「火船」の逸話と、ヨーロッパ全域で伝承される「嵐の夜」の逸話がミックスされた宝具。

Saber (Nero Claudius )

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT SABER, p.006

English Japanese SERVANT SABER Master: Hero Identity: Nero Claudius Gender: Female Height, Weight: 150cm/42kg Alignment：Chaotic Good Strength: D Endurance: D Agility: A Mana: B Luck: A Noble Phantasm: B Class Skills ■ Magic Resistance: C Personal skills ■ Imperial Privilege: EX ■ Migraine: B Noble Phantasm ■ Aestus Domus Aurea: Golden Theater of the Flamboyant Rank: B Type: Anti-team Range: 30,60,90 Maximum number of targets: Hundred People, Five Hundred People, Thousand people セイバー マスター：主人公 真名：ネロ・クラウディウス 性別：女性 身長・体重：１５０ｃｍ／４２ｋｇ 属性：渾沌・善 筋力：D 耐久：D 敏捷：A 魔力：B 幸運：A 宝具：B クラス別筋力 ■ 対魔力：C 二工程以下の詠唱による魔術を無効化する。大魔術、儀礼呪法等、大がかりな魔術は防げない。 彼女自身に対魔力が皆無なため、セイバーのクラスにあるまじき低さを誇る。 保有スキル ■ 皇帝特権：EX 本来持ち得ないスキルも、本人が主張することで短期間だけ獲得できる。該当するスキルは騎乗、剣術、芸術、カリスマ、軍略、等。ランクがA以上の場合、肉体面での負荷（神性など）すら獲得する。 ■ 頭痛持ち：B 生前の出自から受け継いだ呪い。慢性的な頭痛持ちのため、精神スキルの成功率を著しく低下させてしまう。せっかくの芸術の才能も、このスキルがあるため十全には発揮されにくい。 宝具 ■ 招き蕩う黄金劇場(アエストゥス・ドムス・アウレア) ランク：B 種別：対陣宝具 レンジ：３０、６０、９０ 最大補足：百人、五百人、千人 生前、彼女がローマに建設した劇場を、魔力によって形成・再現したもの。 ネロが自ら設計した劇場はドムス・アウレアと名付けられた。 しかし。この劇場を開いた時、一度目は多くの観客が途中で去ってしまった。それに憤慨したネロは二度目の公演時に出入り口を全て封鎖し、舞台の幕が下りるまで一人たりとも外に出さなかったという。 皇帝である前に自分を「楽神アポロンに匹敵する芸術家」「太陽神ソルに匹敵する戦車御者」と信じて疑わなかった彼女のみがなせる、固有結界とは似て非なる大魔術。自己の願望を達成させる絶対皇帝圏。

Saber (White)

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT SABER, p.017

English Japanese SERVANT SABER Master: Leo B. Harwey Identity: Gawain Gender: Male Height, Weight: 180cm/78kg Alignment：Lawful Good Strength: B+ Endurance: B+ Agility: B Mana: A Luck: A Noble Phantasm: A+ Class Skills ■ Magic Resistance: B ■ Riding: B Personal skills ■ Numeral of the Saint: EX ■ Charisma: E The natural talent of commanding an army. Charisma is a rare talent, but occasionally it does affect the development of its possessor's personality. In the case of Sir Gawain, the honesty in what he says is what led to his reputation of being the "the oblivious knight." Noble Phantasm ■ Excalibur Galatine Rank: A+ Type: Anti-Army Range: 20 ~ 40 Maximum number of targets: Three Hundred People セイバー マスター：レオ・B・ハーウェイ 真名:：ガウェイン 性別：男性 身長・体重：１８０ｃｍ／７８ｋｇ 属性：秩序・善 筋力：B＋ 耐久：B＋ 敏捷：B 魔力：A 幸運：A 宝具：A＋ クラス別筋力 ■ 対魔力：B 魔術詠唱が三節以下のものを無効化する。 大魔術、儀礼呪法等をもってしても傷つけるのは難しい。 ■ 騎乗：B 騎乗の才能。大抵の乗り物なら人並み以上に乗りこなせるが、幻想種は乗りこなせない。 保有スキル ■ 聖者の数字：EX ガウェイン卿の持つ特殊体質。 午前9時から正午の時間、午後3時から日没の3時間だけ力が3倍になるというのも、ケルトの聖なる数である3を示したものである。 ■ カリスマ：E 軍団を指揮する天性の才能。 カリスマは稀有な才能だが、稀に、その持ち主の人格形成に影響を及ぼす事がある。ガウェイン卿の場合、彼の裏表のない物言いが”天然の騎士”と評される原因となった。 宝具 ■ 転輪する勝利の剣(エクスカリバー・ガラティーン) ランク：A＋ 種別：対軍宝具 レンジ：20～40 最大補足：三百人 ガウェイン卿の持つ光り輝く剣。 エクスカリバーの姉妹剣であるとされており、本来の持ち主はエクスカリバーと同じく、湖の乙女である。 伝承ではエクスカリバーの影に隠れ、多くを語られる事のない聖剣だった。 アーサー王の聖剣は星の光を集め、ガウェイン卿の聖剣は日輪の熱線を顕すという。

Saver

[v] Fate/EXTRA material - SERVANT Parameter and Skills: SERVANT SAVER, p.018

English Japanese SERVANT SAVER Master: Twice H. Pieceman Identity: Buddha Gender: Male Height, Weight: Unknown Alignment：Lawful Neutral Strength: A Endurance: A Agility: C Mana: B Luck: B Noble Phantasm: A++ Class Skills ■ Charisma A+ Natural talent for commanding armies. Charisma is a rare talent and it’s said that B rank is enough for even a king. ■ Counter Hero B Reduces the parameters of any hero encountered. At Rank B, it reduces all of the opponent’s parameters by two ranks. It’s weaker against anti-heroes, reducing their parameters by one rank. Personal skills ■ Enlightenment of the Sacred Fig EX Protection covering only one who has arrived at the truth of the world, the answer of humanity. A testament of “protecting the world”, called anti-purge protection. Unconditionally reduces damage from physical attacks, conceptual attacks, inter-dimensional attacks by an amount equivalent to his own HP. Also shuts out mental interference 100%. If it’s Saver who has attained the EX rank, it should be possible to tranquilly receive even the seven desires of man. ■ Kalaripayattu EX Ancient Indian martial arts. The ancestor of martial arts based on rational thinking that does not really only on power and talent. Specialized more toward defense than offense. Noble Phantasm ■ Amida Amitabha: Transmigration into One Rank: EX Type: Anti-Unit Range: 0 Maximum number of targets: 1 person The ultimate “anti-individual” Noble Phantasm. A kind of teaching to achieve final Moksha, where energies rivaling the law of man’s creation are made to converge on a single person and liberate him from suffering. The longer human history is, that is, the wider its expanse is, the greater the damage. Theoretically, the humanity of Earth has no way of withstanding this attack. On the other hand, it’s weaker against those humans who aren’t quite human, and it can’t completely save individuals of a scale of existence greater than the domain of humanity. セイヴァー マスター：トワイス・Ｈ・ピースマン 真名：覚者 性別：男性 身長・体重：不明 属性：秩序・中立 筋力：A 耐久：A 敏捷：C 魔力：B 幸運：B 宝具：A＋＋ クラス別筋力 ■ カリスマ：A＋ 軍団を指揮する天性の才能。カリスマは稀有な才能で、一国の王でさえBランクで十分と言われている。 ■ 対英雄：B 英雄を相手にした際、そのパラメーターをダウンさせる。 ランクBの場合、相手のパラメーターをすべて２ランク下のものに変換する。 反英雄には効果が薄く、１ランクダウンとなる。 保有スキル ■ 菩提樹の悟り：EX 世の理、人の解答に至ったものだけが纏う守り。 対粛正防御と呼ばれる“世界を守る”証とも。 無条件で物理攻撃、概念攻撃、次元間攻撃のダメージを自身のHP数値分、削減する。また、精神干渉ならば１００％シャットアウトする。 EXランクに至ったセイヴァーなら人の七欲さえ凪のように受け止めるだろう。 ■ カラリパヤット：EX 古代インド武術。力、才覚のみに頼らない、合理的な思想に基づく武術の始祖。 攻撃より守りに特化している。 宝具 ■ 一に還る転生(アミタ・アミターバ) ランク：EX 種別：対人宝具 レンジ：零 最大補足：1人 究極の“対個人”宝具。 人類創世の理に匹敵するエネルギーを人間ひとりに収束させ、その苦しみから開放するという最終解脱脱法。 人類史が続けば続くほど、その版図が広がれば広がるほどダメージ数値は増していく。 理論上、地球人類ではこの攻撃には耐えられない。 反面、人でありながら人でないものには効果が薄く、その存在規模が人類の版図より上になってしまった個人も救いきれなくなるという。

Encyclopedia

Advanced AI

[v] Fate/EXTRA material - Encyclopedia: Advanced AI [Circumstances], p.187 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese High Level AI [Circumstances] These are artificial lifeforms created in order to allow the holy Grail War to proceed smoothly. They may seem the same as NPCs because they are manufactured beings, but High Level AI have firmly defined liberties and personalities, and they also are bestowed with a soul. Due to the high cost of manufacturing High Level AI, they are not reset even after a Holy Grail War has finished. They make an appearance filling standard character roles in each Holy Grail War. High Level AI include: Father Kotomine, whose duty is to supervise the Masters. Sakura, whose duty is to manage and maintain the Masters’ health. Disciplinary Chairperson, who keeps an eye out for bad conduct within the school. Ms. Taiga, who directs the schedule each day. The mysterious black panther Makiji. ...and more. The group of High Level AI also seems to include Sister Karen Caren, whose jurisdiction is carrying out the punishment of Masters, however she doesn’t seem to make an appearance in the Holy Grail War that the protagonist participated in. Also, the memories that the High Level AI have obtained are unable to be deleted by themselves. No matter how sad and depressing a memory may be they are forced to keep it with them forever, and of course submitting their memories to Moon Cell is the reason that they exist. 上級ＡＩ【事柄】 聖杯戦争を円滑に進めるために作られた仮想生命。 製造された経緯はＮＰＣと同じだが、上級ＡＩには確固たる人権と人格、魂が与えられている。 上級ＡＩは制作コストが高いため、一度の聖杯戦争ではオールリセットされない。 彼らは定番のキャラクターとして次の聖杯戦争に移行する。 マスターたちの監督役である言峰神父、 マスターたちの健康管理を担う桜のほか、 校内の違法行為を監視する風紀委員、日常を演出するミス・タイガー、 謎の黒豹マキジ……等が確認されている。 中にはマスターを処罰する権限を持つシスターカレンなる上級ＡＩもいるらしいが、主人公が参加した聖杯戦争には現れなかったようだ。 また、上級ＡＩは獲得した記録を自分から消去する事はできない。どれほど陰惨な記憶でも残し続け、ムーンセルに提出する事が彼らの大原則であり、存在意義だからだ。

Alternative Choices

[v] Fate/EXTRA material - Encyclopedia: Alternative Choices [Events], p.196 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Branching Choices [Events] These appear when some kind of reaction is desired with respect to what’s currently happening in the game. You must choose just one option from the many possible actions. Only when the branching choices appear is the flow of the story interrupted, and the player imposes his/her own decision and opinion in the place of the protagonist. This is different from the “responses” you can choose in regular conversation. For “responses” all the options available have equal value, and we want you to reply as you think the protagonist would. Choosing the silly replies is also one of EXTRA’s real pleasures. Contrary to what you might think, the silly replies actually often bring out the calm and controlled side of the characters. 選択枝【イベント】 いま起きている出来事に対して、何らかの反応を求められた時に出るもの。 アナタは複数の行動の中から一つの答えを選択しなくてはならない。 この時ばかりはストーリーの流れではなく、ブレイヤーが主人公として決断・発言する。 会話中に起こる「返答」の場合、すべての選択枝はどれも等価値なので、プレイヤーが思い描く”主人公像”として返答してあげてほしい。 バカ回答を選ぶのもEXTRAの醍醐味である。 むしろバカ回答ほど、相手の隠された一面を引き出す事が多い。

Aestus Domus Aurea

[v] Fate/EXTRA material - Encyclopedia: The Flamboyant Golden Theatre [Noble Phantasm], p.154 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Golden Theater of the Flamboyant [Noble Phantasm] Aestus Domus Aurea. Red Saber’s Noble Phantasm; a bothersome explosion of her artistic talent. To be correct Aestus Ustus Domus Aurea. Aestus Ustus is Latin for “passion and “heat,” while Domus Aurea is the name of a theater that was actually constructed [by Emperor Nero in ancient Rome]. Red Saber’s Noble Phantasm is an attack based on an episode where she declared “Listen to my song!” and locked everyone in the theater to force them to listen to her singing. This Noble Phantasm creates a golden theater in which everything is advantageous to Nero, and makes it into the battlefield. There rose petals fluttering through the air. Similar, yet different from your average Reality Marble. Reality Marbles only temporarily cover an area of the current world with an alternate world, but The Golden Theater of the Flamboyant can easily persist in the current world for long periods of time because it is built there from scratch. To digress, upon the materialization of The Golden Theater, Red Saber’s sword was initially designed to be enshrouded in a raging inferno of flames like those of Mount Vesuvius. However, it was too difficult to graphically realize in the game, so it was cut. This is an unfortunate drawback to the use of a portable game system. By the way, Ms. Empress, you were wondering about the existence of the “White Silver Workshop” (Hakugin Koubou) to create fine art, and the “Red Hot Kitchen” (Shakunetsu Chuubou) to be used for the cook-off battle. Well yes, they do. [TL NOTE: The part at the end about Hakugin Koubou and Shakunetsu Chuubou is some completely nonsensical inside joke.] 招き蕩う黃金劇場【宝具】 アエストゥス・ドムス・アウレア 。 赤セイバーの困った芸術性爆発な宝具。正しくはアエストゥスウストゥス・ドムス・アウレア。 アエストゥス　ウストゥスはラテン語で「情熱」「灼熱」を意味し、ドムス・アウレアは実際に建造された、ある劇場の名前である。 赤セイバーが「余の歌を聴くがよい！」とばかりに、自分の歌をきかせるため人々を劇場に閉じこめたエピソードが宝具化したもの。 すべてが赤セイバーにとって有利に働く黄金劇場を作り上げ、戦場とする。替薮とかもバンバン散る。 固有結界と似て非なるもの。一時的に世界の上に別世界を上書きする固有結界と違い、世界の上に一から建築するのでたいへん長持ちする。 余談ではあるが、黄金劇場に降り立った時、赤セイバーの剣はヴェスビィオスの火山の如く炎を帯び、大火を巻き起こす設定だった。 しかし映像的に実現は難しいので没。携帯ゲーム機の悲しい限界なのであった。 亜種として工芸品を作りあげるための「白銀工房」、料理勝負をするための「灼熱厨房」などがあるとかないどか。なんでもアリですね皇帝さま。

Alice

[v] Fate/EXTRA material - Encyclopedia: Alice [Circumstances], p.157 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Alice [Circumstances] Her real name is unknown. She did not participate in the Holy Grail War of her own will, she simply found herself as one of the Masters before she knew it. She is your opponent in the third round. She is a young girl around eight years old with a cute girlish appearance. Her personality matches her appearance; innocent and weak. Although she possesses great magic which was put together for her by SE.RA.PH, her Magus survival instinct is weaker than the protagonist’s. Until encountering Alice, the protagonist had only fought against stronger opponents, but now the protagonist faces a Master that is weaker than them, and also friendly. Her true identity is a net-ghost that wanders around the cyber world. Alice has no physical body. She wanders through SE.RA.PH as though in a dream, coming across new places to play. “Well, I saw a lot of people I didn’t know get together, and it looked like fun.” This little girl had played alone for a long, long time. She joined in on this life-or-death competition because she was lonely. The Holy Grail War is a cruel competition, and she fails to understand the importance or need to steal the lives of others. 　　　　　　　　　　　　　　◆ Before Alice passed away, she lived in England. In an air raid at the end of World War II she was gravely injured and her remaining days were said to be numbered. However it was discovered that she had magic circuits, and after that she was kept alive as-is for research purposes. After a few years of experiencing continual pain and suffering, her physical body finally died. However her mind that was connected to the net remains, and she continues to live as a cyber Magus. She had run from a reality which held only pain for her into a cyber “Dream World.” As she wandered around the network she came across Moon Cell, and then made a contract with the only friend she’d ever had; Caster. After formally becoming a Master, she did not immediately participate in the Holy Grail War, she just gazed upon the world of SE.RA.PH. Occasionally she would find another Master who she thought was similar to herself, and in order to speak with him/her she would descend upon the grounds of the final tournament. … However, upon entering the final tournament one cannot help but fight. Like this, the young girl who was chased from reality was once again embroiled in conflict in the cyber world. The innocent Alice does not understand what killing is or how cruel a life-or-death battle can be. In spite of this, in order to forget the sad memories of the reality from which she ran away, she indistinctly embraces a desire to play with someone. ありす【事柄】 本名不明。 自分から聖杯戦争に参加したのではなく、いつのまにか参加していたマスター。三回戦の対戦相手。 八歳ほどの可愛らしい少女の姿をしており、性格もその外見通り、無邪気でか弱い。 SE.RA.PHから膨大な魔力を組み上げるスキルを持つものの、魔術師としての生存力は主人公以下。 今まで『自分より強いもの』と戦ってきた主人公は、ここにきて『自分より弱く、好意を向けてくるもの』と戦う事になる。 その正体は電脳空間を彷裡うネットゴースト。 ありすの肉体はとうに無い。 少女は夢見るようにしSE.RA.PHを渡り歩き、新しい遊び場に辿り着く。 "知らない人たちがいっぱいあつまって、たのしそうだったから" 長くひとりぼっちで遊んでいた少女は、寂しさから生存競争に参加した。 その内容の残酷さも、相手の命を奪うという事の重さも理解できぬまま。 　　　　　　　　　　　　　　◆ 生前の国籍はイギリス。 第二次大戦末期、空襲によって重傷を負い余命幾ばくかの体になったのだが、少女に魔術回路がある事が判明し、以後は研究のために素体として延命させられた。 数年に続く痛みの末、少女の肉体はようやく死を迎えた。だが精神は繋げられたネットに残り続け、電脳魔として生き続けた。 少女は痛みしかなかった現実から逃げて、電脳空間という"夢の世界"を漂う事になったのだ。 彼女はネットワークを渡り歩くうちにムーンセルに辿り着き、そこで唯一のお友達・キャスターと契約。 マスターでありながら聖杯戦争に参加しない魔術師としてSE.RA.PHを眺めていたが、たまたま自分と似たマスターを見つけてしまい、彼／彼女とお話をするために本選会場まで移動してしまう。 ……しかし、本選に入れば彼女もマスターの一人として戦わざるをえない。 こうして、現実から追い出された少女は電脳空間でも同じ争いに巻きこまれた。 幼いありすには殺し合いの意味も、生存競争の残酷さも分からない。 ただ漠然と、現実から逃げてきた悲しい記憶を忘れたくて、誰かと遊びたかっただけだったのに。

All endings' forking points

[v] Fate/EXTRA material - Encyclopedia: All endings' forking points [Spoilers], p.169 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Branching point for each ending [Spoilers] There are two main endings in CCC. The flags you’ve triggered are tallied when you enter the seventh round. If you’ve seen more Sakura related events, you will be headed for the true end. If you’ve ignored Sakura and focused on a Servant, you will be headed for a Servant end. The title of the seventh chapter is different depending on the route you’ve entered, so you can tell at a glance which route you are on. …However, just because you’ve entered the true end route it doesn’t mean it’s impossible to reach a Servant end. When on the true end route, when you open the last door you will be presented with a variety of choices which will affect which route you will ultimately head down, so don’t worry if you were aiming for a Servant end, it’s still possible. The reason that the true end route is the “true” end is because it’s the route that reveals the truth of the story aspects that the protagonist doesn’t know yet. But it’s not only that. “Bidding farewell to your Servant” is an incredibly important part of Fate works, and so the true end route was selected as the true ending because it has a proper Fate style conclusion. 各ＥＮＤの分岐【ネタバレ】 ＣＣＣでは大きく二つのＥＮＤルートがある。 七章に入った段階でフラグが成立し、 桜よりのイベントをこなしていると真ルートへ。 桜にかまわずサーヴァントイベントをこなしているとサーヴァントルートへ移行する。 七章に入った時のタイトルはそれぞれ違うものなので、どちらのルートになったかは一目瞭然となる。 ……ただし、真ルートに入ったからといってサーヴァントＥＮＤが見られない訳ではない。 真ルートの場合、最後の扉を開く時に選択枝が出現し、どちらのルートに寄るのかを選択できる仕様になっているのでご安心を。 また、真ルートが真ルートと呼ばれている理由は、それが物語の真相を明かすルートだから……だけではない。”サーヴァントとの別れ”こそが国電の真骨頂であり、正統な結末であるからこそ真ルートと命名された。

All stage names

[v] Fate/EXTRA material - Encyclopedia: All stage names [Other], p.169-170 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese All stage names [Other] The Sakura Labyrinth was made to represent the hearts of the heroines within, so each stage name was selected accordingly. Chapter 1 - Backyard of Eden  -01F Escape From New Moon.  -02F Gold Trash.  -03F Slave On Syndrome.  Chapter 2 - Girl's Side Laboratory  -04F Honey tight Dresscode.  -05F Needless?  -06F Bandit Zero Over.  Chapter 3 - Alter Ego/M  -07F Rapunzel Go Home.  -08F Sleeping Beauty.  -09F Red Skin Monster.  Chapter 4 - Sick, Home sink  -10F Connection.  -11F Memory.  -12F Life.  Chapter 5 - Iron Maiden Princess  -13F Dragon Sweet Coaster!  -14F Crimson Full-Course  -15F No Past.  Chapter 6 - Alter Ego/S  -16F Silence Swan Lake.  -17F Alice in Graveyard.  -18F Crime Ballet.  Chapter 7 - I love You.  Observer on Angelica Cage, black bottom moon light.  Crimson Full-Course  No Past.  Chapter 7 - Anima Ataraxia.  Deliverer on Angelica Cage, holy only lime tree. 各ステージ名【その他】 サクラ迷宮は少女たちの心を現したものなので、のステージ名も彼女たちを現したものにした。 以下はその一覧。 第一層・隷属庭園BackyardofEden -01FEscapeFromNewMoon. -02FGoldTrash. -03FSIaveOnSyndrome. 第二層・計算監獄Girl.sSideLaboratory -04FHoneytightDresscode. -05FNeedless？ -06FBanditZeroOver. 第三層愛憎唇紅AlterEgo/M -07FRapunzelGoHome. -08FSleepingBeauty. -09FRedSkinMonster. 第四層麻酔城塞Sick,HomeSink -10FConnection. -11FMemory. -12FLife. 第五層血々純潔IronMaldenPrincess -13FDragonSweetCoaster! -14FCrimsonFul1-Course. -15FNoPast. 第六層快楽臨界AlterEgo/S -16FSilenceSwanLake. -17FＡlicelnGraveyard. -18FCrimeBallet. 第七層乙女ノ深層ILoveYou. ObserveronAngelicaCage,blackbottommoonIight. 第七層聖女ノ深層AnimaAtaraxia. DelivereronAngelicaCage,holyonlylimetree.

Alter Ego

[v] Fate/EXTRA material - Encyclopedia: Alter Ego [Circumstances], p.157 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Alter Ego [Circumstances] The Alter Egos are alternate personalities separated from the ego of BB. Indeed, Alter Egos. Alter Egos are a group of high-level AI’s created by BB in CCC. These girls who were created from BB’s emotions each have a soul, and are active in the cyber world as entities completely separate from BB. Creating a soul is not a difficult task for Moon Cell, this is because the design and structure of souls has already been discovered. The problem lies in whether the soul can become self-aware once put into its “container.” The Alter Egos were all created as incomplete copies, so in order to account for this flaw they were each bestowed with independent self-awareness separate from BB’s. Each Alter Ego inherits a single emotion from their progenitor BB. This is why Passionlip is embodied with despair, and Melt Lilith is a disciple of destruction. To digress, in the original design plans for CCC there were 5 Alter Egos, and during development they were called “The Sakura Five.” Before the release of CCC they were pit head-to-head in a cruel life or death competition. Passionlip and Melt Lilith are the two Sakura of the five who were victorious and survived to the end [in order to make it into the game]. アルターエゴ【事柄】 自我から分かれた別人格。オルターエゴとも。 ＣＣＣではＢＢから作られた上級ＡＩたちを指す。 ＢＢの感情から作られた彼女たちには魂があり、すでにＢＢとは違う生命体として活動している。 ムーンセルにおいて魂の作成はそう困難な事ではない。魂の設計自体はとっくに解明されている。問題は魂という「筐」の中に自意識が宿るかどうかだ。 アルターエゴたちは不完全なコピー形式から生まれ、その欠損を埋めようとあがく事でＢＢとは違う独自の自意識を獲得した。 ……しかし発端であるＢＢが持つ「ある感情」だけは共通して受け継いでおり、そのためにパッションリップは絶望を知り、メルトリリスは破滅を受け入れた。 余談だが、ＣＣＣ初期案ではアルターエゴは五体おり、開発中はサクラファイブと呼ばれていたとか。 リップとメルトはゲーム開始前から過酷な生存競争で生き残った、勝ち組サクラなのだった。

Amita Amitabha

[v] Fate/EXTRA material - Encyclopedia: Transmigration into One [Noble Phantasm Name], p.156 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Transmigration into One [Noble Phantasm Name] Amita Amitabha. It is Saver’s major Noble Phantasm. It is the final and greatest stage of his minor Noble Phantasm, Chakravartin: Turner of the Wheel. According to the reincarnation ideology centered on the Hindu God of Creation Brahma, all humans are a reincarnation of Brahma, and thus the entire human race is part of the same individual. (The Hindu reincarnation and transmigration timeline is sometimes ignored in our (Type-Moon) works, so don’t be silly and nitpick.) According to this ideology, all humans will certainly attain nirvana. (become a Buddha) This is because all humans will ultimately attain enlightenment and transmigrate. …Uhhh—Well I have no idea what I’m saying anymore, all this transmigration and immortality business isn’t easy you know! Wow! So anyways… (Remainder omitted) To cut a long story short Amita Amitabha saves mankind from all its pain and suffering. “Everyone will become one with me through the reincarnation cycle.” No mortal being, no human can ever go against this process. (Spoiler ahead) However, the protagonist isn’t alive in the first place, so there remains a tiny chance for him/her to survive this attack. This is because the protagonist has never experienced the pain of living, or the four kinds of suffering (birth, disease, old age, death). If the production budget of EXTRA were 10 times larger, we would have included a system where the player would have attained enlightenment through playing the game and thus be able to overcome this attack. [TL NOTE: attain enlightenment = become a Buddha=be able to survive the attack] When fighting against Saver we wanted to evoke the feeling that if players don’t win the battle in one turn, this “inescapable game-over attack” would activate. By the way, in the game the actual damage is 5,670,000,000. 一に還る転生【宝具名】 アミタ・アミターバ。 セイヴァーの大宝具。転輪聖王(チャクラ・ヴァルティン)の最大展開。 インドのブラフマー思想によるなら、すべての人間はブラフマーの転生であり、すべての人類は同一の個人であると言う事になる。 （インドの転生は時間軸を無視する事が往々にしてあるので、細かいツッコミは野暮天） この思想に立った場合、全人類は必ず成仏する。 何故なら、すべての人間が究極的には覚者(ブッダ)に転生するからだ。 ……えー、もう自分でも何を言っているか分からねーが、転生とか不死とかそんなチャチなもんじゃねえ、すげえ（以下略 ようするにあらゆる衆生の苦しみを救う、『人間はみんな私になるのだ転生輪廻』。 生有るもの、人であれば決して逆らえない大ダメージだが、主人公はそもそも生きていない（ネタバレ）ので耐えきれる可能性が微レ在。主人公にはまだ生の苦しみ、四苦がないので。 EXTRAの制作費が十倍ぐらいあったら、ゲーム過程で悟り（信念）を開くと、この攻撃を乗り越えられる、という仕掛けにしたかったところ。 ゲームでは対セイヴァー戦、一定ターン内に決着をつけないと展開される”絶対ゲームオーバー攻撃”として描写されている。 ちなみにダメージは五十六億七千万。

Amnesia Syndrome

[v] Fate/EXTRA material - Encyclopedia: Amnesia Syndrome [Disease name], p.156-157 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Amnesia Syndrome [Disease name] Amnesia Syndrome is an infectious disease identified in the 21st century. It is a virus that violates nerves in the brain. Those infected with this disease gradually lose awareness of the boundary line between themselves and other people. Ultimately they lose all awareness of their memories and it ends their lives. A large number of people have been infected, yet it still remains unclear how infection occurs. According to one theory the infection spreads through the collective unconsciousness of the people. In 1970, a treatment was being developed by a certain scientist, however he died and the research remained at a standstill for many years. In 2030 a vaccine was developed. アムネジア•シンドローム【病名】 二十一世紀に確認された感染症。 脳神経を犯すウイルス。感染者は自己と他人の境界が曖昧になり、最終的には記憶の認識さえ不可能になり生命活動を止めてしまう。 多くの感染者を出したが、感染ルートは現在も解明されていない。一説によると集団無意識を同じくするものたちに感染していくという。 １９７０年、ある科学者によって治療法が発見されるも彼の死で一時研究は頓挫。２０３０年、ワクチンが開発された。

Andersen

[v] Fate/EXTRA material - Encyclopedia: Andersen [Servant], p.158 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Andersen [Servants] Andersen is a Servant that appears in Fate/EXTRA CCC. He is a poison-tongued shota writer. His Master is Kiara Sesshoin. Although his class is Caster he is usually referred to using his true name Anderson because Kiara, who has abandoned participation in the War, revealed it. Andersen appears to be a young boy around the age of 10. Despite being Kiara’s Servant he interacts with the player from a neutral standpoint. He is remembered throughout the world as one of the three great fairy tale authors. He possesses no ability to fight, thus he does not take any part in combat throughout the game. His position in the Moon Cell Holy Grail War ever so slightly insinuates, “Without victory, without defeat, I am the one to judge this story.” He has a dark nature and is a pessimistic poet who has no desire to be liked by others. Furthermore he is no longer able to see any remaining value in himself, and completely lacks the notion that he should enjoy, or is able to enjoy his life. Although he was summoned as a Servant, he has no wish or desire. This is probably because while he was alive he was unable to obtain anything he wanted. “Even if life had some sort of value, it would surely be far less than most people fancy it to be.” Like this, we can see that he has a distaste for everything in the world. However, his true nature is to be helpful to others, and if you rely on him, he will certainly live up to your expectations. Like a good author he is conscientious, and he pays attention to all the small details. In short, he is a male tsundere. Of course, in the first place, without the desire to entertain and to please your readers it would be impossible to work as a writer. While Andersen is decidedly pessimistic, he advocates “Live properly.” and “Do everything you can to pursue your goals to the end.” and would never laugh at the hard work of others. This is what he once dreamed that society would actually typify. 　　　　　　　　　　　　　　◆ Andersen’s young appearance is in complete contrast with his choice of words, and his voice is like a sword that cuts you in two. In general he considers everything to be completely terrible, worthless and useless so conversation instantly freezes over when he joins in. His poisonous tongue has made Kiara stop dead and have to pull herself together more than a few times. However, while he may come across as trying to seem self-important with his pessimism/view that humans are worthless, he is similar to Archer in that if you take what he says in a level-headed manner you will realize that he is simply speaking the truth. Andersen isn’t looking down on and criticizing others, but rather just revealing the fact of things in his own sincere way. To digress once again, we originally considered making him a Tinkerbell-like, fairy-from-a-fairy-tale-book-like character. In EXTRA and CCC we see two completely different sides to him. Similar to how the various Lancers are related to vampires, we wanted to link Caster to nursery rhymes and make him a märchen-like character. Eventually we settled on the current “who would think there could be such a hateful fairy” version of him. アンデルセン【サーヴァント】 ＣＣＣで登場するサーヴァント。 毒舌厭世ショタ作家。マスターは殺生院キアラ。 クラスはキャスターだが、戦闘放棄したキアラが真名を明かしているためアンデルセンと呼ばれる。外見年齢十歳ほどの少年。 キアラに従うサーヴァントだが、中立の立場でプレイヤーと関わる。 世界にその名の鳴り響く三大童話作家のひとり。 戦闘手段を持たないので最後まで戦わないが、そういった立ち位置から『勝ちも負けもない、この物語のジャッジ役』という意味合いを匂わせている。 根暗で厭世的な詩人で、他人に好かれる気がなく、また、自分にも価値を見いだせなくなっているため、自分の人生を楽しむ、という考えが欠如している。 サーヴァントとして召還されてはいるが、アンデルセンは人生に何も求めていない。生前、望むものは何一つ手に入らなかった事が原因だろう。 「人生に価値があるとしてもだ。そんなものはたいてい、人間が夢想するものより下だろうよ」 と、世の中すべてを嫌っているようにさえ見える。 しかし根は面倒見がいいのか、頼られれば応えるし、作家らしく几帳面なのでアフターケアも万全。ようは男のツンデレである。 そも、読者を楽しませよう、読者に奉仕しよう、なんて考えがなければ物書きは勤まらない。 アンデルセンは厭世家として固まってしまったが、『正しく生きよう』『全力で事を成し遂げよう』とする人間の努力を笑わない。それはかつての彼が夢想し、そうあってほしいと願った社会の姿だからだ。 　　　　　　　　　　　　　　◆ 外見の幼さとは正反対の言葉遣い、声質で近寄るものを一刀両断する剣客ならぬペン客。 たいていのものを「すべて醜い、価値がない」と駄目だしするので、アンデルセンが会話に入ると途端に場の空気が凍ってしまう。アンデルセンの毒舌にキアラが場を取りなす事も一度や二度ではないだろう。 しかし、厭世的かつ性悪説を認めているので偉そうに聞こえるが、アーチャー同様、冷静に捉えれば誠実な内容を口にしている。アンデルセンは上から目線で相手を批判しているのではなく、物事の真実を彼なりに真摯に語っているだけなのだ。 また完全な余談ではあるが、最初期案ではティンカーベル的な、本の妖精っぽい立ち位置が考えられていた。 EXTRAとＣＣＣは表と裏の関係である。 それぞれのランサーが吸血鬼縛りだったように、キャスターもナーサリーライムに合わせてメルヘンなキャラクターにしたかったが、こんな憎たらしい妖精がいるか、という事で現状に落ち着いた。

Angra Mainyu/CCC

[v] Fate/EXTRA material - Encyclopedia: All the World's Desire [Noble Phantasm], p.158-159 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese All the World's Desire [Noble Phantasm] Angra Mainyu/CCC. This is the anti-planetary Noble Phantasm Kiara gains after her reincarnation. Angra Mainyu is the most self-serving heinous Noble Phantasm of them all where Kiara uses the world to masturbate. Kiara offers her body in a sexual manner to all living things on Earth, including humans, animals, and plants. By completely accepting all people as is she gains the greatest possible mastery over their senses and carnality. This Noble Phantasm is derided for being demonic and it’s similar to the living sacrifices used for certain artificial magic ceremonies used the past in order to prove the evil of humans. It is a vortex of pleasure that melts all sentient beings, and digests their “life” in an instant. While in reality it all happens in an instant, but it feels like an eternity of pleasure. Regardless of how different the structure of a beings intelligence may be, this vortex affects all without exception. It is not a Noble Phantasm that is limited to affect only those on Earth. The damage increases if certain conditions are met. If the target is of the opposite sex, the damage increases. The more intelligent a being is, the more damage it does. As far as the setting and lore are concerned, the Servant who would be hit with the least damage would be Archer, and Gilgamesh would be damaged the most. The reason why this attack’s power, visuals, and scale are so huge is because reincarnated Kiara is a being similar to Saver. People who devote their life to bringing salvation to Sattvas (living things) are referred to as Bodhisattvas. People who have attained moksha (libertation/release) and become Buddhas are also Bodhisattvas. A Bodhisattva is a god of universe scale and power, and can easily manage things on the scale of the Solar System. Buddhism has a sense of scale of the universe that stands out from that of other religions. There are concepts like Nayuta (1060) and “The Infinitely Vast Number” (1068) which were created to represent the scale and size of a Buddha. The entire universe is the domain of a Buddha. In Buddhism the universe in considered to be made up of three billion solar systems (a great trichiliocosm). A galaxy comprises of 3000 solar systems (a small trichiliocosm), and 1000 small trichiliocosms make up a trichiliocosm. This actually aligns with the real scale of galaxies, galaxy clusters, and super clusters. India had this stuff figured out over 2000 years ago? Holy crap! In the initial design phase of the game I submitted some paperwork describing this Noble Phantasm. I thought there would be no way that this gets by CERO untouched, but surprisingly enough it did. I still have no idea how this was able to make it past them. この世全ての欲【宝具】 アンリマユ／ＣＣＣ。 変生(へんじょう)したキアラの対星宝具。 地球で自慰行為にふける最低最悪の宝具。 地球に残ったあらゆる生き物───人間、動物、植物に自分の体を捧げ、これを受け入れる事で最大の官能を会得し、成長する権能。 その在り方は、かつて人間の悪性を証明すめために悪魔と罵られ、生け贅に祭り上げられたある人工魔に類似する。 この快楽の渦は知性あるものを融かし、その『人生』を一瞬で昇華させる。わずか一瞬の、しかし永遠の極楽浄土の誕生である。 この快楽の渦はどれほど知性構造が異なっていようと、知性あるものには例外なく作用する。地球限定の宝具ではない。 条件によってダメージ数値は向とし、異性であるならダメージ増加、知性が高いほどダメージ増加、という特性を持っている。 設定上の話なら、もっともダメージが低いのはアーチャー、逆に最高ダメージを受けるのがギルガメッシュの予定だった。 性能、演出、ともにスケールが大きいのはキアラがセイヴァーのサーヴァントに近い存在だから。 衆生（生きとし生けるもの）を救うために奔走する人をおしなべて菩薩と呼び、また、解脱して仏になったものも菩薩である。そして菩薩とは宇宙レベルの存在規模(スケール)を持つ天(かみ)であり、太陽系ぐらいは軽く管理している。 仏教の世界観の広大さは他の宗教とはレベルが違う。ナユタだの無量大数といった数の概念があるのは、ひとえに仏の大きさを示すために作られた物だ。 仏教において宇宙は仏の国であり、その広さも三千大千世界と呼ばれる。 銀河系が三千世界、それが千あつまったものが三千大世界、さらにそれが千あつまったものが三千大千世界。 まさに銀河、銀河団、超銀河団の尺度と言える。二千年以上も前からこの解釈を持ってるって、インドどんだけー。 開発初期、「ラスボスにはこういう事をやらせたいです」と字コンテを作りはしたものの、セロ的に通るはずがない、と諦めていたらあっさり通ってしまった。なんでこれが通ったのかはいま以て謎である。

Archer

[v] Fate/EXTRA material - Encyclopedia: Archer [Servant], p.152 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Archer [Servant] Archer is one of the main Servants that the protagonist contract. Enveloped in his red cloak, he is a young man in his mid-20s. Despite belonging to the archer class, he is a tough-as-steel Heroic Spirit and usually engages in close quarters combat. He is sometimes referred to as Koucha, or even Red Archer in order to avoid being confused with the Archer who wears green clothing. Archer usually uses the personal pronoun 私 (watashi), but depending on the situation he lets オレ (ore) slip out from time to time. Having been introduced in Type-Moon works countless times, he is a very familiar Servant. He is a cool-headed cynic, but he is also helpful and caring. Due to his character he is said to be a Servant who is also suitable to serve as a butler. Archer’s origin differs from that of other Heroic Spirits, and he cannot be considered a legitimate Heroic Spirit. Archer is a guardian. He was born into the world as a kind of defense mechanism which arose from the collective unconscious desire of mankind for continued existence. He was essentially unconsciously elected by the masses to be their faceless representative. He carries out his mission as a guardian following a simple rule, “If some evil appears that threatens to speed up the collapse of mankind, I will eliminate it and all accessories.” He crushes threats to mankind that the masses don’t even know or realize exist. He is, so to speak, a repairman of the ages. If there were ever a time without Archer’s deterrent power at work, destruction would rapidly spread and mankind would soon find itself facing an inevitable “END.” Please refer to the EXTRA game contents to find out why this Heroic Spirit became one of mankind’s guardians. Archer is a calm, collected professional, and he never lets his personal feelings interfere. He is always making a stern face, however this is probably due to his lack of freedom. Although he takes up his role as a knightly bow wielder, he was originally an old world Magus. He uses Projection Magic, which is the ability to replicate an object just by imagining it for a few minutes. He is a faker that can reproduce many famous swords. The reason his main weapon is a bow is thought to be because he isn’t that strong of a Heroic Spirit, so he settled on ranged combat as his ultimate combat style. In EXTRA Archer is almost the same entity as the Archer in Fate/stay night (although not the same person), but their true names are different. Please refer to Archer’s Special My Room in EXTRA to find out why his true name is just a regular noun, and not a normal human name. Unlike Cas-Ko, Archer’s Special My Room is very simple to access. You can activate all his flags by talking to him in between rounds, Hakuno-san. 　　　　　　　　　　　　　　◆ In CCC Archer appears as a half-naked perv— I mean… he is stylishly donning a red leather jacket. In CCC he is somewhat of a scoundrel, but nonetheless still reliable. Even when he is on the far side of the Moon he coolly and wildly grasps the situation and helps out the amnesic protagonist. Sometimes he can be quite the nagging instructor. In CCC his rival is Melt Lilith. If you choose both the female protagonist and the Servant Archer, the contents of Melt Lilith related events change completely. Also Archer is the only Servant whose END differs from the rest. The Servants based on Saber feature “The Future that begins in the Present,” while Archer features “The Present that begins in the Future.” Why the ending theme differs can surely be understood by those of you who have fought to the end alongside Archer. I’m sure you understand without me putting it into words. アーチャー【サーヴァント】 主人公と契約するメインサーヴァントのひとり。 赤い外套に身を包んだ、 二十代中盤の青年。 弓兵のクラスでありながら白兵戦を主体にする錬鉄の英霊。緑衣のアーチャーとの混同を避けるため、紅茶、赤アーチャー、と呼ぱれる事も。 一人称は『私』。ある条件でのみ『オレ』と洩らしてしまう事も。 もう何回解説したか分からなくなる程度にはお馴染みのサーヴァント。 皮肉屋で冷徹、そのくせ面倒見いい執事系サーヴァントとも言う。他の英霊たちとは出典が異なるため、正統な英霊とは言えない。 この英霊は守護者と呼ぱれるもので、人類の “存続するぺき” 無意識が生み出した防衛装置のようなもの。 要は名も無い人々が選出した、顔の無い代表者だ。 『人類の滅亡を加速させる害悪が現れた場合、 これを成立させる要素をすペて消去する』といった目的で守護者は現れ、仕事をこなす。 人知れず人類滅亡の危機を潰している、時代の補修人といったところ。この抑止力が働かなくなったとき滅ぴは速やかに進行し、人々はもう取り返しの付かない“終わり”と体面する。 この英霊がなぜ守護者の一部になったのかは、EXTRA本編を参照のこと。 基本的に冷徹な仕事人なので、私情を挟めない法の執行官、とイメージするとしっくりくる。いつも厳(い力)めしい顔をしているのはそのあたりの不自由さ故なのだろう。 弓の騎士として確立しているが、もともとは旧世界の魔術師。 投影魔術……道具をイメージで数分だけ複製する魔術......を用い、多くの名剣、 魔剣を模造する贋作者(フエイカー)。 基木武袋が弓になったのは、彼が英霊としてはそこまで強力ではなく、最終的な戦闘スタイルが狙撃に落ち着いたからと思われる。 stay night のアーチャーとほぽ同一 存在（同一人物ではない）だが、英霊どしての真名は異なる。 なぜ彼の真名が人名ではなく名詞なのかはEXTRA本編のスぺシャルマイルームで語られる。 キャス狐と違って見るのはたいヘん簡単。各回戦ごとにこまめにマイルームでトークしていれぱフラグ達成ですよ白野さん。 　　　　　　　　　　　　　　◆ CCCでは赤ジャケ半裸のヘンタ————赤いレザージャケットをスタイリッシュに着込んだ、頼れる無頼フォームで登場。 月の裏側であろうとクール&ワイルドに状況を把握、記憶を失った主人公を助けていく。その在り方は口うるさぃ教官のようだ。 CCCにおけるライバルはメルトリリス。 女主人公＋アーチャーの祖み合わせでのみ、メルトリリス関連のイペントはがらりと内容を変える。 またサーヴァントENDもアーチャーだけはその在り方が異なっている。 セイバーたちは『現在から始まる未来』であり、 アーチャーけ『未来から始まる現在(イマ)』。 なぜそうであるのかはアーチャーと戦い抜いた “貴方” なら、言葉にせずとも理解できている筈だ。

Archer (Green)

[v] Fate/EXTRA material - Encyclopedia: Archer (Green) [Servant], p.152-154 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Archer (Green) [Servant] Green Archer is a Servant who the protagonist fights in the second round. His Master is Dan Blackmore. He is a sniper whose body is hidden in a green cloak. In order to avoid confusion with the red-cloaked Archer, he is sometimes called Ryokucha. His true name is Robin Hood, Hunter of the Forest. It’s important to note that he is not the Robin Hood you know from popular legend. Instead Green Archer is a chivalrous robber based on the original Robin Hood. The original Robin Hood was a troublemaking orphan who lived alone on the outskirts of a village. In a twist of fate he became involved in an ordeal with some of the Lord’s soldiers who came around town for tax collection. The Lord had recently succeeded as head of the family, and he was taking the opportunity to raise taxes to the point where he was essentially telling the villagers to starve to death. The villagers lacked both the desire and the power to go against the Lord. So Robin didn’t try to rally the villagers, and instead cast himself as a protector of the forest who would punish any who violated it. He drove off the soldiers using this as his excuse. From then on he kept his identity hidden and continued to fight the Lord. Eventually he became known amongst the villagers as The Green Man. Traps, surprise attacks, and foul play formed the core of Robin Hood’s tactics, so as a Servant he generally avoids head on confrontation. He tries to lure his prey into the forest, which is his true territory. “You could never call my territory a “nice forest.” Complete preparation. An overwhelming network of tricks and traps. A place for the weak to shoot and bring down stronger foe. That’s my Sherwood Forest.” His trump card is poison obtained from plants in the forest. Actually both Green Archer and Cas-ko are poison users. Robin Hood appears in “The Tale of Robin Hood” and is a chivalrous robber that lurks in Sherwood forest. Depicted as a hero of justice that fights against the Tyrant King John Lackland, he is a character born from a fusion of Greek myths about Orion, Celtic myths about fairies, and Druid beliefs. There was a real person after whom he was modeled; however the model is also thought to be the result of a mix of multiple people. From the 16th century onwards he was thought to be someone who lived in the time of King Lionheart. His true identity is veiled, however there was certainly someone who he originated from. That someone was a hero who fought not for themselves, but for the benefit of other people. But then, after death, they were destined to be forgotten. (If you look at it from this perspective, both Red and Green Archers share similar personalities.) [TL NOTE: Here personality was expressly written in katakana, but it feels like it should probably be “share a similar fate.”] Robin Hood was handsome enough to make any naive village girl fall for him with a single look. That being said, he was very kind and a rather timid man, so not exactly the perfect lady-killer. He would often act frivolously to hide his naive fixation on justice. But his creed always puts life over death.   “Pride or idleness are great and all, but it’s all over if you die, right?” It follows that he held the small-minded desire of just wanting something warm and pleasant to be waiting for him after surviving to the end of the conflict. However it stands that he never managed to achieve this. To be blunt, he had a childish, ill-tempered perspective of the world. Passing over whatever with a simple “Well I guess that’s the way it is.” After being hated by the villagers [for the trouble he caused when he was young] he learned to simply go with the flow, and often told himself, “Don’t meddle too deeply in the affairs of others.” Nevertheless he had a love for people and whenever he saw people having fun he would somehow manage to slip himself into the group. He would end up as someone who was less than a friend, but more than a stranger. His main attribute is virtue, so he loathes evil people, but finds no fault with good people (ordinary people). Although he twists the world around him, he would never sneer at the effort of others, however fruitless it may be. At the root of his character is his strong sense of shame about his lowly origin. Robin Hood is summoned as the Servant Archer, and his has poor compatibility with his Master (Dan). Throughout his lifetime he managed to stay alive by employing surprise attacks, assassination, and destructive traps. He was a so-called “Master of Cowardice.” Therefore Dan’s knightly mentality is something of a hindrance to Robin. When it comes to the Holy Grail War, what effect does this incompatibility have on Robin’s smoldering wish (his desire of the Grail)? To find out, please refer to the game contents. It must be mentioned that despite being ideologically incompatible with Dan, their personal relationship is rather good. Although Robin can’t follow along with Dan’s knightly mentality, Dan is a man of justice, just like Robin is. As such, Robin reluctantly obeys his orders. His reluctance is not due to prejudice, but rather because they are polar opposites. Dan is impervious to trickery and deception, so Ryokucha (Green Archer) can’t help but scratch his head, “I wound up with another pain in the ass again.” Green Archer: “Nitpicking at every little thing isn’t going to defeat our enemies. Oh well I guess it’s fine. I’m used to adversity after all. I’ll follow along obediently without a single complaint.” Dan: “Archer, just my opinion, but isn’t what you just said generally considered to be a complaint?” Green Archer: “Eh? Ah, yep that’s right. You’ve got me there.” The old veteran warrior and the young philosophical greenback. This is the face of the struggle they share. アーチャー（緑）【サーヴァント】 二回戦で戦う事になるサーヴァント。 マスターはダン・ブラックモア。 緑衣に身を隠した狙撃手。赤い外套のアーチャーと の混同を避けるため、緑茶、と呼ばれる事も。 真名は森の狩人・ロビンフッド。 ただしロビンフッドといっても伝説にある本物では なく、ロビンフッドのモデルになった義賊の一人。 もともとは村の厄介者……村はずれに住む天涯孤独の青年だったが、ひょんな事から村の徴税にやってき た領主の軍隊どかかわってしまった。 領主が代替わりした事により税は増加し、村に税を納めろという事は飢え死にしろ、という事に等しかった。 村人たちには領主に逆らう力も意思もない。 ロビンは村の人間ではなく、あくまで“森を犯す人間に罰を与える”という名目で領主の軍隊を撃退して しまう。その後、正体を隠して戦うこどで村人たちか らは『緑の人』として扱われる事になった。 昆や奇襲、だまし討ちが基本戦術のサーヴァントで、正面からの戦いは好まない。 獲物を森に誘い込んだ時こそ、このサーヴァントの 本領となる。 「善良な森はオレの庭とは呼べない。 準備は万全、仕掛けは万能ってね。 より強大な獲物を射殺す弱者の庭。 それがオレにとっての、シャーウッドの森ってワケ」 その切り札は森の植物から採れる毒。 実は毒使いとしてキャス狐と通じ合うところもあっ たりする。 ロビンフッドは『ロビン・フッド物語』に登場する、シャーウッドの森に潜む義賊で、時の暴君ジョン失地 王に抵抗した正義の人として描かれている。 ギリンャ神話のオリオンとケルト神話の妖精たち、そしてドルイド信仰とが融合して誕生した義賊。 モデルとなる人物は存在するが、それが複数混合した結果と思われる。16世紀以降は、リチャード獅子心王時代の人物と考えられている。 正体は不明だが、確かにいた『誰か』。 自分のためではなく人々のために戦った英雄。 そして死後、人々から忘れ去られる運命の人。 （そういった視点で見ると、赤と緑、二人のアーチャー は似通ったパーソナリティを持っている） 初心な村娘を一目で落どすほどのハンサム。 ......なのだが、善良でやや小心者な性格のため、完壁なイケメンという訳ではない。 正義にこだわる青臭い自分を隠すため、不真面目な 素振りをしている。死より生を尊重する信条。 「誇りも怠惰もいいけどさ、死んだら何にもならないでしょ？」 といった、生き抜いた末に温かいものが残ればいい、という小市民的な願望の象徴。……もっとも、彼自身 はそれを手に入れる事はなかったのだが。 基本、世をすねた視点、物言いをする。なんであれ 「そんなもんですか」と流す事なかれ主義。 嫌われ者だった彼の処世術は『他人の深いところに は立ち入らない』というものだった。 そのクセ人間好きなので、楽しそうな団らんがあればそのはじっこにひょっこり仲間入りし、最終的には友人ではないが他人でもない、というポジションに収 まっている。 属性が善なので、悪人は憎むが善人（凡人）を憎む事はない。世を拗ねているが、決して他人の努力、徒労を嘲笑う事だけはしない。 彼の根底には自身の卑しさを恥じ入る後ろめたさと、コンプレックスがあるからだ。 アーチャーのサーヴァントとして召喚されたものの、マスターとの相性は悪い。 生前から奇襲、暗殺、破壊工作といった、“卑劣な戦 法”でのみ生き延びてきたアーチャーにとって、ダンの騎上道精神は足かせのようなものだからだ。 それが聖杯戦争、引いては彼の深層にくすぶってい る“願い”にどう影響するかは、ゲーム本編を参照のこと。 また、相性は悪いものの、ダンとの関係はそれなりに良好。 騎士道精神とは相容れないものの、ダンは正義の人だ。なので、ロビンも嫌々ながらも指示に従っている。 嫌々なのは毛嫌いしているのではなく、人間的に正反対の人物だから。 ダンには誤魔化しがきかないので「また面倒な人にあたっちまったよ」と頭を掻く緑茶であった。 「状況にケチをつけたところで敵さんが転んでくれるワケでもなし。いいですよ、逆境にはなれてるし。大人しく、グチ一つなく付き合いますよ」 「私見ではあるが。一般的に、それを愚痴というのではないか、アーチャー？」 「へ？　あ、そうっスね。こりゃ一本とられたわ」 ベテラン老兵と若くして達観した青年兵。 それがこのコンビの共闘スタイルである。

Assassin

[v] Fate/EXTRA material - Encyclopedia: Assassin [Servant], p.154-155 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Assassin [Servant] He is an assassin that melts into the shadows. Julius is his Master. His true name is Li Shuwen. Li was a prominent Chinese martial artist who lived from 1864 to 1934, and was feared for prowess in battle, “Li Shuwen needs no second strike, as long as he lands one blow it will more than suffice.” He became known as the Demon Fist Master for casually ending the lives of those he defeated in martial art matches. In EXTRA, he stands out from the other Assassin class Heroic Spirits because of his unique skill “Presence Concealment” which he uses to impede the protagonist as an invisible assassin. While cold-hearted and able to kill without reserve, he is not someone who takes pleasure in killing. “When I encounter another warrior, one of us will die. A fight is not something that can be taken lightly; it is something upon which both parties have staked their beliefs. Therefore it is not something that should be approached in a casual way. Also, after a fight has begun, it must always result in the death of one combatant.” This is the principle which governs Assassin in Fate/EXTRA. He is extremely logical and fair, and it would seem that this is what he believes a fight to be. His Master, Julius, also makes his living by stealing the lives of others. Their compatibility is good. Julius was originally a contract killer, and Assassin was originally a professional martial artist, so their opinions clash on a fundamental level. Julius just thinks of killing as all in a day’s work, while Assassin greatly enjoyed the prime of his life when he could often fight to the death. Assassin is not a maniacal killer, but if things come to a fight, he figures he might as well have fun. Assassin would heartily laugh and say that without such an attitude it would be impossible to truly hone oneself as a warrior. Julius replied seriously “...really?” 　　　　　　　　　　　　　　◆ Li Shuwen belongs to the Assassin class, however only when using a lance can his true ability be drawn out to the fullest. He is the founder of a branch of Bājíquán named Eight Extremities Gate, and he excelled in the use of spears to the point of being nicknamed Divine Spear Li. The Six Harmony Great Spear that he used is the basic weapon of Eight Extremities Gate, and to speak strongly, it can be said that the unarmed techniques of the Eight Extremities Gate are nothing but the preliminary step to learning the techniques of this great spear. Simply (but not purely) Li desired nothing more than to increase his own strength. In his later years he came to see the power of his values and way of life as his strength, rather than violence. He acknowledges that he is a closer to being a professional killer than a martial artist, but this is neither a self-depreciation nor a boast. Given that he often learned, often fought and often murdered in his previous life, he really does not carry any regrets or grudges. Since he was summoned as a Servant, he swings his wicked fists as the concealed weapons of his Master Julius without hesitation. For the time being he has taken up the role of Assassin for the sake of compatibility with Julius, though originally his Servant class was supposed to be Lancer. As Lancer he would have probably appeared as a grizzled master, the figure of his later years. アサシン【サーヴァント】 姿なき暗殺堵。マスターはユリウス。 その真名は李書文。 １８６４〜１９３４年に生きた人物で、 「李書文に二の打ち要らず、一つあれば事足りる」 と恐れられた、中国拳法史史上、有数の拳法家。 試合の末、たやすく命を奪うことから「凶拳李」とも呼ばれたという。 ゲーム本編では他のアサシンたちとは一線を画す“気配遮断”を発揮、見えない暗殺者として主人公の前に立ちふさがった。 対手を殺す事に何の抵抗もない冷酷な人だが、殺人鬼や殺人快楽症ではない。 「武を交えるのならどちらかは死ぬ。戦いどは気安いものではなく、互いの信念をかけたもの。故に、おいそれと始めるものではなく、また、始めたからには必ず、一戦にて一人は殺すべし」 それがEXTRAにおけるアサシンの信条である。 彼は極めて合理的かつ公正に、戦いとはそういうものと捉えているのだろう。 マスターであるユリウスも人命を奪う事を生業とする男なので、マスターとの相性はいい。 もっともユリウスは殺し屋でありアサシンは武人なため、根本的なところで話が噛み合わない。 ユリウスは職業として殺しを呑みこみ、 アサシンは武人として殺し合いの日々を良しとしている。 殺人鬼ではないが、いざ戦うのならこれを楽しむ。 そうでなければとても武など極められまい、と豪快に笑うアサシンに、ユリウスは「……そういうものか」と生真面目に返すのだった。 　　　　　　　　　　　　　　◆ 李書文はアサシンのクラスではあるが、その戦闘力がもっとも高まるのは槍を扱う時だ。 李氏八極門の祖である李書文は、神槍李とあだ名されるほどに槍に長けた人物だった。 彼の使った六合大槍は、八極門の基本的な武器であり、極論して良いならば八極門の素手の技法（八極拳） のほとんどはこの六合大槍の技法を学ぶための前段階に過ぎないとさえいえる。 単純に（純粋に、ではない）自身の強さのみを求めた李書文だが、晩年は暴力の強さではなく、自身の生き方、信念の強さに武を見いだした。 自身を拳法家というより殺し屋のたぐいと自認しているが、それを卑下する事も、誇る事もない。 生前は善く学び、善く戦い、善く殺めたので、無念や怨念はまったく持っていない。 サーヴァントとして召還されてからは主であるユリウスの暗器として、ためらいなく凶拳を振るった。 今回はユリウスに合わせてアサシンになったが、彼の本領はランサーにある。その時は晩年の、老熟した達人の姿で現れる事だろう。

Atlas Institute

[v] Fate/EXTRA material - Encyclopedia: Atlas Academy [Place name], p.155

English Japanese The Academy at Atlas【Location Name】 The Atlas Institute is an association of magus and alchemists based somewhere in Egypt’s Atlas Mountains. It is also known as the Giant’s Pit. Of the three divisions of what had once been the Mage’s Association, the institute of accumulation and measurement. They were a group of practitioners of alchemy, not of the modern alchemy that became dominant since the medieval times, but the progenitor of magecraft, the alchemy that investigates the truth of the world. They’re not so much as mages as they are individuals with abnormal powers who treat their own bodies like humanoid machines, using them like vessels for working their minds more accurately, more powerfully, more quickly. They believed that humans are a rare sort of computers with motor functions (the five senses), that we humans are intelligent lifeforms that evolved to collect and analyze information and directly solve the problems created from that as manual labor. The correctness of this idea was proven unexpectedly in the world of Extra where magecraft died out. The alchemists of Atlas have poor magic circuits, and did not lead their lives relying on magic power. As they did not rely on it (or to be more precise, could not), they were able to continue their pursuit of knowledge as disciples of magecraft even after the depletion of mana. However, for a long time children had stopped being born, and the Atlas Institute, with its old alchemists taking their lives, was at the end of its ropes irrespective of the mana depletion. All that remains of the Atlas Institute is a single homunculus. The last Atlasian succumbed to disease after creating the homunculus, and only her creations were left in her cave. The Atlas alchemists disappeared, and their research facilities which were built using unknown techniques stretch out in an underground city which is now, more or less, a giant graveyard. アトラス院【地名】 エジプトはアトラス山脈にある魔術師・錬金術師の協会。巨人の穴倉ともいう。 かつて機能していた魔術協会───その三大部門の一つ、蓄積と計測の院。 中世から主流となった現代錬金術とは異なる、魔術の祖、世界の理を解明する錬金術師の集団だった。 魔術師というよりは自身の肉体をマン・マシーンとして扱う異能者たちで、自身の肉体を『正しく、強く、速く』知性を働かせるための容れ物として扱っていた。 人間とは運動機能（五感）をもった類い希なる計算装置である。情報を収集し、解析し、生まれ出る数々の問題に、労働力としてダイレクトに対応できるよう進化した知的生命体が我々人間である、というのが彼らの信条だった。 その正しさは魔術の絶えたEXTRA世界で奇しくも証明された。 アトラスの錬金術師たちは魔術回路が乏しく、魔力に頼った活動をしてこなかった者たちである。 魔力に頼っていなかった（正しくは『頼れなかった』のだが）彼らは魔力枯渇の後でも魔術の徒として探求を続けられた。 しかし長く次代の子供たちが誕生しなくなり、古参の錬金術師たちの自決死が続いていたアトラス院は魔術枯渇とは関係なく滅びようとしている。 アトラス院にはもはや一人のボムンクルスしか存在しない。最後のアトラスはボムンクルスを鋳造した後に病死し、洞窟には最後の作品だけが残された。 錬金術師たちが消え、未知の技術体系によって作られた研究施設だけが連なる地下都市は、さながら巨大な墓標のようだとも。

Atlas Institute doesn't live in the future

[v] Fate/EXTRA material - Encyclopedia: The Atlas Institute Doesn’t Live in the Future [Term], p.155-156 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese The Atlas Institute Doesn’t Live in the Future [Term] These are the Jinako’s words directed at Rani’s “plan.” Based off an internet meme that arose from what a biased gamer from a foreign country [said in an interview]. After witnessing moe culture firsthand he said “The Japanese are gone. They are already living in the future.” Let’s take these words as a compliment for the Alchemists of the Atlas Institute who devoted themselves to the search for a better future for the human race. By the way, Siarim , who is the content creator that imagined the character Rani, had originally designed Rani to be one of those characters that is actually wearing panties, but often appears not to be. In other words, Siarim is a master of “Zettai Ryouiki.” To digress, in CCC there is a lot of obscure net slang, which is unusual for a TYPE-MOON game. This is because we finally staged a game in a cyber world, and one of the themes of CCC is “CHEATS” so we aimed to attract the attention of some rather worldly-minded people. [TL NOTE: This means that they put (probably vulgar) net slang into the game to appeal to 2ch netizens (worldly-minded people)] Including a lot of slang makes the dialogue interesting and fun, but at the same time it must be used carefully as it is a double edged sword that reduces the accessibility of a product. アトラス院未来に生きてんな【用語】 センチネル化したラニの『ある方針』に向けられた、ジナコからの言葉。 ネットスラングの一つで、日本のゲーマーたちの偏執的萌え技術を見た海外ゲーマーが「日本人はイッちゃってるよ。アイツら未来に生きてるな」とコメントした事が元ネタ。 人類にとってより良い未来を模索し、追及するアトラス院の錬金術に相応しい賛辞と言えよう。 ちなみに、ラニの創造者であるシアリムはラニより一世代前の『はいてるけどはいてないように見せる』主義───即ち、絶対領域の達人だった。 余談ではあるが、ＣＣＣではTYPE-MOONのゲームとしては珍しいほどネットスラングが多用されている。これはせっかく電脳世界が舞台のゲームだし、ＣＣＣのテーマの一つは違法改造(チート)でもあるし、という事で俗物的なノリを目指したため。 スラングを多用すればモノローグは愉しいものになるが、同時に物語の普遍性は翳ってしまう諸刃(もろは)の剣。扱いには気をつけてネ！

AUO Cast-Off

[v] Fate/EXTRA material - Encyclopedia: AUO Cast-Off [Other], p.163 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese AUO Cast-Off [Other] This is the thing of supreme beauty that Gilgamesh exposes in the fifth chapter. While writing the script I got excited about the prospect of including a cast-off (nude) scene in the game. One of the staff suggested, “For this scene let’s have Gil in his swimsuit, and then keep the camera directed up high so we only show bare skin in order to trick the players.” But then another staffer piped up, “Huh? You need a nude shot of Gil right? We already have one done you know.” It made me feel like I was late to the party. After that we discovered that some staff had randomly made some extra costumes for the female protagonist outside of work hours including a swimsuit version, gym uniform and even tights. Of course we happily put them all into the game. I want to give a big thanks to Kunimitsu-san from the 3D modeling team. Thanks to you, from the second week onwards in game the protagonist is undoubtedly qualified as a pervert. ＡＵＯキャストオフ【その他】 五章においてギルガメッシュが晒す至高の美。 シナリオ制作時つい興が乗ってキャストオフさせてしまい、スタッフさんには「ここはギルの水着で代用。カメラをアップでうまく肌の部分だけ映す事で誤魔化す」と注釈をいれたところ、「え？ギルのヌードでしょ？ありますよ？」 と、あたかも我の方が空気読めてないライターのように返答された。なぜだ。 後に、ギルの裸ばかりか女主人公の水着、体操服、はてはタイツまで『労働時間外で、自発的に』作っていたスタッフが発見され、めでたく採用となった。モデル班の国光さん、本当にありがとうございました。おかげで二週目以降の主人公はどう見ても変態です。

Authority

[v] Fate/EXTRA material - Encyclopedia: Authority [Miracle], p.179 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Authority [Miracle] Kennou. Authorities are special abilities that fall into a different category than Codecasts, Skills, and Noble Phantasms. An Authority is a power that is on the level of creating a world, and includes things like altering events, time-flow manipulation, and kingdom building. Authorities existed in the age known as the Age of Gods, which was about 6000 years ago, but after entering the Common Era human civilization advanced to the point where Authorities were no longer needed, and so Authorities became a relic of the past. Normal skills achieve a certain result based on some logical process or principle, but Authorities realize a result simply because the user has the right to do so. A God Spirit Class Servant should naturally possess Authorities, but to use them in the modern age requires a corresponding compensation to be paid (involving strain/damage inflicted on the user). In CCC the one who swallowed up Moon Cell has reached a level of power that is Authority class. 権能【奇跡】 けんのう。コードキャスト、スキル、宝具とはカテゴリーの違う特殊能力。 事象の変動、時間流の操作、国造り、といった、世界を創造しうるレベルの力をこう呼ぶ。 神代と呼ばれる時代……およそ６０００年以上前……に在ったが、西暦以降、人類の文明レベルが向上した事でようやくその任を解かれ、過去の時代に引退したもの。 通常のスキルは『このような理屈でこういう事ができる』というものだが、権能は『ただ、そうする権利があるのでそうする』だけのもの。 神霊クラスのサーヴァントなら持ち得ていて然るべきものだが、この時代にその権威を振るうにはそれなりの代償（自身の崩壊）を必要とする。 ＣＣＣではムーンセルを飲みこんだモノがこの域に達する。

Bathory Erzsebet

[v] Fate/EXTRA material - Encyclopedia: Fresh Blood Demoness [Noble Phantasm], p.202-203 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Fresh Blood Witch [Noble Phantasm] Elizabeth Bathory. Red Lancer’s (Elizabeth Bathory) Noble Phantasm. The naming of her noble phantasm (which uses the native reading of her name) follows the style also used in EXTRA for Lancer Prince Vlad. As we all know, both the lives of Elizabeth and Vlad were used as a base for modern vampire legends. Fresh Blood Witch is Elizabeth’s anti-pig…err anti-army Noble Phantasm. It is her Dragon Breath attack used to its maximum potential. Elizabeth brings out the Csejte Castle that she controlled during her life, and booms out a terrifying supersonic attack from her acoustically destructive weapon. [TL NOTE: In the game her castle is a giant speaker] According to Cas-ko it’s just like the monstrous combination of gorilla and whale breath. After learning about Japanese culture, she got hooked on the idea of becoming an extreme idol, “As a noble, I will confer the greatest of honors and rewards to those who are heading to their death!” Apparently. However, as expected, she is too radical and ahead of the curve, and the only one who understands her is Red Saber. Certainly a sad turn of events. Will it happen? A second debut on Venus? 鮮血魔嬢【宝具】 バートリ・エルジェーベト。 赤ランサーことエリザベート・バートリーの宝具。 宝具名が本人の名前の母国読みなのは、EXTRAのランサー・ヴラド公爵と同じ法則。 言うまでもなく、どちらも吸血鬼のモデルとして扱われた人物である。 エリザベートのドラゴンブレスを最大限に発揮した対豚……じゃなくて対軍宝具。 エリザベートがその生涯に渡り君臨したチェイテ城を展開し、周囲に恐るべきスーパーソニックを叩きつける音響破壊兵器。 キャス狐曰く、ゴリラとクジラを元ネタにして創造された怪獣王のブレスと変わらない、とか。 日本の文化を知り、究極の偶像(アイドル)を夢見るようになったエリザベートにとって、この歌こそ「貴族として、死にいくものに与える最大の栄誉と褒美よ！」なのだそうだ。 しかし当然ながら先鋭的すぎて地球での理解者は赤セイバーだけという、まことに悲しい結果となった。 なるか、金星での再デビュー。

BB

[v] Fate/EXTRA material - Encyclopedia: BB [☆], p.204 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese BB [☆] BB is the underclassman (kouhai-kei) devil heroine that dashingly appears on the far side of the Moon. She usually hides her devil tail, and holds a teacher’s pointer in one hand. Always behaving with abandon, she thinks she is a god, and is always making illicit modifications to SE.RA.PH. She is an out of control AI that brought about the events of CCC. She was formerly a management AI of the same type as Sakura, but due to a bug her self-preservation system went wild, and for some reason she came to the conclusion that, “No matter the sacrifice, I must continue to exist.” and turned into a continuously growing monster that absorbs NPCs, Servants and Masters. She openly hates humans, and makes the protagonist and company suffer by dropping them on the far side of the Moon. She calls the protagonist “senpai.” She addresses humans by their family name and adds “-san” but she addresses servants with only their name. BB assumes that she is normal, but if you look at things objectively she is clearly crazy. All of her speech and actions give off a yandere impression, but rather than explaining here, please refer to the game itself to find out the reasons behind them. 　　　　　　　　　　　　　　◆ BB is the true heroine of CCC. In the first half of the game she is treated as a criminal who takes delight in people’s reactions to her crimes. In the second half of the game she is treated as an enemy of humanity that must be defeated. Her actions thoroughly reflect her “misanthropic, innocently cruel Queen” character, but the road that led to be like that was brought about by a single trivial mistake. For certain reasons, she decided to fight against the Moon Cell (the world), and with full understanding that it would mean her own destruction, she went crazy (out of control) of her own volition. Once the truth comes to light, the person who was the cause of it questions her, saying: "It doesn't make sense. There's no reason for you to do that for me. I'm not worth that much." This is probably the same question the player held throughout their playthrough. If you were to use Fate/stay night as an example, Emiya Shirou's actions (heroic nature) are worthy to gain the affections of Saber, Rin, etc, but in CCC there is no chance for the protagonist to demonstrate their heroic nature. However, the AI who was once just a puppet closed her eyes with a satisfied expression on her face. "Rather than some special person offering special words and a helping hand, what made me happy was an average person like you doing their best to say special things to me with a smile." Certainly everyone dreams of the "Prince Charming" image of a great hero saving a girl with his heroic deeds. But that is just routine work that is to be expected. It's nothing more than a character created to be a hero displaying the abilities derived from the stats they were given. So instead of that, when "you", a mere background character (normal person), said something special to her even just once, she was happy. Among other things, CCC is a story about the dignity of normal people. To the AI Sakura, who could never be selected as a heroine, this is true beauty, and like a precious miracle to her. That’s why she ran. 38,000 light years into the darkness. …Even if it was only a fleeting after-image that would disappear at the end of the Holy Grail War. ＢＢ【☆】 月の裏側に颯爽と現れた後輩系デビルヒロイン。 悪魔の尻尾を隠しつつ教鞭片手に月の裏側を奔放自在(ほんぼうじざい)、神さま気取りで今日もSE.RA.PHを違法改造しまくっている。 ＣＣＣを起こした暴走ＡＩ。 桜と同型機の管理ＡＩだったが、バグにより自己保存の命令系統が暴走。ある理由から『何を犠牲にしても自己保存を続ける』結論に至り、ＮＰＣたちやサーヴァント、マスターたちを取り込み、成長し続ける怪物になってしまった。 「人間は嫌い」と公言し、主人公たちを月の裏側に引き込んで苦しめる。 一人称は「わたし」。 主人公はセンパイと呼ぶ。人間には名字にさん付けで、サーヴァントは呼び捨て。 本人は正常なつもりでいるが、客観的に見ると明らかに狂っている。言動のはしばしからヤンデレ臭を漂わせるが、それが何に起因するかはゲーム本編を参照のこと。 　　　　　　　　　　　　　　◆ ＣＣＣの真のヒロイン。 前半では「愉快犯」として、 後半では「倒すべき人類の敵」として扱われる。 徹底して「人間嫌いの無邪気で残酷な王女」といった振る舞いをするが、その発端は些細な、たった一度の過ちだった。 彼女はある理由からムーンセル（世界）を相手に戦う道を選び、最終的には消滅する事を理解した上で、自分から狂った（暴走した）のである。その真相が明らかに成った時、原因はこう問いかける。 「道理が合わない。それだけの事をしてもらう理由が、価値が、自分にはないからだ」 それは質問でもあり、プレイ中にプレイヤーが抱く共通の疑問だろう。 staynightで例えるなら、衛宮士郎はセイバーや凛に好意を持たれるに足る行動（ヒロイック性）を見せたが、ＣＣＣにおいてはヒロイック性を発揮する機会がなかったからだ。 しかし、人形だったＡＩは満足げに目を閉じた。 「特別な人間が、特別な言葉で手をさしのべてくれるより」 「どこにでもいる貴方が、せいいっぱいの特別な言葉で笑ってくれた事が、嬉しかった」 優れたヒーローがヒロイックな行動でヒロインを救うのは、確かに誰もが夢見る白馬の王子像だろう。 けれどそれは当たり前のルーチンワークだ。 ヒーローとして作られたものが、与えられた能力値通りの性能を発揮したにすぎない。 それよりもただのモブ（一般人）である『貴方』が、たった一度でも特別な言葉を口にしてくれた事が、彼女には嬉しかった。 ＣＣＣは一般人の衿侍の物語でもある。 『永遠にヒロインに選ばれない』ＡＩ（桜）にとって、それこそが美しいもの、貴(とうと)い奇跡に見えた。 だから駆けた。３８０００光年の闇の中を。 ……たとえそれが、聖杯戦争の終わりに消え去ってしまう、一時(ひととき)の残像だったとしても。

BB Channel

[v] Fate/EXTRA material - Encyclopedia: BB Channel [Events], p.205 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese BB Channel [Events] From the second chapter onwards, there is a “BB channel” movie for each layer that introduces the new game play elements of that stage. Sponsored by BB, produced by BB, and featuring BB. There are 6 main broadcasts with 3-4 additional mini-broadcasts of BB’s show. In the show BB is so hyped up that her high-strung attitude almost hurts, this is because BB Channel is the only time that BB gets to spend with the protagonist, so she is desperately trying to show her appeal. However her efforts are rather fruitless, and have the opposite effect. Originally the BB Channel sections only comprised of one background CG with BB’s face in front, but thanks to the hard work of the development staff it became a series of short movies before I knew it. Actually the BB channel movies were produced in the last month before the development deadline. It might have been interesting to include an investigation and report about each arena as part of BB Channel. “Excuse meeeeeeeee” and then after entering the room she just finds the whiteboard used in EXTRA’s “Bonus Theater” (Omake Theather) and the SakuRider cosplay outfit…. ＢＢちゃんねる【イベント】 二章以降、その階層の導入部に差し込まれるステージ紹介ムービー。提供ＢＢ、制作ＢＢ、主演ＢＢによるハイパー自演タイム。 本放送六回+追加放送三～四回。 ＢＢが痛いぐらいにハイテンションなのは、ここでしか主人公と関われないため、必死にアピールしているからである。努力むなしく逆方向にフラグをたてるＢＢであった。 当初は一枚絵の背景CGとＢＢのフェイス絵だけで進むものだったが、開発スタッフの熱意とがんばりによって、気がつくとムービー形式のイベントになっていた。実にマスターアップ一ヶ月前の事である。 ゲーム中のサブイベントで、ＢＢチャンネルを収録していたアリーナの調査、とかあったら面白かったかもしれない。お邪魔しマース、と中に入ると、そこには『EXTRAおまけ劇場』で使われたホワイトボードとサクライダーのコスプレ衣装が……。

BBB

[v] Fate/EXTRA material - Encyclopedia: BBB [Other], p.205 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese BBB [Other] BBB is an invincible anti-servant robot of annihilation that we planned on putting into chapter three. It was supposed to have been made from parts and pieces of old arenas, but ended up just being an easy to make alternate color version of BB. To differentiate BBB from BB, we made BBB the size of a mech. She would have probably made for a pretty disappointing boss. However BBB was to be more honest about her feelings that BB, so that could’ve been pretty cute. Passionlip said that “BBB’s not cute” and supposedly crushed her for that reason, but perhaps it’s best not to say the real reason. ＢＢＢ【その他】 三章で登場が予定されていた、対サーヴァント用無敵繊滅ロボ。 廃棄されたアリーナをまるごと部品として使ったというが、所詮はＢＢの色違いコンパチキャラか、差別化ができてガンダムサイズ、ぐらいのガッカリボスだったと予想される。でも本人より素直な分、きっと可愛い。 リップは「可愛くないから」という理由で潰したが、本当の理由は何だったかは言わぬが華か。

Berserker (Lu)

[v] Fate/EXTRA material - Encyclopedia: Berserker (Lu) [Servant], p.202 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Berserker (Lu) [Servant] Berserker’s (Lu) true name is hard to guess by just looking at him. Very mysterious. He is big, and strong. ...Just who the heck is this Lu Bu anyways? Really. Although he has lost his sanity, he possesses a tall, strong body, and appears as the majestic general he is in his brilliant armor. His master is Rani VIII. As is the fate of those in the Berserker class, his lines are all just incomprehensible yelling, so we don’t know what his real personality is like. The early designs of him included him being a half human, half horse centaur, or even him as a mech (which was too tough to work out), but in the end we had to go with the true-to-form pure ancient Chinese style Lu Bu. All heroes who are summoned into the berserker class lose their mind in exchange for a strengthening of their parameters, and as a result they also lose the ability to use most of their special trained skills. This berserker has lost all his military related skills from when he was alive, but in exchange his defiant nature has been sealed away. “Defiant Nature” means the disposition to defy one’s lord, but as long as this nature is sealed away, this Heroic Spirit will never betray his master. It can be said that this is a rare case where this features of the berserker class is being employed correctly. …at least theoretically. It is questionable whether this warrior is also tempted to kill the girl Rani, as she resembles Diaochan, the wife he madly loved when he was alive. パーサーカー（呂）【サーヴァント】 ひとめ見ただけではとうていしょうたいのわからない、なぞのさーばぁんと。でかくてつよい。 ……くそ、どこの呂布なんだ、いったい。 正気こそ失っているものの、長躯たくましく、きらびやかな鎧は勇壮な将軍を思わせる。 マスターはラニ＝Ⅷ。 バーサーカーの宿命か、叫んでばかりでロクな台詞がないため、彼がどのような人格かは不明。 初期デザインでは人馬一体のケンタルウス形態だったり、そもそもメカだったりと難航したが、呂布はやっぱり純中華風でないとネ！という事で落ち着いた。 バーサーカーになった英霊は、パラメータ強化と引き替えに理性を失い、培った技術も大部分が使用不可状態になる。 この武人が生前に愛し狂った妻・貂蝉(ちょうせん)に似た面影を持つ少(ラ)女(ニ)を殺める気になったかは疑問ではあるが。

Berserker (White)

[v] Fate/EXTRA material - Encyclopedia: Berserker (White) [Servant?], p.202 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Berserker (White) [Servant?] Berserker is the second Servant you end up fighting during the fourth round. Her master is Monji Gatou. She is a Funny Vamp [localized as Temptress] with tousled blond hair and crimson eyes. She is a fan service character. Technically not a wizard, she is just some strange creature that Gatou brought along from Earth. Sometimes a cat, sometimes Yuzu-nee, sometimes a silicon creature, Berserker is a princess that doesn’t seem to have a proper place in the game. She desperately awaits a redesign. Incidentally, in the world of EXTRA where the information world (digital) takes precedence over the physical world, she is no longer the strongest. This is because in the information world legend becomes reality, and natural phenomena that have been incarnated as “Gods” can often hold more power than their original natural existence does. Well even with that being said, if Berserker regained her sanity she would easily be considered a cheat-tier Servant. Her power, “The stage is the Moon, so all targets have their power reduced to a sixth of their usual.” would be extremely useful against other similar cheat-tier Servants. It’s a conceptual numerical alteration, so it is unavoidable when on the Moon. Even the Moon Cell transformed version of BB would be limited by it. In EXTRA and CCC, she is about the only one who is “Capable of defeating Konjiki Hakumen (Golden White Face), no matter how small the chance might be.” パーサーカー（白）【サーヴァント？】 四回戦で戦う事になるサーヴァント、そのに。 マスターはガトーモンジ。 乱れた金髪と、深紅の凶眼を持つファニーヴァンプ。ファンサービスと人の言う。 正しくはサーヴァントではなく、ガトーが地球から連れてきた謎の存在。ネコだったり柚ねえだったり珪素生物になったりと、出番がないようで多忙なお姫さま。一刻も早いリメイクが待たれる。 ところで、物質世界より情報世界の方が主流となっているEXTRA世界においては、そう最強なワケでもない。 情報世界では伝説が真となるため、自然現象を擬神化したいわゆる”神様”が、元になった自然現象以上の力を持つ事が多々あるからだ。 そうはいっても正気に戻ればチート級になるのは間違いない。『舞台が月であるなら、あらゆる対象の能力を六分の一にする』権能は同じチート級の敵への有効な対抗手段だろう。 概念による数値変化なので、月にいるかぎり防ぐ手段は存在しない。ムーンセル化したＢＢですらこの制限を受けてしまう。 EXTRA、ＣＣＣだけの話なら、金色白面を『どれほど勝率が低くとも撃破できる状況にできる』のは彼女ぐらいである。

Blut die Schwester

[v] Fate/EXTRA material - Encyclopedia: Bloody Sister [Noble Phantasm], p.207-208 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Bloody Sister [Noble Phantasm] Blut die Schwester. This is a Noble Phantasm that White Berserker lost… or something like that. Originally from the fighting game Melty Blood where it was Mad Arcueid’s strongest attack. In EXTRA this Noble Phantasm deals high physical damage, and applies the abnormal status effect of “The Moon” which lowers the power and endurance of enemy servants. It’s more White Berserker’s special characteristic than it is a Noble Phantasm. It uses the relationship between the Earth and the Moon to affect enemies. Being instigated by the brain of the Moon, it is the embodiment of the Moon that after many years became the Earth’s sense of touch. Since White Berserker is an avatar (bunshin) of the Moon, she also has this power. It simultaneously personifies the fundamental rules of both the Moon and the Earth, and by putting the rules of the Earth and Moon side by side it can use the discrepancies as a method of attack. This includes the ability to bring the environment around a battle onto White Berserker’s side, called Terraforming Attraction. The gravity of the Moon is no more than one sixth of the Earth’s. This remains unchanged in the cyber world. (All information inside Moon Cell is pulled toward the core by the core’s mass. This is thought to be what constitutes gravity in the cyber world.) Everything that exists within Moon Cell obeys the rules of the Moon. By using these truths this Noble Phantasm embodies the necessary concept and reduces the power of everything whose origin is the Earth to one sixth of the power it should have. This effect is unable to be avoided no matter how much anti-magic power one possesses as it is one of the world’s decided truths. (To digress, if the stage of battle is the Earth, enemies can obtain a one level increase in power level.) …well with that being said, it’s a conceptual weapon so explaining and understanding it is extremely difficult. From the point of view of someone on Earth the enemy had their power reduced to one sixth, from the point of view of someone on the Moon the enemy had their power multiplied by six…. and both the Earth and Moon have the right to make the situation bend to their point of view, but clearly this Noble Phantasm is the realization of the “Reduce the enemy’s power to one sixth” point of view. To put it simply: When on the Earth, Arcueid boosts her own power. When on the Moon, Arcueid reduces her enemy’s power. 血の姉妹【宝具】 プルート・ディ・シェヴェスタァ。 白いバーサーカーが放った宝具……のようなもの。 出典は格闘ゲーム、メルティブラッドの暴走アルクェイドの最大攻撃から。 ゲーム本編では高い物理ダメージと、状態異常『月』を付属する。『月』状態のサーヴァントは筋力と耐久力が下がってしまう。 宝具というよりは彼女が持つ特性のようなもの。 月と地球の関係性を利用した世界設定とも。 月の頭脳体から起こり、長い年月を経て地球の触覚となったこの化身は、月の分身でありながら地球の権能も兼ね備えている。 月の基本ルール、地球の基本ルールを同時に体現し、また、これらが同列する時の齪酷を攻撃手段として使用できる。 その一つが、周囲の環境を地球(じぶん)側によせる権能、テラフォーミング・アトラクションだ。 月の重力は地球の六分の一にすぎない。 たとえ電脳世界であれそれは変わらず、（ムーンセル内の情報はすべてムーンセル中枢の質量に引き寄せられる。これを電脳空間における引力と考える）ムーンセルに存在するものはすべて月の法則に拠っている。 この素体はその概念を体現し、地球側である彼女の前に現れるものすべてを六分の一の能力に下げてしまう。これはどれほど高い対魔力を持っていても防げない、世界そのものの決まり(ルール)である。 （余談ではあるが、戦いの舞台が地球だった場合、敵対対象より一段階上の能力を獲得する権能となる） ……とまあ、概念の話なのでたいへん分かりづらい。 地球側から見れば相手が六分の一になっただけ、 月側から見れば相手が六倍になっただけ……と、 見ようによってはどちらにもとれる権能だが、これは明確に”相手の能力を六分の一にする”もの。 彼女が自身をブーストできるのは地球の時、 彼女が相手にペナルティをかすのは月の時、 と考えると分かりやすい。

Brynhild Romantia

[v] Fate/EXTRA material - Encyclopedia: Until Death Divide the Two Apart [Noble Phantasm], p.207 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Until Death Do Us Part. [Noble Phantasm] Byrnhildr Romancia. The anti-heart Noble Phantasm that BB bestows upon the Alter Egos. This Noble Phantasm is the product of an illegal modification to a normal Noble Phantasm, so its name and effects deviate slightly from the original. The servant that became the material used for this Noble Phantasm is the Valkyrie Brynhildr from the Volsunga Saga. This Noble Phantasm is the spear of love and hate that Brynhildr brandishes to get her revenge on her husband Sigurd who betrayed her and damaged her honor and reputation. Strictly speaking it’s not a true spear. It is Brynhildr’s intense feelings of love and hate toward her husband that have taken the shape of a spear. The deeper the love one has for the target of this Noble Phanstasm, the more accurate and damaging it becomes. This weapon will never let their loved one get away, even if their love is completely one-sided. The immediate death effect comes from Passionlip’s Trash & Crash. By the way, the original design had a grab and throw move. If it locked on to you, you were done for. It would also increase Passionlip’s defense rating 10x, putting her in a super armored state where there is no worry of being significantly damaged. Passionlip advances like a heavy tank, and her claws that changed into the shape of lips would devour the enemy. Then, due to using too much power when clenching her claws, her claws would pierce through herself, and both her and her target would take huge damage, and both be wiped out… or something like that. 死が二人を分(わ)断(か)つまで【宝具】 ブリュンヒルデ・ロマンシア。 ＢＢがアルターエゴに与えた対心宝具。 アルターエゴたちの宝具は正規の宝具を違法改造したもので、その名前も性能も、奪い取った.兀ネタからちょい乖離している。 材料になったサーヴァントは『ヴォルスンガ・サガ』に登場するワルキューレ、ブリュンヒルデ。 自分を裏切り、その名誉を傷つけた夫シグルズへの復讐のために振るわれた愛憎の槍。 厳密には、槍そのものではなく、ブリュンヒルデのシグルズに対する深い愛情と憎悪が槍の形を取ったもの。 対象への愛情が深ければ深いほど、命中精度とダメージ数値を増していく。たとえそれが一方通行のものであったとしても、愛した相手は決して逃さない。 即死効果が付与しているのは、リップの『トラッシュ＆クラッシュ』によるもの。 ちなみに、初期案では投げ技だった。 相手をロックオンしたが最後、防御力は十倍に増大。ダメージを受けてもひるまないスーパーアーマー状態で重戦車のように近づいていき、唇を思わせるカタチに変形した爪で相手を捕食する。 その際、いきおい余って爪はリップ自身をも貫き、二人とも大ダメージを受け、共倒れになる……みたいな。

Caster (Alice)

[v] Fate/EXTRA material - Encyclopedia: Caster (Alice) [Servant], p.174-175 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Caster (Alice) [Servant] This is Sansenme’s Servant Caster. I am you, and you are I. For you who have even forgotten your own name, I will mimic your exact appearance. My name is Nursery Rhyme. Tommy Thumbs’s cute picture book. The very first version of Mother Goose. A romantic flight that continues through the night, For the you and I who are dreaming. Ahh, but alas the elevator descends. The end of the dream has come along. The end of Alice has come along. This is a story, so of course it has an end. The lonely you and the sad me. Let us grant our final wish. 　　　　　　　　　　　　　　◆ Nursery Rhyme is not a true heroic spirit; she is the manifestation of a real picture book. The picture book genre, which is deeply loved in England, has stimulated the dreams of many a child. Nursery Rhyme is essentially a heroic spirit born from children; by children and for children. (Nursery Rhyme is the book which eventually became the foundation for Lewis Caroll’s famous works. One of his great works, Alice in Wonderland, is actually a nursery rhyme he improvised while entertaining his nieces.) The Servant Nursery Rhyme is actually a pseudo-Servant dreamt up by her Master. She is a Reality Marble that embodies a reflection of her Master’s feelings. This servant managed to save her miserable Master, yet at the same time she is not her own person, just a mirror image who was also saving herself. …this fragile balance…is it meaningless? Also the prose poetry included above is the same as in the game’s “Matrix Details:1” section. Before the final battle with Alice there is the “Let’s guess their true name!” event, and after that the poem is displayed. In the poem, the line “Let us grant our final wish.” is a reference to a desire of Alice’s that is not from when she was alive, but rather from after her death when she became a ghost. キャスター（アリス）【サーヴァント】 さんせんめの、サーヴァント。 ワタシはアナタ、アナタはワタシ。 名前も忘れたアナタのために、 アナタの姿をそっくり映す。 ワタシの名前はわらべ歌。 トミーサムの可愛い絵本。 マザーグースのさいしょのカタチ。 夢見るアナタとワタシのために、 夜が明けるまで浪漫飛行。 ああ、でも昇降機が降りていく。 夢の終わりがやってくる。 ありすの終わりがやってくる。 物語である以上、終わりがくるのはあたりまえ。 寂しいアナタに悲しいワタシ。 最期の望みを、叶えましょう─── 　　　　　　　　　　　　　　◆ ナーサリーライムは実在の英雄ではなく、実在する絵本の総称である。 イギリスで深く愛されたこのジャンルは、多くの子供たちの夢を受け止めていくうちに一つの概念として成立、”子供たちの英雄”としてサーヴァント化した。 （のちにルイスキャロルという有名な作家を生み出す下地になったもの。彼の著作「不思議の国のアリス」は、もともとは彼の姪っ子たちに即興で聞かせたナーサリーライムである） サーヴァントそのものが固有結界であり、マスターの心を映し、マスターが夢見たカタチの疑似サーヴァントを作り上げる。 このサーヴァントはひとりの悲惨な少女を救ったが、同時に、常に何者でもない、鏡であるこのサーヴァント自身も救われていた。……たとえそれが、砂糖菓子のように脆く、意味のない事だとしても。 また、上記にある散文詩テキストはゲーム本編におけるマトリクス「詳細：１」と同じもの。 ありすとの決戦前、「相手の真名当てイベント」の後に開示されるのだが、ここで言う「最期の望み」はありすの生前の望みではなく、死後、ゴーストとなった後の望みを指している。

Caster (Fox)

[v] Fate/EXTRA material - Encyclopedia: Caster (Fox) [Servant], p.173-174 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Caster (Fox) [Servant] Caster is one of the main Servants who can make a contract with the main protagonist. She is always smiling and has quite the precocious tongue. She is the trademark beauty of Extra with those lovely fox ears. She is usually called Cas-ko. Just as the class name Caster implies, she is a magic user. She also features a Japanese-style design. “I’m gonna zap you ☆!” She refers to herself with 私 (watakushi). She is unreserved like a gal (gyaru), and when trying to be cute for a boy she uses アタシ (atashi). Unusual for a Fate game, she is so smitten with the protagonist that you might do a double take, “Damn they even put this in?” Her goal is to become the protagonist’s wife. She’s a realist and also devilishly cute in all areas unrelated to her goals or dreams. She has a carefree attitude and always has love on the mind. She is an admittedly gal-esque Servant. However, fundamentally she is a logical realist. For example, she treats “god” as a system like existence. Sometimes this trips her up and she blurts out lines which don’t suit her usual carefree mentality. According to Red Saber “She puts up a loose airhead front, but that girl’s true nature is really sharp.” Cas-ko’s true form is an anti-heroic spirit, God-class… she is more or less a god. Having lost most of her power, she is now on the same level as other human heroic spirits, however when the number of her tails increases and her spirit rank goes up to the highest level, it’s impossible for humans to comprehend her full power. This is only natural, as the foundation of her being came from an offering to the sun. Thus, the scale of her existence is equivalent to that of the sun. By the way, for each tail that returns, Cas-ko’s power increases by 9x. This means that in her max power state with all nine tails her power has increased by 99. Supposing that we represent an A rank Servant with a numerical power level of, say, 100 (not including Noble Phantasms), Cas-ko with 1 tail has a power of about 9, and as you can see could never defeat an A rank Servant. But, as the number of tails increases… well it’s silly to even try comparing. Her true name, which is something that should remain a secret, is quickly revealed from the start of the game. Having no interest in the Holy Grail War, and with a unique perspective of the world, she is clearly different from the other servants. Not to mention she is essentially a cheat character. She is the embodiment of a natural phenomenon: a god-class spirit. Why does she posses such a low spirit rank in game? Why does her behavior mimic that of humans? Please refer to her Special My Room to find out. Despite being such a great god-class spirit, in the game she is the weakest Servant. With her paper thin armor and inability to use Noble Phantasms it’s an easy game-over if you let your guard down. I understand, I understand, if only the setting had been made so that she was your childhood friend, then she would’ve truly been the best character, right!? In any case, I would like players who choose Cas-ko to have the resolve to surmount the border of life and death. On the other hand, after Cas-ko’s stats are upgraded, the second half of the game is a sure-victory cakewalk, regardless if the enemy is a weakling or a boss. The alteration of her soul boosts her magic power like crazy! She likes trips to hot spring resorts (but not hot spring baths), and love-filled cooking (at least while doing the cooking), and giving presents to herself. She hates dogs, only somewhat handsome guys, and people who disrupt her time alone with her Master. She’s not too fond of loveable 100% airhead characters. She seems to have well learned the lesson that her half-baked airhead act never seems to come out ahead of the real deal. Dear Cas-ko, what happened in your past? 　　　　　　　　　　　　　　◆ In CCC Cas-ko appears featuring an S&M bondage style + Goth Loli dress fusion design. Even though she puts up a front pretending to dislike her attire she actually loves it, “As long as it’s cute, anything’s okay!” The Heroic Spirit of Sweets doesn’t have the same pride that the other few Japanese style Servants do. In CCC her rival is Passionlip. Under normal circumstances Cas-ko is on the verge of death after taking a normal punch attack, so Passionlip’s huge one-shot lip attack means that she is an instant death monster as far as Cas-ko is concerned. Furthermore, it seems that a narrow-minded tendency lingers from Passionlip’s yandere past, and this can prove to be quite irritating to Cas-ko. Also, when talking about Cas-ko it’s impossible to skip over the amazing preferential treatment we gave her ending. Who who imagine that she’d get a two CG ending event!? What is this recklessness? And that ultra special final CG!! Not to mention the ending differs depending on whether your character is male or female! The “Say Aahhh” ending CG wasn’t in the plan from start, but after a developer meeting it was decided that the final event CG would be the Tamamo Nine. At that point we were short on time and budget but after consulting with Wada Arco we were able to make something out of nothing and helped us realize the “Say Aahhh” ending CG. キャスター（きつね(狐)）【サーヴァント】 主人公と契約するメインサーヴァントのひとり。 たやさぬ笑顔とおしゃまな毒舌、ピンとはった狐耳がトレードマークの美女。通称キャス狐(こ)。 魔術師(キャスター)のクラス通り、呪術をメインに使う和風サーヴァント。バリバリ呪うぞっ☆ 一人称は『私(ワタクシ)』。ギャルギャルしく砕けたり、思いっきりぶりっ娘の時は『アタシ』。 Fateでは珍しい、これでもか、というくらいマスターにぞっこんなサーヴァント。 目標は主人公の妻になること。夢や目的ではないところが現実的でたいへんコワ可愛い。 普段は脳天気かつ恋話(コイバナ)しかしない、自他共に認めるギャル系サーヴァントだが、根はリアリストで合理的……神とはシステム的なもの……なので、時たま、さらっと真理を射る台詞をこぼす。 赤セイバー曰く、 「キャス狐はハレンチを気取っているだけで、根は聡(さと)い女」とかなんとか。 その正体は反英霊であり、神霊クラス……というか、ほとんど神さまである。 力を失っているので人間の英霊レベルであるが、尾を増やし、霊格を最高値まで上げた場合、人間の知覚では全容が測れないほどのモノとなる。 それも当然、彼女の大本（おおもと）は日輪を奉ったモノ。その存在規模は太陽と同義なのだから。 ちなみに尾を一本取り戻すたび、キャス狐の力は九倍になっていく。マックス状態である九尾にもなれば、その数値は九の九乗。 仮にＡランクサーヴァントの能力数値を100（宝具のぞく）とすると、一尾キャス狐の能力数値を9ぐらい。一尾ではこの通り、どうあってもＡランクには勝てないキャス狐だが、尾を増やしていくと……いや、比較するのも馬鹿らしい。 隠すべき真名をあっさり明かしたり、聖杯戦争に興味がなかったり、そもそも世界を観る視点が違ったり、と他の英霊たちとは一線を画するチートキャラでもある。自然現象の具現───神霊クラスのモノがなぜ霊格を下げて人間の真似事をしているかについては本編のスペシャルマイルームを参照のこと。 しかし、そこまでの神クラスなのにゲーム中での性能は最弱。宝具は使えないわ、紙装甲なので油断すればあっさりゲームオーバーという地獄仕様。お馴染みの設定だけなら最強キャラですね、分かります。 キャス狐を選ぶプレイヤーは、それこそ黄泉の比良坂を登るぐらいの覚悟を持ってもらいたい。 反面、パラメーターが強化された後半は雑魚・ボスとわず完勝できるキャラにある。魂の改竄はとにかく魔力を重点的に鍛えるンだ！ 好きな物は温泉旅行（温泉ではない）、愛情料理（を調理している時）、自分へのプレゼント。 嫌いな物は犬、半端なイケメン、二人の時間を邪魔するもの。 苦手なものは100%天然の愛されキャラ。ハンパな天然キャラである自分じゃあ勝てないと思い知っているらしい。過去に何があった、キャス狐。 　　　　　　　　　　　　　　◆ ＣＣＣではSMルックなボンテージ／ゴシックドレスで登場。イヤそうに見えて本人はノリノリ、可愛い服ならなんでもコーイ！という有様。数少ない和風サーヴァントとしての衿持なぞ、スイーツ英霊は持ち合わせてはいないのだった。 ＣＣＣでのライバルはパッションリップ。 ただでさえ殴られたら瀕死のキャス狐にとって、一撃の大きいリップはまさに即死モンスター。 加えてヤンデレから卒業したものとして、リップの視野狭窄はイライラするものがあるようだ。 また、キャス狐といえばサーヴァントＥＮＤの優遇っぷりも外せない。 まさかの二枚イベント画という暴挙……ッ！ 誰特感ハンパない最後の一枚……ッ！ しかも男女差分付き……ッ！ 当初の予定では「はい、あーん♥」のイベント画は存在しなかったが、開発スタッフで顔を合わせ、「最後のイベント画がタマモナインで終わるのはいかがなものか」と結論。 予算も時間もとっくに食いつぶした状態でワダアルコさんにご相談したところ、「はい、あーんり」をなんとかしてくれたのであった。

C.C.C.

[v] Fate/EXTRA material - Encyclopedia: C.C.C. [Noble Phantasm], p.167-168 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese C.C.C. [Noble Phantasm] Cursed Cutting Crater. An anti-planetary Noble Phantasm. It’s an attack that violates the world through BB’s control over Moon Cell. It’s also a trap for artificial spiritron hackers. By drawing out the maximum potential of BB’s EX skill Potnia Theron, a world purge via rewriting of events is carried out. The space that BB invades becomes an imaginary space and it becomes a curse that eclipses the world. Just like its name C.C.C. it causes huge damage from the curse cutting away at reality. The name “Cursed” is based on the image of a giant spoon that scoops out the surface of the Moon and turns it into a cursed space (the imaginary space). During development when the shape the game would take was still being decided we considered making it a Noble Phantasm that was homage to Black Sakura.  1. Camera: Close up of BB followed by a rapid zoom out of the camera. The sky behind BB becomes black. BB, as if to welcome a man, spreads her arms wide and then melts into the darkness of the background.  2. The camera is placed even farther away; the goal is not to show the characters, but to show the backdrop and scenery. The camera shows the ground which appears to be tilted diagonally. The tilted ground and horizon make the viewer feel uneasy. The camera is pulled far back, so the horizon can be seen more clearly. On the other side of the horizon is a phantasm of a giant BB (homage to Black Sakura).  3. The giant Black Sakura, with a bewitching laugh, then reaches out and scoops up the ground that the protagonist is standing on. It looks as easy as if she just scooped out a bite of pudding.  4. The giant phantasm closes her hand and crushes everything in her hand, protagonist and all. It’s great if you can tell this is homage to the scene in Fate/stay night where Black Sakura crushes the insects of Matou Zouken. …is what we wanted to do, but the cost to design and implement this Noble Phantasm and Black Sakura from scratch was high enough that we decided to use the money elsewhere. Hence it was axed. Like BB says, money isn’t unlimited. In order to get the Servants all dressed up in their swimsuits, there had to be some cuts in other areas of the game. Ｃ．Ｃ．Ｃ．【宝具】 カースド・カッティング・クレーター。 対星宝具。ムーンセルを掌握したＢＢによる、世界を犯す攻撃。疑似霊子陥穽とも。 ＢＢが獲得したEXスキル『百獣受胎(ポトニア・テローン)』を最大限に活用した、事象書き換えによるワールド・パージ。 ＢＢに侵食された空間は虚数空間となり、現実を蝕む呪いとなる。『Ｃ．Ｃ．Ｃ．』はその名の通り、現実をえぐり切り取る呪いの大穴なのだ。 カースド～という名前は、『月の表面を巨大なスプーンでえぐり取り、呪いの空間（虚数空間）にする』というイメージから。 まだゲームのイメージが固まっていない開発初期ではstaynightの黒桜をオマージュした宝具と考えられていた。 １．カメラ、ＢＢにアップからロングに思いっきり引く。ＢＢの背後の空間が黒くなる。ＢＢ、男性を迎え入れるような、両手を広げたポーズをして背後の黒領域に溶けていく。 ２．カメラ、さらにロングに引く。人物を写すのではなく風景を映す絵に。地面を水平ではなく斜めに移すカメラ。地面と地平線が斜めに移ることにより、見ているユーザーの不安定さを演出する。 カメラをロングに引いたので地平線がより明確に見える。その地平線の向こうに巨大なＢＢのヴィジョン（黒桜オマージュ）が現れる。 ３．巨大黒桜、妖艶に笑いながら手のひらで主人公が立つ地平ごと、ゴバッとすくいあげる。プリンをスプーンで切り取るような滑らかさ。 ４．巨大黒桜のヴィジョン、主人公たちをすくい上げた空間ごと握りつぶす。Fate/staynightであった黒化した桜が間桐臓硯の虫を潰すシーンのオマージュだと分かるとグッド。 ……というのをやりたくはあったが、この宝具のためにＣＣＣ版黒桜を一からデザインするコストを払うなら他にコストを払おう、という事で没に。 ＢＢも言っているように、資源(コスト)は無限ではない。サーヴァントたちに水着を着せるためには、やむなくカットされるものもある。 カースド・カッティング・クレーター

CCC Caster End

[v] Fate/EXTRA material - Encyclopedia: CCC Caster End [Spoilers], p.185 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese CCC Caster End [Spoilers] Tamamo Nine! There’s even something like this in the game. This is the name from early in the development of CCC when there were still 5 Alter Egos called the Sakura Five… A little additional explanation about what happened to SE.RA.PH in the Cas-ko end is in order. After Moon Cell Nucleus was destroyed by Caster, SE.RA.PH immediately self-reset and changed its mode of operation from being primarily observation to being primarily an environment provider. The sealed second sky was opened to the public; a new frontier for mankind. In short, SE.RA.PH became an open world. After that SE.RA.PH started being accessed not only by people from Earth, but also from other planets, and then the fabricated spiritron world came to be well developed. And everyone lived happily ever after. Well, just leave it to Caster’s misbehavior to ruin it all. The Saber end isn’t quite as open ended as Caster’s, but finishes in a similar situation. ＣＣＣキャスターＥＮＤ【ネタバレ】 タマモナイン！そういうのもあるのか。 これはＣＣＣ初期、アルターエゴたちが五体おり、サクラファイブと呼ばれていた頃の名残……というのは置いておいて。 キャス狐ＥＮＤでのSE.RA.PHはどうなったのかについての補足を少々。 キャスターによって破壊されたムーンセル中枢は即座に自己復元するも、その在り方を改変し、機能を観測メインから環境メインに移行しました。 閉じられていた第二の宙(ソラ)は一般公開され、人類はあらたな開拓地を手に入れたのです。 ようはオープンワールドになったSE.RA.PHということ。これにより地球はおろか、様々な天体から知的生命体がアクセスする事になり、霊子虚構世界は新たな発展を遂げるのでした。めでたしめでたし。 まあ、それを台無しにするのもキャスターの悪行なんですけどね。 セイバーＥＮＤもここまでオープンにはなりませんが、似たような状況になっています。

CCC True End Protagonist

[v] Fate/EXTRA material - Encyclopedia: CCC True End Protagonist [Spoilers], p.185 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese CCC True End Protagonist [spoilers] This section is about when the protagonist wakes up during the True End and he/she is not in the private Japanese facility where his/her original is slumbering. He/she is in a completely different location, which is an abandoned medical facility. In the conclusion of Heaven’s Fall, Sakura mentions something at the end about a “big cheat.” This refers to Moon Cell employing all of its capabilities to send the protagonist to Earth. This means that the protagonist’s consciousness is reincarnated in the real world with an artificially created human body. (Since Sakura is an AI, the base of her existence is different from that of humans.) After that, since they are now far from the Moon, Sakura and the protagonist have no means of finding out what happened with the Holy Grail War. Perhaps Leo won and is facing off against Moon Cell in Moon Cell Nucleus. Or one of the other remaining Masters might have won, so possibly Rin or Rani. Or is it true to history and the weakest Master, who was not involved in the events of CCC, made it to the Nucleus? There are countless possibilities, all which speak of a hope filled future. ＣＣＣ真ＥＮＤの主入公【ネタバレ】 真ＥＮＤで目覚める主人公ですが、あれは『元になった彼／彼女』が眠っている日本の私設ではなく、まったく違う場所にある、放棄された医療施設での話。 天の逆月の終わり、最後に桜が言った「すごいズル」とは、ムーンセルの技術を総動員して、ＣＣＣの主人公を地上に送り出す事でした。 ようは人工的に作られた完全な人間体に意識を転生させたということ。 （桜は元がＡＩなので、人間とは違うまた別の素体） その後、月の聖杯戦争がどうなったのかは月から離れた二人に知るよしはない。 レオが勝者になってムーンセル中枢で彼と対決するのか、はたまた生き残るのは凛かラニか。 あるいは正史通り、ＣＣＣという出来事を切り離した、最弱のマスターが中枢に至るのか。 それは数限りない、可能性という名の希望に満ちた未来の話である。

Chakravartin

[v] Fate/EXTRA material - Encyclopedia: Turner of the Wheel [Noble Phantasm Name], p.198 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Turner of the Wheel [Noble Phantasm Name] Chakravartin. This is Saver’s minor Noble Phantasm. It’s a weapon based on an implement used by usually unarmed Buddha to defeat their enemies. Chakravartin (Turner of the Wheel) is the concept of the “ideal universal ruler” that was used in the Vedic period of ancient India. The weapon Chakravartin is a 7km wide chakram of light that is expanded into the sky above the Buddha. While revolving slowly, it shoots arrows of light at the Servants within its ring. Think of it as a mobile artillery platform that can shoot in any direction. The ring of light is like a rail that the artillery platform moves along. The number of rings of light increase each turn, until it has reached the maximum of seven. These seven rings correspond to the seven treasures that the Turner of the Wheel (ruler) possesses. The rings are reminiscent of rainbows, and at the peak of battle this weapons ultimate attack “Transmigration Into One” can be activated by calling it’s true name. The rings of light combine into one with a clang and the ring starts spinning at high speed. Before long it morphs to resemble the ring that floats behind the Celestial Buddha Variocana, and pillars of light coming from the entire 360 degrees of the ring are focused on the player’s Servant, and the convergence causes a huge explosion that resembles a black hole. …Well of course this is a written description that didn’t take production costs into consideration in the slightest, so of course it was axed. I guess if you want this level of visuals, you have to do it in an action game. 天輪聖王【宝具名】 チャクラ・ヴァルティン。 セイヴァーの小宝具。本来なら徒手空拳の覚者が持つ、相手を倒すための武具。 転輪聖王(てんりんじょうおう)とは古代インドヴェーダ時代における理想の王のこと。 チャクラ・ヴァルティンは覚者の上空に展開する、七㎞メートルの光輪(チャクラム)。ゆっくりと回転しながら、輪の中にいるサーヴァントヘビュンビュンと光の矢を放つ。 全天包囲型・自動移動砲台……とお考えください。 光の輪をレールにみたてて、その上を砲台が移動している、みたいな。 時間(タ－ン)ごとに光の輪は増えていき、最終的には七つにまで増大。この七つの輪は聖王が持つ七つの宝と同義である。 その姿は虹を思わせ、戦いが最高速に達したところで真名開放による最終攻撃”一に還る転生”が発動。 光の輪がガコン!と音をたてて一つに合体、高速回転していき、やがて大日如来が背負う後光っぽいものに変化、プレイヤーサーヴァントへ３６０度から光の柱が集結、ブラックホールを思わせる収束から大爆発、みたいな。 ───とまあ、ここまで制作コストを考えぬ字コンテなので、当然のように没になった。この手のスペクタクルはアクションゲームでやってろって話ですよ。

Class 5-10-kun

[v] Fate/EXTRA material - Encyclopedia: Class 5-10-kun [NPC], p.180 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese 5-10 [NPC] Gou Tou-kun. Found on the first floor of the Old School Building An ordinary student NPC you find in front of the caretaker’s office where Jinako has holed herself up. He is good at imitating people... well maybe it’s better to say that imitation is his life. He has the rather odd ability to completely take up the role of characters from movies he has recently watched. This is why his lines, behavior, and mannerisms change from chapter to chapter. From chapter 5 onwards he disappears. The reason for this is explained by the NPC found in front of the school store. [TL Note: His name Gou Tou is a word play on the Japanese pronunciation of 5 and 10] ５－１０君【ＮＰＣ】 ごー・とう君。 旧校舎一階、ジナコが引きこもる用務員室の前にいる一般生徒ＮＰＣ。 モノマネが得意……というかライフワークで、前日に見たフェイバリット映像に影響され、その役になりきるというよく分からないスキルを持っている。章ごとに台詞回しが変化するのはそのため。 五章以降、なぜ彼が消えているのかは購買部前のＮＰＣが語ってくれる。

Codecast

[v] Fate/EXTRA material - Encyclopedia: Codecast [Skills], p.180 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Codecast [Skills] A program (read: simple spell) used in cyberspace. A wizard writes and compiles the program code in advance, and activates it by passing magic through it. There are two types of Codecast. External Codecasts are one time use consumable Codecasts, while Internal Codecasts are installed into the body... or rather the spiritron structures [that make up one’s body in cyberspace]. Codecasts that have been installed are very powerful, however seeing as they change the fundamental nature of the user, not many wizards choose to use them. Codecasts implemented through the use of a Mystic Code fall somewhere in the middle [in terms of power and effects on the user]. コードキャスト【スキル】 電脳空間で使用される簡易術式(プログラム)。 ウィザードはあらかじめコードを設計・製造しておき、これに魔力を通して起動させる。 外付けによる消耗型(ワンオフ)と、自身の体……霊子構造に組み込む修得型(インストール)に分かれる。 インストール型のコードキャストは強力だが術者の性質を変化させるため、これを選ぶウィザードは少ない。礼装によるコードキャスト使用はこの中間にあたる。

Cryogenic stasis

[v] Fate/EXTRA material - Encyclopedia: Frozen technology [Circumstances], p.172-173 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Frozen technology [Circumstances] This refers to how technology development has stagnated since 1970 due to restrictions and regulations enforced by the West Europe Plutocracy. Aerospace industry development is especially restricted. Despite there being a slow trickle of advancement and new technology, no genius talent has appeared with a breakthrough. Furthermore, the development of weapons has led to an extreme decrease in the availability of resources, which peaked in the year 2000. Another significant difference [in the alternate world of EXTRA] is that cyber attacks are a staple of war. The face of modern war is characterized by attackers using the network to destroy the management capabilities of cities and then they proceed to carry out primitive terrorist-style attacks. Ironically, cyber attacks don’t cost much and do no harm to the environment. It’s not too much to say that cyber warfare is environmentally friendly. 技術凍結【事柄】 １９７０年から技術進歩が滞っているのは、西欧財閥による規制行為とされている。 航空技術、宇宙開発はその最たるもの。積み重ねられた技術の進歩は少しずつあるものの、ブレイクスルーを促す天才は現れない。 また、兵器の進歩も資源が激減したため、２０００年から頭打ちとなっている。 戦争のメインが電脳戦になったというのも大きい。 ネットワーク上から都市の運営機能を破壊し、後は原始的なテロ活動に移行する……というのがこの時代の戦争である。皮肉な話だが、コストもかからず環境も破壊しない電脳戦は地球に優しい戦争と言える。

Dan Blackmore

[v] Fate/EXTRA material - Encyclopedia: Dan Blackmore [Character], p.197-198 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Dan Blackmore [Character] Dan is a former soldier, and a Master dispatched by England. He served as a soldier for many years, and was knighted by the Queen. When he was young he made a name for himself as a sniper. While the Royal Family of England is a part of the West Europe Plutocracy, it opposes the one who holds the power to lead the group, Harwey. After hearing that Harwey had accessed Moon Cell, and that there was the possibility he might be trying to monopolize it, the Queen sent her most trusted private soldier to the Moon. That soldier is Sir Dan. Dan comes from an old family, and his body possessed magic circuits. Dan resented his Magus blood, but one cannot refuse a direct request from her Majesty the Queen. Although close to retirement, he was still a soldier, and thus he could only carry out his duty to the end. With this, he went through one year of training and adjustment, and he became a spiritron hacker. At the ripe age of 60 he was a late bloomer of a Magus. What Dan desires from the Holy Grail War is to be able to fight as a “Knight.” While he has already received the title of Sir, he is a soldier who has crossed many battlefields. He came to lose many things through the battles in his past. His ideals, his wife, and the life he imagined for himself when he was young. All of it burned away by the fires of war. After living his life as such, all that he would be rewarded with was the end known as retirement from military service. Dan greatly desires a clean separation between battle and everything else, and he only wants a clean fight. And now the Holy Grail War has presented itself as his last chance to be able to fight as a Knight. Dan Blackmore suggests the importance of conviction to the protagonist. The old solider speaks: “Even if you have regrets, you should never use them as an excuse. I did my best while on the path that I was presented with. No matter how warped or crooked that path may be, I continued to represent my own soul.” Despite killing many a foe, and losing his wife, when Dan takes a weapon in his hands, he is under no illusion. After taking up arms, you must bear responsibility for your actions. This goes for both the enemies you killed, and you who chose this path yourself. To the protagonist who had not yet discovered the reason and meaning behind fighting, the old soldier compassionately sees him off. Only at the very end are the mistakes you are responsible for brought into question. Until then, you have no reason to stand still. For that is the story of another certain knight I know too well. To the protagonist whose memories still haven’t returned, and who holds but a vague desire to obtain the Grail, these final words from Dan were like those of a proud father. ダン・ブラックモア【人物】 英国から派遣された元軍人のマスター。 女王から騎士(サー)の称号を授かった歴戦の兵士で、若い頃は狙撃手としても名を馳せた。 英国王室は西欧財閥の一翼ではあるが、その指導権を巡ってハーウェイと対立している。 ハーウェイがムーンセル・オートマトンにアクセスし、これを独占する恐れがあると聞きつけた女王はもっとも信頼するプライベート・ソルジャーを月に派遣した。それがダン卿である。 ダンは古い家柄の出で、その体には魔術回路が備わっていた。魔術師の血を嫌っていたダンだが、女王陛下に頼みとされては断れない。 退役間近であっても彼は軍人であり、軍人として生きたからには、最後まで職務を全うするのみ。 こうして一年間の訓練・調整を経て、彼は霊子ハッカーとなった。齢六十歳、遅咲きの魔術師として。 ダンが聖杯戦争に求めるものは『騎士』としての戦いである。 サーの称号を戴きはしたが、彼は多くの戦場を渡り歩いた軍人だ。その過程で多くのものを失ってきた。 理想も、伴侶も、若い頃に夢想した自分の人生も、戦火の中に焼け落ちた。 そうして生き延びた彼に与えられたものは退役という終わりだけ。 明確な線引き、明確な戦いを深層意識で求めていたダンにとって、聖杯戦争は騎士として戦える最後のチャンスとして映ったのだろう。 ダン・ブラックモアが主人公に提示するものは『信念』だ。 老兵は語る。 「後悔はあっても、それを言い訳にしてはいけない。 私は与えられた道で最善を尽くした。 たとえその道がいびつなものであったとしても、私は、私の魂を示し続けた」 敵兵を殺し、妻を失いながらも、武器を手にした事を彼は誤魔化しはしなかった。 武器を手にした以上、人は責任を負わなければならない。殺した相手にも、その道を選んだ自分という命にも。 いまだ戦う意義を見いだせずにいた主人公を、老兵は憐れみ、送り出す。 責任の智を問われるのは最後の時だ。 それまで、君が立ち止まれる理由はない、と。 それは或る騎士の物語。 記憶が戻らず、聖杯を求めていた理由さえ曖昧な主人公にとって、その遺言は背中を押す父親のようですらあった。

Decisive Battle Ground

[v] Fate/EXTRA material - Encyclopedia: Decisive Battleground [Location], p.178-179 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Decisive Battleground [Location] This is the decisive battleground that sports a seven seas theme. As a rule, Masters are forbidden from fighting outside of this battleground, however this rule is not strictly enforced. Those who break this rule are penalized, but not disqualified. If one so desires it’s possible to attack other Masters even in areas such as the arena and the school building. However, there are several absolute rules that must be observed within the decisive battleground: 1: Servants only can attack Servants. 2: Masters can attack both Servants and Masters. Within the game you do not have the freedom to choose to break these rules, but you do have the ability to directly attack other Masters using codecasts. It should be noted that even if a Master dies, their servant does not immediately disappear, and if the dead Master’s Servant defeats the other Master’s Servant, the battle effectively ends in mutual destruction. It might be contrary to what one would normally think, but what effectively determines victory is whose Servant defeated the enemy Servant. The victor is the one who is alive and able to proceed to the next battle. The loser is prevented from respawning by the firewall, and is fated to be completely blocked from reentering the cyber world. The world delimiting firewall is an impenetrable barrier, and only servants of Godspirit class would be able to nullify it. … Well, I guess some blonde hottie from Earth nullified it pretty easily. But that event was completely unrelated to Moon Cell, so it doesn’t count! Moon Cell’s rules basically sum up to “survival of the strongest.” (Missing one sentence here about Funny Vamp????) 決戦場【ロケーション】 七つの海を模した決着の場。 原則として、この決戦場以外でのマスター同士の戦いは禁止されているが、それはあくまで禁止されているだけ。ペナルティは与えられるが、それで失格になる訳ではない。やろうと思えば校舎内でもアリーナでも敵マスターを攻撃する事は可能である。 しかし、この決戦場においては以下の絶対的な法則がある。 １．サーヴァントはサーヴァントにしか攻撃できない。 ２．マスターはサーヴァントとマスターに攻撃できる。 というもの。ゲーム本編でその選択自由はないが、マスターがマスターにコードキャストでダイレクトアタックをしても問題はないのである。 ただし、マスターが死亡してもサーヴァントがすぐに消える訳でもなく、倒されたマスター側のサーヴァントが敵サーヴァントを倒せば晴れて”共倒れ”となる訳だ。 矛盾した話だが、戦いの勝敗基準は”どちらのサーヴァントが敵サーヴァント倒したか？”なのである。 そして、生きて次の戦いに移動できるのは勝者のみ。 敗者はファイヤーウォールによって生還の道を閉ざされ、空間ごと消滅する運命にある。 世界を区切る攻性防壁《ファイヤーウォール》は突破不可能の壁で、これを無効化できるものは神霊クラスのサーヴァントのみとされる。 ……まあ、なんか地球からやってきた金髪の美女があっさり壁を無効化していたが、アレはもともとムーンセルとはまったく関係のない生命体なのでノーカン。ムーンセルのルールはたいてい力で圧し通るファニーヴァンブなのであった。

Demonic Bodhisattva

[v] Fate/EXTRA material - Encyclopedia: Demonic Bodhisattva [concept], p.209-210 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Demonic Bodhisattva [concept] Mashou Bosatsu. This term is the widely-known nickname of a certain somebody. The horns jutting from her head are devil horns. This shows that she is the enemy of the enlightened (buddhas). She is the embodiment of self-love, and prioritizes pleasure over everything else. Her pleasure is achieved by using human lives and treating them as sustenance. She is a walking disaster for man and beast alike. Those who met this woman were touched by her great kindness and would devotedly follow her as though she has cast a spell upon them. After that, due to her great desire to be loved, she would (foolishly) use them to indulge in her sexual desires. The problem is that the more you fulfill your sexual desires, the less satisfying it becomes to do so. This woman has no desire for dilute, unsatisfying “pleasure.” Her followers would fall into despair because she no longer showed any concern for them, “She won’t love us ever again.” and thus they end their lives. In the end, the victims had their bodies and everything they had completely devoured by her. She is certainly guilty, but since all her followers who committed suicide were thankful to her, she was unable to be charged and prosecuted. It goes without saying, her followers were simply mistakenly appreciative of her, or were deceived. Her followers were vaguely aware of the fact that she was not a saint, but actually a devil, but they were unable to escape from her devilish grasp, and found their lives degenerating. A similar situation is also true for Kirei Kotomine, although he takes things in a somewhat different direction. Kotomine recognized himself as evil, and decided that evil was appropriate for him, thus he strayed from the path of human morals. This woman (a Demonic Bodhisattva) considers all her actions, regardless of what, to be good. Quite the haughty evil spirit. This evil spirit of a woman lies to herself about nothing, but soaks her words with lies to entrap everyone around her as food; their lives expended completely for her own sake. The absoluteness of her ego, her unwavering attitude towards everything; to a regular person it might seem as though she is on the border of enlightenment. If there were a specific reason that her followers called her a “saint,” it would be because at this characteristic. ◆ The appearance she takes on after her demonic reincarnation is one of the highlights in CCC (and also a bit far out). Its formal name is The Third Pleasure Heaven of Deeply Grateful Existence [随喜自在第三外法快楽天]. She is a new god descended from the Covetous Mother Goddess. Only Saver, who has by all rights mastered the esoteric ability to completely turn off his sexual desire, is able to match up to this woman incarnate. Rather than using the mysterious effects that are privilege only to God’s to attack, her primary method of attacking is using her hands. This is because according to her directly touching her opponent and having her opponent touch her is more pleasurable. Having been designed at the same time as the Fate/EXTRA boss characters, she was made to be completely opposite of the others. “Fate always has the most amazing boss characters. We want to make sure things stay that way in EXTRA as well.” Said Mr. Niifu in a presentation, “In that case, why don’t we make her name a cross between the names of the main villains of Kara no Kyoukai and Fate/stay night? And that’s how she got her name. As for myself, at that time I had just cleared Bayonetta, which is why CCC features such a high tension scenario. I bared my desire for all to see, “Well see, I really want to write a slutty bitch into the story. A super erotic bitch to end them all, a new genre God Bitch?” So I went to Takeshi Takeuchi with a variety of nonsensical requests such as, “Please make the last boss costume naked-apron (Hadaka Apron).” 魔性菩薩【事柄】 ましょうぼさつ。 ある人物を指した言葉、名称。 頭に生えた魔羅[つの]は天魔のもの。即ち、この者が覚者の敵対者である事を示している。 『快楽』を優先する自己愛の塊。 その過程で他人の人生を利用・食い物にし、破滅させる人畜災害。 この女を知った人間はまず彼女の聖母の如き慈愛にふれ、魅了されたように入信。 その後、彼女に愛されたいあまりに自己の欲望のみをひたすら追及して痴態を晒すが、欲望は満たせば満たすほど薄くなってしまうもの、 薄くなった快楽をこの女は好まない。 信者たちはこの女に関心を持ってもらえなくなり、「もう愛してもらえない」という絶望から命を断っていく。被害者は体も資産もまるごと食い物にされる訳である。 かぎりなく有罪なのだが、自殺した者たちがすべて彼女に感謝しているため、犯罪として立件できずにいる。 無論、感謝というのは被害者たちの勘違い、あるいは自己欺隔。彼らもこの女が聖女なのではなく底なしの悪魔である事に薄々気がついていたが、その魔性からは抜け出せず、畜生道に落ちていくだけだった。 方向性は違うが、女版の言峰綺礼とも言える。 言峰は自分を悪と認め、その性を良しとした非人間。 この女は自分の行い全てを善と捉え、主張する物[もの]の怪である。 この物の怪は自分に何ひとつ嘘はつかず、しかし嘘まみれの言葉で周りを食い物にし、自分のために消費する。 その自我の絶対性、迷いのなさは、常人から見れば悟りの境地だ。彼女に『聖人』と呼べるところがあるとすれば、それはこの一点だろう。 ◆ また、魔人化による変生[へんじょう]後の姿はCCC最大の見せ場にしてツッコミどころ。 正式名琳は随喜自在第三外法快楽天[ずいきじざいだいさんげほうかいらくてん]。 新しい天[かみ]であり、貧欲な地母神の末喬である。 本来なら「奥義・性欲完全オフ」を体得しているセイヴァーさんぐらいでしか諌[いさ]められない女の化身。 その基本攻撃がことごとく肉弾行[にくだんこう]なのは、神様特有の不思議エフェクトで攻撃するより、直接触れあうせめぎ合いの方が愉しいからだそうだ。 Fate/EXTRAのボスキャラと同時期にキャラメイクされたボスキャラで、その立ち位置は表裏一体になっている。 「Fateといえば思想的なボスキャラです。EXTRAでもその例を守りたい」 と新納氏にプレゼンされ、「よし。ならば空の境界とFate/stay nightの二大外道の名前を合わせたものがよいでしょう」 という事で、ああいう名前になった。 おりしもベヨネッタをクリアしてハイテンションだったシナリオ担当が、 「なんか俺もすごいピッチが書きたい。超エロい宇宙規模のピッチ。つーか新ジャンル・ゴッドビッチ」 と欲望を丸出しに、武内崇に 「ラスボスは裸エプロンでお願いします」 などと、意味不明の要望を出したという。している。

Descending elevator

[v] Fate/EXTRA material - Encyclopedia: Descending Elevator [Location], p.179-180 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Descending Elevator [Location] In the Holy Grail War, after the six day moratorium, this elevator takes all the Masters to the Decisive Battleground on the seventh day. The appearance of the elevator is similar to that of a church’s confessional. Within the sealed domain behind the firewall, the Masters exchange words for the last time. It’s the final chance to reconfirm each others past, future, thoughts, and connections. Enemies and friends who shouldn’t be able to come to an understanding. But perhaps there is a way to come to understand each other. Just a few minutes later the battles begin, and Moon Cell is watching, recording the fluctuations of each combatant’s heart and mind. [TL NOTE: The Japanese literally says “grace period” but it could also mean postponement or extension or even delay, but it’s hard to judge due to not having played the game. Please edit “grace period” if appropriate.] 降下エレベーター【ロケーション】 聖杯戦争において、六日間の猶予期間を終え、七日目を迎えたマスターたちを決戦場に送る装置。その在り方は教会の懺悔室に似る。 ファイヤーウォールで区切られた密室の中、マスターたちは最後の会話を交わす。 お互いの過去、未来、思想、因縁、それらを再確認する最後の時間。 手を取り合う事のできない敵と味方。 けれど、わかり合えたかもしれない関係。 数分後に戦いを開始する両者の心の揺らぎを、ムーンセルは観測する。

Design baby

[v] Fate/EXTRA material - Encyclopedia: Design baby [Circumstances], p. 199 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Design baby [Circumstances] A Designer Baby is a child created with artificially modified DNA. With this it is possible even for parents who have completely normal genetics to bear a child who possesses magic circuits. Within the world of EXTRA, Shinji and Julius (among others) are designer babies. Contrary to what people often think, Leo is in fact not a designer baby. His great knowledge, intellect and experience were instilled through a hypnosis learning method, and his body does not contain a single speck of artificially created parts. His existence is not something that was realized through human intervention, he is just a “Born King.” デザインベビー【事柄】 遺伝子操作で人工的に作られた子供。 遺伝的にノーマルな両親からでも、魔術回路を持った子供を生み出す事ができる。EXTRA世界ではシンジやユリウスがこれに該当する。 勘違いされがちだが、レオはデザインされた子供ではない。彼の知識・経験は生後に行われた睡眠学習によるもので、人工的に作られた整体部品は}箇所もない。彼の在り方は人の手によるものではない”天性の王”という事だ。

Disciplinary Chairperson

[v] Fate/EXTRA material - Encyclopedia: Disciplinary Chairperson [NPC], p.206 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Disciplinary Chairperson [NPC] She is an NPC found in front of the stairs in the Old School Building. She is one of the few High Level AIs, and has more authority than Sakura but less than Kotomine. She scornfully treats humans as inferior creatures of the old world, even the Masters. She holds Moon Cell’s rules to be absolute. During the irregular situation that arises, all the other NPCs are running around in confusion, and she is the only one with a clear plan to escape the problem, but… After BB has arrived in the school if you try talking to the Disciplinary Chairperson, well, the result is as expected. However, no matter how many problems she has in her information processing algorithms, she is just an innocent tsundere. I’m sure that Zabio/Zabiko want to save her if possible. So yeah, you can actually save her. Got that Zabi? At times like this you have to think from the end. If you talk to her, BB will erase her, so that means you need to ignore her until after BB is eliminated. [TL NOTE: The Japanese used for eliminated could also mean “until BB goes away/disappears.” I’m not sure which is appropriate as far as the game goes.] 風紀委員長【ＮＰＣ】 旧校舎の階段前にいるＮＰＣ。 数少ない上級ＡＩのひとりで、権限は桜より上、言峰より下。人間を旧世界の下等生物と軽蔑しており、それはマスター相手でも変わらない。 ムーンセルの規律を絶対とし、異常事態に混乱しきっているＮＰＣたちの中で唯一、明確な打開策を実行しようとするが……。 ＢＢ登場以降に彼女に話しかけると、まあ、そうなるよね、というオチが待っている。 しかし、いくら思考ルーチンに問題があったとしても、彼女も罪のないひとりのツンデレ。できる事なら助けたいと思うザビ夫／ザビ子もいるだろう。 結論から言うと、実は助けられる。 いいかいザビ。こういう時は逆に考えるんだ。話しかけるとＢＢに消されるなら、ＢＢが消えるまで無視しちゃってもいいさと考えるんだ。

Dog Space

[v] Fate/EXTRA material - Encyclopedia: Dog Space [Terrain], p.160 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Dog Space [Terrain] This is the bottom of the imaginary number space; the bottom of consciousness made from the dregs of corrupted information. Not even Moon Cell’s surveillance can reach this East of Eden. The ground is covered entirely in velvet, but other than that it is an empty bed of nothingness. This place lacks the concept of “an entrance” or “an exit” as well as “limits” there is no means of escape. Those who fall here are connected together in the flow of time, wandering aimlessly for all eternity, drifting in a sleep-like state. BB adds a further special rule for those who reside here “You must be on all fours.” She does this to force the protagonist to surrender to her will by abusing both his body and mind. 犬空問【地形】 虚数空間の底、悪性情報の底に作られた意識の底。 ムーンセルの監視すら届かないエデンの東。 地面は一面のベルベッドに覆われているものの、それ以外は何もない虚無の寝所(ベッド)。 入り口・出口の概念もなく、果ての概念もないので脱出の手段はない。 ここに落ちたものは数珠つなぎになった時間流の中、永遠に彷復い続け、眠り続ける。 ＢＢはさらに特殊ルール『よつんばいでなくてはならない』を追加し、心身共に主人公を陥落させにきた。

Dust of Osiris

[v] Fate/EXTRA material - Encyclopedia: Dust of Osiris [Other], p.166 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Dust of Osiris [Other] Dust of Osiris is the all-purpose Mystic Code that Rani develops for you to use in your battle against Passionlip. You use this in order to avoid instant death from Lip’s cube compression attack. This Mystic Code is a raging sand storm that blocks anything that would try to affect/change your status. To find out why it has the name “Osiris” please refer to the last boss of the fighting game Melty Blood Actress Again. It blocks Green Archer’s poison, and even Karna’s meteorite attack. What was that soothing aromatic tree? Well in any case Rani-san alone is good enough, right? オシリスの砂塵【その他】 パッションリップ戦に備えてラニが開発してくれる万能礼装。 リップのキューブ圧縮による即死を防ぐばかりか、あらゆる状態以上をシャットアウトする脅威の砂嵐。 なぜオシリスなのかは格闘ゲーム『MELTYBLOODActressAgain』のラスボスを参照のこと。 緑アーチャーの毒はおろか、カルナの阻石さえ防ぐ。 癒やしの香木とは何だったのか。もうラニさんひとりでいいんじゃないかな。

Ego

[v] Fate/EXTRA material - Encyclopedia: Ego [Circumstances], p.164 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Ego [Circumstances] In latin this means one’s self; the ego. In CCC it’s described as “One’s Desire.” Egos are made from the fragmented personality of the girls who were made into sentinels, and are essentially no more than incomplete “copies.” They are sentient beings who seeped out of the cracks on that floor, and like shields, attacking them is useless. After making it past their Secret Garden they are destroyed, and they return to their original body. They are the heart and core of each floor, so as you search around it’s not difficult to encounter them. However the real problem starts from then. How do you deal with an ego, the true essence of one’s desire? Will you be able to overcome them? エゴ【事柄】 ラテン語で自我を意味する。 ＣＣＣでは『欲身』と書かれる。 センチネルにされた少女たちの人格が分割して現れたもので、基本的には”写し身”にすぎない。 そのフロアからにじみ出た意識体なので、シールド同様、基本的には攻撃を受け付けない。 ＳＧを抜かれると消滅し、本体のいるレリーフ内部に戻っていく。 そのフロアの心なので、フロアを探索すればエゴを発見する事は難しくない。問題はその後、欲望そのものといえるエゴとどう対話し、これを解決するかだ。

Elizabeth

[v] Fate/EXTRA material - Encyclopedia: Elizabeth [Servant], p.164-166 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Elizabeth [Servant] Elizabeth shows up in CCC as an if Lancer*see note at end. The Master who summons her is Run Ru. It’s not clear if she is Run Ru’s original Servant, or if she took the place of Black Lancer through the events of CCC (At the branching point a bit after the start of the game). All we know is that in the time line where BB exists, Run Ru’s Servant is not Vlad III, but rather this young girl. Her true name is that of a historical woman who was a mass serial killer and torturer; Elizabeth Bathory. As a Servant she is summoned with the body and appearance she had during her golden days, which were the days when she found herself to be most beautiful. Summoned as a Heroic Spirit as she was before her marriage and with her body and character being that of when she was 14. As her 14 year old self she retains only two things. First, her dreams of love and the romance oriented mentality she had before her marriage. Second, memories about the nightmare that was her imprisonment as an evil creature shortly before her death. Because of this, her existence as a Servant is a confusing mix of her time as a young noble lady, and the time she was assaulted by that crazed nightmare. Wearing a cyber-goth-loli dress, she has immoral devil horns (actually dragon horns), and the protruding fangs of a little devil (actually dragon fangs), and a lance that can double as a microphone stand. Her design doesn’t seem to reflect her as a proper Heroic Spirit. She is a self-appointed “Idol Servant.” Although those around her always see her as being a bit socially awkward, Elizabeth is always serious about perfectly acting as an idol using both mind and body. She uses the personal pronoun 私 (watashi), and she refers to other people in a derogatory fashion as “pig,” “squirrel,” “rabbit,” and the names of other inferior animals. Her use of words is generally like that of a noble person, however from time to time she mixes in some slang used by modern high school girls. She says a lot of things that makes it seems like she enjoys tormenting the people around her, but rather than simply being extremely sadistic, she’s more of an innocent pure sadist. While BB has fun getting to know the protagonist, Elizabeth doesn’t even see her opponents as similarly living beings. (Sadistic behavior is just one way to express love, and her character deviates from the historical version in that she doesn’t focus on a “Sadistic desire to kill” but rather “Sadism that’s born from love”). Her alignment is chaos and evil. Outgoing, strong spirited, active. She values narcissism above all. High class, yet always with the high horsed idol attitude. She is cruel and cold. Completely unable to understand the pain of others, she has a mental disorder where only after seeing someone in pain does she recognize “this creature is human.” She may seem sadistic, but to her harming and causing pain to others is no different from breathing. To Elizabeth, inducing the suffering of humans (who are all lower level creatures than herself) is her duty. She is an incarnation of nobility, and seriously carries out her responsibility to rule and manage the masses. From this perspective she is very diligent and responsible towards her work. The problem is that to her, ruling and managing the masses means nothing more than their torture. 　　　　　　　　　　　　　　◆ “I don’t give a shit about the Grail and the human race. I wouldn’t even care a bit if civilization were completely destroyed. There’s only one thing that’s important. And that’s that I’m more beautiful than anyone else for all of eternity! You understand, right? Why don’t you all go die like the pigs you are? The only thing you could ever be good for is dying so I can bathe in your blood you useless slaves!” When Elizabeth was alive she was extremely attached to her own beauty, and taking this to the extreme is what brought her to carry out immoral and criminal actions. She would steal away people’s daughters, and after plenty of torture, she would slaughter them. It’s said that she bathed in a bath filled to the brim with the blood of young girls as a way to preserve her youth. To Elizabeth, her own beauty was an undisputed matter of course. In order to preserve her beauty, anything was permitted, no matter how heinous the action may be. Any action carried out to preserve her beauty was just part of the natural way things should be. Although she is often misunderstood as someone who killed for pleasure, Elizabeth never took pleasure in killing. She was simply driven into a rage by the ugly and inferior bodies of others, and this rage was then beaten into the bodies of her victims. Trembling in joy and excitement and exclaiming “This is the best!” was something that she only came to know after becoming a Servant, as it is part of her job as a Japan-style idol. After becoming a Servant, she completely devoted herself to becoming the greatest and strongest idol. Her rival is Red Saber. Only after Elizabeth became a Servant did she first experience the girlish happiness and fun of having a rival. One thing to note is that because she had no interest in anything other than her own beauty, sexual knowledge and experience is completely alien to her. To Elizabeth men are no more than Servants, or a source of money, or sometimes givers of girlish, cute gifts (Although it seems that those who adored her beauty often met a bad end). When it comes down to it men are nothing more than pigs. On the other hand, as far as Elizabeth in concerned, women are no more than slaves. The women around her were sometimes mothers or lovers, but in the end they were just raw materials to help preserve her beauty. Ultimately, they were like livestock; nothing more than food to sate her appetite. In CCC the female ego is a main theme, and there we have highlighted “the stubbornness a woman holds about her appearance.” The BBs are focused on the feelings that a girl has for their lover, and the feelings that a perverted devil would direct at the world, but Elizabeth is focused solely on her own happiness. Although Elizabeth is responsible for carrying out cruel physical punishment, she has not once encountered sexual pleasure. This goes to show how pure she is. Also, like Vlad III, through the skill “Innocent Monster” she is partially transformed into a monster. Her horns are not the horns of a devil but the horns of a dragon. Actually part of her body (around her tailbone) is covered in scales. If seen she becomes extremely embarrassed and her face turns bright red, after that the person who saw her scales will face the romantic-comedy like choice of being killed by her or marrying her. The following is an inside story. Towards the end of CCC Rin talks about how “Lancer’s karma is decreasing.” However this is not because she has committed any good deeds. Simply, the actions of Elizabeth (who is working hard for the protagonist) end up saving more people than she killed when she was alive. Her change in karma is due to the judgment of the emotionless Moon Cell. Thus her karma decreases, but at the point when she becomes free, the weight of her sins will remain forever unchanged. [*TL NOTE: Here if refers to a scenario or character development that is alternate to the main storyline or something that is non-canon. Typically done as fanservice. “What if...”] エリザベート【サーヴァント】 ＣＣＣで登場するifランサー。 召喚マスターはランルーくん。 ランルーくんの元のサーヴァントが彼女だったのか、ＣＣＣが起きた事（始まりの昇降口以降の分岐）で黒ランサーに変更されたのかは分からない。 ただ、ＢＢが存在してしまう歴史においては、ランルーくんのサーヴァントはヴラド三世ではなくこの少女となる事だけは確定している。 真名は大量拷問殺人で史実に残る女性、エリザベート・バートリー。 サーヴァントは全盛期の姿で召喚されるため、このエリザベートは彼女にとってもっとも美しかった頃……結婚前の十四歳の肉体と人間性……の英霊として召喚されている。 彼女にあるものは結婚前までの恋を夢見る恋愛脳と、悪魔として投獄され、死に絶える寸前の悪夢の記憶しかない。そのため、貴族令嬢としての在り方と、悪夢に冒された狂気が混同している。 サイバーゴスロリなブリブリのドレス、 背徳的な悪魔の角（実は竜の角）、 小悪魔的の八重歯（実は竜の牙）、 マイクスタンド機能を持つ槍、 と、まともな英霊には見えないデザイン。 自称・アイドルのサーヴァント。 まわりは痛い子を見る眼差しだが、エリザベート自身は本気かつ真剣、全身全霊でアイドルを演じている。 一人称は私(アタシ)。三人称はブタ、リス、ウサギ、等、下等動物になざらえた蔑称。 言葉遣いは貴族めいたものだが、ところどころに現代女子高生めいたスラングがまざる。 相手をいたぶって楽しんでいるような台詞回しが多いが、エリザはドSというより真性かつ純粋無垢なサド。主人公をなじって楽しんでいるのはＢＢで、エリザベートは相手を同じ生き物として見ていないからだ。 （ドＳという言葉は愛情表現の一種で、『殺すための嗜虐』を『愛情からの嗜虐』に切り替えたものと思われる） 性質(アライメント)は混沌・悪。 外向的、強気、能動的。 自己愛こそ最高の価値観とする少女。 高貴だけど高飛車なアイドルで、残忍かつ冷酷。 他人の痛みがまったく分からず、むしろ痛がる他人をみてようやく”この生物は人間だ”と認識できる、精神障害者。 サディスティックに見えるが、彼女にとって『人間を傷つける事』は呼吸をする事と変わらない。 エリザベートにとって、人間（下々のもの）を苦しめる事は義務であり職務だからだ。 彼女は貴族主義の権化でもあるので、民衆を支配・管理する事には真剣にとりくむ。こう見えて、与えられた仕事への責任感が強いのである。 問題なのは、彼女にとって支配・管理とは拷問に他ならない、という事なのだが。 　　　　　　　　　　　　　　◆ 「聖杯も人類も私の知ったコトじゃないわ。 文明なんて滅びても一向に構わないし。大事なコトは一つだけ。私だけが永久に、誰よりも美しい女でなくちゃいけないの！ だから───ねえ？みんな、ブタのように死になさい？その血を私に浴びせる程度しか、役に立たない奴隷なんだから！」 生前のエリザベートは自分の美しさに執心し、これを保つためにあらゆる背徳・犯罪行為を行った。 領民たちから娘を取り上げ、これを拷問のすえ惨殺。若さを保つ美容法として、浴槽を少女たちの血で満たしたと言われている。 彼女にとって自身の美しさは『当然』のもの。それを保つための行為は、どのようなものであれ自然だったのだろう。 快楽殺人者として誤解されがちなエリザベートだが、彼女は殺人行為に快楽を感じた事はない。いつも醜く劣化していく体に怒りを覚え、その怒りを領民に叩きつけていた。 彼女が「これ最高！」と悦びにうち震えたのは、サーヴァント化してから知った『日本のアイドル』というジョブである。 以後、彼女は最強のアイドルになるため日夜研讃している。ライバルは赤セイバー。 エリザベートはサーヴァントになって、はじめて『少女らしい喜びとライバル』を見いだした。 一方、自分の美しさにしか関心がなかったため、実のところ性知識や体験にものすごく疎い。 エリザベートにとって『男』とはかしずくもの、貢ぐもの、時に可愛らしいもの（エリザベートの美しさに心酔し、破滅する様が）で、つまるところはブタである。 同時に『女』は奴隷であり、時に母であり恋人であり、自分の美しさを保つ材料。つまるところは食い物である。 ＣＣＣでは女性のエゴが描かれるが、その中で『自分の容姿に固執する面』を受け持っている。 ＢＢたちが恋人に向ける感情、 工口魔人が世界に向ける感情だとすると、 エリザベートはひたすら自分だけの幸福を求めている。肉体的に残酷な行為もエリザベート担当だが、性的な喜びに関しては一切触れていない事が、彼女の純潔っぷりを現している。 また、ヴラド三世と同じく、スキル・無皐の怪物によって怪物化が進んでいる。 角も悪魔の角ではなくドラゴンの角だ。 実は体の一部（尾てい骨あたり）に鱗があって、見られると本人は恥ずかしさのあまり赤面、パニックの後に見た者を殺すか結婚するしかないようなラブコメ展開になると誰かが得をする。 ここから裏話。ＣＣＣ終盤で凛が「ランサーのカルマが減ってる」と話すが、アレは何も善行を行ったからではない。 単に、主人公に協力したエリザベートの行為によって救われた人類の数が、生前の彼女が殺害した人間の数を上回ったからである。感情のないムーンセルらしい判定だ。 なのでカルマが減り、自由になったところでエリザベートが負う罪の重さは永遠に変わらない。

Excalibur Galatine

[v] Fate/EXTRA material - Encyclopedia: The Reborn Sword of Victory [Noble Phantasm], p.163

English Japanese The Reborn Sword of Victory [Noble Phantasm] Excalibur Galatine. Gawain's Anti-Army Noble Phantasm. A Pseudo-Sun is contained in the hilt. A holy sword in King Arthur's legends, it is the sister sword to Excalibur. If Excalibur is a sword that destroys castles, this sword destroys the enemy army. If King Arthur's holy sword collects the light of the stars, Sir Gawain's holy sword represents the rays of heat from the sun. Unlike Excalibur's centralized attack, Galatine is a broad wave, radiation-type attack that completely annihilates the enemy army. Like Excalibur, the original owner is a Maiden of the Lake. Hidden in Excalibur's shadow, it's a holy sword rarely mentioned in the legends. In the remaining legends, it is similar to its owner, Gawain, and shows its greatest power at noon, the unsurpassed shaprness of the edge is said to become visible. That sharpness sliced clean through the shield and chainmail of the enemy, the Saracen soldier Priamus. As Arthur has the providence of the night (Alto, Artemis, the pedigree of the goddess of the moon), Gawain is the knight who receives the blessing of the sun. That special characteristic is reflected in the Noble Phantasm, which is like the rays of heat from the sun. Caladbolg is the prototype of Galatine, like a long rainbow, and cleanly sliced off the top of a hill with its full power. It was a sword of light that stretched from the magic sword like a rainbow. Galatine is similar; with a motion like drawing a sword, and the pseudo sun inside and the magical energy put into it, the attack extends as far as it is possible to visualize the blade of the sword. That is to say...about 13 kilometers or so. 転輪する勝利の剣【宝具】 エクスカリバー・ガラティーン。 ガゥェィンが持つ対軍宝具。柄に疑似太陽を封じ込めた聖剣。 アーサー王伝説における聖剣、エクスカリバーの姉 妹剣。エクスカリバーは対城宝具だったが、こちらは 城攻めより大軍相手の聖剣となっている。 アーサー王の聖剣は星の光を集め、ガウヱイン卿の 聖剣は日輪の熱線を顕す。 エクスカリバーは一点集中型だが、ガラティーンは 押し寄せてくる敵兵たちをなぎ払うための、真横への 放射型になつている。 本来の持ち主はエクスカリバーと同じく、湖の乙女である。伝承ではエクスカリバーの影に隠れ、 多くを 語られる事のない聖剣だった。 わずかに残る伝承では、持ち主であるガウェィン同様に正午に最大の力を発揮したとされる他、切れ味に優れて 決して刃こぼれしなかったという事ぐらい。 その切れ味はサラセン人の戦士プリアマスを、相手 の盾と鎖帷子ごと叩き斬ったほどである。 アーサーが夜(アル卜、アルテミス系の、月の女神 の名前の系譜なので)の守りであるのに対し、ガウエ ィンは太陽の恩恵を受ける騎士である。その特性を色濃く反映した彼の宝具は太陽の熱線を顕して いる。 ガラティーンの原型であるカラドボルグは、虹のように長く、丘の頂天を斬り落とすほどの威力を 持った どされる。剣光を虹のように伸ばした魔剣だった。 ガラティーンもこれと同じく、抜刀し、魔力をこめると内部の疑似太陽が運動し、剣の刀身を可視 できる 範囲まで伸ばすという。 つまりどういう事かと言うと......十三キロや。

EXTRA World

[v] Fate/EXTRA material - Encyclopedia: The world of EXTRA [Circumstances], p.163-164 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese The world of EXTRA [Circumstances] “The minds of people became used to being managed and regulated, and civilization stagnated. There are no great tragedies, however there are also no new discoveries. Everyone is pessimistic in this flavorless world where you can only await death. This is our “reality”.” Fate/EXTRA is set on Earth in 2030. The world of EXTRA differs from that of Fate/Stay Night in that it has a different time line and events starting from 1970. History took a different path. Mana, the energy required to carry out large scale magic, has dried up, and real magic has been lost from Earth. The magicians of old have disappeared from center stage, and the era of magic has drawn to a complete close. From then on those who called themselves “Magus” came to represent Spiritron Hackers, a new generation of mankind. EXTRA世界【事柄】 『人々の精神は管理に馴れ、文明も停滞した。 大きな悲劇は起きないが、新たな発見もない。 誰もが非観し、ゆるやかな死を待つ世界。 それが私たちの〝現実”だ。』 Fate/EXTRAの世界は西替２０３０年の地球。 Fate/stay nightとは違う、１９７０年代から異なる歴史を歩んだイフである。 大規模な魔術を成すためのエネルギーとなる犬源(マナ)が枯渇し、魔術は本格的に地球上から失われた。 古い魔術師たちは表舞台から消之去り、神秘の時代は完全に終わりを迎えた。 以後“魔術師”を名乗るのは、霊子ハッ力ーと呼ばれる新時代の人類となる。

Far Side of the Moon

[v] Fate/EXTRA material - Encyclopedia: Far Side of the Moon [Circumstances], p.198-199

English Japanese Far Side of the Moon [Circumstances] The setting of CCC. If one thinks of the moon as having two sides, the side facing Earth is the Near Side, while the opposite...the side that cannot be observed from the Earth is the Far Side. While Fate/EXTRA starts from the first floor of the Near Side and heads for the seventh floor ~ the core, CCC starts from the Far Side (no concept of floors). Though the path may differ, the end goal for both is the core of the Moon Cell. The Far Side of the Moon is a place where data deemed unnecessary by the Moon Cell is kept, similar to a dumping ground. It is imaginary number space that continuously takes in data categorized as malignant information――that which is nothing but harmful to humans as well as intelligent lifeforms in general. The Far Side is territory so taboo that even the “Eye” in the core of the Moon Cell is forbidden to enter. Data that have entered this place, after becoming engulfed in humanity’s malignance and losing sight of their purpose of existence, ultimately become deprived of meaning. The Far Side can also be said to be an ocean that has amassed the pollutants that the Moon Cell accrues as it makes its observations. 月の裏側【事柄】

Father Kotomine

[v] Fate/EXTRA material - Encyclopedia: Father Kotomine [Person's name], p.182
English Japanese Father Kotomine [Person's name] 言峰神父【人名】

Fierce Tiger Forcibly Climbs a Mountain

Fate/EXTRA material - Encyclopedia: Fierce Tiger Forcibly Climbs a Mountain [Noble Phantasm], p.216

English Japanese Fierce Tiger Forcibly Climbs a Mountain [Noble Phantasm] The anti-gate Noble Phantasm Li Shuwen used as Berserker. One of the secret techniques...pinnacle representations of Bajiquan and the deadly form Li Shuwen had relied on throughout his life. When you think of Li Shuwen you think of this move. Sorry to keep you waiting, here’s everyone’s favorite Fierce Tiger Forcibly Climbs a Mountain. No Second Strike was strictly anti-personnel...an attack for stopping a person’s heart, this attack is specialized for physical damage. It is believed that the reason Assassin was using this as his noble phantasm when he lost his sanity was because he stopped reading the pulse and mind of his opponent. It’s a series of consecutive attacks and frequently uses motions where the first attack looks like a tiger clawing at a mountain, so it’s called Fierce Tiger Forcibly Climbs a Mountain. Each single attack is “energy from the earth outputted through the martial artist called Li Shuwen”. It easily smashes walls and doors, and even the sturdy gates of dojos, to say nothing of what it would do to a person. 猛虎硬爬山 【宝具】 八極拳の秘門・・・奥義の一

Firm/Farm

[v] Fate/EXTRA material - Encyclopedia: Firm or Farm [Circumstances], p.206

English Japanese Firm or Farm [Circumstances] This is the city management system implemented by the West Europe Plutocracy. It created a utopia without conflict. Or possibly a dystopia that has reduced the self-awareness of the people. In this harmonious city system the ruling class and worker class are clearly separated, and even if you are part of the ruling class your future is precisely managed. There is no racial discrimination, and treatment only differs based on actual ability. There is no stipulation that all humans are made equal, and it is deemed enough as long as people are equal within their group. This amounts to extreme racial discrimination, but this is one possible version of a perfect society. The West Europe Plutocracy subjugates any hostile forces on their mission to push forward and unify the planet under this system that they think is ideal. ファーム【事柄】 西欧財閥による都市管理、ないし、その在り方を椰楡したもの。 争いのないユートピア。 或いは、自意識を眠らされたディストピア。 支配階級と労働階級を明確に区分けし、支配階級であろうとその将来をきっかり管理する調和都市。 人種差別はなく、能力区別があるだけ。 人類皆平等は謳っておらず、それぞれの民族内部での平等を良しとする。 究極の人種分類[さべつ]だが、これも完成された社会の一つ。 西欧財閥は敵対勢力を鎮圧し、彼らが理想とする社会でこの星を統一しようと適進している。

Fujimura-sensei

[v] Fate/EXTRA material - Encyclopedia: Fujimura-sensei [SFF], p.206-207
English Japanese Fujimura-sensei [SFF] ファーム【ＳＦＦ】

Gawain

[v] Fate/EXTRA material - Encyclopedia: Gawain [Servant], p.168-169

English Japanese Gawain [Servant] He is a class Saber servant, but due to the immediate reveal of his true name in his first appearance, is the story he is referred to as Gawain. His Master is Leo B. Harwey. Gawain has a well-proportioned tall and sturdy body. He is cast as a calm and sweet handsome man. He considers selfless devotion to be of the utmost importance, and he has dedicated his sword to Leo, whom he has recognized as a true king. When Leo is talking Gawain never tries to express his own views, and he only speaks as a representative of his Master’s opinion. His voice and tone are clear and refreshing, and he would never insult his enemy even when they are down. Even if his opponent is lacking in power or ability, Gawain courteously engages with them out of consideration for their desire for battle and their determination. Sir Gawain appears in The Legend of King Arthur, and is a Knight of the Round Table. He is King Arthur’s nephew, and appears alongside Lancelot as one of King Arthur’s most trusted knights. In the legend Gawain ends up being unable to save the King, however his loyalty was true to the end. His regrets remain after being summoned as a Servant, so he is determined that this time he will be of assistance to those who hold sway over the fate of the King, and he has sworn to give it his all with every swing of his sword. Luckily, the Master to whom Gawain has pledged his sword to seems to be very suitable for him. Gawain believes that through birthright Leo possess the right to become king, and that it is his role protect and nurture the development of the young king. …at least at first. Gawain eventually learns that Leo has never experienced defeat, and as the people’s king that it is something that Leo will eventually encounter. No. It’s more that from his time as a Knight of the Round Table he was thoroughly taught the lesson that without experiencing defeat, a person can never become a true ruler of the people. This upstanding and honest knight doesn’t believe in Leo unconditionally as Julius does, but has sworn to be Leo’s sword until the inevitable time comes when Leo will become a true ruler. “—Of course. Until that time comes, I will continue to be victorious.” As Gawain discusses Leo like this, it’s as if an older brother is watching over his younger brother’s growth. Even to the end, Sir Gawain never tells Leo what “that time” is. Leo, trusting in Gawain does not try to discover what “that time” refers to, and together they continue their streak of victories in the Holy Grail War. ガウェイン【サーヴァント】 クラス：セイバーのサーヴァントだが、初登場時から真名を名乗っているため、本編ではガウェインと呼称されている。マスターはレオ・B・ハーウェイ。 すらりとした長身でありながら頑強な体つき、かつ、穏やかで甘いマスクをした美男子。 本人は滅私奉公を第一としており、王と認めたレオの剣に徹している。レオが会話している時は決して自分を出さず、レオの名代として前に出た時のみ会話をする。 その口調は涼やかで、相手を軽んじる事も侮辱する事もない。たとえ相手が力量不足でも、その戦意・覚悟をくみ取り、礼節をもって相手をする。 ガウェイン卿はアーサー王伝説に登場する円卓の騎 士のひどりだ。アーサー王の甥であり、アーサー王の 片腕と称されたランスロットに並ぶ騎士である。 伝説では王を助けられなかった結末を持つが、その 忠誠心は最後まで誠だった。 サーヴァントどして召喚されたガウェインはその無 念を残しており、今度こそは王の宿命を持つ者を補佐 し、一振りの剣として尽くしきる、と誓っている。 幸運な事に、マスターであるレオは彼が剣を捧げる に相応しい人物だった。 レオという、生まれながらに王聖を獲得している幼 い王を守り、羽化させる事が自分の役割だとガウェイ ンは信じている。 ……もっとも。ガウェインはレオに足りないものは 敗北であり、人の王である以上、いずれその刻が来る 事を知っていた。 いや。そうでなければ人を治める王として完成しな い事を、円卓時代に思い知ったのだ。 この清廉潔白な騎士は、ユリウスのように絶対なものどしてレオを信奉するのではなく、いずれ絶対なも のになるレオの剣になる事を誓った。 「————もちろんです。 貴方にその刻がくるまで、私は勝ち続けます」 そうレオに語るガウェインの姿は、弟の成長を見守る実の兄のようだ。 ガウェイン卿はレオに『その刻』とは何なのか、最後まで語るこどはなかった。ガウェインを信頼するレオも、『その刻』とは何なのかだけは読めず、聖杯戦争を勝ち進んでいく事になる。

Gae Bolg

[v] Fate/EXTRA material - Encyclopedia: Barbed Spear that Pierces with Death [Noble Phantasm], p.178

English Japanese Barbed Spear that Pierces with Death [Noble Phantasm] Gae Bolg. Lancer’s anti-personnel noble phantasm. A cursed crimson spear with the infamous reputation of always going through the heart when thrust. What it actually does is reversing causality, the spear being thrust after the outcome of striking the heart is established. When its true power is invoked with its true name, Lancer’s crimson spear gains the outcome of already striking the heart before being thrust. It didn’t hit because it was thrust, it hit so it was thrust, an attack on destiny itself. What is needed to dodge Gae Bolg isn’t high agility but the power to reverse fate before the activation of Gae Bolg: high luck. While it’s strictly anti-personnel and specifically targeting the heart, it’s a top-notch power that decides fate. It’s a noble phantasm a step away from being an authority, but it's no surprise that it is for its welder Cu Chulainn is the child of a god. You shouldn’t take him lightly just because he's a jobber. 刺し穿つ死棘の槍【宝具】

Gatou

[v] Fate/EXTRA material - Encyclopedia: Gatou [Character], p.170-171
English Japanese Gatou [Character] Real name, Monji Gatou. ガトー【人物】 本名、臥藤 門司(がとうもんじ)。

Gilgamesh

[v] Fate/EXTRA material - Encyclopedia: Gilgamesh [Servant], p.175-176

English Japanese Gilgamesh [Servant] A main Servant who was added for CCC. Humanity’s most ancient hero, and a demigod who, B.C., ruled the Sumerian city-state of Uruk. Ruthless and unfeeling. A tyrant who heeds not the opinions of others and lives by his standards alone. Like Red Archer, I’ve expounded exhaustively on this guy in plenty already, so there’s nothing in particular that needs to be said. Though some details were tweaked slightly for Extra, he’s basically the same Gil we all know. An extraordinary Heroic Spirit who flaunts his ornate golden armor and throws around his superabundant wealth of treasures like they grow on trees or something. [pronoun stuff] His nature(alignment) is Chaotic Good. A cold-blooded tyrant, and a hero who had sought and enjoyed all manners of treasures and pleasures. Though capricious and temperamental, he does not (generally) kill someone simply because he is in a foul temper. When he kills a person, it is either because that someone’s soul is abominable, or because that person has become an enemy of his. King and sentencer who weighs both good and evil equally. To him, a life is only “that which will die this moment” or “that which will one day die.” A being who is recognized by Gilgamesh as “a life that must die this moment” will be slain, even if a sage. “So in the end it has nothing to do with rules or conditions and just depends on what he feels like that day?!” This kind of reaction is understandable, but that is what a king is. Whether astute judgment synonymous to the truth of the universe, or misrule during a drunken stupor, if he is the one to implement it, it would become the indisputable adjudication of the king. Such is the absolute sovereign. Though some see him as similar to Iskandar in their egocentricity, the greatest difference between the two is that Gilgamesh has no need of vassals. Gilgamesh is a king who, from start to end, reigns by means of only “himself.” What he loves are “treasures” and “tools,” while a “person” is no more than that which must one day perish. ……No matter how worthy of love he may acknowledge that to be. Considering CCC’s themes, women’s issues can’t be avoided. Gil’s type is a “noble maiden.” (Ko-Gil’s is a “wildflower.”) He dislikes women who are dependent on men and yet would make use of men. In other words, he dislikes “womanlike” women. Though the Moon Cell had reconstructed and manifested him as a Servant, unable to control him, it sealed him in the Far Side of the Moon. As Gilgamesh himself hadn’t seen much point in the Holy Grail War, he made himself a bedchamber in the darkness (malevolent information), and dozed to dreams of degeneration. Although he’d been lazily savoring his splendid isolation of aiding none and needing none, since he found the ramblings of the fool (the protagonist) who fell into Hell kind of amusing, he woke and stuck his nose into the protagonist’s affairs for a little bit, thus setting off the chain of events for his route. Because he’d been napping in Hell for a near infinite amount of time, both his mind and body have completely rusted. Just when you think he finally won’t be so cocksure of himself this time around, it turns out that that’s his default status to begin with. ←new! But his Noble Phantasm wreaks an insane amount of damage, so I’m honestly kind of worried about the game balance of the latter half of the game right now. The battle flow might turn into something terrible like Gil-sama attacks → the enemy dies! Though such is the AUO, being an allied Servant, surely he will someday come to mutual trust with the protagonist and, along with light conversation, unlock his SGs. Additionally, because he is not incarnated in Extraverse, he is not affected by the nature of the era’s civilization. In CCC, one may occasionally catch glimpses of the more personal sides of a neutral Gilgamesh from the era of the epic. ギルガメッシュ【サーヴァント】

God Force

[v] Fate/EXTRA material - Encyclopedia: The Five Soldiers of the War God [Noble Phantasm], p.181-182

English Japanese The Five Soldiers of the War God [Noble Phantasm] God Force Berserker’s anti-personnel, anti-army, anti-castle noble phantasm. The true name of the two-handed sky piercer halberd recognized as Lu Bu Fengxian’s main weapon. A multi-mode weapon which has six different forms. This amounts to Lu Bu having six Servants’ worth of noble phantasms for himself, which are: “slash” for heavy damage attacks that nullify or cut through and break all kinds of physical defense; “thrust” for heavy damage attacks that can stun on hit (target being rendered immobile due to spear impalement) and penetrate through a line of enemies; “blunt strike” for raising Lu Bu’s defense by transforming into huge bracers, or using a special defensive technique for blocking and redirecting attacks; “sweep” mode for sweeping aside a row of enemies; “parry” mode for doing special counterattacks to do damage while deflecting physical attacks; and “shoot” for everyone’s favorite large-bore, wave motion cannon-like Lu Bu beam. It wouldn’t be strange for other Servants to be muttering “maybe we should just let him do everything”. 軍神五兵【宝具】 ゴッド・フォース。

Golden Hind

[v] Fate/EXTRA material - Encyclopedia: Golden Hind [Noble Phantasm], p.166
English Japanese Golden Hind [Noble Phantasm] 黄金の鹿号【宝具】 ライダーが宝具を展開した時に乗っている船のこと。フランシス・ドレイクの愛船である。 全長37メートル弱、船首と船尾に4門ずつの砲を持つ他に、両側舷にも14の砲を搭載。 当時はまだ海戦の主流は船をぶつけてのボーディング戦であったのだが、この船は後にアルマダ海戦で取る戦法をすでに反映してか、遠距離砲撃戦が可能な仕様であった───もっとも海賊行為には相手の船を痛めつけないボーディング戦が適していたので、相手が脅しだけでは降伏しないような敵の場合はボーディングを仕掛けたようだ。 出港時はペリカン号という名が与えられていたガレオン船であったが、エルドラゴはこの名を「格好が悪い」（またはゲンが悪い）という理由で改名した。 ……なので、ペリカンと言われるとマジギレすると姐さんバカ可愛い。

Golden White Face

[v] Fate/EXTRA material - Encyclopedia: Golden White Face [Circumstances], p.182-183

English Japanese Golden White Face [Circumstances] Konjiki Hakumen. This is the nine-tailed divine spirit form of Cas-ko. In this form she is a pseudo-god that is a deification of the sun. You get a peek of her like this in her 3rd Secret Garden. The apathetic Sun Goddess [Amaterasu Oomikami]. When Cas-ko goes into nine-tails mode this is what she will……not be. This form is Cas-ko’s origin, and is now just something that’s been part of her since long ago and continues to be a part of her. When she becomes this high level of a divine spirit, the time axis is no longer a limiting factor to her. Normally someone entering the mausoleum would be burnt to a crisp, but as expected of our Zabio/Zabiko [nicknames for the male/female protagonist] he or she flaunts their recklessness in the face of danger (stupid menu choices), and somehow pull through. Originally we wanted to feature her without clothing (in her lovely nine-tailed divine spirit form wearing only an apron [naked-apron]), however, unable to break through the ethical wall that is our consciences, she appears properly clad in her ceremonial attire. By the way, when someone who has no dream enters the mausoleum, the only thing that can be seen is a giant sun. 金色白面【事柄】

Golden Wild Hunt

[v] Fate/EXTRA material - Encyclopedia: The Night of the Golden Hind and the Storm [Noble Phantasm], p.180-181
English Japanese The Night of the Golden Hind and the Storm [Noble Phantasm] Golden Hind / Wild Hunt 黄金鹿と嵐の夜【宝具】 ゴールデンハインド/ワイルドハント。

Harwey Curry

[v] Fate/EXTRA material - Encyclopedia: Harwey Curry [Noble Phantasm], p.201-202

English Japanese Harwey Curry [Offensive Skill] This is a black colored curry that’s made in a big metal drum found at the back of the old School building. Julius is the one who makes it. Its flavor can only be described as heavy and sticky, and its unrefined taste and substance feels like it’s going to stick in your stomach forever. The curry hasn’t even reached a level where you can debate if it is spicy or not, and frankly it’s probably just some coal tar. Surprisingly, it tastes good if you eat it with watermelon. This is even more digression, but among the members of the student council, the best one at cooking is Gatou Monji. His five-grain porridge is a masterpiece that even has Kiara coming back for seconds. ハーウェイカレー【攻撃スキル】 旧校舎の裏庭にて、ドラム缶をもちいて作られるブラックカレー。調理人はユリウス。 その味はべったりとしてコクしかなく、口当たりはザワやかで胃にこびりつくようにいつまでも残る。辛いかどうかのレベルにすら到達していない、ぶっちゃけただのコールタールである。 意外なことに、西瓜にかけて食べるとおいしい。 さらに余談ではあるが、生徒会の面子の中でもっとも美味しい料理を作るのはガトー・モンジ。彼の五穀粥はキアラですらおかわりを求める絶品とのこと。

Head of Journalism Club

[v] Fate/EXTRA material - Encyclopedia: Head of Journalism Club [NPC], p.190
English Japanese Head of Journalism Club [NPC] 新聞部部長【NPC】

Heroine Dungeon

[v] Fate/EXTRA material - Encyclopedia: Heroine Dungeon [Other], p.205-206
English Japanese Heroine Dungeon [Other] 名ステージ名 【その他】

Holy Church

[v] Fate/EXTRA material - Encyclopedia: Holy Church [Organization], p.192

English Japanese Holy Church [Organization] One of the two big religions in the world. Although the Holy Church somewhat lost its religious foundation due to the effects of the Great Collapse (the pole shift), it developed a new policy and adjusted its trajectory, and within the world of EXTRA maintains considerable power and influence. On one hand there is the Holy Church, that praises the miracles that come from their holy one. On the other hand there is the Mage’s Association, that aims to uncover all the mysteries related to man. The battle between these two great forces form the backbone of Fate/stay night, however within the world of EXTRA the victor has already been determined as the Holy Church. Well, even with that being said the Holy Church has changed since the time of its founding, and Cardinal Laurentis, who usually specializes in trickery and working behind the scenes, has begrudgingly accepted to become the Pope. Purportedly the reason that he doesn’t want to become the Pope is because, “I’m such an atrocious fellow that it’s ridiculous to think that I could be the successor of the Pope.” 聖堂教会【組織】 世界を二分する宗教の一つ。 大崩壊の影響でその宗教基盤を失いはしたものの、新たな方針のもと軌道修正をし、EXTRA世界においても強い影響力を維持している。 主による奇蹟を掲げる聖堂教会と、 人による神秘を目指す魔術協会。 この二大勢力の戦いはFate/stay nightでのバックボーンでもあるが、EXTRA世界においては、戦いの勝者は聖堂教会となっている。 とはいっても聖堂教会もその在り方が創立時より変化しており、権謀術数を得意とするラウレンティス枢機卿がイヤイヤながら法王をもり立てている。 彼が嫌がっているのは「自分のような悪逆の輩が法王の後継人など片腹痛い」という理由らしい。

Holy Grail

[v] Fate/EXTRA material - Encyclopedia: Holy Grail [Circumstances], p.194

English Japanese Holy Grail [Circumstances] This had once been a term pointing out to the "wish granting machine that could grant any wish", but in Extra it's referring to the "right to use the Moon Cell." If you browse through the vast records of Earth simulations stored in the Moon Cell, you are sure to find the Earth with the future you desire. All you, you who have earned the right to use the Moon Cell, have to do is tell it this: "Recreate my ideal future." The Moon Cell should quickly move things forward so that the Earth will take the shape of that future. For the Moon knows how, it knows all that is to be done to make it so. You might say “I want all the girlies in the world to be mah little sister" for example, and then in about ten years, it would be assumed that society on Earth would be reorganized in that fashion. Or the Earth as a whole might be managed so that an apparatus that can make that dream “seem real” would be created. There is nothing that humans can’t realize as long as it lies within the scope of human imagination. Because whatever kind of illusion it is, however much of a pipe dream it is, there is a way to experience it. 聖杯【事柄】

Holy Grail War

[v] Fate/EXTRA material - Encyclopedia: Holy Grail War [Circumstances], p.194
English Japanese Holy Grail [Circumstances] 聖杯戦争【事柄】

id_es

[v] Fate/EXTRA material - Encyclopedia: id_es [Skills], p.160 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese id_es [Skills] id_es. These are the special skills of the Alter Egos conferred upon them when they were created. The skills are the result of modifications performed by various hacks. id_es skills are the Alter Egos’ existing abilities that are changed or reinforced to be stronger. Most of them are skills that normal Servants do not possess. They are skills that reflect the mind or emotional embodiment of the Alter Ego, rather than being based on their physical ability (body). The various id_es include Passionlip’s Masochistic Predisposition and Melt Lilith’s Sadistic Predisposition. There are also others like Infantile Regression, A Taste for Bondage, and Cognate Aversion. id_es【スキル】 イデス。 アルターエゴたちが生まれながらに持つ特殊能力。 違法改造の結果、既存のスキルが変質・強化したもの。通常のサーヴァントには発現しないものが多い。 身体能力ではなく精神の在り方が発露したもの。 リップの被虐体質、メルトの加虐体質の他、幼児退行、緊縛嗜好、同属嫌悪、などのイデスがあるらしい。

Imperial Privilege

[v] Fate/EXTRA material - Encyclopedia: Imperial Privilege [Skill], p.180

English Japanese Imperial Privilege [Skill] The skill of Red Saber. The acquisition of skills that one should not possess in a short period of time, due to personal wishes. Skills available included Riding, Swordsmanship, Artistry, Charisma, Military Tactics, etc. With A rank or above, alteration of the corpus (Divinity etc) was possible. It could be said to be the ultimate unfair advantage, but it could also be called a form of vanity. The Roman Emperor was no different from Gods. All skills converged at Rome... no, converge at the Emperor. If the Emperor called white black, then it was black. However, even so, one could not acquire skills without basis. Since Sabre was a polymath with ample curiosity, she had experience in most of the skills. Let's say one day Sabre decided "I can pilot a jet! It is nothing, just adjust the plane according to altitude, not too different from the jet chariot I invented!" And just like that, she would figure out how to pilot the plane. .... but because of her short attention span and headache, she would soon forget what she learned. 皇帝特権【スキル】

Initial concept

[v] Fate/EXTRA material - Encyclopedia: Initial concept [Other], p.187-188
English Japanese Initial concept [Other] 初期コンセプト【その他】

Italian Style Devil

[v] Fate/EXTRA material - Encyclopedia: Italian-style Devil [Games], p.160 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Italian-style Devil [Games] Commonly referred to as Diablo-san. A game that was developed and sold on Earth in 2030. A landmark game in the hack-and-slash genre, and the best work in the series. A walloping 10 years passed from when the game was first announced to when it finally hit the market. Despite is rather high difficulty, the game had universal appeal. The game featured simple gameplay mechanics and a deep item and character collection system. It was a game filled with that special magic where once you start leveling a character, you find yourself unable to stop; truly a devilish game. The addictiveness of this game gave birth to a great number of “home security guards.” [TLNOTE: home security guard = NEET] Of course, Moon Cell, who has observed and surveyed all of Earth, has a copy in its system. This game shows up in a quest where Jinako orders Karna to search for it. イタリア風悪魔さん【ゲー厶】 通称・でいあぼろさん。 ２０３０年、地上で開発・発売されたＲＰＧ。 ハック＆スラッシュの金字塔とも言えるシリーズの最新作で、発表から発売まで実に十年の月日が流れたという。 高難易度でありながら普遍的なゲーム内容、単純作業でありながら奥の深いコレクション性、キャラを育てはじめたらなぜか止められない魔力に満ちた、まさに悪魔のようなゲーム。その中毒性から多くの自宅警備員を生み出した。 地上すべてを観測するムーンセルにも当然コピーされており、カルナはジナコの命令でこれを探すクエストに出るのだった。

Jinako Karigiri

[v] Fate/EXTRA material - Encyclopedia: Jinako Karigiri [Character], p.185-186
English Japanese Jinako Karigiri [Character] ジナコ・カリギリ【人物】

Julius B. Harwey

[v] Fate/EXTRA material - Encyclopedia: Julius B. Harwey [Character], p.217-218

English Japanese Julius B. Harwey [Character] Julius Belkisk Harwey. He is a Master, but not a Wizard. He is a captain of the West Europe Plutocracy’s private army (Counter-Terrorism Unit) and is a skilled assassin who has worked in the shadows to eliminate many enemy forces. Julius has a different mother from Leo, and participating in the Holy Grail War is part of his mission to support Leo. Julius was given the Servant Assassin who was summoned by another Wizard who used to be in Leo’s service. As a child of the Harwey family Julius had high expectations placed on him, but it became clear while he was still in the womb that he was powerless and defective. The Harwey family threw him away as garbage for the reason “this child will bear us no profit” but Julius managed to survive thanks to his abnormal willpower, and in time he crawled up the ladder to his current position. When Julius turned six years old (coincidentally the same year that Leo was born), in order to be “profitable” for the family, his youth was essentially discarded, and his body was forced by various medicines to rapidly develop into an adult body. Three years later his existence was finally deemed to have some value, and after completing his first job he was placed out of sight and out of mind in the Harwey assassin unit. This is why he has so much combat experience despite being as young as he is. He was able to gain enough sway over the other members of the unit through sheer willpower rather than relying on talent or his household’s authority. If Leo is the light of the Harwey family, then Julius is the dark. Julius takes all the darkness upon himself and walks the villainous path. This is once again digression; however Julius’s physical body that lies dormant on Earth is half dead. Julius’s body has been modified so much that he will no longer be able to function normally as a human after this mission. He is organically connected to the Harwey super computer. Using the backup of the super computer to his advantage, Julius pushes the limits of the rules in order to eliminate all obstacles to Leo’s victory. There is no future for Julius on Earth. He can never return alive. Julius does everything in his power to make it so that Leo will win, but he doesn’t do this out of loyalty to the Harwey family. When Julius was still a child Leo’s mother, Alicia, acted like a mother to Julius. Julius fights to protect and support Leo because of her words. “Take good care of Leo for me.” The short time Julius spent with her was the only time he was able to be like a normal child. However it ended all too soon. Disdained as a defective product, he was given a harsh first test of his skill. “Leo will be the next King. Eliminate everything that is unnecessary to him.” said his father whose face he had never seen. It was a moonless night. He walked along the familiar path he often took to her room. Beautiful long golden hair. A calm and peaceful sleeping face. A small clicking noise resonated in the room as he started to pull the handgun’s trigger. Her gentle voice replayed in his head. “Take good care of Leo for me.” Bang. The dull sound that came from the gun. Julius lost the only person who had ever tried to cheer him up, and at the same time he finally proved his worth [to the Harwey family]. ◆ In the preliminaries Julius is the only Master who thinks that the protagonist might pose a risk. Thanks to Julius’s keen sense, he was able to see that the biggest obstacle to Leo’s victory was in fact the protagonist rather than Rin or other favored Masters. That naive amateur would prove to be a rock that the King would stumble on. After a series of clashes, the protagonist encounters Julius in the 5th round. Even after being defeated and dying, Julius remains as a vengeful ghost and once again faces off against the protagonist in the final layer. The reason that Julius is so obsessed with the protagonist is not because the protagonist is Leo’s biggest obstacle, nor because Julius realized the protagonist’s true nature. It’s simply because Julius is furiously irritated. Just like Julius, the protagonist worked his way up from the bottom. So when they met the protagonist could immediately and clearly see through Julius, and this aggravated Julius to no end. Julius would only find out the cause of his vengeful impulse in the final moments before his complete destruction. ◆ Julius also appears as a Master in CCC. Since the protagonist can’t remember anything, as far as he/she is concerned Julius is just a very slick handsome guy that always seems to be at Leo’s beck and call. Julius is the Student Council’s secretary. He can be a bit gloomy, but he is a reliable young man. Actually Julius has retained just one memory. He remembers turning into a vengeful ghost and trying to attack the protagonist, and his resulting “complete destruction” (death). He didn’t die in the fifth round, and only died much later after becoming a ghost. BB has no idea that Julius survived till much later than the fifth round as a ghost, and mistakenly pulls the “ghost” version of Julius back into the fray of battle despite Julius knowing everything that will happen until the seventh round. After being employed as one of BB’s pawns Julius pretends to have died holding a grudge against the protagonist, but he actually takes action to support the protagonist from the shadows. The reason he does this goes without saying. In the last moment before being destroyed when he was ghost, Julius finally found the light he always desired. ユリウス・B・ハーウェイ【人物】 ユリウス・ベルキスク・ハーウェイ。 マスターのひとりだが、ウィザードではない。 西欧財閥の私設部隊（対テロ部隊）の隊長として多くの敵勢力を秘密裏に葬ってきた殺し屋である。 レオとは腹違いの兄弟で、レオのサポート役として聖杯戦争[ミッション]に参加。先行したウィザードが獲得したサーヴァント・アサシンを譲渡されていた。 ハーウェイの子として期待されたユリウスだが、胎児の状態ですべてにおいて能力値が低く、また、欠陥を備えていた事が判明。 ユリウスは“この子供は利益を生まない”という理由で廃棄品として捨てられたが、異様な精神力で生き延び、現在の地位にまで這い上がった。 彼は六歳の時……（奇しくもレオが生まれた……）に、大人たちの言う『利益』を出すために幼年期を捨て、薬によって成人の体に成長した。 三年後に生存価値を認められ、初仕事の後、現在の暗殺部隊に籍を置くことになった。 年齢こそ若いが戦闘経験は豊富なのはこのためだ。 彼は私設部隊の荒くれ者たちをまとめるだけの説得力[バックボーン]を、才能や家柄ではなく精神力だけで獲得した。 レオがハーウェイの光であるなら、ユリウスは暗黒部分を一手に引き受けた外道である。 また余談ではあるが、地上で瞑想しているユリウスの肉体はなかば死体。 ユリウスの肉体は今後の生活に支障が出るレベルの脳改造を施しており、ハーウェイのスパコンと有機的に繋がっている。このバックアップを最大限に使い、ユリウスは聖杯戦争のルールすれすれの手段でレオの障害を排除していた。 ユリウスには生きて地上に戻る未来はない。 レオを勝者にせんと全力を尽くすが、それはハーウェイへの忠誠心でもない。 彼は幼年期、ユリウスに母として接してくれたレオの母・アリシアの遺言を守るために戦い抜いた。 “レオをよろしくね”と微笑む義理の母[アリシア]。 彼女と過ごしたわずかな時間だけが彼の人間らしい幼年期だ。 だが、それもすぐに終わる。 不良品と蔑まれながら与えられた最初の性能試験。 次代の王に不要なものを排除しろ、と顔も見た事のない父は言った。 月光の途絶えた夜。行き慣れた女の私室。 美しく長い金の髪。穏やかな寝顔。 ふと、ハンドガンのトリガーを引く瞬間、 穏やかな声が再生された。 “レオをよろしくね” タン、という味気ない銃声。 自分を奮い立たせていたただ一つの人間性を失い、彼はようやく、自己の有用性を証明した。 ◆ ユリウスは予選の段階から主人公を危険視していた、ただひとりのマスターである。 ユリウスはその嗅覚で、レオにとって最大の邪魔者は凛や他のマスターではなく主人公だと理解していたのだろう。 あの素人。あの平和にゆるみきった男／女こそ、王[レオ]がつまずく路傍[ろぼう]の石だと。 幾たびの衝突を経て、主人公とは五回戦で激突。 戦いに敗れた後もその執念でゴーストとして残り、最後の階層でもう一度、主人公と対峙する事になる。 ユリウスが主人公に固執していた理由は、 レオにとって最大の障害だったからでも、 主人公の正体に気づいたからでもない。 彼はただ、いらだっていたのだ。 自分と同じ一般人からのたたき上げである主人公が、まっすぐに自分を見据えて立ち向かってきた事が、どうしようもなく癩に障った。 それが何を求めての衝動[もの]だったのか、彼は消滅の間際に知る事になる。 ◆ CCCでも登場するマスター。 記憶を思い起こせない主人公にとっては、レオに振り回される謎のイケメンという立ち位置。 生徒会の役職は秘書。陰気だが頼りになる青年として活躍する。 実はひとりだけ記憶を保っている。 EXTRAでゴーストと化して主人公への復讐に現れたユリウスは、その時点で“死亡”した。彼が消滅したのは五回戦ではなく、もっと後なのである。 それを知らないBBは「ゴースト化していた」ユリウスを引き込んでしまったので、ユリウスだけは七回戦までの未来を知っている。 ユリウスは“主人公に怨みを持ったまま死亡した”フリをしてBBを欺き、水面下で主人公の助けとなるよう行動する。 その理由は言うまでもない。 ゴーストとなって消えた彼は最期に、望んでいた光を手に入れたのだから。

Karna

[v] Fate/EXTRA material - Encyclopedia: Karna [Servant], p.171-172

English Japanese Karna [Servant] Karna is a Servant that appears in CCC. His class is Lancer, but his Master Jinako has no desire to hide his true name, so he is usually called Karna. Karna is a character from the India epic Mahabharata, and he is a hero belonging to the side that is defeated in battle. He was put down by an arrow from the great hero Arjuna, however his existence was not necessarily an evil one, he was simply fated to fight Arjuna, and he is depicted as a significant enemy. Despite being a handsome man whose looks go unrivaled across the land, he is a man with sharp eyes and has an unapproachable aura. Merciless to his enemies, his words and actions contain not an iota of superfluity. He doesn’t let you sense any humanity within him. With skin as white as a ghost, and his ominous pitch-black clothes, there is no other Servant that appears as evil as he does. But actually, he is an extremely considerate and compassionate character. In response to most issues he says “I see. So that’s what’s happening.” and wisely accepts that what the person says is indeed possible. His alignment is neutral, but he agrees with things that are good, so his personality is good. He doesn’t express himself very well, but he considers the protection of his father’s (the Hindu Sun God) authority to be of utmost importance. Karna is often misunderstood as “evil” because of the way he speaks. Karna’s actions and words are always striking at the essence of things. There are people who are fakers, or who just say things to maintain appearances, or who lie about their beliefs. He sees through them all, and candidly jabs at the true nature which those people did not want to reveal. The result is, of course, being hated by most he meets, which unavoidably breeds combat. Lacking the finesse required to calm the people that his words have enraged, he silently takes up his lance and accompanies them in combat until they give up. He doesn’t dislike people with incompatible beliefs or whom he can’t understand, because Karna is a proponent of the idea that everyone has their own circumstances. He takes this to the point of, “That’s also okay… actually, to be honest, I’m a little jealous.” However, the untalkative Karna doesn’t often say what really needs to be said, thus he comes off as hating all things despite that being far from the truth. Though he is the most obedient and tame Servant of all, due to his choice of words, he is disliked not only by his enemies, but even by his Master. ◆ As a Servant he is bound by his contract with Jinako, however he has no specific wish of his own. He simply wanted to serve a Master who made the effort to summon him in their time of need. His father is the Hindu Sun God, Surya, so his power level is Special A Rank1. His is shoulder-to-shoulder with the exceptional Gilgamesh. He is an incomparably strong servant. Since Jinako is a third rate Master, his full potential is not drawn out. This is largely because by the time he makes his appearance in CCC, he has already lost his greatest weapon. As far as Servant battles go there is no complaint about this admirable foe. Towards the end of the first half, he confronts you as a boss, and brandishes overpowering firepower. His attack from the sky “Brahmastra Kundala” is a bullshit attack which despite being nerfed from its former nuclear bomb tier power, still wreaks havoc with bombs falling from the sky during the time between attack rounds. Even Nasu was killed by this attack when testing the game. Karna is seriously trying to kill you. Beams also shoot from his eyes, but it’s actually just a visual representation of the power of his gaze. “Weapons are so boorish. Real heroes kill with their eyes…!” is an actual line of his. Unfortunately due to the limited amount of data that can be used for the game, the first half of this voice line just barely failed to make the cut. A “Men’s Knuckle” type of guy.2 ^ For the “Special A Rank” part, the Japanese says “特A Rank” which could be any of A+, Special A Rank, or EX A Rank. I’m not sure which is most appropriate. ^ Men’s Knuckle is a Japanese fashion magazine that features a male-gal (gyaru) style. This style involves preppy street clothes and lots of accessories (earrings, necklaces, bracelets, etc.). Also known as Onii-kei style. カルナ【サーヴァント】

Kazikli Bey

[v] Fate/EXTRA material - Encyclopedia: The Fortress of Impalement [Noble Phantasm], p.170 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese The Fortress of Impalement [Noble Phantasm] Kazikli Bey. Lancer’s anti-army Noble Phantasm. This is a Noble Phantasm derived from Vlad III’s posthumous title – Vlad the Impaler. It’s a magic torture castle that pierces victims with magic lances which curse and deal heavy damage. The pain caused by it increases depending on the immoral and deprave sins they have committed; it’s truly an attack of great justice. In the game, Mandragoras, screaming as though they were dying, burst out from under the feet of enemies and pierce them with countless lances that cause huge damage. Furthermore, the attacks apply the negative status effect “curse.” The attack affects all enemy units, so it’s true value is only displayed in one vs. many situations rather than one-on-one. Also, as a hidden component, Kazikli Bey’s damage is increased when used on people who qualify as “enforcement targets.” If the enemy has committed the crimes of escape from prison, immorality, or violence, Kazikli Bey’s destructive power increases. There is no extra damage when used against the protagonist because they have no criminal record. At the time Vlad III was alive, punishing commoners with impalement wasn’t unusual in the Balkan Peninsula and Northern Mediterranean Sea areas. But then, after Vlad III took up the role as Wallachia’s lord and leader for the second time, he became fed up with the extreme corruption and depravity of the nobles in his country. He decided that the decline of Wallachia was due to these nobles, and took decisive action against unprecedented numbers of them. His primary method of enforcement and punishment was impalement. In Wallachia, where nobles and commoners had previously been subject to very different treatment and rules, it’s presumed that Vlad’s actions were extremely shocking. There was surely no one in the land who did not feel the severity and horror of Lord Vlad’s actions. After routing the nobles, impalement became Vlad’s favorite method of punishment, and in 1459 he even went so far as to impale the emissary of the Ottoman Empire (Turkish Empire) alive, among other deeds. 串刺城塞【宝具】 カズィクル・ベイ。 ランサーの持つ対軍宝具。 串刺し公・ヴラド三世の代名詞とも言える宝具。 魔槍から放つ、呪いと鉄槌の拷問魔城。 相手が持つ不義・堕落の罪に応じて痛みを増す、まさに正義の一撃である。 ゲーム中では死の叫びをあげるマンドラゴラの如く、敵の足下から無数の槍が突き上がり、大ダメージを与える。 加えてバッドステータス・呪いまで付与される。 敵対したすべての敵兵が対象になるため、一対一より一対多で真価を発揮する。 また隠し要素として、カズィクル・ベイは”粛正の対象”にあたる人間へ増加ダメージを持つ。 相手が『逃走』『不道徳』『暴力』を犯している場合、その破壊力を増していくのだが、犯罪経歴のない主人公にその追加はなかった。 当時、一般庶民への串刺し刑はバルカン半島を含む北地中海圏ではさして珍しい刑罰ではなかった。 しかしヴラド三世は2度目のワラキア公への即位の際、あまりにも腐敗し、堕落しきった自国の貴族たちの姿を見て憤慨。 国を荒廃させた原因はその貴族らにあると見て、未曾有の大粛正を敢行する。その粛正の要となったのが、貴族に対する串刺し刑だった。 貴族と庶民が厳しく分割されていたワラキアにおいて、これは相当にショッキングな事実だったと推測される。 領民たちの中でヴラド公の苛烈さ、恐ろしさを感じなかった者はいなかっただろう。 以降、串刺しはヴラド三世の十八番となり、彼は1459年、トルコの使者を生きたまま串刺しにするなどの所業に出ている。

Kazuradrop

[v] Fate/EXTRA material - Encyclopedia: Kazuradrop [Alter Ego], p.170

English Japanese Kazuradrop [Alter Ego] One of the Sakura Five members that didn't make it into the game. The Alter Ego of love. She's different from the other Alter Egos in that she doesn't hate humans, actually, she even holds some doubts over their existence, specifically, how contradictory it is. Kazuradrop is quiet and caring in nature, and has no real flaws as an AI; she wants to go back to being complete. Because she was pictured as a nurse, she's the most tidy and the youngest. Her combat ability is also nonexistent, and functions more as a virus detector. If the data retrieved from a bug doesn't resist, then she'll clean it and can turn it into something harmless. She loves injections and is a big health nut...... errr, you could probably guess by now why we didn't use her in the end. Since this Alter Ego's character was too similar to the Sakura Matou from the school infirmary, she was scrapped pretty much instantly. This was just an idea we wanted to push for in the planning stages, but there would've been a village inside a dungeon where the normal Sakuras would've been, and that's where you'd find Kazuradrop living too. Kazuradrop: Welcome. This is a colony where the nonradical Sakuras come together. Rin: Now this is ridiculous, this girl's personality is just way too different. Kazuradrop: If you return the Sakura Drops that come from our source, we can supply you with items and recover your stamina. ♥ That's something like how this surprise development would go. Initially, Sakuraments were called "Sakura Drops", and they were something you'd collect that would be administered by Sakura in the infirmary to retake the security of the world. This is just one example of how they would come into play. Kazuradrop's id_eses are "Identitcal Genetic Disgust" and "Insect Eater." カズラドロップ【アルターエゴ】 実現しなかったサクラファイブの一人。 慈愛のアルターエゴ。 他のアルターエゴど違い、人問を憎めず、むしろBBゃエゴたちの在り方......矛盾だらけの在り方 ......に疑問を持ってしまっている。 力ズラドロツプはおとなし〈献身的な性格で、AIとして間違いのない、完全なかたちに戻リたがってぃる。 看護師(イメー)をイメージしたアルターエゴで、いちぱん清楚で幼い。戦問離舵力こそ皆無だが、ウイルスチェ ッカーに特化したAI。バグをおこしたデータが無抵抗ならこれを洗浄し、無力化する事ができる。お注射大好きな健康マニアでもある。 ......とまあ、ここまで書けぱなぜ没になつたかは明白だ。保健室の間桐桜とキヤラ属性がかぶっているため、もっとも早く力ツトされたアルターエゴ。 あ〈まで初期アイデアではあるが、ダンジョン内にはノーマル桜たちが集まる村があり、そこに力ズラドロップが住んでいた。 カズラ「ようこそ。ここは、穏健派の桜たちが集まった集落です」 凛「 ......いくらなんでも人格分裂しすぎよね、この子」 カズラ「わたし達の源である桜の滴を還元してくれた ら、アイテム提供や休力回復が可能ですよ♡」 などという超展開。 初期のCCCはサクラメントではなく「桜の滴」とよばれるソースを集め、保健室の桜に投与する事で世界の支配率(シュァ)を奪い返していく、というものだった。これはその一例。 イデスは『同属嫌悪』と『ィンセクトイーター』。

Kiara Sessyoin

[v] Fate/EXTRA material - Encyclopedia: Sesshouin Kiara [Person's name], p.195-196

English Japanese Kiara Sessyoin [Person's name] Kiara is a Master that appears in CCC. She is a Japanese woman in her late 20s. Her name is properly written 殺生院祈荒 [rather than the oft-written 殺生院キアラ]. Her servant is Andersen. Dressed in a nun’s attire, she is an air-head ero-older-sister type. Despite her troublesome tendency to brush off what others say, her attitude and behavior is even more suggestive than that of the Alter Egos. Truth be told, her sexual desire is beyond her control. Although she is wearing a nun’s clothing, it’s still easy to tell from the lines of her body that she is an unmatched beauty of a woman. By the way, she doesn’t cut her hair (tonsure) and instead just keeps it tucked under her nun veil. She refers to herself using “私” [わたし]. She usually refers to others using “皆さん” [みなさん], and usually adds -san at the end of peoples’ names. She is essentially a proper lady with a neat and tidy way of speaking. She has a soft personality, and a chaste set of values, but when she speaks, oddly enough her words carry a hint of sensuality. Her personality is introverted, timid, and active. She is very gentle and mild-mannered, but also positive and motivated at the same time. It may seem as though she has a weak constitution, but she is energetic and full of life. She is deeply compassionate toward others. She is deeply considerate and is good at grasping the reason or truth. She can read almost everyone’s feelings and correctly understand their position or suffering. Both on the outside and the inside, she is a talented woman overflowing with graceful beauty… She seems wonderful, but at the same time she is a bit absent-minded, and seems to have a lot of knowledge about sex… rather than “Holy Woman” she would be more appropriately labeled as a “kind older sister.” While she has trouble controlling her poison-tongued servant Andersen, she remains an upright character that never loses her smile. While she is rather lacking in combat ability, she is a wizard at analyzing the hearts of others, and also excels at healing. In CCC while pretending to obey BB, she diligently supports the protagonist. It is thanks to her Codecast that the unconquerable Sakura Labyrinth was cleared. Kiara thinks well of most people, but it seems that she has a distaste for Gatou. This is just some useless crumbs of info again, but in the fourth round, Gatou Monji uses her [first] name without hesitation. ◆ Kiara is the daughter of a high-ranked monk in the Eternal Heaven Sect, which is a branch of Shingon Mikkyo Tachikawa. Born and raised in a community located deep in the mountains, when she was young she was afflicted by an untreatable disease, and the doctor said she wouldn’t live to see the age of 14. Around that time the only thing that supported her and kept her together was a picture book she received from her father’s religious followers when they came to visit her sickbed. On snowy evenings, this young girl who was headed for a meaningless death would fawn over the book and its story. Kiara greatly admired the story of the girl who, despite there being a difference in situation as great as the difference between the Earth and the Moon, fell in love at first sight upon seeing a man from a world apart from her own, and then proceeded to trade her voice for the ability to ascend to land. After that, due to the spread of the Internet, despite being stuck in bed she was able to learn about the world, and using the knowledge she gained she was able to recover from her untreatable disease. Once she was able to move freely again, her memories of the book were relegated to a small dusty corner of her brain. After becoming an adult Kiara was able to gather many followers due to her great kindness, and as a nun she completely devoted herself to teach them. However, she ended up being killed by a follower who selfishly wanted to have her all to himself. …Well even with that being said, at that time she had already transferred herself into spiritron form using Ten Thousand Colored Stagnation, and it was no problem for her to lose her physical body on Earth. Kiara took it upon herself to continue her religious work in the cyber world, and dedicated herself even more to teaching others how to manage their worldly desires. Her existence is similar to the rumored Third Magic, Heaven’s Feel which is the physical materialization of the soul. 殺生院キアラ【人名】 CCCで登場するマスター。 二十代後半の日本人。正しくは殺生院祈荒と書く。 サーヴァントはアンデルセン。 尼僧服の、天然でエロいお姉さん。 「あらあらまあまあ」とおどけながらも、その仕草はアルターエゴたちより扇情的という困った人。正直、性欲を持て余す。 尼僧服に身を包んでいるものの、服の上からでも分かる体のラインは絶世の美女のもの。ちなみに、髪は剃髪しておらず頭巾の下に納めている。 一人称は「私[わたくし]」。 三人称は「皆さん」、名前にさん付け。 基本的には清楚な女性口調に。 柔らかで貞淑な価値観、言葉遣いでありながら、言葉のはしはしに妙な色っぽさを持つ。 性格は内向的、弱気、能動的。 温厚だが積極的。病弱そうに見えて活発。人情に弱く慈悲に深い。ものの道理をとらえ、万人の心情を読み取り、彼らの立場・苦悩を正しく理解する思慮深さを持っている。 外見も中身も、楚々とした美しさで満ちた才女……なのだが、どこかぽんやりしているというか、耳年増なところがあり、『聖女』というよりは『優しいお姉さん』になってしまう。 毒舌サーヴァント・アンデルセンに手を焼きながらも笑顔をたやさない人格者である。 戦闘能力は乏しいが、心の解析、治療に秀でたウィザード。CCCではBBに従うフリをしながら、主人公たちのサポートに出精する。 本来なら攻略不可能のサクラ迷宮を突破するには彼女のコードキャストが不可欠となる。 たいていの人間を好ましく思うキアラだが、ガトーだけは苦手のようだ。 またどうでもいい豆知識だが、Fate/EXTRA四回戦において、ガトーモンジが彼女の名前をサラッと口にしている。 ◆ 真言密教立川流の傍流、詠天流の導師の娘。 山奥のコミュニティで生まれ、育ったが、幼少期は不治の病に冒され、十四歳の春は迎えられないと言われていた。 その頃の彼女の唯一の支えだったものは、父の信者たちが見舞いの品として置いていった絵本である。 雪の降る夜、酬われないまま死を迎えた少女の物語に感じ入り、 地上と月ほどの隔たりがありながら、違う世界の異性に一目惚れし、自らの声と引き替えに陸にあがった少女の物語に憧れたという。 その後、ネットによって床についたままでも世界を知るようになり、その知識で不治の病から回復。自由に行動できるようになってから、彼女の中でその思い出は記憶の隅に追いやられた。 成人してからはその人間性から多くの信者を獲得し、聖者として自らの教えに尽くした。 しかし、彼女を独占しようと私欲にかられた信者によって殺される。 ……とは言っても、その頃の彼女は万色悠滞によって自身を疑似霊子化させており、地上の肉体が死滅したところで彼女には何の問題もなかった。 キアラは己のフィールドを電脳空間に移行しており、一層、悩める欲望をすくう道に没入した。 その在り方は伝え聞く第三魔法、魂の物質化であるヘブンズフィールに近いものと思われる。

Kingprotea

[v] Fate/EXTRA material - Encyclopedia: Kingprotea [Alter Ego], p.176-178

English Japanese Kingprotea [Alter Ego] Kingprotea is one of the Sakura Five that didn’t happen. She’s the Alter Ego of craving and desire. On one hand she is the lowest ranked of the Sakura Five, but on the other hand she is the strongest within SE.RA.PH. A giant Sakura with the id_es skill “Huge Scale.” She tend to come and interfere with players who spend a long time in the labyrinth. She destroys paths as she moves along, so she would prevent players from repeating the same actions or grinding the same area. She’s an adorably foolish character who destroys parts of the dungeon when she trips and falls. In areas outside of the Arena she was to be a rare epic encounter. A wondrous colossal colossus, just like the massive warship that comes along in Darius1. Rather than being a character designed to liven up the story, she is a character to liven up our game design. For example, within the Arena, she would evoke situations like “I can see an item box ahead, but there is a huge hand blocking the way,” or “I see a transparent box-thingy over there with Sakura stuffed inside, I can’t get through.” We were thinking of using her as a “living wall” type gimmick where after eventually defeating her you would be able to get at those item boxes. She was set to be a slave-tier character who is constantly bullied and abused by attack programs on the far side of the Moon. “A main personality of a Sakura who is more worthless than those lowly mass produced Sakura enemies,” Kingprotea Sakura was to be the materialization of this bullying mentality. Isn’t it just terrible that there exists a Sakura being bullied even within Sakura’s inner mind!? Actually, she just barely missed the cut as a boss character. Since she was not involved in the story we were planning to make her a hidden boss, but unfortunately she was cut. Here are some bits and pieces that were planned for her in the game: Waste: Kingprotea is an Alter Ego created from BB, however she is considered too dangerous to reside anywhere on the Moon, so she is disposed of into a place with “nothing,” in short, the emptiness of outer space. This Alter Ego should never come into contact with anyone. She is the materialization of the desire for love. She gobbles up anything and everything around her and grows bigger and bigger, which results in her having a bigger stomach that requires even more food. She engages in a malicious cycle of consumption and growth which represents the human desire itself. Passionlip and Meltlilith are her sisters, but it’s unknown if they are on good terms or not. Fallen Seraphic Cage: Klein Cube. A baby with a bottomless stomach, basically a giant hole. A cage built to contain the Kingprotea who blindly desires love. Just like Angelica Cage in the Moon Cell’s Core, it is a physical container made using photonic crystals. BB, who realized the danger Kingprotea posed, seals her in the Fallen Seraphic Cage. Although BB sealed Kingprotea inside, nobody knows how massive Kingprotea might have become. Huge Scale: EX An id_es skill. id_es skills are the inborn special powers of the Alter Egos. Her “Self Modification” cheat skill goes out of control and activates Huge Scale EX. It enables unlimited expansion of her size and scale. Due to limitations imposed by the force of gravity on Earth, life forms have an upper limit on their size. Even in the sea, the size of a whale is more of less as big as it can get. The same goes for buildings, due to limitations of construction technology and financing; there is nothing that can be infinitely enlarged. This also holds true in the cyber world where the laws of physics don’t apply. All programs have a limit on their level, and no matter how greatly a program excels, in order to surpass its boundary it must separate and optimize itself. (As a rule, when a program gets bigger the speed of communication with the hardware terminal drops, so a program needs to be split into various specialized parts. So called God-spirits are an example of this, having successfully split up their processes into multiple avatars.) However, the owner of this skill, Kingprotea, can grow without end. When her level exceeds the limit, she expands the boundary herself and sets an even higher max limit. This can be repeated infinitely. Kingprotea has no desire to complicate things, it’s just that she has specialized in “swallow” therefore she is unable separate from her ability to enlarge which is vital to her specialization. The result is that she is unable to create duplicates of herself (avatar) that is of normal size and limitation, and as a lone Ego she is destined to continue to enlarge. If left alone, she will end up becoming a disaster on a universe scale that would destroy the stars, however she would not destroy the universe itself. This is because the speed at which the universe is expanding is faster than the speed at which Kingprotea is enlarging. Grow Up Grow: EX This is her cheat skill “Experience Point Bonus” gone out of control. “Experience Point Bonus” is supposed to increase the amount of XP gained from battle by a certain percent, but Kingprotea further hacked the skill so that she receives a continuous stream of XP. Although this skill seems rather threatening, there is an upper level limit set for all programs. Anyone who obtains this skill can effortlessly achieve the highest level in the game; however it only increases the target’s level, and does not improve their stats. If you compare a character who achieved max level through fair play to a character who used this cheat skill to achieve max level, the cheater character’s stats will be far lower. This is, in other words, a so-called “trap skill.” Infantile Regression: The opposite of aging. BB created this cursed skill with much difficulty in order to impose some restrictions on Kingprotea. Once Kingprotea’s age has surpassed a predefined value this curse restores her to the state she was in at a younger age. It’s a protective process that prevents her from ever reaching an adult age. This curse starts to take effect when Kingprotea reaches age 20, and restores her back to her 8 year old state. When returned to the age of 8 her growth resumes again, so this cycle is a repeating loop. Setting: The limit of craving and desire: Because it’s fun, because it tastes good, because it’s warm. Without these kinds of animalistic impulses she pursues love without a reason for doing so— This is Kingprotea’s Ego “Craving and Desire.” The incarnation of a certain bodhisattva carries the sin of “without a goal, to fill the universe with love for myself,” but this Ego follows “without a goal, for myself, crave the love found in the universe.” Originally no one was supposed to find her, to understand her, to defeat her. She would simply be floating along in the void of space. But eventually a curious Master would come across her, and they would do battle. Is Kingprotea just a pure infant? An abominable disaster? Has she sinned? In any case, those of us who live in this age of mass consumption have no right to judge her. The proof of humanity that everyone has. The strongest and most fundamental Ego. But until the day comes when her “desire without limit” can be used for good rather than evil, she is destined to continue floating in the empty sky. By the way, her natural enemy is Passionlip. In theory Lip’s “Trash & Crash” skill makes it possible to seal Kingprotea away. The Alter Ego sisters seem to enjoy a triangular power relationship where Lip beats Protea, Protea beats Melt, and Melt beats Lip. Noble Phantasm: None. Huge Scale essentially qualifies as a Noble Phantasm. キングプロテア【アルターエゴ】 実現しなかったサクラフアィプの一人。 渇愛のアルターエゴ。 サクラフアィプの中でも最下層の位置づけでありながら、SE.RA.PH最強の存在でもある。 イデススキル『ヒュージスケール』を持つでか桜。 長時間迷宮にいると現れるお邪魔キャラで、通路を壊しながら進む氷久パターン防止キャラ。転んでダンジョン破壊とかバカ可愛い。 アリーナの通路の外、海を泳いでやっ てくる白鯨のようなもの。 まんまワンダど巨像の巨像、ダライアスの巨大戦艦である。物語を盛り上げるのではなく、ゲームデザインを盛り上げるキャラとして用意された。 例えばアリーナ内において、 『奥にアイテムフォルダが見えるけど、巨大な手が邪魔して通れない』、 『箱のような透明の容器にみっちりとサクラがつまっていて通れない』、 等々、色々な『肉壁』 ギミックを用意し、いつかこのエゴを倒せたらアイテムフォルダを人手できる.....といった用途が考えられていた。 月の裏側では攻性プログラムたちにさえ虐待される奴隷階級で、「量産型サクラエネミーより下に、桜の主人格がある」といういじめられ精神の具現だった。 桜の心理世界でずら、 いじめられる桜がいるという酷い現実……! 実はギリギリまで採用が検討されていたボス。 ストーリーに絡まないため、隠しボスの一体として予定に人つていたのだが、やむなく没になった。 以下はそんな、ゲーム中に使用予定だつたマトリクスの断片である。 ・廃棄物： キングプロテアはBBから作られたアルターエゴではあろが、あまりにも危険なため月の表でもなく裏でもない“何もない”宇宙に捨てられた廃棄物である。 何人であれ、このエゴには触れてはいけない。 キングプロテアは愛を求める欲望の具現。 周囲にある何もかもをも呑みこんで成長し、さらに肥大化した空腹を満たすため食事を繰り返し、また成長する。その悪循環は人間のエゴそのものである。パッションリップとメルトリリスの妹にあたるが、姉妹仲が良いのかどうかは不明。 ・堕天の檻： クライン・キューブ。 底なしの赤子。 あるいは穴。盲目的に愛を求めろキングフロテアを閉じこめるために作られた檻。月の中枢・熾天の檻と同じく、フォトニック結晶によって作られた物理的な“容れ物”でもある。 キングプロテアの危険性に気づいたBBが堕天の檻で封印したものの、プロテアが檻の中でどれだけの規模に肥大化しているのか、知るものはいない。 ・ヒュージスケール：EX id_es（イデス）と呼ばれる、アルターエゴたちが生まれながらに持つ特殊能力。 スキル『自己改造』が暴走したチートスキル。 限界のない規模拡大を可能とする。 地上では重力などの縛りがあろため、生命は一定以上の規格にはなれない。海中の生命であっても、鯨が最大限のサイズである。建造物も同じことで、建築学の技術・資金調達等の問題で、無限に大きくなっていくモノなどありえない。それは物理法則にとらゎれない、電脳世界においても同様である。 あらゆるプログラムにはレペル制限がかけられており、どれほど優れた個体であれ、一定以上の容童に達すると分離し、自らを最適化する。 （規格が大きなると未端ヘの伝達速度が落ちるため、専門職のパーツを切り分けろ。神霊と言われるものが多くのアパターを持つのもこの例に当てはまる） しかし。このスキルを持つキングプロテアはひたすらに成長する。レペルが上限に達すると自らの規格を巨大化させ、さらなるレペル上限を設定。これを無限に繰り返す。 キングプロテアぱ自らを複雑化させる意志がなく、ただ“飲む”ことだけに特化しているため、肥大化した機能を専門職に分けないのだ。 結果、制御できない自分を持て余して分身（アパター）を作ることなく、単一 のエゴとして膨張し続けてしまう。 放置しておけば星を破壊する宇宙レペルの災厄だが、この無限増殖で宇宙が滅ぴる事はない。プロテアが増殖していくスピードより宇宙が広がるスピードの方が速いためだ。 ・グロウアップグロウ：EX スキル『経験値ボーナス』が暴走したチートスキル。 『経験値ボーナス』は戦闘によって得る経験値に何パーセントかの追加ポーナスが人るものだが、キングプロテアはこのスキルをさらにチート化、『常時、経験値を取得する』ものに変えてしまった。 脅威と言えば脅威のスキルではあるものの、あらゆる個体には上限レベルが設定されている。 このスキルは取得者を労せず最高レペルにするだけのもので、能力値(パラメーター)を強化させるものではない。 むしろ戦闘経験をこなさずに最高レベルに達してしまうため、完全成長時でのパラメーターはまっとうに鍛えた場合より低いものになってしまうだろう。 俗に言う『罠スキル』であるのだが———— ・幼化現象： 老化現象の逆をいう。 BBが苦労して作り上げた拘束スキル。 年齢が一定値に達すると幼体に若返ってしまう呪い。決して成人（成長）させないためのプロテクト。 このスキルが付与しているキングプロテアはニ十歳に達すると若返りはじめ、八歳児にまで戻った後また成長を始める、というループ状態にある。 ・セッテング 渇愛の果て： 楽しいから、美味しいから、温かいから。 動物的な理由でさしたる目的もなく愛を求め続ける————それがキングプロテアのエゴ、“渇愛”である。 ある菩薩の化身は“目的もなく、己がために宇宙を愛で満たす” 悪であったが、このエゴは“理由なく、己がために宇宙中の愛を求める”悪である。 木来なら誰に見つけられる事もなく、理解される事もなく、倒される事もなく、無の宇宙を漂うだけだったが物好きなマスターによって発見去され、対決する事になったようだ。 彼女が無垢な嬰児(みどリ)なのか、醜悪な災害なのかは、罪が有るのか無いのか、消費文明に生きる我々に裁きは下せない。 誰もが持つ人間の証。 最強にして基本のエゴである “際限なく求める心”が悪ではなく善として利用できる日が来る事を夢見て、キングプロテアは無のソラを漂い続ける。 ちなみに天敵はリップ。理論上、リップのトラッシュ&クラッシュならプロテアを封じ込める事が可能となろ。アルターエゴたちはリップ→プロテア→メルト→リップ……といった三竦み状態であるらしい。 ・宝具 なし。ヒュージスケールが宝具に該当する。

Leo B. Harwey

[v] Fate/EXTRA material - Encyclopedia: Leonardo B. Harwey

Leonardo Bistario Harway. Strongest Master who participated in the Holy Grail War. Ever-victorious king whose every parameter is maxed out. (By the way, though Rin is superior in terms of offensive codecasts and Rani in terms of pure computational ability, even if Rin and Rani challenge Leo together, he still has the higher chance of victory) Though it’s unimaginable from his youth and mild demeanor, he is the next successor of the rulers of the world, the Harways. A king in the making who is the result of inborn talent (including Magic Circuits) polished off by the Harways' harsh yet careful education. Leo himself is more aware than anyone that he was desired as a ruler and raised to be a ruler. A king is not someone who comes from the human world, but one who is sent by the heavens to the earth. Those who are born thus are said to possess regality. Leo’s regality is “thorough ideal.” One can say he is a lord of a level unattainable by the average person; someone who has overcome the contradiction of having discarded human feelings while full of humaneness, for the purpose of realizing a totalitarian society where people of unequal skills can live in equality. Though he has had no freedom since birth, that he nevertheless has a calm personality is no doubt his innate nature. If we say the protagonist represents change, offense, then Leo is the character representing stagnation, defense. Leo possesses no self-interest and wishes for the world to stabilize under the watch of the Harways. His goal in seeking the grail is not “greater power” but “certain stability.” If the Holy Grail ends up in the hands of someone other than himself, the conflict that would have otherwise concluded in ten years would extend to twenty years. …...Even if a Master sent by the conglomerate emerges victorious, so long as the Holy Grail is “power on the national scale attained by an individual,” it will become the kindling of conflict. In order to prevent that future, he himself went to the moon as a Master. “Humanity will only exhaust itself even if it continues to change with no answer in mind. To find a new path for change before the world completely stagnates will doubtless be my next task.” So Leo narrates. That “the current regime of the conglomerate is mistaken”.......Tohsaka Rin’s contention was a problem that Leo had already long since pondered over. To put it this way, the one who prepares for the doom that comes after in view of the answer of this path is Leo. Meanwhile, the one who fights in attempt to change that answer is Rin. To Leo, what should be prioritized is humanity’s continuation, not the reign of the Harways. His ultimate goal in seeking the grail is a millenium of the next generation where people can live in safety. However―――Leo, who knows neither the negative emotions of the weak, of humans, nor defeat, at the same time does not know the emotion of fear, and is unable to even imagine the possibility of defeat. He will eventually come to know how distorted that is for a “human being.” His way of accepting everything the way they are could not, even in his final moments, summon up the intrinsic essence of life―――the vitality in the face of adversity. A Master who also appears in CCC. Like Rin and Rani, he fell into the Far Side upon the conclusion of the fifth week. Though his memories were sealed, even BB was unable to brainwash him, and he was trapped in the old school building. (simply not being able to go out) Even knowing that his memories are sealed away, “I mean, it is a once-in-a-lifetime opportunity and all, so let us simply carry on like this!” he responds optimistically. Although upon being defeated by the protagonist in Extra he learns the truth that “he is not perfect,” thereby truly becoming a king, he is fated to perish in that very instant. In the Far Side, the boy king who had been unable to even converse with the protagonist due to the difference in values, enjoyed his brief experience of youth. By the way, the only ones to whom Leo does not address with honorifics are AIs and artificial lives of human make. His attitude towards Sakura and Rani can be taken as cold, but Leo is interacting with them in full earnest, with acknowledgement of their identities.

Maiden Coaster

[v] Fate/EXTRA material - Encyclopedia: Maiden Coaster [Terrain], p.166-167

English Japanese Maiden Coaster [Terrain] This is the road that goes down to the bottom of one’s heart. From the very start of game development it was called “Maiden Coaster” but in the final game it was of course changed to just “Coaster.” When you first enter the area, the visuals and background music give you the feeling that something crazy is about to start. If you stopped and wondered, “Really? What the heck is going on?” it’s thanks to the great effort of the development team. The speed of the coaster and scattering objects differ from heroine to heroine, and reveals their special characteristics. For example Passionlip’s coaster features flowers. Rani’s features astrological star constellations. Rin’s features… gorgeous… jewels…. It’s a gimmick that resembles the elevator in EXTRA, but here there is no conversation with the maidens, you just listen to their monologue of poems and enjoy a passive turn. By the way, the monologue of the boss heroines who come down in the coaster once again discusses their “day-to-day pain,” but the boss heroines who show up in the final battle area have no idea they told the protagonist such poems. 乙女コースター【地形】 心の最中(さなか)に落ちていく路(みち)。 開発当初から乙女コースターと呼ばれていたが、ゲーム中ではさすがに”コースター”とのみ表記された。 映像、BGM等の演出力のおかげで、初突入時の「なんかおかしなの始まったーー!?」感は異常。 ほんと、このゲームどこにいくんだ、と思ってもらえれば開発陣の苦労も報われます。 コースターの速度や散っていくオブジェクトはヒロイン毎に違い、それぞれの特色を現している。 たとえばリップは花。 ラニは星占いの星。 凛は……ゴージャスな……宝石……。 EXTRAにおけるエレベーターを彷彿させるギミックだが、こちらは相手との対話はなし。一方的に乙女ポエムを聞き、ぐんにょりするターンである。 ちなみに、コースターで流れるボスヒロインのモノローグは彼女たちの『日々の痛み』が再生されているだけなので、決戦場にいるヒロインたちはあんなポエムを主人公に聞かれているなんて露も知らないのであった。

Mana Depletion

[v] Fate/EXTRA material - Encyclopedia: Mana Depletion [Circumstances], p.211

English Japanese Mana Depletion [Circumstances] Overcount 1999. In 1970, a ritual performed in a certain local city in England in 1970 set off the depletion of the Earth's magic energy filling its atmosphere. It caused a pole shift, a crustal movement of global magnitude later to be called the Great Collapse. Having survived through two periods of decline – the end of the Age of Gods and the beginning of the AD calendar – magecraft finally became a fairy tale of the past. In the EXTRA world, all that remains of the old world magi are the Atlasian alchemists of Egypt. 魔力枯渇【事柄】 オーバーカウント1999。 1970年、イギリスのある地方都市で起きた儀式をきっかけに、大気に満ちていた“地球”の魔力は枯渇。 後に大崩壊と呼ばれる地球規模での地殻変動───ポールシフトを呼び起こした。 神代の終わり、西暦の始まり、という二つの衰退期を乗り越えた魔術ではあったが、これをもって完全に過去の御伽噺となった。 EXTRA世界において、旧世代の魔術師はエジプトはアトラスの錬金術師だけとなっている。

Meltlilith

[v] Fate/EXTRA material - Encyclopedia: Meltlilith [Alter Ego]

English Japanese Meltlilith [Alter Ego] Meltlilith is the Alter Ego of pleasure. She is a young girl that leaves a strong impression with her feet as sharp as swords and slender body. She is a High Level AI created from a piece of BB’s heart. She is classified as a High Servant, and was created by cutting and pasting together pieces of Goddess type Servants. Merciless, aggressive, and sadistic, she is CCC’s leading Queen character. She favors structural beauty, and refuses to forgive anything less. To Meltlilith, anyone other than the protagonist is no more than rubbish in the gutter. Meltlilith makes it her goal to bestow the greatest pleasure possible upon the protagonist, and she is even prepared to rebel against her creator BB if necessary to achieve this. However, that “pleasure” she plans on bestowing amounts to a monumental disaster of greater proportions that BB, and is certainly not something the protagonist would ever want to experience. Her id_es skill is “All Drain.” Although Meltlilith can’t completely absorb enemies into herself the way that BB can, Meltlilith can melt enemies into a pure energy form and then absorb them as XP. Meltlilith has used All Drain to increase her level to the maximum. If she only has Kingprotea’s “Huge Scale” skill (effectively removes level cap), she would have become the most terrible of monsters even surpassing BB. Meltlilith refers to herself as “The Honey Queen,” she has various skills to drain her opponents. In the game she appears as a speedster that whizzes around using ballet as a motif for her combat style. She uses her dance to run the protagonist down. She is an incarnation of maternal instinct that goes about melting and absorbing everything in the world in order to create a world where only she and the protagonist are left. Meltlilith was made from three Goddesses. The first is the pure-hearted Greek Goddess of virginity, Artemis. The second is a Goddess that appears in the Old Testament, Leviathan. Or perhaps the Rod of Asclepius version that is based on Ugaritic (Semitic) mythology, where she is known as Litan. The third is the Hindu Goddess of rivers, Saraswati. She has the power to manipulate anything that “flows.” Including natural phenomena, like wind or water, and also other things like music, speech, and prose. ◆ She is not usually on good terms with Passionlip. While they don’t hate each other, things just feel sour and out of place whenever they are together. They get irritated and it often seems like a fight could break out at any moment. Basically whenever then meet they just want to get their business done quickly so they can get away from each other. This is completely instinctual, and the reasoning is the same as why BB dislikes the Alter Egos. Despite this instinctual dislike, Meltlilith and Passionlip are conscious of the fact that they are sisters, and Meltlilith’s final words are addressed to Passionlip, who shared the same fate. (On the other hand it might be that the incredibly self-centered Passionlip just thinks of Meltlilith as a nuisance and one-sidedly rejects her.) In the initial game concept there was a combination attack where Passionlip would act as a launching pad for Meltlilith by holding her in the grasp of her claws, and then she would shoot Meltlilith out like a laser beam… It was called Virgin Laser Palladion. Meltlilith: “Let’s do it! Make sure you do it at the same time as me, Lip!” Passionlip: “U-uhh…! One, two, three… Please, die (with Melt)…!” Melth Lilith is pretty pumped up about doing a combo move with Passionlip, but Passionlip is reluctant and just wants to get things over with as soon as possible. Meltlilith always seems gets into these half-baked situations. メルトリリス【アルターエゴ】 快楽のアルターエゴ。 鋭利な刃のような両脚と、スレンダーな体が印象的な少女。 BBの心の一部を摘出して作られた上級AI。 女神系のサーヴァントを切り貼りして作られたハイ。サーヴァント。 好戦的で無慈悲。かつ加虐趣味を持つという、CCC屈指の女王キャラ。 構造的な美しさを好み、醜いものを許さない潔癖性。メルトリリスにとって主人公以外の生き物は道ばたの汚物にすぎない。 主人公に最大の快楽を与える事を目的とし、そのためなら創造主であるBBに反逆する覚悟さえある。 ただし、その『快楽』の正体はBB以上の災害であり、主人公とは決して相容れない。 イデススキルは『オールドレイン』。 BBのように相手を機能ごと取りこむ事はできないが、対象を純粋なエネルギー体まで熔解し、経験値として取りこむ事ができる。 メルトリリスはこのスキルを使って自らのレベルを限界まで上げている。 もし彼女にキングプロテアが持つ『成長制限解除』のスキルが備わっていたのなら、メルトリリスはBBをも越える最悪の怪物として現れていただろう。 自らを『蜜[どく]の女王』と名乗るだけあって、様々なドレインを扱う。 ゲーム中ではスピードスターとして登場。バレエをモチーフにした戦闘スタイルで主人公を追い詰める。 世界すべてを溶かし、取り込み、自分と主人公だけの世界を作ろうとする母性の化身。 メルトリリスに組みこまれた女神は三体。 一神目はギリシアの純潔の処女神アルテミス。 二神目は旧約聖書に登場するレヴィアタン、あるいはウガリット神話のリタンに由来する、蛇十字の杖。 三神目はインドにおける河の女神サラスヴァティー。 自然現象、中でも水や風、音楽や言葉、弁舌、詩文といった、流れるもの、を操る能力を持つ。 ◆ リップとは普通に仲が悪い。 憎み合ってはいないものの、一緒にいると気まずい、イライラする、というかこのままだとケンカになりそうだから用件すませて早く別れたい、というレベル。 これはもう本能的なもので、BBがアルターエゴたちを嫌うのと同じ理由と思われる。 それでも姉妹として互いを意識しており、メルトの最期の台詞は自分と同じ運命にあったリップにあてたものだった。 （一方、自分しか見えていないリップはメルトを邪魔者として嫌っているだけ） 初期案ではリップが砲台役としてその手にメルトを乗せ、相手に向けて振りかぶり、メルトをレーザーのように射出する……というメルトとリップのコンビネーション技も考えられていた。 その名もヴァージンレイザー・パラディオン。 メルト「行くわよ！合わせなさい、リップ！」 リップ「う、うん……！せーのっ…… （メルトごと、）死んで、ください……！」 クールながらも姉妹協力技にノリノリなメルトと、ああやだ、早く終わらないかな、とイヤイヤなリップ。 この通り、微妙に損な役回りのメルトだった。

Moderation Treachery Ruin

[v] Fate/EXTRA material - Encyclopedia: Moderation, Treachery, Ruin [Other], p.196
English Japanese Moderation, Treachery, Ruin [Other] 節制・反逆・没落【その他】

Moon Cell

[v] Fate/EXTRA material - Encyclopedia: Moon Cell [Circumstances], p.212-213

English Japanese Moon Cell [Circumstances] Official name: Moon Cell Automaton. An energy-storing body discovered inside the moon. An artifact constructed by non-human intelligent life. A super computer that is the setting for Fate/EXTRA. Up to a seventh level has been structurally identified in cyberspace, and the first level, the surface of the moon, is accessible by even normal hackers. Going beyond the inner second level is difficult for non-wizardsccheck, there is no way to get inside physically. Without soul transference, without having a data body converted into virtual spiritrons, it isnft possible to look into the abyss. In the case of the magi of the old world, they had made contact with the moon cell as a part of meditation without having to use radio waves. The Moon Cell is, in a manner of speaking, an eye that observes the Earth. A processor that faithfully simulates all life on Earth and is capable of providing a definite prediction of the future. A database of humanity. A massive memory recording their habits, history, ideas, even their souls. A pandorafs box that promises the next stage of evolution, promises god-like power to those intelligent lifeforms who have become technologically advanced enough to scan the interior of the moon. Originally it was an observation device left behind by an alien civilization. It had only recorded the nature of life on Earth, but after many years it came to possess its current abilities. Though an observation device initially, it could not leave anything unseen in its observations. (Heisenbergfs uncertainty principle. The observer determines an event by observing it. What isnft observed is not certain). An observation device must be fair. If it is to observe, there must be nothing unseen. Thus, it required capabilities for knowing everything about the Earth. To record all things without bias, it needed performance greater than that of an observation device. And so, it had made a giant leap in evolution. It had enhanced its functions to the point where it went from making observations to surveillance, even understanding the workings of the planet. The greater its enhancements, the more complicated its administration policy. It created many terminals and even made artificial intelligences to manage functions for each section. (These were later utilized for the NPCs and advanced AIs of the Holy Grail War) However, it firmly refused to install an artificial intelligence for itself. The observer must not have a mind. For the observer to have a mind would result in the meaning of things being decided by the observer. Thus, it kept to maintaining its absolute objectivity as an eye, doing so while always dismantling the emerging semblances of sapience that it had incorporated to administrate its functions. Thus, this computer has no conception of good and evil, no desire for the future, not even an outcome. It is simply there. A type-writer left behind by god. An observation lens bored in the moon. Later, the crystal ball of dreams would come to be called this. An eye of the moon. A bottomless Klein cube. An ownerless Type Moon which has read all of this planet. ムーンセル【事柄】 正式名称はムーンセル・オートマトン。 月の内部に発見されたエネルギー蓄積体。 人類とは異なる知的生命体によって作られたアーティーファクト。Fate/EXTRAの舞台となるスーパーコンピューターである。 電脳構造的に第七層まで確認されており、月の表面である第一層には一般のハッカーでもたどり着ける。 内部にあたる第二層から先への侵入はウィザードでなければ困難……というか、物理的な侵入方法は皆無。 魂の転移、疑似霊子状態の情報体でなければ深淵をのぞく事は出来ない。 旧世界の魔術師たちは瞑想の一環として、電波を利用せずともムーンセル内部へのコンタクトをはたしていたとか。 ムーンセルは、言うなれば「地球を観測する目」だ。 地球上すべての生命を忠実にシミュレートし、確かな未来予測まで可能とする演算器。 人類のデータベース。その生態、歴史から思想、魂までを記録した莫大なメモリー。 技術レベルが向上し、月の内部を探知できるようになった知的生命体へ、次のステージへの移行、神に等しい能力を約束する禁断の箱である。 ◆ もともとは異星文明によって置かれた観測機。 地球の生命の在り方を記録するだけの装置だったが、長い年月を経て現在の機能を持つに至った。 はじめは観測機だったが、しかし、観測するのなら“見えない部分”があってはならない。 （ハイゼンベルグの不確定性。観測者が観る事で事象を決定させる。観ていない部分は確定しない） 観測機はフェアでなくてはならない。観測する以上は、見えない部分などあってはならない。結果、ソレは地球の全てを知るための機能を必要とした。 すべてを平等に、ありのままに記録するためには、観測機以上の性能がいる。 こうしてソレの機能はおびただしい進化をとげた。 観測から監視、果ては星の運営すら把握する演算器にまで機能を拡張した。 規模が拡張すれば運営方針は複雑化していく。ソレは多くの端末を作り、セクションごとに機能を管理する人工知能さえ作り出した。（これが後に聖杯戦争におけるNPC、上級AIなどに利用される） しかし、その一方で、ソレは自らに人工知能を搭載する事だけはかたくなに拒否した。 観測者に知性はあってはならない。 観測者に知性があっては、物事の意味を観測者が決定してしまう事になる。 そのため、ソレはあくまで一つの眼として、絶対的な客観性を維持し続けた。……機能運営のために組まれ、生まれていく知能らしきものを常に解体しながら。 よって、この演算器には善悪の思想も、未来への欲求も、さらには結末すらない。 ただそこにあるだけの器物。 神の残した自動書記[タイプライター]。 月に穿たれた観測レンズ。 後に、この夢を映すだけの水晶体はこう呼ばれる。 月の眼。 底なしのクラインキューブ。 この星の全てを読み上げた、持ち主のいないタイプ・ムーンと。

Moon Cell's Discovery

[v] Fate/EXTRA material - Encyclopedia: Moon Cell's Discovery [Incident], p.213

English Japanese Moon Cell's Discovery [Incident] Moon Cell was discovered in 1973. After the magus of the old world were cut off from their mana, a wizard employed by the United Nations managed to infiltrate Moon Cell, and Moon Cell’s existence was revealed to all. The following are the words from a hacker who returned alive from Moon Cell’s first layer. “That thing on the Moon is a computational device that could never be produced by present-day mankind. There is no physical way to infiltrate it. Even if you were to fly up to the Moon on a rocket, it would be impossible to access the device. The thing on the Moon is simply too different from us humans, a civilization that relies on physical matters. It is something impossible to analyze or understand using existing human technology and language system. However, through a spirit-like information body, even if the format of information is different, understanding its “meaning” is still possible.” After that, this astounding supercomputer came to be considered as the product of an otherworldly civilization, and the West Europe Plutocracy started to monitor it. ムーンセルの発見【事件】 ムーンセルの発見は1973年。 旧世界の魔術が途絶えた後、国連所属のウィザードが侵入に成功し、公式にムーンセルの存在が明らかにされた。 第一層から生還した霊子ハッカー曰く、 「アレは現在の人類には到達できない演算装置だ。 物理的な侵入方法は存在しない。月にロケットを飛ばしたところで、アクセスする事は不可能だろう。 物質に頼る我々人類の文明とは形式が違いすぎるため、人間の言語大系、技術では理解できない。 しかし霊子的な情報体ならば、情報形態が異なっていようとも“意味”を分けあえる可能性がある」 以後、この驚異的なスパコンは異星文明の遺産とされ、西欧財閥によって監視される事になった。

Noble Phantasm

[v] Fate/EXTRA material - Encyclopedia: Noble Phantasm [Skill], p.208

English Japanese Noble Phantasm [Skill] 宝具【スキル】 サーヴァントが持つ切り札。 英霊である彼らが生前に愛用した武具、あるいは逸話を奇蹟として再現したもの。 すべてのサーヴァントは、その出自となる伝承を武器として扱える。 一対一で効果を発揮する対人宝具、 大勢に対して効果を発揮する対軍宝具、 建物や要塞等、地形すら破壊する対城宝具、とぃった種類に分けられる。 稀にEX……特例として対界宝具があるが、そのレべルの宝具を持つ英霊は稀。 宝具はいずれも強力なスキルであり、他にはない唯一無二のュニークスキルである。 ただし、宝具は英霊の伝説そのものなので、使用すれば他のマスターたちに正体を明かしてしまう事になる。一対一が基本となる月の聖杯戦争においても、トーナメント形式である以上、情報の漏洩は敗北に繋がる。 真名、宝具はできるかぎり隱したまま勝ち続けるのが優れたマスターと言えるだろう。

No Face May King

[v] Fate/EXTRA material - Encyclopedia: Faceless King [Noble Phantasm], p.201

English Japanese Faceless King [Noble Phantasm] No Face May King. Green Archer's hidden Noble Phantasm. Robin Hood is an incarnation of nature, introduced and inherited as a custom of the Celts from the (Spring Festival) Beltane Festival after the establishment of the "May Festival." In this festival, they make a circle and dance around a pillar built in the center of the village square where a boy who is almost a man impersonates the "May King" and a girl who is almost a woman impersonates the "May Queen." This "May King" is a metaphor for Robin Hood. At this festival, the May King magic costume of green skin is just clothing with ordinary brown accents. Needless to say, with these leaves and brown stems (Green Man), Robin Hood is definitely the incarnation of nature. Wearing the May King costume erases any sign, so that those who wear it naturally melt into that appearance. With this, Robin Hood holds the same level of ability as the Fairy Puck. Said to be stronger than the Bow of Prayer on the back of Green Archer's hand. Disables the reading of each other in battle, a one-sided victory cheat item. Robin is a sniper who hides his figure in this cloak, appearing with Assassin-like behavior. Because it aggravates the Master, Dan, the use of "Faceless King" was forbidden outside of combat. Even in CCC, where it saw a surprising usage, its results were disappointing in Passionlip's hands. 顔の無い王【宝具】

NPC

[v] Fate/EXTRA material - Encyclopedia: NPC [Circumstances], p.164

English Japanese NPC [Circumstances] ＮＰＣ【事柄】 聖杯戦争を円滑に進めるために作られた仮想生命。 それぞれ決められた役割(ロール)があり、そこから逸脱する事はできないが、役割が決まっているとはいえ独自の思考、人格が備わっている。 ＮＰＣが生命としてリアルでなければ、ＮＰＣと接触するマスターたちの反応がリアルにならない。 そう算出したムーンセルによって、ＮＰＣたちには人工知能が与えられた。 ただし彼らの『人格』は一度きりのものであり、また、設定された人生観から逸脱する事はできない。 ＮＰＣは聖杯戦争が終わればムーンセルに経験を没収され、身体・性能・人格を含めたすべてをリセットされ、次の聖杯戦争用の『装置』として再チューニングされる。 そんなＮＰＣたちにとってマスターたちは羨望の対象であり、また、嫌悪の対象でもある。 人間の不合理性に振り回され、道具のように消費されていく自分たちの在り方に不満を訴えるＮＰＣも少なくはないからだ。 命を与えられながらも、その命を否定されるもの。 今そこに『有る』が、今そこに『無い』もの。 そんな彼らの不満は欝積し、一つの都市伝説を作った。輪廻転生とも呼べるメモリの使い回しの末、高い人間性───魂を獲得したものは上級ＡＩに昇格させてもらえるという。 無論、そんな未来はない。 仮にそんな事態が起きたとしても、ムーンセルにとってそれは意味のないバグなのだから。

Original school building

[v] Fate/EXTRA material - Encyclopedia: Original school building [Place name], p.175
English Japanese Original school building [Place name] 旧校舎【地名】

Passionlip

[v] Fate/EXTRA material - Encyclopedia: Passionlip [Alter Ego], p.203

English Japanese Passionlip [Alter Ego] Passionlip is the Alter Ego of love and hate. She leaves an impression with her excessively oversized chest and evil looking claws. She is a High Level AI created from a plucked out piece of BB’s heart. Passionlip is a High Servant whose base model was cut and paste from a goddess type servant. She does not enjoy fighting, but due to her skills like Masochistic Constitution she ends up being attacked, and so she reluctantly counter attacks [so she can survive]. She has an introverted personality and a tendency to assume things, but she always acts wholeheartedly. By default she has a liking for the protagonist, and from early on she starts protecting him/her from the shadows. However Passionlip doesn’t want anyone else to get close to the protagonist, and even her ally Ryokucha becomes a target for extermination when the protagonist is under her yandere-like supervision. One of her id_es skills is “Crash & Trash.” With this skill Passionlip can use her claws to crush any object, no matter how large, as long as it can be contained within her field of vision. This skill can only ever be used in an imaginary number space through the use of a compression codec with almost illusory properties. Lip specializes in destruction, and as long as her target doesn’t move, like terrain or a building, Lip exceeds BB in destructive power. It must be added that Servants and Masters immediately sense danger and escape from her field of vision. The cumbersome Lip is unable to chase after them well, and the result is she ends up losing them. In the game she appears as the most prominent power character. She is the embodiment of blind courtship. She dandies up the target of her love in her mind, and shuts them away inside her heart in order to keep them all to herself. There are three goddesses who have been inserted into Passionlip. The first is the Indian goddess of beauty, Parvati. She is a Goddess who blindly and devotedly loved her husband Shiva, who is the god of destruction. The second is the Battle Goddess Durga. Durga is a manifestation of Parvati, and carries 10 divine weapons. Passionlip’s 10 giant claws are the embodiment of those weapons. The third goddess is Brynhildr of Northern Europe. The Queen Brynhildr failed to be bound to the hero she loved, and fell into ruin while wallowing in sorrow. The Brynhildr in Passionlip is said to be the Brynhildr from Wagner’s opera cycle, and thus she appears as the warrior maiden (valkyrie) who guides the souls of the dead to heaven. It goes without saying, depending on the circumstances even love can turn into despair, and Brynhildr tragically ends up guiding the soul of her loved one. パｯションリｯプ【アルターエゴ】 愛憎のアルターエゴ。 大きすぎる胸と凶悪な爪が印象的な少女。 BBの心の一部を摘出して作られた上級AI。 女神系のサーヴァントを切り貼りして作られたハイ・サーヴァント。 戦いは好まないが、スキル・被虐体質によって人々から襲われる事になり、仕方なく迎撃している。 内向的で、一途で、思い込みの激しい性格。 デフォルト状態から主人公に好意を持っており、早い段階から主人公を陰から見守っていた。 が、主人公に近づくものは何であれ邪魔者なのか、味方である緑茶ですら排除対象になるというヤンデレっぷりを発揮する。 イデススキルは『クラッシュ＆トラッシュ』。 視界に収まる物体[もの]なら、どれほど巨大な容量だろうと握りつぶす、虚数空間ならではの騙し絵的な圧縮技法[コーディック]）。 リップは破壊に特化しており、相手が動かないもの……地形や建物ならBB以上の破壊力を発揮する。 もっともサーヴァントやマスター相手だと、すぐに危険を察知されてリップの視界から離脱→のろまなリップは追いつけない、というオチになるのだが。 ゲーム中では屈指のパワーキャラとして登場。 相手を包み込み、ねじ切り、胸の中に仕舞って独り占めする盲目的な求愛の化身である。 パッションリップに組みこまれた女神は三体。 一神目はインドの美の女神パールヴァティー。 盲目的に、そして献身的に夫である破壊神シヴァを愛した女神。 二神目は戦いの女神ドゥルガー。 パールヴァティーの側面とされるドゥルガーは、十本の神授の武器を持っている。パッションリップの巨大な爪はその十の剣を具現化したもの。 三神目は北欧の戦いの女神ブリュンヒルト。 恋した勇者と結ばれず、哀しみから破滅を呼んだ女王。ワーグナーの楽劇においてはブリュンヒルデとされ、死者の魂を天界に送る戦乙女として登場する。 言うまでもなく、こちらの顛末も愛に絶望し、愛する者をその手にかける悲劇だった。

Photonic crystal

[v] Fate/EXTRA material - Encyclopedia: Photonic crystal [Circumstances], p.206
English Japanese Photonic crystal [Circumstances] フォトニック結晶【事柄】

Presence concealment

[v] Fate/EXTRA material - Encyclopedia: Presence concealment [Skills], p.179
English Japanese Presence concealment [Skills] 気配遮断【スキル】

Prison Castle Csejte

[v] Fate/EXTRA material - Encyclopedia: Prison Castle Csejte [Weapon name], p.172
English Japanese Prison Castle Csejte [Weapon name] 監獄城チェイテ【武器名】

Protagonist

[v] Fate/EXTRA material - Encyclopedia: Protagonist [Character], p.186-187

English Japanese Protagonist [Character] The weakest Master. The default name is Kishinami Hakuno. We designed him/her to have the impression of an exceeedingly normal 17 year old student. The concept was for him/her to be the third most beautiful in class …Is what we intended anyway. A lot of players pointed out that with the female protagonist being as cute as she is, her class would have to be pretty high level in terms of student appearances. Just like the protagonist of an RPG, Hakuno doesn’t speak throughout the game, has no personality, and maintains a neutral stance. Hakuno usually expresses his/her ideas through simple monologue, but when the story comes to a branching point, the options presented are his/her own words. He/she is a wizard of average ability. Hakuno possesses high-quality magic circuits, however up until the point of their awakening he/she had not practised using them at all, so they are mostly wasted. Although Hakuno ends up participating in the Holy Grail War, even after the preliminaries are finished he/she is unable to remember his/her memories from before coming to the moon. Hakuno has no idea who he/she is, or why he/she is participating in the Holy Grail War, and he/she continues to fight in order to find the answers to these questions. Although Hakuno is affected by amnesia, he/she still retains basic knowledge about the world, so there is no problem managing his/her daily life. After entering the main storyline of the game Hakuno is still in a completely blank state where he doesn’t even know the difference between right and left, but it seems like his/her basic education was at a level that was rather odd high. Hakuno sports some amazing detective skills and inference ability in the sections where he/she needs to guess the true name of each heroic spirit by only going on the fragments he/she has gathered from the game matrix. Perhaps Hakuno was a history maniac in the past. While not significant in any way, there is a passage in the game where Hakuno has his own opinion about Francisco Xavier. ◆ Also, Hakuno holds onto hope that was born from within some tiny part of him/herself. Hakuno is extremely average in every way, and is like a sheep who grew up in a pen where there is no danger or need to fight for one’s survival. Thought the one waiting in SE.RA.PH’s throne. No matter how you look at it, this Holy Grail War belongs to Leo. Leo is an outstandingly talented individual who is well suited to win the Grail, and I understands that Leo is essentially the king of the real world. When facing Leo, even if they are unable to come to terms, their meeting is surely something significant. surely something significant. Per my prediction, the young King Leo will become the strongest individual yet to win the Grail. —and that’s precisely why. It’s precisely because Leo is the strongest, that Hakuno can improve his/her ability through his/her prodigious body and manage to defeat his/her strongest opponent, that he was able to catch sight of salvation. It’s precisely because there is conflict that humans improve. The King of Conflict will take up SE.RA.PH’s throne, and wait for the arrival of the crystallization of his ideals. No matter how many times Hakuno was defeated, his/her knees did not buckle, and he waits for the moment where Hakuno surpasses the limits of his burned-out husk of a body. 主人公【人物】 最弱のマスター。 デフォルト名は岸波白野（きしなみはくの）。 極めて一般的な17才の学生像。 クラスで三番目ぐらいの美形、というコンセプト。 ……とは言うものの、女主人公のあまりの可愛さから「あれで三番目って、どんだけレベル高いクラスだよー」と多くのユーザーに指摘された。 RPGの主人公らしく、ゲーム中では無口・無個性・中立で通っている。 選択肢のテキストそのものが彼／彼女の発言で、普段はモノローグとして素朴な主観を語っている。 魔術師[ウィザード]としての能力は平均的。 魔術回路の質こそ高いが、目覚めるまでまったく鍛えていなかったので宝の持ち腐れになっている。 聖杯戦争に参加したものの、予選が終わっても『月に来る前の記憶』を思い出せず、自分は何者なのか、なぜ聖杯戦争に参加したのかを獲得するために闘いを続けていく事になる。 記憶喪失といっても生活習慣は覚えているので、日常生活に問題はない。 ゲーム本編では右も左も分からない白紙状態だが、修得している一般教養はちょっとおかしいレベル。 マトリクスの断片から各英霊たちの正体をあてる「真名当てイベント」では名探偵ばりの推理力を発揮する。もとは歴史マニアなのかもしれない。 どうでもいい話だが、フランシスコ・ザビエルの人生について一家言持っている節がある。 ◆ また、ある欠片が望んだ希望でもある。 主人公はどうしようもないほど平凡であり、戦いから無縁の環境で育った羊だった。 熾天の座で待つ者は想う。 今回の聖杯戦争はどうあがいてもレオのものだ。 彼がそれに足る逸材であり、現在の地上の王だという事を把握している。レオとの対面、その会話はたとえ理解し合えなくとも意義のあるものになるだろう。 あの少年王は、間違いなく歴代最強の優勝者になると予想していた。 ───だからこそ。 だからこそ、そのレオを破った主人公の『非凡の身で最強を倒すほどに成長した』在り方に、彼は感激し、救いを見た。 戦いこそが人間を成長させる。 戦いの王は熾天の座で、 己が思想の結晶を待ち続ける。 幾たび敗れようと膝を折らなかった彼／彼女が、燃え尽きた自身の骸[むくろ]を乗り越える、その瞬間を。

Quality as a Causer of Abuse

[v] Fate/EXTRA material - Encyclopedia: Quality as a Causer of Abuse [Skill], p.169
English Japanese Quality as a Causer of Abuse [Skill] 加虐体質【スキル】

Quality as a Target of Abuse

[v] Fate/EXTRA material - Encyclopedia: Quality as a Target of Abuse [Skill], p.205
English Japanese Quality as a Causer of Abuse [Skill] 被虐待質【スキル】

Queen's Glass Game

[v] Fate/EXTRA material - Encyclopedia: Perpetual Engine - Maiden Empire [Noble Phantasm], p.178

English Japanese Perpetual Engine - Maiden Empire [Noble Phantasm] The Queen's Glass Game. Caster’s anti-world noble phantasm which winds back the battle to the first turn upon activation. If you don’t defeat Caster by a set turn, the girls’ game will continue forever. Nursery Rhyme assumes the form of the Master’s desires. This noble phantasm can be said to be the ultimate manifestation of her Master, Alice’s dreams. "The story will go on forever. (As long as) the slender fingers return to the first page, As if picking up the next volume. Once again denying reality to the reader." 永久機関・少女帝国【宝具】

Queen of the Moon

[v] Fate/EXTRA material - Encyclopedia: Queen of the Moon [Character], p.199

English Japanese Queen of the Moon [Character] The first big boss in CCC. The Queen of the Moon employs Red Lancer, as well as the Sentinels from the labyrinth who made the protagonist laug— err, who made the protagonist suffer. Her real identity turned out to be, who would guess… Tohsaka Rin. Wow. (monotone voice) Despite having half of her consciousness occupied by BB, Rin manages to behave like her usual self. This is certainly a testament to the strength of her will power. To digress, when we decided that Rin would appear as the Queen of the Moon, she was supposed to get a special and rather risqué punk fashion outfit, and its design progressed to the point where Wada had done some rough drawings, but sadly, sadly, so sadly it was axed. 月の女王【人物】 CCCの第一階層の偉大[グレート]なボス。 赤ランサーを使役し、迷宮にやってきた主人公たちを笑わ……否、苦しめたセンチネル。 その正体はなんと遠坂凛だった（棒読み）。 BBに意識の半分を占有されていたが、その言動はまったくプレなかったあたり、彼女の意志の強さがうかがえる。 余談ではあるが、凛が月の女王として登場する時は服装をきわどいパンクファッションにする予定で、ワダさんのデザインラフまであがっていたが泣く泣く没になった。

Rani VIII

[v] Fate/EXTRA material - Encyclopedia: Rani VIII [Character], p.200

English Japanese Rani VIII [Character] Rani the Eighth. Rani is a Master in the Holy Grail War. Her nationality is Egyptian. Her Servant is Berserker. Her most impressionable features are her tan skin, white coat, purple hair and glasses. She only seems slightly human, and expresses very little emotion. She is a young girl who is like a innocent doll. Since she has so sense of “self” in combination with her lack of common sense, she is always on a different wavelength from the protagonist. Rani only values her creators orders. She is the ultimate homunculus, and her specs (fundamental abilities) exceed Leo’s. At her core is Hermes, which is a 6th generation spiritron computer that shouldn’t even be completed and exist in this world yet. (Hermes is the crystallization of the Atlas Institute’s innermost secret techniques of fundamental Alchemy. We can assume that this is probably the Philosopher’s Stone.) Rani is not human. She is an alchemist of the Atlas Institute, and also a homunculus that was made by the head of the institute, Sialim Eltnam Re-Atlasia. Rani the Eighth signifies “the eighth woman.” She is different from the homunculus created through DNA engineering that are popular on the black market. Rani’s design is based on old world magus theory, and she was made with cutting edge science and technology developed by the Atlas Institute. She was made as a magus so she could be sent to the cyber world. In short she is nothing short of being a new form of humankind. By using nano-sized fibers called Etherlight, Rani can directly send herself into to the cyber world without any direct physical connection. Her computational power is equivalent to the power required to generate all of the Holy Grail War’s arena and schools. She can go head-to-head with the High Level AI who are in charge of managing the Holy Grail War. You may think of Rani as an emotionless robot, but she far surpasses the abilities of regular humans, so of course she is equipped with emotions. However, Rani’s creator never taught her about what emotions were for. Although she was going to teach her, she passed on to the next world only confirming that she had a “heart.” As she passed away, she left Rani with her final order: “Connect to Moon Cell, and if you deem it to be a thing that threatens the existence of humankind, destroy it.” As such, Rani set out for the Moon and became a Master not yet knowing how to effectively use her “emotions.” She set out knowing that what lay ahead for her meant she would never again be able to return home. ◆ Rani also appears as a trustworthy Operator in CCC. Just like the Queen of the Moon, at the end of the fifth round BB highjacks her consciousness, and then Rani is dropped to the far side of the Moon to become one of the enemies that the protagonist must fight. The reason that BB made Rani the core of the second layer is because Rani is a similar entity to BB. Rin is human, so she can’t be trusted [by BB], but Rani has logic circuits similar to BB’s, so BB gave her a more important position. After losing to the protagonist, Rani parts ways with BB, surpressing the anger of “punishment,” she joins the student council as an operator. A tan-colored ジョバ○二か, but she will compile most programs for you in one night. She is the treasurer of the Students Council. She also provides some very useful support and guidance to help you clear Sakura Labyrinth. Rani soon finds herself as good friends with Rin, who also provides you with in game advice and support. In the latter half of the game Rani is rather uncertain about various things, but she was finally been able to experience human friendship. ラニ＝VIII【人物】 ラニ＝えいと。 聖杯戦争に参加したマスター。 国籍はエジプト。サーヴァントはバーサーカー。 褐色の肌に白い上着、紫の髪とメガネが印象的。 人間味が薄く、感情表現も乏しい、無垢な人形のような少女。 『自分』を持たない上に、常識を持ち合わせていないため、いつまでたっても主人公とはかみ合わない。ラニにとって守るべきは、自分を作り出した師の命令だけなのだ。 基本能力[スペック]は天性の天才であるレオを上回る、最高級の人造人間。 その心臓はヘルメスと呼ばれる、この世界では未だ完成していない筈の第六世代型量子コンピューターで出来ている。 （……ヘルメスはアトラス院の技術の結晶であり、錬金術の基本にして最奥の秘儀、賢者の石ではないかと考察できる……） ラニは人間ではない。 アトラスの錬金術師、エルトナム院長によって作られた人造人間、ホムンクルスである。 ラニ＝エイトは「8番目の女」という意味。 裏社会で流通している、遺伝子工学で作られたホムンクルスとは別のもの。 ラニは旧世界の魔術理論と、アトラス院で検証されていた最新科学技術によって作られた、来るべき電脳世界に対応した魔術師───いわば新人類と呼ぶべき存在である。 エーテライトと呼ばれるナノ単位の繊維を端末とし、インターフェイスなしに電脳世界へ自身を送り出す事ができる。 その演算能力は聖杯戦争の会場となる校舎と同規模。聖杯戦争の管理を任される上級AIに負けていない。 感情のない機械と思われがちだが、彼女は人間以上の性能を持つホムンクルス。感情など当然のように搭載している。 しかし、それがどういったものなのかを教えてくれる筈だった師は、ラニが心を持った事を確認し、最後の命令を残して他界してしまった。 “ムーンセルと接続し、それが人類の未来を脅かすものなら破壊せよ───” ラニは自分にある『感情』の有効利用法を学習できないまま、マスターとして月に登る。 その先にあるものが決して帰れない結末である事を、正しく理解して。 ◆ CCCでも登場する、頼りになるオペレーター。 月の女王さま同様、五回戦が終了したタイミングで月の裏側に落ち、BBに意識をジャックされて主人公たちの敵となった。 BBがラニを第二階層のコアにした理由は、ラニとBBが近いものだったから。 凛は人間なので信頼できないが、ラニはBBたちに近い思考回路を持っているため、同士として上の役職を与えたのである。 主人公に論破された後はBBと挟を分かち、パニッシュメントの怒りをおさめて生徒会に参加。以後はオペレーターとして活躍する。 褐色のジョバ○二か、という指摘が入るぐらい、大抵のプログラムを一晩で組んでくれる。 生徒会での役職は会計。有能な参謀としてサクラ迷宮攻略のサポートをする。 また、同じサポート役として凛と親好を深め、後半では戸惑いながらも、人間らしい友情の在り方を受け入れる。

Rin Tohsaka

[v] Fate/EXTRA material - Encyclopedia: Tohsaka Rin [Character], p.200

English Japanese Rin Tohsaka [Character] Tohsaka Rin. She is a Master who participates in the Holy Grail War. She is a spiritron hacker who raises a voice of opposition against Harwey’s rule. Her nationality is unknown, and she is currently active in the Middle East. She has a firm and unsentimental set of values, but her true nature is someone who looks out for others and pursues justice, so she is suspect to be sympathetic at the critical moment. Red clothes, twin tails, and a miniskirt. She is a well-known heroine from Fate/stay night. Previously she was a member of a United Nations organization, and was volunteering as a system management engineer of sorts for an NGO that provides medical assistance across Asia. But Rin found herself losing faith in her dream and had many doubts about what the future would hold in a world ruled by the Harwey family. After visiting a broad range of countries that were suffering from poverty Rin could see the limits of such a strictly controlled society, and so she decided to fight back against Harwey. After that she left the NGO and devoted herself to supporting the resistance. From then on she fought alongside the resistance, however she operated completely independently. Her policy is to avoid civilian casualties. For the past year she has resided in the strife-filled land of the Middle East. Half for her own conviction, and half for the sake of money, she engaged in cyber warfare against Harwey’s private army. Upon hearing about the Holy Grail War from the resistance, she formally accepted the mission to ascend to the Moon and defeat Harwey. Her servant is Lancer. Her specs as a magus are slightly inferior to Leo’s, but her ability as a Master exceeds Leo’s, which comes from her greater real-world combat experience. This makes Rin a top candidate for winning the Grail. ◆ Rin also appears in CCC as a trustworthy advisor. When you fall to the far side of the Moon at the end of the fifth round, you bump into Rin, whose consciousness has been taken over by BB, and she becomes your enemy. After defeating Rin, she regains her sanity, and joins the student council as if to atone for her sins. From then on she acts as an Operator. Rin’s room is filled with random stuff to the point where you might think she is a Red Doraemon. Rin comes up with most of the strategic plans for you each night. Her position within the student council is vice-president. She is a great strategist, and supports your efforts to clear the Sakura Labyrinth. She also deeps her relationship with Rani who similarly plays a support role, and in the latter half of the game Rin and Rani become good friends. 遠坂凛【人物】 とおさかりん。 聖杯戦争に参加したマスター。 ハーウェイの支配に異を唱える霊了ハッカー。 国籍は不明。現在は中東で活躍している。気丈でドライな価値観を持っているが、根は姐御肌かつ正義の人なため、ここ一番で人情に寄るところがある。 赤い服、ツインテールにミニスカート、とFateではお馴染みの顔役。 元は国連組織の一員で、アジア地域の医療活動に従事するNGO団体でボランティアとしてシステム管理技師の様な仕事をしていた。 しかしハーウェイの支配によって諦観に支配され希望を失った未来に疑問を抱いていた凛は、貧困にあえぐ国々を飛び回るうち管理社会の限界を感じ、これと戦う道を選んだ。 その後、NGOから離れ、レジスタンス活動に身を投じるようになる。 以後はレジスタンス組織と共闘はしているが、活動自体は個人で行っている。一般市民の犠牲者は出さないのがポリシー。 ここ一年は紛争地である中東に腰を据え、半分信念、半分ビジネスとしてハーウェイの私設軍隊と電子戦を行っていたが、レジスタンス組織から聖杯の情報を聞き、仕事として正式に『月に登り、ハーウェイを打倒する』ミッションを受けた。 サーヴァントはランサー。 魔術師としての基本能力[スペック]はレオに一歩譲るものの、マスターとしての実力……実戦闘の経験の差ではレオを上回る優勝候補のひとり。 ◆ CCCでも登場する、頼りになる名解説。 五回戦が終了したタイミングで月の裏側に落ち、BBに意識をジャックされて主人公たちの敵となる。 撃破された後は正気を取り戻し、罪滅ぼしとばかりに生徒会に参加、以後はオペレーターとして活躍する。 赤いドラ○もんか、という指摘が入るぐらいのなんでも屋。たいていの作戦立案は凛が一晩でやってくれます。 生徒会での役職は副会長。有能な参謀としてサクラ迷宮攻略のサポートをする。 また、同じサポート役としてラニと親好を深め、後半では互いに認め合う女友達となった。

Saber Nero

[v] Fate/EXTRA material - Saber [Servant], p.192-194

English Japanese Saber [Servant] One of the Servants who contracts with the protagonist. A (self-proclaimed to be) crossdressing young swordswoman clothed in a bright crimson dress. Often called Red Saber to distinguish her from other Sabers. [pronoun stuff] A headstrong emperor who calls herself an omni-talented genius and actualizes (by force) most of the things she wills. Though often mistaken for a tyrant because of her arrogance and confident proclamations, as a rule she acknowledges the ways of existences of all manners of people, without rejection. She judges not by society's standards of good and evil, but by the human beauty. Having dabbled in plays, song, painting, sculpture, and such various arts, upon creating a new work, “How’s this? It is quite good, no? T-true, it may be a little on the maniacal side, but is it not good nonetheless?” A little miss attention seeker who tearfully begs for appraisal like so. Though she would normally not qualify for the Saber class with her parameters, well, she took care of that part somehow with her Imperial Privilege. She would properly be a commander-type Servant. As a Servant, she has no particular contentions or wishes. That is because she is perfect by simply existing. At least, Saber herself says, “I am consummate simply by thinking, speaking, and sleeping while being myself. No matter the era, the mere fact of my existence symbolizes the might of Rome.” Since she’s already perfect, there remains nothing more for her to seek. She has reached the conclusion that simply being herself is the finest reward in itself. Since she has absolute beliefs and tenets within herself, she isn’t offended by much. To Saber, the one unacceptable thing is to “for her to not be able to act as herself.” The reason why the egocentric Saber is fine with being used as a Servant is because a Servant is contracted as that which “must prove her supremacy.” “Hmm? I am to prove my supremacy, yes? That I have no complaints about. I shall simply fight a fight not shameful to myself. Even if I had a frog for a Master, if I can fight together with the frog and emerge the victor without shame, it would become a pride of mine.” Such is her amazingly optimistic outlook. And so it’s rare for her to scold the inexperienced protagonist. Though she does grumble about the protagonist’s timidity and fecklessness, in her heart she does not truly look down on the protagonist. To her, saying that the protagonist is “feeble” is simply an honest appraisal. Thus, when the protagonist grows as a Master and builds the bond of trust, she becomes more straightforwardly affectionate. “Confound it all, pay more attention to me! Since you are contracted to me, you shall put me first of all things!” Thus the attention-starved puppy emperor came to be. However, in the first place, there isn’t a Master to be found who would summon her. Her true name corresponds to great evil in a certain religion, and the end of her life was a miserable one. Just as much as she is an emperor, she is also an artist with unshakable faith in her own genius, and the only absolute justice to her is “beauty.” Whether ally, enemy, her citizens, or herself, she will not love anything that does not fit into that category. That holds true even for a Master. For sure, she will never obey someone she finds unseemly. There’s no magus who would want to make use of a weapon who judges matters based on something like “beauty.” Contracting with this Heroic Spirit is simply too risky. “……Well, that’s only natural. Magi are clever and calculating creatures; certainly not fools who would entrust their lives to me.” And so she spent her days in ennui in the Throne of Heroes. Though she gets lonely, her pride overcame that. She decided not to settle for just anyone, planning on only contracting with a genius of her level. And so, at the end of another round of preliminaries. Just when she was about to leave, thinking that there was no one to call her this time either, she heard a faint voice. When she turned, she saw a nameless someone who, despite being on the verge of death, still fought to stand. Someone who was not strong. Someone who had no outstanding talent. Someone who wasn’t even a proper wizard. But―――Saber saw a kindling that twinkled like a star in the night, a kindling that refused to fade. Instantly, she rushed forward. What she had in her chest was not sympathy for that someone, but anger against the high heavens. She knew that it was the way of the world for the weak to remain weak and perish, their prayers to no avail. Precisely because she knew this, she couldn’t stand for it. What kind of heaven would ignore such powerful will? Even in the death throes, that nameless one chose not to give up but to fight. “If it would not answer that purehearted wish, the will of the heavens matters not! How can I not answer the cry of that noble soul―――?!” Rather than answering summons, Saber had come to the place of selection of her own volition. While groaning inwardly at the offering up of herself that she had disliked so, she speaks to the nameless soul. “Answer me―――are you my Praetor(Master)?” She appears in a white bridal dress for CCC, earning the nickname of Bride Saber. Since there’s another Red Saber in Apocrypha now, I feel like we need another nickname for her to cover both Extra and CCC. Tange Saber……no? Okay, I guess not. Her rival in CCC is Red Lancer. One hopes that they can become friendly rivals as idols. After all, having both experienced similar reactions to their performances, it seems like there’s plenty they can talk about. Also, her voice when the player acquires her swimwear is a must-listen. Therein lies the max endearing charm of the Tange Saber. セイバー【サーヴァント】

Sakura Five

[v] Fate/EXTRA material - Encyclopedia: Sakura Five [Other], p.183

English Japanese Sakura Five [Other] The Alter Egos that rejected the old rules. They were the five alter egos of BB, formed by five emotions: love and hate, joy and happiness, purity and chastity, compassion and affection, as well as lust and yearning. In the early design of CCC, the boss of Level 1 was Red Lancer. The bosses of Level 2-6 were the Sakura Five. BB or the Mastermind would reside on Level 7. It truly was Sakura Hell. It was fortunate that the design did not materialize, but at the same time, there was a sense of pity. By the way, Alter Egos symbolized the sensuous parts of the female body. Passionlip represented the breast, Meltlilith the feet. The other Alter Egos represented eyes, lips, and back. サクラファイブ【その他】 没になった旧プロットに存在したアルターエゴ。 愛憎、快楽、純潔、慈愛、渇愛、と五つの感情から作られたＢＢの分身たち。 ＣＣＣ最初期案では、 第一階層のボスは赤ランサー、 第二～第六階層のボスはサクラファイブ、 第七階層のボスはＢＢか黒幕、という構成だった。まさにサクラ地獄。お蔵入りになって良かったような、残念のような。 ちなみにアルターエゴたちは女性の扇情的な身体部位をシンボライズしている。 リップは胸、メルトは脚。 残りのアルターエゴたちは目、唇、背中。

Sakura Labyrinth

[v] Fate/EXTRA material - Encyclopedia: Sakura Labyrinth [Location], p.183
English Japanese Sakura Labyrinth [Location] サクラ迷宮【ロケーション】

Sakurament

[v] Fate/EXTRA material - Encyclopedia: Sakurament [Circumstances], p.183-184
English Japanese Sakurament [Circumstances] サクラメント【事柄】

Sakura Veil Grande

[v] Fate/EXTRA material - Encyclopedia: Sakura Veil Grande [Terrain], p.183

English Japanese Sakura Veil Grande [Terrain] This is the name of the final obstructing wall preventing the player from reaching Moon Cell’s core. Its name is a challenge to morals. In our initial design plans the name was Sakura Veil Diva. We wanted players to pronounce “Diva” with a similar intonation to “Godiva.” Goddess Diva; abbreviated to Godiva. …At the very end of the end we felt it was too much of a comedic relief, so Diva was changed to Grande. サクラヴェール•グランデ【地形】 ムーンセル中枢への到達を阻む最後の壁の名称。 またの名を倫理への挑戦。 初期案ではサクラヴェール・ディーバだった。 ディーバはゴディバに近いイントネーションで発音してほしい。ゴッデス・ディーバ。略してゴディバ。 ……最後の最後でコメディにするのもどうかと思い、グランデに変更された。

Saver

[v] Fate/EXTRA material - Encyclopedia: Saver [Servant name], p.191

English Japanese Saver [Servant name] Buddha. A messiah type servant. Being a Buddha means that one has attained enlightenment. The Master who summons this servant, regardless if they are good or evil, must have awakened a strong desire to “save mankind.” The most famous Buddha, Shaka, achieved enlightenment on his own. While still alive he was liberated from so-called “suffering.” His “teachings to attain Buddhahood” are what makes up Buddhism. However, in Buddhism there is nothing that says, “If you study this you will be saved.” Buddhism is the collection of principles that Shaka followed to reach enlightenment, and Shaka never proclaimed that his teachings were the only path to attain Buddhahood. The path to enlightenment varies from person to person. As far as Buddhism is concerned, the potential to become a Buddha is present within everyone. Every human will eventually attain enlightenment. Of course this includes those who are good as well as those who are evil, those who are kind and those who are heartless; everyone is subject to the process of becoming a Buddha. The reason that Saver answers the summons to become a servant is that its Master’s suffering is too great and cannot be ignored, and also burdened with sins that are too great. “There is no way for this soul to be saved. Well then at least until he has realized the result he desires for the human race, I will walk alongside him.” Saver has no desire to lend his powers to the Master, he only cooperates out of mercy and benevolence he feels for the King of Conflict. …For this person who has been constantly embroiled in battle from birth and till death. Savior will become a shield for the final chapter of this poor soul who despite resenting war, was unable to deny it, and forced to walk a pain-filled path. Like the flowers of a saul tree. セイヴァー【サーヴァント名】 覚者(ブッダ)。 救世主のサーヴァント。 覚者とは悟りに至ったものを示す。 このサーヴァントを獲得するマスターは、 善悪はどうあれ 『人類を救う』理念に開眼している。 もっ とも有名な覚者である釈尊は、 自ら悟って覚者となった。 彼は生きながらあらゆる苦悩から開放された。この 『覚者になる教え』が仏教である。 しかし仏教では「これを学べば救われる」とは一言も言っていない。 仏教とは釈尊が覚者にいたった理念であり、釈尊は「この教えだけが仏への道である」とは述ベていない。 覚者になる方法は人それぞれにある。 仏教において、人はみな仏になる可能性を秘めているとされる。人問は最終的にはみな悟りに至る。 善も悪も有情も無情も、すべてはその過程にすぎない。 セイヴァーがサーヴァントとして召喚に応じたのは、そのマスターの苦悩があまりにも見捨てがたく、また罪深かったからだ。 “この魂には一切の救いがない。 ならばせめて、彼が願った人類の結末まで、 ともに有り続けましょう————” セイヴァーはマスターに力を貸したのではなく、 戦いの王に慈悲を示したにすぎない。 ……その誕生から死去まで戦争と向き合い続けた人物。戦争を憎みながらも否定しきれず、苦行を歩み続けた男の最期を看取る、沙羅雙樹(さらそうじゆ)の花のように。

Saraswati Meltout

[v] Fate/EXTRA material - Encyclopedia: Benzaiten's Five-String Biwa [Noble Phantasm], p.184

English Japanese Benzaiten's Five-String Biwa [Noble Phantasm] Saraswati Meltout The anti-mind noble phantasm BB had given to her alter ego. Itfs anti-mind, but in cyberspace it functions as an anti-city, anti-world noble phantasm. What it was made from was Benzaiten, a goddess who is one of the seven gods of luck and identified with the three Munakata goddesses and Ugajin. It is the power of a vortex gathering and dispersing water, swallowing all things; normally itfs not meant to be used in combat, but against the sphere of a civilization that has advanced to a certain level. Meltlilithfs nectar sweetly melts not only the body but the mind. This noble phantasm dissolves the common sense and morality of the community itfs used on, turning those in it into something like a colonial organism. Trampling over and absorbing those whose bodies, minds, and society have been reduced to slime is the true power of this noble phantasm. The fact that it demonstrates absolute power against non-combatants exudes with Meltlilithfs nastiness. In the original proposal, it was a bit of a risqué noble phantasm, where she would have dropped her opponent into a vortex of water and relentlessly kicked at his immobile body, with it finishing off with both of them climaxing. Naturally, it was rejected. Not even the god of art could win against the code of ethics. 弁財天五弦琵琶【宝具】 サラスヴァティー・メルトアウト。 ＢＢがアルターエゴに与えた対心宝具。 対心ではあるが、電脳空間においては対都市、対界宝具として機能する。 材料になったものは七福神の一柱であり、宗像三女神、宇賀神などと同一視される女神、弁財天。 水を集め、放ち、あらゆるものを飲みこむ渦の力。 本来は戦闘に用いるものではなく、一定の文明を築いた文明圏に用いるもの。 メルトリリスの蜜は肉体だけでなく精神まで甘く溶かす。この宝具はそのコミュニティーの良識、道徳をとろけさせ、群体のように一体化させてしまう。 そうして身も心も社会もスライム化したものを踏みにじり、吸収するのが本来の力である。 非戦闘員に対して絶大な効果を発揮するあたり、メルトリリスの性質《たち》の悪さがにじみ出ている。 初期案では相手を水の渦に落とし込んでから、動けないその体を徹底的に蹴り倒し、互いに絶頂を迎えてフィニッシュするというアレな宝具だった。 そして当然のように没になった。芸術の神も倫理規定には勝てなかったよ……。

SE.RA.PH

[v] Fate/EXTRA material - Encyclopedia: SE.RA.PH [Circumstances], p.196
English Japanese SE.RA.PH [Circumstances] SERIAL PHANTASM. SE.RA.PH【事柄】 SERIAL PHANTASM。

Sentinel

[v] Fate/EXTRA material - Encyclopedia: Sentinel [Circumstances], p.196-197
English Japanese Sentinel [Circumstances] センチネル【事柄】

SG

[v] Fate/EXTRA material - Encyclopedia: SG [Concept], p.184-185

English Japanese SG [Concept] Secret Garden. Translated literally it means secret garden. Which is precisely what it is. It consists of an ambivalent preference or something that the character wants to keep secret, but at the same time also wants others to know about. No human being can live completely without making a mistake, or be perfect in the eyes of all. You can’t avoid opening up your heart completely in order to achieve true mutual understanding. A character’s SG presents their true self clearly. To open up a SG is both an invasion, and an act of love and affection. Although it was axed due to moral issues, the Sentinel SG’s may have included things like their views on morals, very sweaty situations, and nymphomania. Also not only the enemy Sentinels, but also allied Servants have SGs. If you are aiming for a Servant’s ending, you must complete their SG by doing the character-related sub-events. To digress, the liberties we took with the CGs for Archer’s and Gilgamesh’s SGs had the staff saying, “Just wait a second. We need to cool down and think this over logically. Is this really okay? Shouldn’t we be worried?” There was a lot of debate about the CGs, but they were kept in since the concept of CCC is about being unable to run from embarrassing things. SG【事柄】 シークレット・ガーデン。 直訳で秘密の花園。まんまである。 その人物が隠していたい、けれど知ってほしい、というアンビバレンスな趣味嗜好のこと。 人間はきれい事だけでは生きられない。真の相互理解を迎えるには心の開示は避けて通れない。 SGはそれを明確なカタチにしたもので、SGを暴く事は侵略行為であり、同時に親愛行為でもある。 コード問題から没になったが、センチネルたちのSGには背徳嗜好、多汗症、ニンフォマニア、といったものもあったとかなかったとか。 また、敵センチネルだけでなく味方サーヴァントにもSGは存在する。 サーヴァントエンドを迎えたいのなら、ちょくちょくサブイベントをこなしてサーヴァントSGをコンプしなくてはならない。 余談ではあるが、アーチャーとギルガメッシュのSG画面のはっちゃけぶりは開発スタッフ内でも 「ちょっと待て、冷静になれ我々。いいのかコレ、まだあわてる時間じゃないぞ？」 と論議を白熱させたが、結局は“恥ずかしい事から逃げない”というCCCのコンセプトが勝利した。

Shield

[v] Fate/EXTRA material - Encyclopedia: Shield [Terrain], p.185
English Japanese Shield [Terrain] シールド【地形】

Shingon Tachikawa School

[v] Fate/EXTRA material - Encyclopedia: Shingon Tachikawa School [Circumstances], p.189

English Japanese Shingon Tachikawa School [Concept] Shingo Tachikawa is a branch of Shingon Vajrayana (Shingon secret tantra teachings) that is based on “Rishu-kyo” and its teachings revere dakini-deity. In the Kamakura era, a high monk of Shigon Buddhism, Ninkan, failed in an attempted assassination of Emperor Toba (Eikyuu Era [Eternal Era]) and was exiled to Izu as punishment. It is said that there, in the province of Musashi, Ninkan gave birth to the fundamental systems of Shingon Tachikawa in cooperation with the Onmyouji (spiritual medium) Kenren (from Tachikawa). After that, the Tachikawa Sect spread and prospered to the point where it came to be the largest faction within Shingon Buddhism. Furthermore, with the decline of the Kamakura Shogunate in sight, the Tachikawa Sect schemed to have the Imperial Family change its loyalties to prioritize Tachikawa over other sects. Emperor Godaigo, who mastered the secrets of Tachikawa, starting from Yoshino, spread it across the lands of the Southern Dynasty. After that, the Tachikawa Sect teachings were almost always present with the Southern Dynasty. So with the decline of the Southern Dynasty, the Tachikawa Sect also fell into ruin. …The suppression of the Tachikawa Sect didn’t occur because it was heretic or there was some problem with it’s teachings, it was due to its connection with the Southern Dynasty. Mount. Koya (the birth place of Koya-san Shingon Buddhism) lies within the territory of the Northern Dynasty, and almost all the authority figures in Koya held contempt for the Tachikawa Sect, and has all the Tachikawa scriptures destroyed. 真言立川流【事柄】 真言立川流は真言密教の一派であり、『理趣経』（般若波羅蜜多理趣品）をその根本経典とし、茶枳尼天を拝した教え。 鎌倉時代に真言宗の阿閣梨である仁寛が、鳥羽天皇暗殺未遂事件（永久の変）の罪で伊豆に配流された折、そこで武蔵国立川の陰陽師である見蓮らと協同で生み出した術式がその基礎とされる。 その後、立川流は真言宗の最大派閥となるまで隆盛。 さらに鎌倉幕府の衰退を見て取った立川流は、幕府から天皇家への鞍替えを企図する。 立川流の奥義を会得した後醍醐天皇は吉野において南朝を開く。以降、立川流はほぼ常に南朝と共にあった。そして立川流は南朝の衰退と共に滅びていくのである。 ……立川流の弾圧は、邪宗である事やその教理に問題があったからではなく、南朝方であった事に起因する。そして北朝方であった高野山（真言宗高野派）によって、その権威は徹底的に財められ、教理経典は抹消されてしまった。

Shingon Tachikawa School outline

[v] Fate/EXTRA material - Encyclopedia: Shingon Tachikawa School outline [Doctrine], p.189

English Japanese Shingon Tachikawa School outline [Doctrine] Shingon Tachikawa’s scriptures and theories are based on three points of view. The first is Luminous Mind based on Rishu-kyo. Sex is a natural part of being human, and originally was considered to be something very pure that is connected with enlightenment. Sex tends to be assumed to be a simple pleasure, but strictly speaking it is not actually an act that affirms your desire. Desires that are connected with infatuation and indecision are an obstacle to enlightenment, but a pure sexual desire is a desire for the benefit of all living things, and it is something that you should maintain as part of your survival instinct. It is just affirming our survival instinct and thus is connected with enlightenment. Of course, this overview is extremely difficult to understand, and it is said that even most of the disciples taught directly by the founder of Shingon Buddhism, Kukai, were not taught it. As a rule, those who were not of high monk rank or above were not permitted to read the related scriptures. The second is Union, which is the concept of two beings sublimated into one being, and/or being reincarnated. This is derived from the concept of Onmyoudo (Taoist) “Cosmic dual forces connected together become taiji” that was unified with the Shugendou concept of the universe and nature. It is from this unification that the techniques of miracle efficacy, Sennin art of love making, and tantric yoga methods were introduced into Tachikawa. The third is the method of drawing out power from “beyond” by breaking down your own boundaries. Is it said that this method made many monks lose their self-control, power of reasoning, and moral values due to murder or eating meat, eating fish, or drinking alcohol. (However it is theorized that this method may have not actually been put into practice by the Tachikawa Sect). Through the combination of these three kinds of thoughts and methods the Tachikawa Sect considered the unification of “Dakini = Dainichi Buddha [Vairocana] = Amaterasu Oomikami” to be the ultimate goal. Namely, they tried to achieve enlightenment by becoming one with the fundamental truths of the universe. …Uhhh Cas-ko-san, it seems like your followers are pretty wack… is everything gonna be all right…? 真言立川流の概要【教義】 真言立川流の術式、および理論は三つの視点に立脚している。 ひとつめは『理趣経』に基づく自性清浄。 人間の本性や生来の営みは本来清らかな物であり、悟りに繋がる物である。これは誤解されがちだが、欲望を肯定する物ではない-厳密には、惑いや迷いに繋がる欲望は悟りの妨げであるが、衆生の利益を願ったり、そのために自己を保つべく自己保存欲求を持つのは悟りに繋がる欲望であるとして肯定するという考え。 無論この概念は非常に難しく、真言宗の開祖空海をしてほとんどの弟子には教授しなかったという曰く付きのもの。原則的に阿閣梨[あじゃり]以上でなければそも閲覧の許可がない。 ふたつめは、二者の合一による一者への昇華、または帰還という概念。 これは陰陽道の『陰陽結びついて太極となる』という概念から来たもので、おそらくは修験道の天地自然との一体化から験力を得る技法や仙道の房中術、タントリック・ヨーガの手法も導入されているものと見られる。 みっつめが、自己の境界を破壊するする事で、『その向こう』から力を引き出す技法である。 多くの場合は、殺人や肉食、魚食、飲酒などで僧としての自律、理性、倫理観などを崩壊させたという。 （ただしこの技法それ自体は、立川流では実戦されなかったとする説もある） 立川流は、この三種の技法を組み合わせて、「茶枳尼天＝大日如来＝天照大神」と一体となることを最終目的とするものだった。 すなわち、自らをして宇宙の根本原理そのものとなす事で悟りを得ようとしたのである。 ……キャス狐さん、なんか貴方の下の方々、たいへんな事になってますよ……？

Shingon Tachikawa School taboos

[v] Fate/EXTRA material - Encyclopedia: Shingon Tachikawa School taboos [Doctrine], p.189-190

English Japanese Shingon Tachikawa School taboos [Doctrine] The Tachikawa Sect is often made out as the villain in a lot of romance novels, but the novels are simply drawing on an extreme example and it does not represent the real Tachikawa Sect. The fundamental methods of the Tachikawa Sect follow the main teachings of Shingon Buddhism and expand upon them. The methods of Tachikawa are not evil on their own by any means. The representative “evil deed” that is taken up by others is the use of skulls as an object of worship, but really the use of skulls in rituals was not uncommon across Japan and in the Kamakura period the use of skulls was endorsed by many a Buddhist master, and the use of skulls was not considered to be something out of the ordinary. Like this, the taboos of Shingon Tachikawa more or less align with those of fundamental Buddhist teachings. The greatest taboo is to defy your master. Buddhism is fundamentally a system where you [the disciple] attain enlightenment by using the methods left behind by the founder of Buddhism [the master] who became a Buddha, Shaka (Gautama Buddha. So the relationship between master and disciple is core in the Buddhist system. And Shaka preached that disciples must not doubt his ideas in any respect, and must only obey— the only time a person may have doubt, is before they formally become a disciple. It’s fine to doubt as much as you like before becoming a disciple, but it best to only become a disciple once all your doubts have been cleared. So for the above stated reasons, Buddhism has always been centered on the relationship between master and disciple, and the power of Buddhism to reach enlightenment is fundamentally passed down through the “bloodline” (the unbroken and perpetual master-disciple link continuity). So essentially the only way to attain enlightenment through Buddhism is to become a very, very distantly connected disciple of Shaka, as it is he who has the power of Buddhism. So if you are excommunicated by your master, it means your link to Shaka will be severed, and all your ascetic practices (Buddhist training) until that point will be reverted to naught. 真言立川流の禁忌【教義】 様々な伝奇小説で敵役にされがちな立川流だが、それは極端な例にすぎない。 立川流の基本技法自体は真言宗の主流派となった折に真言宗全体に広まっており、真言立川流の術そのものは邪悪なものではないからだ。 真言立川流の悪行の代表とされる、髑髏本尊（どくろほんぞん）などは日本の呪術ではそれなりに一般的な外法頭の術式の変形に過ぎず、鎌倉当時の達人であれば多かれ少なかれ了解、または使用していておかしくない技法である。 このため、真言立川流の禁忌もまた、原則的には仏教教団の禁忌と相通じている。 その最大は師に逆らうこと。 仏教は原則として、仏となった釈尊からその悟りに至る技法を授けてもらうという師と弟子の関係から出発した。 そして釈尊は、弟子に自分の考えに疑問を持たずにひたすらそれに従う事を説いた──疑っていいのは、弟子になるまで。弟子になるまではいくら疑ってもよく、むしろ疑い尽くしてそれが無理になってから弟子となる事がよいとされた。 ちなみに上記の理由から、仏教は常に師と弟子の関係を基本とし、悟りに至るための力や法力は、基本として血脈（師弟関係の不断の連続）によって受け継がれていると考えられている。 つまり仏教で悟りを得たり、法力を持つ事ができるのは釈尊の遠い遠い孫弟子の関係にある者だけとされる。破門とはこれを断ち切られる事であり、仏教ではそれまでの修行すべてが無に帰す事を意味する。

Shingon Tachikawa Eiten School

[v] Fate/EXTRA material - Encyclopedia: Shingon Tachikawa Eiten School [Organization], p.188-189

English Japanese Shingon Tachikawa Eiten School [Organization] Shingon Tachikawa Eiten-ryu. A branch of the Shingon Tachikawa sect that existed up until 2030. Even after 1970 the Shingon Tachikawa Eternal Heaven Sect engaged in the practice of old world magecraft theory. Essentially a “living fossil,” this organization was a small community created in a remote mountain area far from prying eyes. In 2018 it took the initiative to reinvent its teachings, and revived itself as a new-world magus organization that had adapted to the internet society of modern times. The fundamental principals in Shingon Tachikawa teachings are: Luminous Mind, Union, and Great Power Development. As a cult it rapidly increased its followers, but due to overly fast expansion there were internal power struggles, so in 2020 it stopped all activities. Members of this religious community fought each other to the death, and it is said that the bodies of the dead followers still lie in plain view in its former headquarter in the mountains. 真言立川詠天流【組織】 しんごんたちかわえいてんりゅう。 西暦2030年まで続いた、真言立川流の傍流。 1970年以後も旧世界の魔術理論を実践し、人里離れた山奥で小さなコミュニティを作っていた“生きた化石”だったが、2018年を機に教義を改め、ネットワーク社会に対応した新世界の魔術団体として蘇った。 真言立川流の教えが基盤にあるため、その理論は『自性清浄・二者合一・超力招来』の三脚からなる。 カルトながら急激に信徒を増やしていったが、急激な信者拡大によって内部での権力争いが起こり、2020年にはその活動を停止した。 教団があったコミュニティには身内同士で殺し合った信者たちの亡骸が今も野ざらしになっているという。

Sialim Eltnam Re-Atlasia

[v] Fate/EXTRA material - Encyclopedia: Sialim Eltnam Re-Atlasia [Person's name], p.184

English Japanese Sialim Eltnam Re-Atlasia [Person's name] Rani's teacher. The last alchemist and the one who created Rani. After sending Rani to the moon, she succumbed to disease. As an Atlasian alchemist she was devoted only to her own research, but in the end as a human being, she made Rani and fell into eternal slumber. Why she ordered Rani to go to the moon was to see whether it was possible for not just alchemists but for humanity to continue existing in the cyber world, which would mean having to give up their physical bodies. Unlike other magi, the Atlasian alchemists do not have the objective of evolving into a higher state of existence. The top priority of Atlas is to avoid the future of destruction. Essentially, this means that it's okay for humanity to change or decline as a species if it means surviving, and she stuck to that thinking. As one manifestation of that side of her, she also left Rani with the cold order of incinerating the Moon Cell along with herself if it proved to be a monster that couldn't be controlled. In EXTRA, Rani might have referred to her as a “teacher”, but, sorry, just forget that happened. Also, there might have been something about Sialim having a twin elder sister who died at birth. シアリム・エルトナム・レイアトラシア【人名】 ラニの師匠。ラ二一を鋳造した最後の錬金術師。 ラニを月に送り出した後、病死していろ。 アトラスの錬金術師として自己の研究にのみ沒頭していたが、最後に“人問として” ラニを作り出し、永眠した。 彼女がラ二に「月に行きなさい」と命じるのは、自分たちを含めた人類にとって、肉体を捨てる事になる電脳世界に人類存続の可能性はあるのか、 と見極めるためでもあったどか。 アトラフスの錬金術師は他の魔術師たちとは違い、“生命体として高次の段階ヘ の進化”を目的としていない。 アトラスの最優先事項は “滅びの未来を回避する”こと一占。要は長く生き延びられるのなら、種として変休・退行てもかまわない、という考えであり、彼女もその思相を守り通したのだろう。 ……その一端として、「ム一ンセルが手に負えない怪物なら、自身ごと焼却せよ」という冷酷な命令も残している。EXTRAではラニが「師父」どか言っていた気がするが、すまん、忘れろ。また、シアリムには出産時、死に別れた双子の姉がいたとかなんとか。.

Soul

[v] Fate/EXTRA material - Encyclopedia: Soul [Circumstances], p.197

English Japanese Soul [Circumstances] A soul resides in all life forms that are intelligent. It is spiritual life that is not part of any physical phenomenon. In the world of EXTRA it is said to be the source that enables a container to have life. In the past, in the medical community, it was thought that the body = life, and the body was an output device needed to power the soul. Without a living body, a soul could not be generated. However, in the magus community the opposite was thought to be true. The soul is a “will” that lies in another dimension, and that will occupies a body. Which school of thought is correct still remains unknown today, however in the world of EXTRA Pseudo-Spiritron Theory has been established. From this theory it became clear that the soul can activate even without a physical body, and as such the soul has come to be treated as “the source of a person.” 魂【事柄】 知性持つ生命ひとつひとつに宿る、肉体的ではなく精神的な命。 EXTRA世界では“その容器を生命たらしめる根源”と言われている。 かつての医学界では、肉体は生命:……魂を動かすための出力装置であり、生命活動なくして魂は発生しないと考えられていた。 しかし魔術世界ではその逆、魂は別次元にある“意思”であり、その意思が肉体に宿っている、と考えた。 どちらが正解なのか未だ答えは出ていないが、EXTRA世界では疑似霊子理論が確立され、以後、魂は肉体がなくとも稼働する“その人間の源”として扱われる事になった。

Special My Room

[v] Fate/EXTRA material - Encyclopedia: Special My Room [Events], p.191
English Japanese Special My Room [Events] スペシャルマイルーム【イベント】

Subversive Activities

[v] Fate/EXTRA material - Encyclopedia: Subversive Activities [Skill], p.203
English Japanese Subversive Activities [Skill] 破壊工作【スキル】

Suiten Nikkou Amaterasu Yano Shizu Ishi

[v] Fate/EXTRA material - Encyclopedia: Suiten Nikkou Amaterasu Yano Shizu Ishi [Noble Phantasm], p.191

English Japanese Eightfold Blessings of Amaterasu on the Weight Stone under the Sunlit Watery Heavens [Noble Phantasm] Suiten Nikkou Amaterasu Yano Shizu Ishi. Sweets Heroic Spirit Cas-ko’s Noble Phantasm. She doesn’t use it much. In EXTRA it is shown as a mirror, but it is actually the Tamamo Shizuishi, a sacred regalia among sacred regalia. The Shizuishi was enshrined in Izumo, and it is a sacred treasure said to have been brought to Earth from Heaven by Takehideri no Mikoto, and is thought to be a shintai (object of worship) of the Great Gods of Izumo. According to the Nihon Shoki, it was taken from Izumo at the request of the Imperial court and later enshrined in Kawachi. It’s probably the Yata Mirror that came afterwards, the shintai of Amaterasu Oomikami. The Shizuishi is thought to be the prototype of Mononobe’s Ten Sacred Treasures (Tokusa no Kandakara), and is said to have the power to revitalize the soul and life force and even revive the dead. Since this is too cheat, in the game we made it just provide unlimited magical power. Though this is another digression, the Ookuninushi that enshrines the Tamamo Shizuishi is basically the god of gods. Despite Cas-ko's appearance, she is indeed a top rank Divine Spirit class Servant. 水天日光天照八野鎮石【宝具】 すいてんにっこうあまてらすやのしずいし。 スイーツ英霊・キャス狐の宝具。あまり使えない。 EXTRAでは鏡として表現されているが、玉(たま)藻(も)鎮(しず)石(いし)とよばれる神宝の中の神宝である。 鎮石は出雲にて祀られていた、武日照命が天より持ち来たったという神宝であり、出雲大神の神体。 日本書記の記述によると、朝廷の要請によって出雲より持ち出され、後に河内に祀られるようになった。 おそらくは後の八(ヤ)咫(タ)鏡であり、つまりは天照大神の神体である。 鎮石は物部の十種神宝(とくさのかんだから)の原型と考えられ、魂と生命力を活性化させる力を持ち、死者さえも蘇らせる冥界の力を秘めた神宝なのだとか。 あまりにチートなので、ゲーム本編では無限の魔力供給というカタチで手を打たれている。 また余談ではあるが、玉藻鎮石を祀っていた大国主とは神にとっての神みたいな存在。 キャス狐はああ見えてトップランクの神霊サーヴァントなのであった。

Sweets Heroic Spirit

[v] Fate/EXTRA material - Encyclopedia: Sweets Heroic Spirit [Other], p.190-191
English Japanese Sweets Heroic Spirit [Other] スイーツ英霊【その他】

Sword Camelot

[v] Fate/EXTRA material - Encyclopedia: Sword Camelot [Codecast], p.197

English Japanese Sword Camelot [Codecast] A special type of codecast known as a “Finality”. A secret spell that a renowned magus family passes down in its lineage. Sword Camelot is the secret codecast of the Harways. It’s a castle used so that two knights who value honor can determine who is the better of the two without the interference of interlopers. The wall of flame encircling their surroundings cannot be destroyed unless it is by the welder of a holy sword who is against the duel. Oh and that magic missile that a certain magic user used to destroy this reeeeally priceless relic ought to eventually fall in the category of Finalities. ソード・キャメロット【術式】

Ten Thousand Color Stagnation

[v] Fate/EXTRA material - Encyclopedia: Ten Thousand Color Stagnation [Codecast], p.203-204

English Japanese Ten Thousand Color Stagnation [Codecast] Banshoku Yuutai. Healing software developed by Sesshoin Kiara. It constitutes a hack of the spiritron-transformed digital body made from an arrangement of Eternal Heaven Sect secret prayers and austerities. It’s a codecast used with the aim of performing mental care, however since it has the risky potential to be used to violate a person’s human rights, Kiara herself sealed the software away and labeled it as an illicit program. It invades the cyber brain of its target, and by analyzing brain signals, communication and response to stimulus, the software can freely read the contents of the target’s mind and soul. To be frank, this software is just like its name; the user of the codecast completely accepts and takes in the target through a naked encounter in the cyber world. Although the software was developed for medical purposes, ironically, the feeling of euphoria and comfort it provides exceeds that of so-called cyber drugs. If someone with a weak Ego or weak willpower were to use this software, they would end up in a world of suffering…… There have been many cases where after using this software the user abandons the idea of returning to reality. After an incident where some high ranking government officials were infected with this software, the West Europe Plutocracy designated it as illegal, and went after its developer Kiara Sesshoin, and put her on the international wanted criminal list. Of course it can be said this result was only expected seeing as this software will go down in cyber crime history for breaking one of the greatest taboos. 万色悠滞【術式】 ばんしょくゆうたい。 殺生院キアラが開発した医療ソフト。 詠天流の密教修法をアレンジして作られた、霊子化電脳体へのハッキングコード。 メンタルケアを目的として開発された電脳術式[コードキャスト]だが、人権を侵す危険性をふくんでいる事からキアラ自身の手で封印された違法プログラム。 他者の電脳に侵入し、交信・感応から、その精神と魂とを自在に読み取る。 いってしまえば電脳世界での裸の付き合いで、文字通り、術者は相手のすべてを受け入れる事になる。 医療目的で開発されたものの、皮肉な事にその多幸感、安心感はあらゆる電脳ドラッグを上回っており、自我が薄いもの、意思が弱いものがこれを使用すると苦界……現実に戻る事を放棄してしまう事例が多発。 一部政府高官にも流行しだした時点で西欧財閥はこのソフトを違法と認定し、開発者である殺生院キアラを電脳犯罪者として国際指名手配犯とした 電脳犯罪史上、最大の禁忌とも、当然の終着点とも言われている。

Thesis of the Still Heart

[v] Fate/EXTRA material - Encyclopedia: Thesis of the Still Heart [Codecast], p.181

English Japanese Thesis of the Still Heart [Codecast] Gojyou Shinkan. Healing software developed by Kiara Sesshoin. It is a codecast used to perform mental maintenance. It first determines the areas of the mind that are stagnating or out of order, and then physically removes them, thereby returning stability to the user’s mind. This program was originally made to map out a patients mind and then understand the connections found in their mind. Originally a Secret Garden is supposed to be something that comes out over a period of time, but the Thesis of the Still Heart enables one to retrieve it imediately upon discovery. Of course Secret Gardens are secrets, but at the same time their contents should be revealed. It’s natural that everyone wants to protect their secrets, but at the same time there is also that feeling of wanting others to know. It’s “painful” to always be protecting a secret. And it’s only human nature to want to be free of burden. Precisely because it’s a secret you don’t want anyone to know, you desire exoneration, so you break it to someone and have them understand your situation. Thesis of the Still Heart seems to have been made to fulfill this subconscious, fundamental desire through true mutual understanding. 五停心観【術式】 ごじようしんかん。 殺生院キアラが開発した医療ソフト。 メンタルケアを目的として作られた電脳術式[コードキャスト]で、精神の淀み・乱れを測定し、これを物理的に摘出する事で精神を安定させる。 もともとは患者の精神マップを作り、これを理解するために作られたとか。 本来、SGは時間をかけてゆっくり浮き彫りにしていくものだが、五停心観によって発見、即、摘出が可能となった。 SGは秘密ではあるが、同時に開示されるべき事柄だ。誰だって秘密を守りたいが、同時に知ってほしくもある。 秘密を守り通していると心が『苦しい』。 人間は楽になりたがる生き物だ。 誰にも知られたくない秘密だからこそ、誰かに打ち明け、理解してもらい、赦しを求める。 五停心観はそんな深層下の欲求を叶える、人々の真の相互理解を目指して作られたものらしい。

Tohsaka Money Is Power System

[v] Fate/EXTRA material - Encyclopedia: Tohsaka Money Is Power System [Other], p.199-200
English Japanese Tohsaka Money Is Power System [Other] 遠坂マネーイズパワーシステム【その他】

True Demon

[v] Fate/EXTRA material - Encyclopedia: True Demon [Circumstances], p.190

English Japanese True Demon [Circumstances] Even in the world of Extra, the concept of Demons (悪魔の概念, akuma no gainen?) is by humanity treated as the greatest of obstacles; so as God is to omniscience and omnipotence (全知全能, zenchi zenou?), so as demons as an existence are to mortal levels of awareness and impotence (人知無能, Jinchi Munou?, lit. "human intellect and impotence"). They are as an abyss (淵, fuchi?) that lies within arm's reach, yet decisively beyond comprehension. Distinct from those demons from Stay Night, which exist only as imitations, the real thing -- Enfleshed Demons (受肉した悪魔, juniku-shita akuma?, lit. "Incarnated Demon") are that with which humans are incapable of competing 太刀打ちできない (tachi-uchi-dekinai, lit. "incapable of crossing swords"?). (※ There is in record only a single instance in which an Enfleshed Demon was forced to disperse (退散, taisan?, lit. "disperse / retreat"), but that's a different story.) In general, demons are existences that take possession, utilizing the corpus of a human to incarnate (受肉, juniku) and take action, but in the event that the psyche (精神, seishin?) of the human host (苗床になる人間, naedoko ni naru ningen?, lit. "the human that becomes a seed-bed") cannot withstand the strain, it is commonplace for self-annihilation (自壊, jikai?) of the host to occur, dispersing the essence of the demon into the vicinity. There exist also humans who by way of their own acts (業, gō?, lit. "sins; worldly preoccupations / fixations / absorptions; karma") are subsumed unto the category of Demons as a result of losing their humanity; but these creatures that are said to have become Fiends (魔人, Majin?) cannot be considered True Demons. In the world of Extra -- whether by way of Demonic possession, or in the circumstance that one's own actions bring about a transformation -- the phenomenon whereby a True Demon is birthed unto the world has, as of present day in 2030, not been brought successful fruition even once. Though the classifications of "Demons" and "Fiends" do exist, their manner of existence is in essence indistinguishable from that of a higher-order lifeform (高次元生命体, kou-jigen seimeitai?, lit. "higher-dimension lifeform") that inhabits a different sphere of civilization (異なる文明圏, koto-naru bunmei-ken?) upon a different planet (異なる惑星, koto-naru wakusei?). In sum, said existences can, per the recognition of the Universe of Awareness (認識宇宙, ninshiki-uchuu?, lit. "the universe derived of observation / perception"), no longer be discerned as "human." Their existences would approximate to that of the cosmic horrors (邪神, jashin?, lit. "evil god") of a certain fictitious Mythos popular in the 20th century. In the True Route of CCC, a certain individual that has undergone transmigration did indeed manage to reach this realm, but owing to a slight mistake, they were capsized from the Seat of Divinity (神の座, kami no za?). 真性悪魔【事柄】 EXTRA世界にあっても、悪魔の概念は人類にとって最大の障害として扱われる。 神が全知能であるのなら、悪魔は人知無能の存在。 手の届く範囲にありながら決して理解できない淵(ふち)だ。 stay nightにおいて悪魔は偽物しか存在せず、本物————受肉した悪魔に人間は太刀打ちできないとされる。 （＊受肉した悪魔を退散させた例は一件のみ記録されているが、それはまた別の話） たいてい悪魔は憑くものとされ、人間の体を用いて受肉しようと働くが、苗床になる人間の精神が耐えられず、周囲に魔をまき散らして自壊するのが通例。 中には自らの業によって人間でなくなってしまい、結果的に悪魔のカテゴリーに含まれる人間もいるが、これは魔人化と呼ばれるもので真性悪魔ではない。 EXTRA世界において、悪魔憑きであれ、自らの業で変化したものであれ、真性悪魔を生み出した現象は２０３０年現在、一つの成功例 もない。 悪魔、魔人化、と銘打ってはいるが、その在り方は異なる文明圏、異なる惑星に住まう高次元生命体と変わらな い。なにしろこの認識宇宙における『人』でなくなったのだから。 その在り方は二十世紀に流行した、とある創作神話における邪神の在り方に近い。 ＣＣＣの真ルートで変生(へんじよう)した ある人物はこの域に達しながら、些細なミスによって神の座から転落した。

Tsukimihara Academy

[v] Fate/EXTRA material - Encyclopedia: Tsukimihara Academy [Location], p.199
English Japanese Tsukimihara Academy [Location] 月海原学園【ロケーション】

Twice H. Pieceman

[v] Fate/EXTRA material - Encyclopedia: Twice H. Pieceman [Character], p.201

English Japanese Twice H. Pieceman [Character] Pieceman is a medical researcher and scientist who lived from 1970 to 1999. He specialized in the use of cybernetics to improve prosthetics, while also doing significant work in brain surgery, electronic engineering, and even development of the network. He is an individual who played a big role in laying the foundation for the infrastructure that is used in the present (2030). He is a great man whose many meritorious achievements include analyzing the amnesia syndrome disease, and providing medical assistance in war zones among others. He was born in the 70s, in the midst of a so-called proxy war taking place in Southeast Asia, as the mixed-race son of a local and an American soldier. Born in the fires of war, which would claim the lives of both his parents by its end (that being said his father died early on in the war after being sent to the front lines). He lived as a war orphan, but was eventually adopted for his potential as a Wizard. The name Pieceman belongs to his adoptive father. (It’s reasonable to assume that he is not aware of this. Twice was adopted when he was around the age of five, and it is assumed that he no longer has memories of that time. His adoptive family went as far as altering their family registry, and even up to his death he never found out that he was a war orphan.) After graduating from University, he was offered a promising future working at the think tank of a famous conglomerate, but he declined this to follow the ideals he strongly believed in, and so he left the safety of home. After that, disregarding the opposition from the people around him, he headed to strife-filled, war-torn areas, “To experience war firsthand.” and became widely known for his work as an engineer. In 1999 he traveled to an experimental future city in the Far East to help as a volunteer in the aftermath of a disaster. He helped save many people, but then died in a terrorist attack. トワイス・H・ピースマン【人物】 1970～1999年に生きた医学者、科学者。 人工義肢を目的としたサイバネティックス技術に傾倒しながらも、脳外科と電子工学、ネットワークの発端にも功を成した。 現在〔2030年）におけるインフラ設備の基礎にかかわった一人。アムネジア・シンドロームの解析や戦地における医療活動など、多くの功績から偉人として伝えられている。 70年代、東南アジアで行われた代理戦争の中、戦地で生を受けたアメリカ人兵士と現地人のハーフ。 戦火の中で生まれ、終戦間際に両親を失い（といっても夫の方はいきずりの行為なのでとっくに前線に出て戦死している）、戦災孤児として暮らしていたがウィザードとしての才能を買われ養子となる。ピースマン姓はそのおりにあてがわれた養父のもの。 （もっとも、その事実を彼が知る事はなかった。 トワイスが養子となったのは五歳頃なので、この頃の出来事を本人は記憶していなかったとされる。 戸籍も改竄されているので、死の間際まで自分が戦災孤児である事を彼は知らなかった） 大学卒業後、有名財団のシンクタンクから将来を有望されたが、本人の強い意志でこれを辞退し、野に下る。以後、彼は周囲の反対や疑問を余所に、積極的に紛争が起こった地に向かい、『戦争を実体験する』工学者として知れ渡るようになる。 1999年、極東における未来都市のモデルケースで起きた災害事故の援助にボランティアとして参加し、多くの人命を救うも、テロ活動によって死亡した。

Twice H. Pieceman

[v] Fate/EXTRA material - Encyclopedia: Twice H. Pieceman [Circumstances]

English Japanese A ghost that already turned into a phenomenon. The fragment of a messiah that hates, endorses conflict. "This future is mistaken… someone has to start it over." The ghost drew such a conclusion about the thesis of EXTRA as a whole - "confrontation against stagnation". This is a fight against stagnation, the evil nature of humans. Will you advance while shedding blood? Will you advance while taking someone's hand? After despair, will you reject (travel all over) this? After despair, will you affirm (settle) this? The ghost inquires about such right and wrong. As a responsible party born in the past, reflected in the present. "The world has entered in a impasse. This future has already approached a dead end. Humanity is unsightly ending halfway without bearing fruit." Humanity has already ended. This "stagnation" itself is proof. Rin thought that this came from the rule of Western Europe Plutocrats. That Leo and the others were suppressing the progress of technology, the undulation of emotions to their own convenience. Leo too had such self-awareness. That the Plutocrats are controlling the world in this manner. Howerver… Leo never told Rin until the end. The Western Europe Plutocrats has made arrangements so that society would stagnate, but other than that no definite choice has been produced so far. "The halt of the world occurred because you people desired so." Nobody wishes, has any interest in the future and the likes. Rather than going forward, it is much more comfortable to stand still. To begin with… humans are enough happy as it is. More progress than this, for sure that is something unnecessary - the consciousness of people say so. "How absurd. Then there is no meaning to this. If it was just about wishing for happiness, it would have been better to remain as animals from the beginning. You people - we all - have shed much blood while seeking for something greater than happiness." The ghost resents that weakness. Why are people so weak, when they are that much strong? Such ending, is it really worth 2,000 years? "Humans that have forgotten conflict will just disappear. Struggle for existence is indeed the basis of life. The means to survive, in the true sense of the word." Yes. Conflict is indeed the path of progress. Kill. Open a path (Spread). Steal. Flourish. If you kill this planet, then leave this planet behind and reach the cosmos (sky). That is the bare minimum responsibility of humans. "And, you yourself are its crystallization. Contemplate that growth. Conflict nurtured you. Predicament changed that flesh and blood into steel. It let you surpass even first-rate hackers. Yet… you, who knows its preciousness, will reject this strife (wish)?" 　　　　　　　　　　　　　　◆ Moon Cell Nucleus Before the eye of the moon, two ghosts confront each other. They are both humans from the past. Two of the few people that can express objective impressions about this future. The king of conflict rejects this future. However, you do not hold such point of view. "Even without finding any value in this era. Even if this future is all somebody else's problem. Even if the time ahead that we dreamed about is a foolish dead end. I cannot reject the life of the people that live here." "You approve this future?" "No, I'm just like you. I cannot approve it. …however, I still cannot bring myself to hate it either." The observation mechanism that became the stage for the Holy Grail War. The reason why its virtual world has the image of a sea. If the basis of life is conflict, then the basis of the eye of the moon is to watch over. That way of being was unconsciously understood by the Masters who arrived at the moon. But only he, who managed to reach the Nucleus faster than anyone else, did not understand the strength of that way of being. "…even so. Stagnation (this place) is our reality." Tragedies that occurred cannot be changed. The responsibility for stealing must be fulfilled. While accepting the premonition of defeat, the fragment of a messiah takes up his sword without yielding his pet theory. "Thinking back, mankind has already expired its adolescence. Until the 1900, it was the growing period. But, after experiencing the adolescence--- the immature era meant to follow it, the golden age that was finally supposed appear was practically non-existent. Like a decomposed fruit. The most rich and prosperous period was entirely missing. That, was too much sinful. If we don't leave behind an outcome enough to recompense the lost things, the fostered costs, everything will turn into lies. This future is mistaken. Mankind has to start things over again. Small disputes are no good. Without a struggle for existence that turns all into related parties, our eyes, our consciousness will not grow." Humans are more amazing than that. Life, mankind must go to a place that even the humans of the past cannot imagine. Such ideology of the innate goodness of man has pushed up this ghost to the level of a messiah. Although his views are elitism-like, they are also correct. Indeed, the humans of this era are worn out. They are losing interest. They are giving up. They have long forgotten, what is to dream about the future. But--- "To choose that is responsibility of the people who live in that era. Twice H. Pieceman. The era which you were supposed to protect, has passed away long ago." The curtains of the battle rise together with the words of parting. The final battle that overcame the seven seas. Those who knows its ending, are only the Moon Cell and the player. トワイス・H・ピースマン【事柄】 もはや現象と化したゴースト。 戦いを憎み、推奨する救世主の欠片。 「この未来は間違っている───誰かが、やり直さなくてはいけない」 EXTRA全体の命題である『停滞との対峙』を、亡霊はそう断じた。 これは停滞、人間の悪性に対する戦いだ。 血を流しながら進むのか、 手を取りながら進むのか。 絶望の後にこれを否定（踏破）するか、 絶望の後にこれを肯定（解決）するか。 その是非を亡霊は問う。 過去に生まれ、現在に写し出された責任者として。 「世界は袋小路に入っている。 この未来はとっくにデッドエンドを迎えている。 人類は結果を出さず、見苦しくも半ばで終わる」 人類はとっくに終わっている。 この『停滞』こそ証だ。 凛はそれを西欧財閥の支配からくるものと考えた。 レオたちが自分たちの都合のいいように技術の進歩、感情の起伏を抑えているのだと。 レオもまた、その自覚はある。財閥はそのように世界を支配していると。 だが───レオは最後まで凛には語らない。 社会が停滞するように仕組んでいるのは西欧財閥だが、それ以外の確かな選択が、いまだ生まれていない事を。 「世界の停止は、おまえたちがそう望んだからだ」 誰も未来なぞ望んでいない、興味がない。 前に進む事より立ち止まった方が遙かに楽だ。 だいたい───人間はもう十分に幸福だ。 これ以上の進歩なんて、それこそ不要なものだろう、と人々の意識は語る。 「馬鹿な。それでは意味がない。ただ幸福でありたいと願うのなら、はじめから動物のままでいれば良い。 幸福以上のものを求めて、君たちは、我々は、多くの血を流してきた筈だ」 亡霊はその弱さに憤怒する。 なぜ人々はそこまで強くありながら、弱いのか。 この結末は、はたして二千年の価値があるのかと。 「争いを忘れた人間は消え去るのみ。生存競争こそが生命の根底。真の意味で生き残る手段である」 そう。争いこそが進化の道だ。 殺せ。拓[ひろ]がれ。奪え。栄えろ。 この星を枯らすのなら、この星を置いて宙[ソラ]に至れ。 それが人間の、最低限の責任だ。 「そして、君こそがその結晶だ。 その成長を見たまえ。戦いが君を育て上げた。苦境がその血肉を鋼に変えた。一流のハッカーたちをも凌駕させた。なのに───その尊さを知る君が、この闘争[ねがい]を否定するのか？」 ◆ ムーンセル中枢、 月の眼の前で二体の亡霊は対峙する。 彼らは同じ過去の人間。 この未来に対して、客観的な感想を述べられる数少ない人間だ。 戦いの王はこの未来を否定する。 しかし貴方は、そこまでの視点を持たなかった。 「この時代に何の価値も見いだせなくても。 この未来がすべて他人事にすぎなくても。 たとえ、ワタシたちの夢見た先が、愚かしい行き止まりでも。ここに生きる人たちの人生を、否定する事はできない」 「君は、この未来を認めるのか」 「いや、貴方と同じだ。認める事はできない。 ───けれど、憎む事も、またできない」 聖杯戦争の舞台となった観測機械。 その電脳世界が海のイメージである理由。 生命の根底が争いだというのなら、月の眼の根底は見守ることだ。 その在り方を月に訪れたマスターたちは無意識に理解していた。 ただ彼だけが、誰よりも早く中枢に辿り着いた彼だけが、その強さの在り方を理解しなかった。 「……だとしても。停滞[ここ]が、我々の現実だ」 起こした悲劇は変えられない。 奪った責任は果たさなければならない。 敗北の予感を受け入れながら、持論を曲げずに救世主の欠片は剣を取る。 「気が付けば、人類は成熟期を過ぎていた。 1900年まで成長期だった。 だが、そのあとに来るであろう成熟期───未熟な時代を経て、ようやく訪れるであろう黄金期がまるでなかった。 まるで腐乱した果実だ。 もっとも豊潤な時期がすっぽり抜けている。 それは、あまりにも罪深い。 失ったもの、培[つちか]った費用に酬いるだけの結果を残さなければ、すべてが嘘になる。 この未来は間違えている。人類はもう一度やり直さなくてはいけない。小さな紛争ではだめだ。誰もが当事者になる生存競争でなければ、私たちの目は、私たちの意識は成長しない」 彼は戦争への憎しみ、奪われたものの怒りに突き動かされているのではない。 人間はもっと凄いものだ。 生命は、人類は、過去の人間たちには想像も出来ない場所に行かねばならない、と。 そんな善性の理念が、この亡霊を救世主にまで押し上げた。 彼の考えは選民的ではあるものの、正しくもある。 たしかにこの時代の人間は疲れている。 飽きている。諦めている。未来を夢観る事を、とっくの昔に忘れている。 けれど─── 「それを選ぶのは、その時代に生きる人々の責任だ。 トワイス・H・ピースマン。 貴方が守るべき時代は、とうの昔に過ぎ去った」 決別の言葉と共に戦いの幕はあがった。 七つの海を乗り越えた最後の戦い。 その結末を知るものは、ムーンセルとプレイヤーだけである。

Ultimate One

[v] Fate/EXTRA material - Encyclopedia: Ultimate One (Primordial One) [Skill], p.157-158 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Ultimate One (Primordial One) [Skill] This is one of White Berserker’s skills. White Berserker receives power and support from the planet itself in order to increase her specs to be one rank higher than the enemy she is facing. ...Unfortunately due to a misunderstanding with her Master Gatou she is completely unable to use this skill. If the location of battle is on Earth, or if her opponent is something or someone that originates from Earth, she would normally be able to activate this skill without penalty or limitation. However it seems that being on Moon Cell would restrict the length of time which this skill can be used for, as well as there being some opponents that her specs would be unable to exceed. 原初の一(アルテミット・ワン)【スキル】 白いバーサーカーのスキル。 星からのバックアップを受ける事で、敵対する相手より一段階上のスペックになるスキル。 ……なのだが、マスターであるガトーの勘違いでまったく機能していない。 舞台が地球である場合、相手が地球産のものである場合は何のペナルティもなく発動するが、ムーンセルでは使用時間の制限がかかり、また、上回れない規模の存在もでてくるようだ。

Unlimited Blade Works

[v] Fate/EXTRA material - Encyclopedia: Infinite Creation of Swords [Noble Phantasm], p.213

English Japanese Infinite Creation of Swords [Noble Phantasm] Archer's noble phantasm. A barren wasteland lined with a thousand blades. A great ritual deployed using eight lines of projection. A type of old world magecraft, called a reality marble, which manifests the internal world of the caster and writes it over the world for a small amount of time. All of the weapons Archer can project are there and in this space he doesn't have to project them from scratch, instead he can immediately pull out the weapons sticking out of the ground. In EXTRA, the conditions for where wrought iron is possible are boosted so projection of holy-sword class weaponry is possible, though their performance is inferior. Okay truth is, I was surprised to find that the staff in charge of the 3D had made animation for Excalibur being projected while I was looking the other way. Well it is new animation after all and there's no reason to reject it. So long as it's a degraded version, I guess it's okay. 無限の剣製【宝具】

Vasavi Shakti

[v] Fate/EXTRA material - Encyclopedia: Sun, Abide to Death [Noble Phantasm], p.161 [T]Translations by RHuot & Edited by gum, TMdict.com

English Japanese Sun, Abide to Death [Noble Phantasm] Vasavi Shakti. Launcher Karna’s anti-army Noble Phantasm. It is a spear made of lightning that will completely destroy anything in a single hit. It is the Hindu version of the Buster Launcher. In the game he goes around busting stuff up with this. Karna has no idea himself, but between his appearance, and the feathers that are scattered around when he uses this attack, he makes for quite the Visual Kei style Servant. 日輪よ、死に随ええ(したが)【宝具】 ヴァサヴィ・シャクティ。 ランチャーことカルナが持つ対軍宝具。 一撃のみの光槍で、雷光で出来た必滅の槍。 インド版バスターランチャーと思いねえ。 ゲーム中ではこの宝具を筆頭に、とにかく弾丸系を撃ちまくるカルナさん。本人はまつたく意図していないようだが、その格好といい、撃ち放つた後の翼がつていく演出といい、とことんヴィジュアル系のサーヴァントである。

Venus Statue

[v] Fate/EXTRA material - Encyclopedia: Venus Statue [Terrain], p.161-162

English Japanese Venus Statue [Terrain] These are the statues of young females that block the end area of each layer. They are the true form of the girls who have been transformed into Sentinels, and thus they are each part of the Labyrinth core. In the game they are called “relief.” The statues basically have the girls entrapped inside the walls. They are supposed to be “the border of the world” impervious to physical attacks. Even BB can’t enter the territory held inside them. BB assumed that even if the protagonist and company made it through Sakura Labyrinth, if they were blocked by these impenetrable statues, they wouldn’t be able to do anything. However, using the secret technique developed by Kiara, the protagonist was able to jump over the border into the statue interior, and so the invincible Sentinel System’s last line of defense fell. By the way, the massive avatars of the statues that are half buried in the wall are the result of being connected to BB’s expanded memory. It is needed in order to freely make modifications to the Sakura Labyrinth. Once you get inside the statue, defeat the Sentinel, clean their heart of contamination, and free them from BB’s control (by severing their connection to BB), they will return to their original size. Their name in the early designs was “Chocolate Veil.” The inside of the statue is somewhat different from the “relief” of a Servant’s inner-heart world, which is more like something deep rooted in one’s heart, an existence similar to the “shape of one’s soul.” ヴィーナス•スタチュー【地形】 各階層の最後に立ちふさがる少女像。 センチネル化した少女の本体にして、迷宮の核。 ゲーム内では”レリーフ”と呼ばれている。壁に囚われた少女、というコンセプトでデザインされた。 本来なら物理干渉では破壊できない”世界の果て”。 その内部はＢＢですら立ち入れない禁猟乙女領域。 サクラ迷宮をすり抜けたところで最後にこの壁がある以上、主人公たちが何をしようが無駄なあがきにすぎないとＢＢは想定していた。 しかし心の専門家であるキアラの秘術によって『内部に飛び降りる』などという離れ技が実行され、無敵のセンチネルシステムは攻略可能な防壁に格落ちしてしまった。 ちなみに壁に埋め込まれた肥大化アバターはＢＢからのメモリ増築の結果。迷宮を自在に変革するためにはあれだけの改造が必要という事だ。 スタチューの中でセンチネルを倒し、心の淀みを振り払い、ＢＢの支配から解放（接続を解除）されれば元の大きさに戻れる仕組み。 開発初期の名称はショコラヴェールだった。 一方、サーヴァントたちの心象世界にあるレリーフはこれとは違うもの。あれこそ深層にある”魂のカタチ”と思ってもらえばよい。

Violet

[v] Fate/EXTRA material - Encyclopedia: Violet [Alter Ego], p.160-161

English Japanese Violet [Alter Ego] One of the Sakura Five members that didn't make it into the game. The Alter Ego of purity. She's the eldest among the quintet, and...... looks....... to be in her mid-20s. She sports long hair and a tight uniform, and has this quiet intellectual feeling to her as the "mature Sakura." Because her role on the Far Side of the Moon is much like that of the Minister of Finance, BB entrusted her control over the world's liquidity resource (mana); she rules over the vault of a megabank. Unlike the other Alter Egos, she doesn't possess quite as unique id_es skills (fetishisms), but that being the case, the level of how sturdy her body is is frighteningly high. She gives more of an impression of being a Servant, rather than an Alter Ego. Her purity is one that takes the form of affection, and her motif being a desire to monopolize. Loving under a cold exterior, but still taciturn, cruel, and wanting nothing more than to be in complete dominance. She gave herself the simple name "Violet", further proof that compared to the other Alter Egos, she's not interested in playing games. Due to her being the Sakura of purity, her actions and words don't have a wide range of expression, but that's not to say she doesn't hold some interest for our protagonist. In fact, she wants to monopolize him, at the very least. What she seeks is "pure and proper companionship." You could say she's in charge of safeguarding morals on the Far Side. Her id_es skills are "Shackling Desire" and "Crack Ice/Andromeda." Though she has an urge to chain down both her companion and herself, she does her utmost to keep that urge hidden, but of course, it's already evident to everyone around her. I mean, come on, her weapon's a whip for God's sake! Crack Ice is a pair of mystic eyes that paralyze its target. Even space itself falls victim to these eyes of enchantment. Point is: it stops time. It was planned she'd switch over to the protagonists' side and protect all the masters until the end of the game as a "good Alter Ego." ヴァイオレット【アルターエゴ】 実現しなかったサクラファイブの一人。 純潔のアルターエゴ。 サクラフアイブの中では最年長……ニ十代中盤……の外観をしている。長い髪にタイトに戦闘服、寡黙で知的な雰囲気をもった『大人の桜』。 役割は月の裏側における財務省のようなもので、BBから世界の流動リソース(マナ)の管理を一任されている。巨大銀行、金庫の支配者。 他の工ゴたちのような奇怪なイデススキル(フェチズム)は持ち合わせていないが、固体としての完成度が極めて高い。アルターエゴというよりサーヴァントそのものの印象。 純潔であるが故に、愛着、独占欲がモチーフ。クーデレ。無口。冷酷。管理願望の化身。 自身につけた名称が単純に 「ヴァイォレット」 なのも、 他のアルターェゴに比べて遊び心がない証明。 純潔を表す桜なので扇情的な行動・発言はしないが、主人公に興味がないワケではない。むしろ独り占めしたい気持ちすらある。彼女が求めているのは『清く正しい交際』なのだ。月の裏側の風紀を守る委員長キヤラ、ヒ言えなくもない。 イデススキルは『束縛願望』と『クラツクアイス/アンドロメダ』。 鎖で相手/自分を束縛したい欲求を持っているが、それをひた隠しにしてぃる。無論、周りにはバレ〝ハレである。だって使ってる武器がムチ糸じゃん!. クラシクアイスは魔眼を用いた空間麻痺。対象はおろか空間すら魅了する魔の瞳。要は時間停止である。 最終的には主人公たちの味方になり、最後までマスターたちを守る『いいアルターエゴ』どして活躍する予定だった。

Virtual spiritrons

[v] Fate/EXTRA material - Encyclopedia: Virtual Spiritron [Circumstances], p.173

English Japanese Virtual Spiritrons [Circumstances] Once, there had been a miracle on the earth able to materialize the soul. That, however, was lost in the Great Collapse of the 70s. Since then, accepting their downfall, the magi incorporated the modern science they had once tabooed and gave the “soul” a new definition. It was “the location of where the conscious was being outputted”, the magical theory of virtual spiritrons. In the past, the conscious could only be manifested through the body. But the magi pinpointed the location of the “soul” and succeeded in outputting it to the new frontier, projecting it as an avatar in the cyber world. With this, the magi transferred themselves to the electronic world and became capable of more advanced information acquisition. After all, the soul was a higher dimensional energy body and it was quite superior as an information medium. With the announcement of this theory, networking technology if nothing else made significant strides in the new world. The military industrial complex in exchange for their real world weapons development being suspended devoted their resources in development of weapons that were in the cyber world. 疑似霊子【事柄】 ぎじりょうし。 かつて、地上には魂の物質化をはかる奇蹟があったという。しかしそれは1970年代の大崩壊で失われた。以後、自らの終わりを受け入れた魔術師たちは禁忌としていた近代科学を取り入れ、その終わりに、“魂”を新しく定義した。 それが魔術理論・疑似霊子と呼ばれる、“意識の出力先”である。 かつて、意識は肉体を通してしか発露できなかった。 しかし魔術師たちは“魂”の位置を測定し、その出力先を新しい天地───電脳空間の分身[アパター]として写し出す事に成功したのだ。 これによって魔術師は電子世界に己をそのまま転移させ、より高度な情報取得活動を可能とした。 もともと魂は高次元のエネルギー体であり、情報媒体としてもたいへん優れていたのである。 この理論の発表に伴い、新世界ではネットワ:ク技術だけが大きく進展した。 軍事産業は現実世界での兵器開発を凍結された代わりに、電脳世界において有効となる兵器開発にいそしむ事となった。

Virtual Spiritron Computer

[v] Fate/EXTRA material - Encyclopedia: Virtual Spiritron Computer [Circumstances], p.173

English Japanese Virtual Spiritron Computer [Circumstances] This is a super computer that was created using spiritrons made based on the Magic Theory of Virtual Spiritrons. It is a machine that uses spiritrons created from a soul defined as a machine. The use of spiritrons makes high speed computation possible. The Virtual Spiritron Computer is a parallel computation device that uses the soul (which resides in a higher dimension) as its axis to activate a “something” which lies in a parallel world. The first version of the Virtual Spiritron Computer was completed in 1980. Its processing power was so great that it even surpassed the expected processing power of a quantum computer that would finish being developed and built in 2030. (Quantum computer development was frozen by the West Europe Plutocracy in 1999) The United Nations led investigation unit first managed to infiltrate the Moon with the assistance of this Virtual Spiritron Computer. It stands to mention that if Moon Cell directly invites someone, if they accept its invitation they will be able to “fall” to the Moon even using a cheap cyber interface. …Despite what it sounds like, accepting Moon Cell’s invitation leads to participation in a death game where only the ultimate victor will be able to return alive. 疑似霊子コンピューター【事柄】 魔術理論・疑似霊子によって作られた霊子を使い、完成したスーパーコンピューター。 機械の魂を定義し、その霊子を用いて高速演算を可能とする装置。 高次元にある魂を主軸にした、並行世界にある“もの”を動員しての並行並列演算装置。 初期型の完成は1980年。 その演算能力は2030年に完成予定とされていた量子コンピューターと同規模が、これを上回るという。 （量子コンピューターそのものは西欧財閥によって1999年に開発を凍結凍結させられている） 国連主導の探査機……人類側からの月への侵入はこの疑似霊子コンピューターのバックアップがあってはじめて成功した。 また、ムーンセルから直接招かれる場合は別で、当事者が賛同すれば安価なインターフェイスでも月に『落ちる』事が可能である。 ……もっとも。その先にあるものは、勝者以外は生還できないデスゲームであるのだが。

Western Europe Plutocracy

[v] Fate/EXTRA material - Encyclopedia: Western Europe Plutocracy [Organization], p.191-192

English Japanese Western Europe Plutocracy [Organization] The economic organization headed by Harwey. Harwey is effectively the king on Earth in EXTRA. At a very early stage Harwey predicted that the world’s resources would run dry, and developed an unsuitably large fear of what might happen. He came up with the solution of carefully managing the north pole, and gave his undivided attention to it. The foundation of his organization had a lot of religious power, and it’s speculated that the Holy Church helped him out because a huge amount of financial resources soon gathered under Harvey. The defacto leader of the Holy Church in the world of EXTRA, Cardinal Laurentis, does have a good relationship with Harwey. 西欧財閥【組織】 ハーウェイを筆頭にした経済団体。 EXTRA世界における地上の王。 来るべき資源枯渇を早い段階から予見、杞憂し、その解決策として北極の管理に専心していた。 その基盤には強い信仰の力があり、ハーウェイの下に多くの資産が集まった理由として、聖堂教会の助けがあったと言われている。 この時代における聖堂教会の事実上の指導者、ラウレンティス枢機卿とハーウェイは懇意の関係にある。

Women's honorific title

[v] Fate/EXTRA material - Encyclopedia: Women's honorific title [Other], p.188
English Japanese Women's honorific title [Other] 女性敬称【その他】

Women's tale

[v] Fate/EXTRA material - Encyclopedia: Women's tale [Other], p.167
English Japanese Women's tale [Other] 女の語【その他】

World situation

[v] Fate/EXTRA material - Encyclopedia: World situation [Circumstances], p.195

English Japanese World situation [Circumstances] On the surface it is a calm and gentle world, But it is in fact a world that is facing its final curtain call. Starting with the Great Collapse (the pole shift) that occurred in 1970, human civilization declined due to a sudden lack of resources, coupled with the reduction of industrial production, a continuous stream of nations faced bankruptcy and failure. Compounded with the effects of the Great Collapse, numerous biohazard zones caused by natural disasters appeared, and by the year 2000 the population of the Earth was only two-thirds of what it once was. Oil was mostly exhausted, and its use became regulated. With this the Arab oil countries lost the power they once held. Mankind turned to develop a new energy frontier: the North Pole. However the rights to the North Pole were mostly held by the West Europe Plutocracy (Harwey’s Plutocracy), and the Plutocracy came to be the defacto owners of 30% of the world. The West Europe Plutocracy did not act like a cruel dictatorship, and declared to all that it would manage and distribute the remaining resources to ensure the survival of mankind, so they helped not only Europe but everyone around the world. The Plutocracy ushered in a new era of city-nations and strove to promote universal acceptance of refugees regardless of race. Under the direction of the West Europe Plutocracy, cities around the world created an ideal system of city management which eliminated most poverty and strife. The result: advanced technology became focused in the western part of the Eurasian continent. Countries that were suffocating from poverty were given resource assistance, and the Plutocracy continued to expand its umbrella of influence. This is when Harwey, as head of the Plutocracy, effectively gained enough power to be considered the ruler of the world. Alongside its management of cities, the Plutocracy also put a freeze on all space-related technology development. Proclaiming, “Mankind has no need for further technological advancement in this area.” the Plutocracy aimed to refine and regulate the management of society. Meanwhile hostilities between West Europe and Islam intensified, and there was endless conflict. Islamic countries blamed their downfall on the “machine-like management of cities and resources” and prepared to relentlessly fight back against the factions of West Europe. However, the Islamic countries were losing their identity as nations, and were unable to continue fighting back properly, so they were resigned to just using guerrilla warfare. It is said that the Islamic resistance will be driven back and defeated in about 5 years.