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Entries from in-game in Fate/EXTRA, Fate/EXTRA CCC, and Fate/EXTRA CCC Fox Tail.

Servant Matrices[]

Archer (Green)[]

[v] Fate/EXTRA - Robin Hood (Archer) Matrix [T]

Class: Archer
Master: Dan Blackmore
True Name: Robin Hood
Noble Phantasm: Yew Bow: Holy Bow of Supplication
Keyword: Sherwood Forest, Faceless King
Strength: C, Defense: C, Agility: B, Magic: B, Luck: B
Anti-Magic: D, Independence: A+, Subversion: EX

Kewords

01 - Yew Bow: Holy Bow of Supplication
The wood used to make the yew bow wielded by this Servant was taken from a specific tree located in the forest he used as his base of operations. It has the power to identify and amplify any impurities (both physical and mental), causing them to explode with incredible force.

Yew trees have many mystical and religious connotations attributed to them by Celtic beliefs, and the act of making bow from the wood of a yew was seen a contract to "become one with the forest." It was also believed the yew trees served as a signpost for the deceased to guide them to the afterlife. It was this connection between the yew and death that caused this Servant to remark that he wanted to be buried where his final arrow fell. To nobody's surprise, it landed at the foot of the yew tree where he first got the wood to make his bow.

02 - Sherwood Forest
In the distant past, it was the forest said to be the place where a famous chivalrous thief fought against the tyrant John, Richard the Lionheart's younger brother and ruler in absentia while Richard was away on the Crusades. It is also a forest that, according to Druid beliefs, is where fairies dwell.

03 - Faceless King
A king without form who, according to the Celtic tradition, appears in the May Day Festival that follows the Festival of Beltane. He is also seen as a personification of nature who used copious amounts of green and brown in his clothing in order to completely blend in with his surroundings.

01 - 祈りの弓(イー・バウ)
このサーヴァントが拠点とした森にある、イチイの木から作った弓。
標的が腹に溜め込んでいる不浄を瞬間的に増幅・流出させる力を持つ。
対称が毒を帯びているなら、その毒を火薬のように爆発させるのである。

イチイはケルト、北欧における聖なる樹木の一種であり、かの森のイチイから弓を作るという行為は「この森と一体である」という儀式を意味する。
また、イチイは冥界に通じる樹とされる。
このサーヴァンはその特性を知ってか、末期の時には「自分をこの矢が落ちた場所に埋葬して欲しい」と言って矢を放った。
矢は果たしてイチイの木の根元に刺さり、彼は望み通り、親愛なるパートナーだった大樹の元に埋葬されたという。

02 - シャーウッドの森
かつて、暴君ジョン失地王に抵抗したある義賊が活躍した森。
ドルイド信仰に満ちた、精霊の宿る森。

03 - 顔のない王
ケルトの習慣であるベルティーン祭を受け継いだ五月祭(メーデー)に現れる、透明の王。森の人。
彼は緑色の異象に茶色のアクセントをつけた、姿の見えない自然の化身とされた。

Skills

Anti-Magic [D]
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.

Independence [A+]
This ability allows him to remain independent by rejecting any kind of support from his Master.
When this skill reaches rank A, he can remain in the world for a full week, even if his Master were to be defeated.

Subversion [A]
This skill allows one to seriously reduce their enemy's might before facing them in battle.
It is an ability used by those who mastered the art of setting traps.
Upon achieving an A rank in this skill, one can disable almost 60% of their enemy's forces before they get the chance to advance.
However, the higher the ranking of this skill, the lower one's reputation as a hero becomes.

対魔力[D]
一工程(シングルアクション)による魔術行使を無効化する。
魔力除けのアミュレット程度の対魔力。

単独行動[A]
マスターからの魔力供給を断っても自立できる能力。
ランクAならば、マスターを失っても一週間は現界可能。

破壊工作[A]
戦闘を行う前、準備段階で相手の戦力をそぎ落とす才能。
トラップの達人。
ランクAならば、相手が進軍してくる前に六割近い兵力を戦闘不能に追い込むことも可能。
ただし、このスキルが高ければ高いほど英雄としての霊格は低下していく。

Details

01 - Character Background
While the origins of the legend of the chivalrous thief who dwelt in the Sherwood Forest are a subject of consent and spirited debate, it is generally acknowledged that there was an actual person who held the name Robin Hood and that he died at the hands of his aunt, the prioress of Kirklees, who is believed to have bleed him to death in his guise of administering aid for his wounds. However, many of the exploits attributed to him are a curious amalgamation of Celtic, Greek, and Druid mythologies.

One of the persistent of the Robin Hood legends identifies him as a faceless hero who was born from the prayers of the British Isles. Weary of the seemingly endless incursions and invasions of their country, they asked the heavens for someone to fight off the foreign invaders. A concurrent legend pegs Robin Hood as a representation of the "Green Man", a spirit of the woods who would carry out the actions and deeds that the common layperson could not. It was this belief that transformed the name into a title assumed by a number of nameless, faceless heroes who took up the mantle of protecting the people.

Those who assume the identity of Robin Hood tend to be very conflicted young men. Incredibly virtuous and honorable, yet always working out of the shadows like an assassin or thief , there seems to be slight tinge of cowardice to their makeup. To cover the self-loathing that also seems to be part of every Robin Hood's personality, they all uniformly adopt a somewhat combative and derisive attitude. And though every person to adopt the Robin Hood persona truly values life above all else, they have little appreciations for their own.

Like the original Robin Hood, he is under the protection of the fairies and is well-versed in the archaic lore of the Druids. And like all "defender of the forest" his knowledge of naturally occurring medicines and poisons is seconds to none.

02 - "Robin Hood"
Just one of the many young men to take up the title, this particular incarnation was a virtual outcast, living on the fringes of the village located near the spot where his parents had died. Almost against his will, he was caught up in a battle to repel and attack by a nearby lord's army and successfully led those who fought by his side to victory. As he never identified himself during the course of the fight, he was referred to as the mythical "Green Man" by the villagers he had helped save.

The only child of a wandering Druid, he was orphaned at a very young age when both of his parents died suddenly. As the son of a Druid, he instinctively knew how to survive in the forest and was able to communicate with the spirits known as fairies. It was this ability that made him an outcast in his village, as the villagers were suspicious of his powers and accused him of being possessed. Although the villagers held no love for him, nor he for them, he felt obligated to help them in any way he could.

With his successes against the tyranny of the local lords to spur him on and the hopes and wishes of the villagers pinned to his deeds, he took up the bow and mantle and became the latest incarnation of Robin Hood. And like those who came before him, he dresses in clothes of Lincoln green, armed himself with a bow of yew and surrounded his identity and true self for the good of others.

However, no good deed goes unpunished, and the villagers quickly turned on him in hopes of channeling the anger of the local nobility away from themselves and on to this mysterious rogue who rampaged through the forest, claiming that they had no knowledge of who he was nor did they ever claim to be thankful for his help in preserving the village. Even though the people he vowed to help turned on him, he continued to protect and assist them from the shadows. With every poisoning, every ambush, his reputation as a coward and criminal grew, despite his honorable intentions.

After two years of almost constant fighting, he was eventually betrayed and assassinated by one of the local lords whose ire he had raised. It was this young man, who fought so that others could lead the quiet life he dreamed of, that joined the ranks of Legendary Souls found worthy in the Holy Grail Wars.

01 - 人物背景:
大本の伝説は、シャーウッドの森に潜む義賊から。
オリジナルのロビンフッドは暴君ジョン失地王に抵抗したが、カークリースの修道院にて修道院長の陰謀によって出血多量で死亡したとされる。

ギリシャ神話のオリオンとケルト神話の妖精たち、そしてドルイド信仰とが融合して誕生した義賊。
モデルとなる人物は存在するが、それが複数混合した結果と思われる。

              ◆

ロビンフッドはもともと、度重なる諸外国からの侵入を受けたイギリス人たちの「祈り」から生まれた顔のない英雄である。
 古代ヨーロッパに登場する森の人グリーンマンの化身として考えられるのは、彼が民衆が生んだ“願望”であることを示唆している。
その時代にいた小さな英雄が、人々の願いを受けて顔のある英雄・ロビンフッドの名を襲名していた。
このアーチャーも、そんな“英雄を襲名した”名も無き狙撃手の一人である。

善良で、やや小心もの。
正義にこだわる青臭い自分を隠すため、不真面目な素振りをしている。
死よりも生を尊重し、生き抜いた末に温かいものが残ればいい、と考えているようだ。
もっとも、それらは彼の人生で手に入れる事がなかったものなので「そんなものは夢物語みたいなもんだ」と肩をすくめるだけであるが。

オリジナルのロビンフッドと同様、精霊の加護を持ち、ドルイド僧としての知識を持つ。
このアーチャーが自然界の毒に精通しているのは、彼が優れた“森の守り手”である証拠だろう。

02 - 『ロビンフッド』
このロビンフッドは、数ある“ロビンフッド”たちの一人にすぎない。
もともとは村の厄介者、村はずれに住む天涯孤独の青年だった。
彼はひょんな事から領主の軍隊に関わり、成り行きでこれを撃退してしまう。
その後、正体を隠して戦う内に「緑の人」として扱われる事になった。

              ◆

もともとは放浪していたドルイド僧の子供で、幼くして父を亡くした孤児である。
森の知識はドルイド僧であった父譲りで、森でのサバイバルに長け、また、村人には見る事のできない森の妖精とも交友があった。
(その為、妖精付きとして村人に迫害を受けていたのだが)
村人は孤児である彼を受け入れず、彼も村人に歩み寄る事はなかった。
が、それでも、父の最後を看取ってもらった義理を感じていたらしい。

……彼は村人たちを愛してはいないが、捨て去るほど、嫌ってもいなかったのだ。

そんな中、激化していく領主の圧政に苦しむ村を見捨てられず、若さ故の勢いで弓を手に取った。
はじめは偶然に助けられて領主軍を撃退。
二度目からは、村人たちの願い、希望を背中に感じての奮戦となった。
……ただし、その顔と姿を緑の衣で隠したままで。
多少の知識はあれ、彼は一般人にすぎない。
偽りであれ英雄として機能する為には、何もかもを欺かなければならなかったのだ。

              ◆

村の部外者であった彼は、ロビンフッドになる事で村の英雄となるが、同時に日夜過酷な戦いを強いられる事になった。
森に罠を張り、生涯に渡りフードで素顔を隠し、村人にさえ素性は明かさない。

“正義である為に、人間としての個を殺す”

彼もまた、そういった無銘の英雄の一人だった。

村人たちは王に逆らいながらも、保身の為、王に弁明する。
“ロビンフッドは村の人間ではない”
“我々とは無関係に、森を通る人間を襲うのです”
“全ての責任は、あの狩人にある―――”
このように、ロビンフッドを村と領主、共通の害敵にすれば、村人たちは罪に問われない。
それでも、彼は村の為に戦い続けた。

              ◆

彼は村を守り続けたが、たった一人の青年に英雄の真似事ができようはずもなく、ロビンフッドとして活躍してから二年足らずで敵の凶弾に倒れた。
この青年は、その死をもってロビンフッドとして英霊化した姿である。

正体を隠し、徹底して奇襲・奇策に走った彼の生涯は、卑怯者とそしられるものだった。
なにしろ一人対軍隊の戦いである。
待ち伏せの罠、食事に毒など日常茶飯事。
殺した兵士たちの「せめて戦いの中で死にたい」といった願いすら踏みにじった。

彼は武器を隠し、誇りを隠し、自らの素顔さえ隠した。
そうでなければ勝ち続けられなかった。
そうでなければ、村人が望む“英雄”を維持できなかった。

彼は卑しい戦いを徹底した。
自身の誇りよりも村の平和をとり続けた。
その果てに無名のまま、酬われることなく土に還った。

……己の顔を隠し続けた一人の青年。
村人たちを愛しはしなかったが、村人たちの穏やかな生活を愛したもの。
ただの一度も英雄として戦えなかった彼が、死の淵で本当に望んだものは―――

Archer (Red)[]

[v] Fate/EXTRA - No Name (Archer) Matrix [T]

Class: Archer
Master: Player
True Name: No Name
Noble Phantasm: Unlimited Blade Works: Universe of Endless Blades
Keyword: Kansho and Bakuya
Strength: -, Defense: -, Agility: -, Magic: -, Luck: -
Anti-Magic: D, Independence: C, False Insight: B

Kewords

01 - Unlimited Blade Works: Universe of Endless Blades
This Noble Phantasm is not used directly wielded as a weapon. Rather, it is a powerful reality marble that focuses one's inner being and projects it onto the real world. The reality that this particular skill creates is that of a magus who devoted their life to mastering the art of the sword, and makes available to the user every sword-type weapon ever encountered by that magus in their lifetime.

02 - Kansho and Bakuya
A set of matched swords favored by Archer. Although extremely lethal, their mystical aspects make them useful for ceremonial and divination rituals. They are thought to have created in the Spring and Autumn period of Chinese history by the master smith Gan jiang.

03 - Hero of Black Metal
This is the title given to the one who in a previous life was involved in the development and manufacture of many different types of weaponry.
It hints at the fact that in his previous life, this Archer was more of a craftsman than a warrior.

01 - 無限の剣製(アンリミテッド・ブレイドワークス)
武器ではなく一つの魔術、固有結界の名称である。
固有結界とは術者の心象世界を具現化し、一時的にせよ現実を書き換える魔術の総称。

固有結界は大禁呪と言われる特別な魔術であり、修得している者は極めて少ない
“無限の剣製”は剣を鍛える事に特化した魔術師が生涯をかけて辿り着いた一つの極地である。
この固有結界には彼が視た“剣”の概念を持つ兵器、そのすべてが蓄積されている。

02 - 干将・莫耶(かんしょう ばくや)
アーチャーが愛用する一対の夫婦(めおと)剣。
剣としての性能も高いが、巫術、式典用の魔術兵装としての側面も持つ。
中国は春秋時代、呉にて名を馳せた名工・干将の作の贋作らしい。

03 - 錬鉄の英雄
生前、多くの武器に携わり、これを鍛え、多くの剣士・戦士を輩出した者に与えられる称号。
このアーチャーは生前、戦いではなく製造に適した人間であった証だろう。

Skills

Anti-Magic [D]
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.

Independence [C]
This ability allows him to remain independent by rejecting any kind of support from his Master. When this skill reaches rank C, he can remain in the world for a single day without establishing a contract with a Master.

False Insight [B]
Bestows a heightened sense of awareness honed and refined through experience. Makes one capable of making claim and rational decisions on the field of battle regardless of the surrounding dangers.

対魔力[D]
一工程(シングルアクション)による魔術行使を無効化する。
魔力除けのアミュレット程度の対魔力。

単独行動[C]
マスターからの魔力供給を断っても自立できる能力。
ランクCなら、マスターを失っても一日の間、現界可能。

心眼(偽)[B]
修行・鍛錬によって培った洞察力。
窮地において自身の状況と敵の能力を冷静に把握し、その場で残された活路を導き出す戦闘論理。

Details

01 - Character Background
A hero without a name. A fictional Legendary Soul. A fake.

The remnants of a person who spent his human life in the pursuit of justice. While the man who spawned this Legendary Soul was once a real, living being, the slow passage of time has completely erased his entire existence from the records of human history.

The weapons he uses in battle are not technically real, but are created using thaumaturgy technique known as Projection. All of the weapons at his disposal are simply manifestations of those he sees in his mind's eye and then materializes in the real world.

02 - "Ally of Justice"
In his mortal life, Archer was a magus who barely deserved the title, although he was a Master in a previous Holy Grail War. While not even remotely in the same league as Rin Tousaka, he did possess Magic Circuits capable of a single function.

While many people prate about the justice and equality, he actually went out of his way to be an "Ally of Justice", often at the expense of his own freedom. When faced with a potential disaster that was beyond his power to prevent, he willingly sold his soul to the Moon Cell in return for a miracle. Now, instead of playing the part of the hero, he willing plays that of a Servant instead.

As for the human he once was, no traces of that person exist. Instead, he is now the personification of what most people would imagine one who holds the title of "Ally of Justice" to be.

01 - 人物背景:
名前のない英雄。架空の英霊。
フェイカー。
生前、正義の体現者として人生を費やした者の末路。
この英霊の元になった人物は確かに存在するが、彼が英雄として祀られた時点でその人間の名前は人々の記憶、歴史から忘れ去られている。

彼が使用する武器は投影と呼ばれる魔術で作られたもの。
手にした剣も、スキルによって生み出す剣も、オリジナルを基本骨子から解析・再現したまがい物である。

02 - 『正義の味方』
生前は聖杯戦争に参加したマスターたちと同じように、一介の魔術師だった。
遠坂凛のような万能性はないが、一つの事柄に特化した魔術回路を持っていた、らしい。

多くの人々が夢見る“正義の味方”を実践していたが、自分の力だけでは解決できない災害と向き合った時、奇跡の代償として『死後の自分』をムーンセルに売り渡した。
結果、英雄ではないサーヴァントとして、死後こうして“正義の味方”の概念として使役されている。

元になった人間、そういった過去を歩んだ人物はいるが、もはやそれは個人ではない。
この英霊は大衆が望む都合のいい「正義の味方」のカタチが、人のカタチで起動したものである。

Assassin[]

[v] Fate/EXTRA - Li Shuwen (Assassin) Matrix [T]

Class: Assassin
Master: Julius Harway
True Name: Li Shuwen
Noble Phantasm: No Second Strike
Keyword: A second strike isn't needed, Obfuscation
Strength: B, Defense: C, Agility: A, Magic: E, Luck: E
Obfuscation: -, Liuhe Quan: A+++, Concealment: A

Kewords

01 - No Second Strike
Li Shuwen's blows are almost always fatal, whether he throws a hard blow designed to kill or a simple feint to draw his opponent into an attack. A saying that has managed to survive the passing of years is, "For Li Shuwen, a second strike is needless." It is this saying from which his Noble Phantasm get its name.

To be accurate, this isn't a Noble Phantasm in the traditional sense of term. Rather, it is the ultimate expressions of the true power possible by mastering the martial arts. Li Shuwen is considered to be one of the very few to have gained total mastery over his style, and in fact was believed to have transcended the need for physical attacks, instead defeating his opponents by engulfing them in Chi.

There is much debate as to whether Li Shuwen actually uses his Chi to defeat his opponents, although the very few who have managed to survive a confrontation with him report suffering all of the effects associated with this attack, such as obscured senses, heightened state of paranoia, and the feeling that their nervous system was under almost unendurable strain.

02 - A second strike isn't needed
This was the second name given to one of the strongest practitioners of kung fu in Bajiquan history. Considered to be the ultimate master of Bajiquan, it is said that this person was able to take the life of his opponents with a single gentle touch.

03 - Obfuscation
A skill used to completely conceal one's presence.

Although this ability allows the user to become almost completely invisible, the sheer amount of magical energy required almost screams out that some form of thaumaturgy is being used. Should this person's opponent be a skilled magus, their presence would be noticeable in some extrasensory fashion.

There is a way to achieve this state of being without the use of any kind of magical aid and using only the abilities inherent within one's own physical form, but the level of concentration required is far beyond what humans are capable of.

01 - 无二打
李書文の剛打は、牽制やフェイントの為に放ったはずの一撃ですら敵の命を奪うに足るものであった。
「李書文に二の打ち要らず(神槍无二打)」
无二打は、そんな彼の称号がカタチになったものである。

明確に言うと宝具ではなく、武術の真髄。
李書文は達人であり、その勁力が優れているのは言うまでもないが、それ以上に重要なのが相手を「気で呑む」事を実践していたことにあると考えられる。
一説によると、李書文は拳の破壊力だけで相手を倒してはいないらしい。
彼によって絶命せしめられた者たちのほとんどは内臓の破壊ではなく、現在で言うところのショック死状態であったと伝えられる。

「気で呑む」技法は、技法としては固定された名称がなく、わずかに仙道修行の周天行における空周天に酷似した発想があるのみである。
周天行とは気(エネルギー)を心身に巡らせ、それによって全身を活性化した上で気を共鳴・増幅して養っていく鍛錬法の一種。
そのひとつの到達点が全身を気で満たすものであり、また、周囲の空間に自身の気を満たす事にある。

李書文はこの行法によって相手を「気で呑む」、つまり自身の気で満ちた空間を形成することで完全に自分のテリトリーを作っていたのではないか、と考察される。
「気で呑まれた者」は、一部の感覚が眩惑され、緊張状態となり、この状態で相手の神経に直接衝撃を打ち込んだ場合、迷走神経反射によって心臓は停止する。

即ち、ショック死である。

02 - 二の打ち要らず
中国拳法史上、最強の一人と名高い拳法家に贈られた二つ名。
この称号を贈られた拳法家は八極拳の使い手であり、仕合において、どのような軽い手であれ、触れれば相手の命を奪ったという。

03 - 気配遮断
姿を隠して行動するスキル。
その究極として透明化があるが、これは多大な魔力を使用するため“魔術が使われている”気配を残してしまう。
よって、敵対者が優れた術者である場合、
「姿は見えないが何者かが細工をしている」
と感知されてしまうのだ。

魔術にたよらず、自らの体術のみで行う透明化。
それはもはや人間の域とは呼べない魔技である。

Skills

Obfuscation [-]
While a common skill of all Servants of the Assassin Class, the level to which he is able to almost completely obscure his presence goes far above the limits normally associated with this ability.

Liuhe Quan [A+++]
A Chinese meditiative ideal. It is a belief that true mastery of martial arts comes not through training, but acceptance. As this technique is extremely difficult to understand, let alone master, it is only when achieving the rank A that one is thought to have actually begun to learn. Those with ranks exceeding A are considered true masters of the arts.

Concealment [A]
A technique in which one uses their Chi to blend in with the whole of their surroundings. For masters of the ability, it is possible for them to truly become one with the world and have their very forms seem to become invisible.

気配遮断[-]:
アサシンのクラスが持つ共通のスキルだが、このサーヴァントが持つ気配遮断スキルはそれらのどれにも該当しない。

中国武術[A+++]:
中華の合理。宇宙と一体になることを目的とした武術をどれほど極めたかの値。拾得の難易度は最高レベルで、ほかのスキルとは違い、Aでようやく"修得した"と言えるレベル。+++となれば達人中の達人。

圏境[A]:
気を使い、周囲の状況を感知し、また、自らの存在を消失させる技法。極めたものは天地と合一し、その姿を自然に透けこませる事すら可能となる。

Details

01 - Character Background
Li Shuwen (1864-1934)

A Chinese martial arts master from Yanshan County, Hebei-Cangzhou. One of the foremost practitioners of the style of the style known as Bajiquan, he was so powerful that many remarked that with him, "a second strike is needless as long a single blow will suffice."

In addition to his skills in hand-to-hand combat, he was also supremely talented in the use of the spear, so much so that he earned the name "Divine Spear Li." His occasional us of this weapon sometimes causes his opponents to mistakenly classify him as a Lancer. While this wouldn't normally be entirely incorrect, due to his Master's desire for a stealthy Servant capable of killing from the shadows, the traits more associated with the Assassin class have come to the fore.

On a final note, since his ability to become invisible is based on his natural abilities and not on any form of thaumaturgy, he is all but undetectable to the vast majority of magi or anyone dependent on magic.

02 - "Master of the Demonic Fist"
Li Shuwen, Master of the Demon Fist.

One of the few undisputed masters of martial arts, he maintains a delicate balance between the innate goodness and inherent evil found in all men. He fell victim to poison after earning the undying hatred of the countless families of those he had killed.

As a Servant, the balance he maintained in life has slipped slightly, but he still values rationality greatly. While he does not see much difference between good and evil, he will react with disgust and utter contempt for those who stray from rational thinking. And for those who allow what Christians call "The Seven Deadly Sins" to overwhelm their lives, he brings swift and inevitable death.

Although he was known as a deadly fighter throughout his life, in his later years he discovered that true power lay not in the strength of his fists, but in the strength of his convictions. He spent the remainder of his life following valor, not violence.

He freely acknowledge that in his current incarnation he is nothing more than a professional killer, but does so without bitterness or regret. And although he uses his power as Julius directs, could it be that...?

01 - 人物背景:
李書文。1864~1934年。
河北省滄州市塩山県出身の中国武術家。
「二の打ち要らず、一つあれば事足りる」と謳われる、中国拳法史上、有数の拳法家。

李氏八極門の祖である李書文は、“神槍李”とあだ名されるほど槍に長けた人物であったとされている。
彼の使った六合大槍は、八極門の基本的な武器であり、極論して良いならば八極門の素手の技法(八極拳)のほとんどはこの六合大槍の技法を学ぶための前段階に過ぎないとさえいえる。
本来なら彼のクラスはランサーだが、その場合、晩年の姿として現れる。
マスターであるユリウスとの相性から若く猛々しい李書文が望まれ、アサシンとして現れたと思われる。

また、余談ではあるが彼の透明化は圏境による瞑想の極意である。
何の魔術も使わない透明化である為、魔術理論に生きる者たちにとっては“絶対に感知できない”達人の技だ。
……加えて余談ではあるが、かつて地上には李書文同様、何の魔術も使わず人の業のみで分身を自在とした剣士がいたらしい。
その秘剣の名は燕返し。
奇しくも、アサシンのクラスによる魔技であった。

02 - 『魔拳士』
魔拳士・李書文。
基本、義を通す善性だが、悪もまた良しとする武芸者。
あまりに多くの対手を殺めた事で多くの憎しみを買い、最後は毒を盛られて命を終えたという。

              ◆

サーヴァントとしての書文はその道徳性こと一般常識から逸脱していたが、人間性そのものは合理性を重んじる“良識人”である。

正義も悪もそう大差はないが、某(なにがし)の行いが合理に損なっている…無駄が多い…のなら、某(なにがし)に対して露骨な嫌悪を向けるのである。
この某(なにがし)が巨利をむさぼる悪党であった場合、そして某(なにがし)の被害にあっている者からの懇願があった場合、李書文は“縁が出来たな”として某(なにがし)と対峙し、結果として殺害する。

一見、義侠の徒に見える行為だが、中華における義侠とは『情をもって剣を取る』なので、彼の考えは真逆にあたる。李書文の性格、合理性はむしろ現代人のそれに近いものだったようだ。

単純に(純粋に、ではない)強さのみを求めた李書文だが、晩年は暴力の強さではなく、自身の生き方、信念の強さに武を見いだしたと言われる。

自身を拳法家というより殺し屋のたぐいと自認しているが、それを卑下する事も、誇る事もない。
生前は善(よ)く学び、善(よ)く戦い、善(よ)く殺めたので、無念や怨念はまったく持っていない。
サーヴァントとして召還されてからは主であるユリウスの暗器として、ためらいなくその凶拳を振るったが……?

BB[]

[v] Fate/EXTRA CCC - BB (Moon Cancer) Matrix

Class: Moon Cancer
Name: BB
Master: None
Noble Phantasm: Cursed Cutting Crater (C. C. C.)
Keyword: Advanced level AI, khakkhara of domination
Strength: ★, Endurance: ★, Agility: ★, Magic: ★, Luck: ★
Golden Grail: EX, Self-Modification: EX, Potnia Theron: EX

Keywords

Cursed Cutting Crater (C. C. C.)
An attack on the world by BB in control of the Moon Cell.
Also called the spiritron imaginary pit.
A world purge by means of event rewriting, making maximum use of the EX skill “Potnia Theron” BB had acquired.
The goddess who is the mother of the earth goddesses who created the earth is, in other words, the “root” that created all creation.
This Noble Phantasm is an anti-world Noble Phantasm that outputs information like an ultra-precise 3d printer and crushes the present world with the world desired by the user.
The space eroded by BB becomes imaginary space and a curse that consumes reality. CCC as the name suggests is a cursed pit that bores out reality.
In addition to scattering all objects inside on an atomic level and reconstructing them, it is capable of writing over and rewriting information of fields such as luck and coincidence.
While theoretical, it is also thought possible to distort the time axis by interfering with gravity fields and rewrite the law of cause and effect.
When used in combat, BB’s familiars, the shapeshifters engulf the target, and after turning into a sphere, is wiped out of existence along with the target and the dimension with it.
Normally, a structure in which value can be shared cannot be constructed in the far side of the world, which is imaginary space. What established BB’s internal world as the Sakura labyrinth was the power of this Noble Phantasm.

Advanced Level AI
An artificial intelligence configured according to their program. In this age, they are treated as things that "function as programs," but "do not exist as actual beings." In other words, things that "are" right in front of your eyes but "are not." They are merely a mechanisms for the sake of allowing human lives to progress smoothly.
As it is the same for the SE.RA.PH, they are virtual lifeforms that are created along with the commencement of the Holy Grail War and disposed along with its completion.
Within the SE.RA.PH. the humanoid virtual lifeforms are: the NPCs that perform only one task, AIs who have been granted the capability for self-judgement, and the advanced level AIs who have been trusted with the capability for self-judgement ad the management of a section.
Advanced level AIs are things created to efficiently promote the Moon Cell's primary objective of "human observation." As they are perfect reproductions of humans, they have been programmed with a at least a soul, but while the soul "is there," it is contents are still colorless.
The virtual lifeforms that the SE.RA.PH creates are reset with the round of the Holy Grail War. The NPCs and AIs return to zero, while advanced level AIs retain just their persona and their memories are reset--made to pretend that they never existed.
When the Holy Grail War is over, the one who is left alive is the Master standing at the summit. This is a fact that applies not just to the Masters but is also held in common by the virtual lifeforms that the SE.RA.PH created.
It appears that BB is an advanced level AI entrusted with managing the health of the Masters, the same as Sakura. However, as she is now rampaging for reasons unknown, the methods she uses to "manage the Masters" have become extreme.

Khakkhara of Domination
The teacher's pointer that BB carries. A device that allows her to use her use her authority as an advanced level AI to its fullest. Although restricted to the far side of the moon, this allows BB to revise the spiritron laws(game rules) within the SE.RA.PH.
The ten crowns of domination worn by the Beast of Babylon converted into a teacher's cane. This is the male principle responding to the female principle of the seven-headed beast; it's true nature is a phallus (an erect rod).
The symbol of the king of the world who was granted power and authority by a great dragon and, during a period of 42 months, spat as many insolent words as they desired and had received the right to desecrate all things.
The beast's heads were the seven hills of the Roman Empire... Capitolium, Palatium, Aventinus, Esquilinus, Caelius, Quirinalis, Viminalis. In other words, they symbolized the Roman Empire itself, and the ten horns were symbols of the emperors... Augustus, Tiberius, Caligula, Claudius, Nero, Vespasianus, Titus, Galba, Otho, Vitellius.

01 - C. C. C.(カースド・カッティング・クレーター)
ムーンセルを掌握したBBによる、世界を犯す攻撃。
霊子虚構陥穽とも。

BBが獲得したEXスキル『百獣受胎(ポトニア・テローン)』を最大限に活用した、事象書き換えによるワールド・パージ。

大地を創造した地母神たちの母にあたる女神とは、即ち、万物を生み出した「根源」である。
この宝具はその情報を超精密立体プリンターとして出力し、使用者の望むままの世界で、いまある世界を握りつぶす対界宝具である。

BBに侵食された空間は虚数空間となり、現実を蝕む呪いとなる。『C.C.C.』はその名の通り、現実をえぐり切り取る呪いの大穴なのだ。


その場にある物体を原子単位までばらばらにして再構成する他、運不運、偶然といった場の情報を書き換えて再出力する事もできる。
理論上の話になるが、重力場に干渉すれば時間軸を歪めて因果律を書き換える事も可能とされる。

             ◆

戦闘に使用した場合、BBの使い魔であるシェイプシフターが対象を包み、球体化したのち、対象と共に次元ごと消滅する。

本来、虚数空間である月の裏側において、価値観を共有できる構造体は創造できない。
BBの心象世界をサクラ迷宮として成立させていたのも、この宝具の力である。

02 - 上級AI
プログラムによって構成された人工知能。
この時代では『プログラムとして機能しているが』
『存在として成立しないもの』とされている。
つまり、目の前に『有る』が『無い』もの。
人間の生活をスムーズに進めるための機構にすぎない。

それはSE.RA.PHにおいても同様で、彼らは聖杯戦争開始と共に作られ、終了と共に廃棄される仮想生命体とされる。

SE.RA.PHにおける人間型の仮想生命は、単一の目的だけをこなすNPC、自己判断資格を与えられたAI、自己判断資格とセクション管理を任された上級AIがある。

上級AIはムーンセルの主目的である『人間観察』を効率的に進めるために作られたもの。
人間を完全に再現しており、魂すらプログラムされているが魂は『有る』だけで、その中身は無色のまま。

SE.RA.PHに作られた仮想生命たちは、その回の聖杯戦争が終了するとリセットされる。
NPCやAIはゼロに返るが、上級AIはパーソナルだけ残し、その記録はリセット————無かった事にされる。

聖杯戦争が終わった時、生き残るのは頂点に立ったマスターだけ。
それはマスターだけではなく、SE.RA.PHに作られた仮想生命たちも共通なのだ。

             ◆

BBは桜と同じく、マスターたちの健康管理を任された上級AIと思われる。
しかし原因不明の暴走により、『マスターを管理する』 方法が極端なものになってしまったようだ。

03 - 支配の錫杖
BBが持つ教鞭。
上級AIとしての権限をフルに使用できるデバイス。
月の裏側限定ではあるが、これによってBBはSE.RA.PH内の霊子法則(ゲームルール)を変更する事ができる。

             ◆

バビロンの獣がかぶる『十の支配の王冠』を教鞭に変えたもの。
これは七つの首の獣が女性原理に対応する男性原理であり、その本質はファロス(まっすぐな棒)だからである。

大いなる竜から王座と権威を与えられ、さらに42ヶ月の間、どれだけ不遜な言葉を吐いてもよく、あらゆるものを冒涜する権利を与えられたという世界の王の象徴。

獣の首はローマ帝国の七つの丘……
カピトリウム、パラティウム、アウェンティヌス、エスクイリヌス、カエリウス、クイリナリス、ウィミナリス、すなわちローマ帝国そのものを意味し、十の角はその皇帝……
アウグストゥス、ティベリウス、カリグラ、クラウディウス、ネロ、ウェスパシアヌス、ティトゥス、ガルバ、 オト、ウィテリウス……を象徴している。

Skills

Golden Grail [EX]
The golden grail that BB possesses. The Holy Grail. The Holy Grail that grants its owner's impudent and selfish desires.
The grail that the great enchantress who appears in The Revelation of St. John the Divine holds. Though it's a counterfeit Holy Grail, it's because that it's a counterfeit Holy Grail that it's become a "genuine" Holy Grail that grants the desires of humans without paying heed to right or wrong.
To the Christians of those days, who considered honorable poverty a virtue, this grail, which was formed as a symbol of treasures such as gold, is no doubt the meaning of corrupt wealth, greed, and the vanity that leads one to adorn oneself.
As the grail held by the great enchantress of Babylon who personifies the Roman Empire, it clearly symbolizes worldly riches, which is the opposite of Christ's words "Do not pile up the wealth of the earth."
"I saw a single woman astride a red beast. This beast, whose entire body was full of numerous blasphemous names, had seven heads and ten horns."
This is the description of the beast of destruction that appeared in the Holy City and the woman who was straddling this beast, according to the book of Revelation. A large beast with seven heads like a hydra came from the sea and disembarked toward the Holy City. This beast and woman, while two, are as one, and it is impossible to think of them separately.
As this woman is said to give birth to all evil, those who are imprudent or greedy cannot resist her allure and become corrupted by that grail.
This is a digression, but it is said that the red Saber who calls herself the emperor was regarded the same as this beast and antagonized after her death by the Christians.

Self-Modification [EX]
A skill that allows one to restructure oneself. AIs created by the Moon Cell are under an absolute rule, "Improving one's functionality is not allowed."
However, BB, who had escaped that yoke due to her breaking down, began to expand her own functions. In order to boost her calculating power, she had that black noise prey on and dismantle NPCs, AIs, and finally, Servants, then used them as her own memory.
Though they are appendix-like additions that won't spare her from the fate of collapsing on her own, BB has changed into a hyper level AI who holds an enormous amount of capacity. That condition resembles cities on reclaimed land that continue to build while submerging or Frankenstein's monster.

Potnia Theron [EX]
Potnia Theron (Conception of All Animals).
The authority of the goddesses that BB compiled and absorbed from the abyss of the mooncell.
It embodies the power of all creation possessed by the mother goddesses—originating from a forgotten goddess approximately 8000 years ago (the goddess of Çatalhöyük) and branching to Tiamat and Cybele, Ishtar, Inanna, Anat, Astarte, Gaia, Hera, Artemis, Aphrodite, Demeter, Athena, etc.
Many are depicted with mural crowns. This is because many of these goddesses were also guardian deities of cities.
             ◆
The symbols of this authority include holes opening the earth and the sky (caves and the moon), whirling tides and waterspouts of the sea, calderas of the volcanoes, etc., and from these, evils that bring all manners of death are birthed. However, after these evils have spread death, they promise certain good harvest and fertility. This authority is none other than the power of bringing death as well as giving life.
The earth mother is worshipped by the people and protects them as a guardian deity, but at the same time, she is the very sacrifice that nurtures them with crops born from her body and beasts of the fields and the forests.
The earth mother nurtures men with her flesh and blood, kills men as time passes to restores herself with her own nourishment, and once again nurtures men with her restored flesh and blood.
This process is the cycle of the food chain, and this cycle of life and death can be said to be the true nature of the earth mother. With this authority, most of the goddesses gave birth to countless monsters and giants, posing threats to gods and men, or they gave birth to heroes, thus protecting people.
As representative examples, Tiamat and Gaia became threats, while Hera is a mother of heroes.
             ◆
Those born on this earth cannot defy the authority of the mother goddess, as that would mean rebelling against the very system of life.
However, when they leave this earth, head to space, and end the childhoood as intelligent lifeforms, they will have broken this authority.
The wish of Çatalhöyük is the coming of that day.

01 - 黄金の杯:[EX]
BBが持つ黄金の杯。聖杯とも。
持ち主の厚顔で自分勝手な願い事を叶える負の聖杯。

ヨハネ黙示録にある、バビロンの大妖婦が持っていた杯。
偽聖杯であるが、偽の聖杯であるからこそ、正邪問わずに人間の欲望を叶える“本物の”聖杯となっている。

当時の清貧を美徳としたキリスト教徒にとって、金などという財の象徴で形作られた杯は、まさしく汚れた富と強欲、そして己を飾ろうとする虚偽を意味するものであった。

ローマ帝国の化身であるバビロンの大妖婦が手にする杯という時点で明瞭であるが、この杯はキリストの「地に富を積んではならない」と言う言葉を反転させた、地上の富を象徴している。

             ◆

“わたしは、赤い獣にまたがっている一人の女を見た。
この獣は、全身至るところ神を冒涜する数々の名で覆われており、七つの頭と十本の角があった。”

これは黙示録曰く、聖都に現れた滅びの獣と、その獣にまたがっていた女の描写である。
七つの頭を持つヒュドラの如き巨大な獣は海より現れ、聖都に上陸したという。
この獣と女は二つで一つであり、切り離して考える事はできない。

女はすべての邪悪を生み出すものとされ、短慮なる者、欲深き者は彼女の誘惑に逆らえず、その杯によって堕落したという。

余談ではあるが、皇帝を名乗る赤いセイバーはその死後、信徒たちにこの獣と同一視され敵視されたという。

02 - 自己改造:[EX]
自身を改造するスキル。
ムーンセルによって作られたAIには“機能を向上させてはならない”という絶対命令が備わっている。

しかし、故障によりそのくびきから逃れたBBは自己機能の拡張を始めてしまった。
計算能力を高めるためにNPC、AI、はてはサーヴァントまで黒いノイズで捕食・分解し、自らのメモリとして使用。

自己崩壊をいとわない後付け増築だが、結果、BBは膨大な容量を持つ超級AIと化した。
その有様は沈水しながらも建築を続ける埋め立て地の都市か、フランケンシュタインの怪物のようでもある。

03 - 百獣母胎:[EX]
百獣母胎(ポトニア・テローン)
それはBBがムーンセルの深淵より編纂し、取り込んだ女神の権能である。

約8000年前のすでに名の失われた女神(チャタル・ヒュユクの女神)より発し、 ティアマットやキュベレー、イシュタル、イナンナ、アナテ、アスタルテ、ガイア、ヘラ、アルテミス、アフロディーテ、デメテル、アテナなどに派生した、母なる女神の持つ万物を生み出す力の具現である。

多くは城壁冠の形をとってイメージされる。
これはこれらの女神の多くが、同時に都市の守護神でもあったからだ。

             ◆

大地や空に開いた門(洞窟や月)、海の渦潮や竜巻、火山の火口などに象徴され、そこからあらゆる死をもたらす害悪を生み出す。
ただし、その害悪は死をまき散らした後、確かな豊穣や多産を約束するもの。
この権能は死と同時に生を生み出す力に他ならない。

大地母神は人々によって崇められ、それらを加護する守護神であると同時に、その身から生まれ出る穀物や作物、野や森の獣によって人々を養う犠牲そのものでもある。

大地母神は自らの血肉によって人を養い、そして時を経ればその人を殺して自らの糧として己の血肉を回復し、またその回復した血肉で人を養う。

この過程は食物連鎖の円環そのものでもあり、この生と死の循環こそが大地母神の本質と言っていい。
ほとんどの女神はこの権能で、無数の怪物や巨人を生んで神々や人の脅威となり、あるいは英雄を生み、それから人々を守った。

その代表例は、脅威となったならばティアマットやガイア、英雄の母ならばヘラである。

             ◆

この大地に生まれたものは、母なる神の権能には逆らえない。それは生命のシステムそのものに反逆する事だからだ。
しかし大地を離れ、宇宙を目指し、知性体としての幼年期を終えた時こそ、この権能が打ち破れる事だろう。

チャタル・ヒュユクの願いは、その日が訪れる事にある。

Setting

Spiritron Imaginary Pit
Spiritron Imaginary Pit(Cursed Cutting Crater)
The official name of this stage. Formerly just an imaginary number space for storing malignant information, “this place” was established as a real number space in the present, past, and future by the fact that BB had reached the Moon Cell core. It was reconstructed by her hands into the “far side of the moon” where even Masters can exist.

With the power of the primordial goddess at hand, BB succeeded in quantifying the “nothingness” before the birth of life. She transformed into the master of the imaginary number space where both time and space and ambiguous.
Although the Moon Cell cannot be hacked no matter how much time is taken, BB took over it by placing herself in “unlimited time”.

02 The remnants of peaceful days
After the constraints to her free will were removed by Kiara, she was unable to control her status abnormality and went into overload.
As NPCs can only do routine work, they ignored Sakura while she was crashing down as being “non-existent”, and since the mooncell only performs a check at the end of the day in the preliminaries, Sakura was within an inch of termination.
(MC name) witnessing this called to her. Are you okay, he/she said.
The observation of Sakura “being here” by a third party helped her recover her close to disappearing unconscious, and the subsequent nursing gave her a clear ego of “wanting to be here”. Her self-destruction was averted.
             ◆
What happened afterwards need not be said.
When the next day comes, everything will be erased by the mooncell. Sakura wanting to continue this one day miracle used her higher class AI privilege to repeat the day she came to know the MC for 69 days.
However as time passed, Sakura came to suffer from her self-contradiction as an AI and from the fact that she dragged (MC name) into this.
“The Masters participating in the holy grail war will all die, barring one exception. No, even then (MC name)…..”
Sakura continued to suffer from her desire to continue the loop for eternity and her feelings for (MC name)
The decision she chose ultimately was to seal the 69 days worth of memory, the love she acquired, so she could return to being a normal AI.
An AI cannot delete records.
Because of that, she moved the memory to a backup machine to reset herself.
Believing that to be the best choice for (MC name).
             ◆
But even if the memories in the mind are lost, the memories recorded by the body continue to live. Though she had forgotten everything and was back to being a normal AI, she was shaken by emotional values of unknown origin every time she talked with the MC.
Meanwhile, the backup to which she moved her memory, couldn’t tolerate herself, and she decided her course of action and made her move as BB, the rebel plotting to destroy the system of the mooncell for a certain objective.
The timing she took control of the far side of the moon was between the end of the fifth round and the beginning of the sixth in real time. Four Masters who were not defeated yet, (MC name), Leo, Rin, and Rani, and the irregular exception Jinako were kidnapped to the far side during the war while they were still alive.
Matou Shinji, Gato, Julius were moved to imaginary space 0.00001 seconds before the firewall would have destroyed them after they were defeated, prolonging their flash of life.
Regardless, CCC is a dream by BB.
If the dreamer is no more, the world ought to return to a reality where nothing happened.
             ◆
By the way, the everyday scenery in the prologue that (MC name) saw in his nightmare was an artificial paradise modeled off the discarded 69 days.
After pulling (MC name) to the near side, BB placed his digital body in the old school building, putting into a deep sleep and sealing him in a never ending dream.
Normally, he would have lived peacefully in the looping everyday life, but the strength of his bond with his Servant, or his own will rejecting the peaceful days caused cracks in the artificial garden and (MC name) came to notice something was not right.
In order to place (MC name) into deep slumber once more, BB reset the school building and tried to redo the dream, but the (MC name) escaped the reset and leaped into a deeper part of imaginary space
It was a depth deeper than the bottom of Id.
“The death of the collective unconscious” beneath the unconscious.
What saved (MC name) who leaped into a region even BB cannot affect was the voice of the Servant whose fate was shared with his.
Thus, the contract was sealed, and (MC name) woke up in the old school building left in the far side.

01 - 霊子虚構陥穽
霊子 虚構 陥穽(カースド・カッティング・クレーター)

この舞台の正式名称。
悪性情報を貯蔵するだけの虚数空間だった“ここ”は、BBがムーンセル中枢に到達した事実をもって、現在・過去・未来において実数空間として成立。
彼女の手によって、マスターたちでも存在できる“月の裏側”として再構築された。

             ◆

原初の女神の力を手に入れたBBは生命が生まれる前の『無』を数値化する事に成功。
時間も空間もあやふやな虚数空間の使い手に変革した。

どれほどの時間を要しようがハッキングできないムーンセルだが、BBは『無限の時間』の概念に自分を置く事で攻略した。

02 - 日々の名残
日々の名残:
予選中、キアラの手によって自由性を解放された彼女はそのステータス異常を制御できずに過負荷を起こした。

NPCたちはルーチンワークしかできないため、自壊しかけていた桜を“無い”ものとしてスルーし、予選ではムーンセルのチェックは一日の終わりにしか行われないため、桜は消滅の危機にあった。

その異常を目の当たりにした岸波白野は彼女に呼びかける。大丈夫か、と。

桜は“自分はここにいる”という他者からの観測を受けて消滅寸前だった無意識を持ち直し、その後の看病によって明確に“ここに在りたい”という自我を獲得。自己消滅から免れた。

             ◆

その後の事はもはや語るまでもない。
翌日になればすべてムーンセルの手によって消されてしまう。この、たった一日の奇蹟を続けたがった桜は上級AIの特権を使用して
“岸波白野と知り合った一日”を69日間、繰り返した。

しかし日が進むにつれ桜はAIとしての自己矛盾と、岸波白野を取り巻くある事実に苦しむ事になる。

“聖杯戦争に参加したマスターは、ひとりを除いてみな死亡する。いや、そもそも岸波白野は————”

桜は幸せな時間を永遠にループしていたという我欲と、岸波白野への思いに苦しみ続けた。
結論として、彼女は正常なAIに戻るため、69日に及ぶメモリー……獲得した“愛”を封印する道を選んだ。
AIには記録を消す事はできない。
そのため、バックアップの機体にメモリーを移動させる事で自らをリセットしたのだ。

それが岸波白野にとって、もっとも正しい選択と信じて。

             ◆

だが精神の記憶は失っても、肉体が記録した思い出は生き続ける。
すべてを忘れ正常なAIに戻ったはずの彼女は、岸波白野と話すたびに正体不明の感情値に揺れ動かされる事になる。

一方、メモリーを移植されたバックアップはそんな自分を許せず、ある目的のためムーンセルのシステムを破壊する反逆者・BBとして自らの方針を定め、行動を開始した。

彼女が月の裏側を掌握したタイミングは、現実時間で“聖杯戦争 五回戦終了~六回戦開始前”。
まだ敗退していなかった岸波白野、レオ、凛、ラニの四名、そしてイレギュラーのジナコは聖杯戦争の途中、生きている状態で月の裏側に拉致された。


間桐シンジ、ガトー、ユリウス、といったマスターは聖杯戦争で敗れた後、ファイヤーウォールによって消滅する“0.00001秒前”に虚数空間に移動させられ、一瞬の命を長らえていた。

どちらにせよ、C.C.C.はBBが見ていた夢である。
夢を見ていたものが消え去れば、世界はもとの、何事もなかった現実に戻るだろう。

             ◆

また、余談ではあるが岸波白野が悪夢として見た冒頭の日常風景は、捨てられた69日間をモデルにして作られた人工楽園である。
 
BBは岸波白野を月の裏側に引きずりこんだ後、旧校舎にその電脳体を安置させ、深い眠りに落とし、覚めない夢の中に閉じこめた。

通常ならループする日常の中で平和に過ごすのだが、サーヴァントとの強い繋がり、あるいは、安寧の日常を否定する岸波の意思によって人工楽園に綻びが生じ、岸波は異常に気がつくのだった。

BBはもう一度岸波白野を深い眠りに落とすため、校舎をリセットして夢をやり直そうとしたが、岸波はそのリセットからも逃れ、虚数空間の更なる深部に飛びこんでしまう。

そこはイドの底のさらに底。
無意識の下にある、“集合無意識の死”である。
BBでさえ手を出せない領域に飛びこんだ岸波白野を救ったのは、運命を共にするサーヴァントの声だった。

かくして契約は交わされ、岸波白野は月の裏側に残された旧校舎で目を覚ます事になる。

Berserker (Lu)[]

[v] Fate/EXTRA - Lu Bu Feng Xian (Berserker) Matrix [T]

Class: Berserker
Master: Rani VIII
True Name: Lu Bu Feng Xian
Noble Phantasm: God Force: The Five Warriors of Guan Yu
Keyword: Gate Halberd Shot, Red Hare
Strength: A+, Defense: A+, Agility: B+, Magic: C+, Luck: C+
Blind Rage: A, Fortitude: B, Restless Soul: B

Kewords

01 - God Force: The Five Warriors of Guan Yu
The true name given to Lu Bu Feng Xian's legendary halberd, the Sky Piercer. This weapon was considered the epitome of the weaponsmith's art as it perfectly balances all aspects of hand-to-hand combat into one formidable package.

The God Force was a masterpiece of Chinese weapons design created by the smith Chen Gong especially for Lu Bu, who he saw as the reincarnation of the ancient war god Guan Yu. Chen Gong believed that this god was responsible for the introduction of weaponry to the Chinese and strove to create a weapon that contained the strengths of all the weapons known to humanity at that time. This lead to the creation of Lu Bu's Noble Phantasm, which allows him to use his vast knowledge of the martial arts to adapt to and take advantage of his opponent's weaknesses.

Due to being under the effects of the Blind Rage enhancement, most of Lu Bu's skills have been erased from his mind and only his knowledge of the spear and of basic artillery (such as cannons) remains.

02 - Gate Halberd Shot
Lu Bu excelled at archery and was especially adept at shooting on horseback, earning him the nickname the "Flying General." He was very close to Liu Bei, one of the heroes of the Three Kingdoms era of Chinese history, and considered him to be his brother. When Liu Bei found his armies by Ji Ling, an ally of Lu Bu, Lu Bu went alone to meet with the heads of the opposing sides in an effort to stop the impending bloodshed.

Upon arriving at the gate of Ji Ling's encampment, he ordered that a halberd be set into the ground 150 paces away from where he stood. He then turned to the to leaders, and said the following:

"I will shoot an arrow, and if it hits the small blade sticking out from the side of that halberd, withdraw your forces. If I miss, you are free to slaughter each other down to the last man."

Both the Earth and Heavens aligned in perfect harmony, and Lu Bu's arrow hit the intended target, forcing Ji Ling to withdraw his forces.

03 - Red Hare
"Among men, Lu Bu; among horses, Red Hare",
As Lu Bu was considered the most powerful warrior in China, so was his favored horse considered the most powerful steed to be found in any of the major kingdoms.

The animal would allow no other person to ride it, or even allow anyone but Lu Bu to handle its reins. Its physical prowess was also legendary and it has been said that Lu Bu managed to jump across a 30 meter wide moat while riding Red Hare.

01 - 軍神五兵(ゴッド・フォース)
呂布奉先の主武器として知れ渡っている、両手武器・方天画戟の真名。
方天画戟は既にして、兵器として名作である。
切斬、刺突、打撃、薙ぎ、払い。
大型両手武器の特徴をすべて活かした万能武器であるからだ。
ただし、実際には北宋時代の武器であり、呂布が活躍した頃は存在していない。

この軍神五兵は君主を裏切るたびに窮地に陥っていく呂布のため、超軍師・陳宮が考案した
中華ガジェットの傑作である。
軍師・陳宮は呂布の強さ、姿に軍神を見た。
中国の古い軍神・蚩尤(シユウ)は戦斧・楯・弓矢の発明者と言われ、
その六腕すべてに異なる武器を持っていたとされる。
陳宮はこのイメージを呂布に被せ、五形態に変形する超兵器を考案。
呂布の多彩なる武を縦横無尽に開花させる、人工宝具を生み出すに至った。

もっとも。今の呂布はバーサーカー化しているため、現在はその多様性は失われている。
現状は矛と砲の形態(フォース)を残すのみだ。

02 - 轅門射戟
呂布は騎射にも優れ、その才から漢代の弓の達人、飛将軍・李広になぞらえられた。
呂布が義弟と呼んだ三国志の英雄劉備が、
大勢力であり呂布の同盟者であった袁術の武将・紀霊に追い詰められていた時のこと。
呂布は両者の戦いを好まず、150歩先にある陣営の轅門に戟を掲げさせて言った。

「俺が矢を射て、あの戟の横に突き出した小さな刃に命中させたなら、軍を引け。当たらなければ好きに戦うが良い」

乾坤必中。
彼の射た矢は見事に命中し、紀霊は軍を引いたという。

03 - 赤兎馬
「人中に呂布あり、馬中に赤兎あり」
と語られた呂布の愛馬。

彼以外のものには懐くことなく、
呂布はこれに乗って城の塹壕(少なくとも30m以上)を飛び越える事ができたという。

Skills

Blind Rage [A]
Gives a significant boost to most stats, but at the cost of one's reason and sanity. As all decisions are made by the Master, the Servant under this spell will be little more than an empty automaton.

Fortitude [B]
Gives one the ability to negate any type of mental interference. It also improves the damage done by melee attack and increases one's bravery. However, as Lu Bu was summoned as Berserker, the importance of bravery has been made most.

Restless Soul [B]
Gives one the temperament of a lone wolf; unable and unwilling to settle in one place or serve one master. This person will never be able to follow greatness, yet. is incapable of finding greatness on his own. This skill negates the effect of Charisma skills of the same rank.

バーサーカー化[A]:
パラメータをランクアップさせるが、理性の大半を奪われる。
マスターと意志を同一させているため、より機械的なサーヴァントとなっている。

勇猛[B]:
威圧・混乱・幻惑といった精神干渉を無効化する能力。
また、格闘ダメージを向上させる効果もある。
ただし、現在はバーサーカー化しているため、勇猛さは意味をなさない。

反骨の相[B]:
ひとつの場所に留まらず、また、一つの主君を抱かぬ気性。
自らは王の器ではなく、また自ら王を見つけることのできない放浪の星である。
同ランクの「カリスマ」を無効化する。

Details

01 - Character Background
His name is synonymous with treachery and betrayal, though his fame as a might general was known throughout the period of Chinese history known as the era of the Three Kingdoms.

His martial abilities are so advanced that he can easily be classified in any of the five classes present in the Holy Grail War: Lancer, Rider, Assassin, Berserker and Archer.

02 - "General of Recursion"
Lu Bu Feng Xian, the traitorous general mentioned in the the Romance of the Three Kingdoms.

While he had considerable success on the field of battle, his legacy will forever stained by his callous betrayal of the two men who took him in as a son. His military prowess elevated him to one of the strongest generals of the Three Kingdoms, though his inability to trust or follow led to his downfall. His lack of judgment was such that he slew Ding Yuan, the first of many confidants he betrayed, at the urgings of Dong Zhuo, who was frequently referred to as Demon Warlord. But once again Lu Bu's true nature emerged and he ended up slaying Dong Zhuo.

After this second act of treason, he wandered the provinces of North China, attempting to bring them all under his domination. However, his inability to rule led to his capture and execution by the general Cao Cao.

In the end, it was Lu Bu's hubris that brought him down as he believed that he was the mightiest general alive and that no one could defeat him. And although his patron Chen Gong was disappointed and disillusioned by him, he was able to use Lu Bu in his own machinations until his student's death.

01 - 人物背景:
三国志演義に名高い、裏切りの武将。
ランサー、ライダー、アサシン、バーサーカー、アーチャー、 と五つのクラスの資格を持つ陸上要塞。

02 - 『反覆の将』:
呂布奉先。
三国志演義における反覆の将。
2度も養父を斬り、幾度となく裏切りを繰り返すなど儒教道徳の重んじられる中国では信じられない行為に走った。
だがその武功、武勲は他の追随を許さず、三国志世界において最強の一角に数えられる。
自分を重用した丁原を裏切り、中央の覇権を握った魔王・董卓と結託。
が、その董卓すら裏切り、暗殺。

以後は中原を彷徨い、多くの戦いをくぐり抜けるが、
最後には部下の裏切りにより、
敵対する将である曹操に攻められて敗北。処刑された。

我欲が強く、この世に自分以上の武将はいないと信じていた呂布だが、
最後まで自分を“効果的に”戦術に用いた軍師・陳宮には気を許していたようだ。

Berserker (Red)[]

[v] Fate/EXTRA CCC - Elizabeth Bathory (Berserker) Matrix

Class: Berserker
Name: Elizabeth Bathory
Master: Meltlilith
Noble Phantasm: Báthory Erzsébet (Demoness of Fresh Blood)
Keyword: Dragon's reverse scale, supersonic
Strength: A, Endurance: A, Agility: B, Magic: D, Luck: C
Mad Enhancement: E-, Mental Disorder: A, Magic Resistance: A

Keywords

01 - Báthory Erzsébet: Demoness of Fresh Blood
A Noble Phantasm that summons the castle that Elizabeth lived in and ruled over in her lifetime and turns into into a stage where she is prominent. The worst and most disgusting Noble Phantasm that Elizabeth, who began to dream of being the ultimate idol after becoming a Servant, possesses.
The castle's name is the prison-castle Csejte. As the demonic castle where hundreds of girls were tortured to death, since Elizabeth used the lifeblood of those girls to fill blood baths, it maintains a mighty amount of magical energy and charm.
The tune combining... a musical talent that could contend for 1st or 2nd place on Earth and a stage that modifies the whole castle into a giant amp is truly hell on Earth.
A collaboration with the Golden Theater cannot be allowed.

02 - Dragon's Reverse Scale
Western dragons are "demonic", but Chinese Long(dragon) are god-like beings. If dragons are the strongest Phantasmal species, then Long are invincible... They are beings that do not even need to fight.
But even the Long have a defect. When the scale under its chin is touched, a Long will fly into a rage and devastate the earth with their rampaging power.
Like this, even perfect beings have disappointing parts. Elizabeth is no exception to this tradition, and the scale seems to be on a part of her body (near the tailbone). If it is seen, she will become red-faced with embarrassment, and after panicking, she will force upon the person who saw it with two choices: "be killed by me" or "marry me".

03 - Supersonic
Due to her skill "Innocent Monster", Elizabeth has been transformed into a demon of mixed dragon blood.
Every dragon has the strongest weapon that makes best use of its attributes: Dragon Breath. For a red dragon, fire; for a blue dragon, electricity; for a black dragon, acid―gets sprayed in a wide area of effect as their breath.
...According to a certain rulebook, a breath's damage value is equal to the dragon's health value. If you consider health value far surpassing that of humans inflicting damage spread all over an entire army, a single dragon destroying an entire country seems like a reasonable story.
Elizabeth's Dragon Breath is a sort of ultrasonic waves. During her demon transformation, her very lungs have transformed into spiritual dimensions, so she came to own a terrifying lung capacity. With the amplification provided by her Noble Phantasm, Elizabeth's voice is said to be a noise that could reverberate through a Tokyo dome and destroy it.
This was the moment that Saber's rival, in both name and reality, was born.

01 - 鮮血魔嬢(バートリ・エルジェーベト)
エリザベートがその生涯に渡り君臨した居城を召喚し、己を際立たせる舞台(ステージ)とする宝具。
サーヴァント化した後、究極の偶像(アイドル)を夢見るようになったエリザベートが得た最低最悪の宝具である。

城の名は監獄城チエイテ。
何百人という少女たちを拷問の末殺害した魔城であり、エリザベートは少女たちの生血で満たした血の浴槽(ブラッドバス)につかる事で巨大な魔力と魅力を維持している。

地球上で、一、二を争う……な歌の才能と、城をそのまま巨大アンプに改造したステージが合わさった一曲は、まさにこの世の地獄と言える。

黄金劇場とのコラボだけは許してはいけない。

02 - 竜の逆鱗
西洋の竜は“魔”とされるが、中華における龍は神的存在とされている。
竜が最強の幻想種なら、龍は無敵……戦う必要すらない存在だ。

しかし、そんな龍にも難所がある。
アゴの下の鱗を触れると龍は猛り、荒ぶる力で地上をなぎ払うのだとか。

このように、完全なる存在にも残念な部分はある。
エリザベートもその例にもれず、体の一部(尾てい骨あたり)に鱗があるらしい。
見られると本人は恥ずかしさのあまり赤面、パニックの後に、見た者に「自分に殺されるか」か「自分と婚姻するか」の二択を迫るという。

03 - スーパーソニック
エリザベートはスキル『無辜の怪物』によって竜の混血として魔人化している。

龍にはそれぞれ属性を生かした最強の武器、竜の息吹(ドラゴンブレス)が存在する。
赤竜なら炎を、青竜なら雷を、黒竜なら酸を、その息吹として広範囲に散布するのだ。

……とあるルールブックでは、そのダメージ数値はドラゴンの体力数値と同じとされる。
人間を遥かに超越した体力数値のダメージが全軍に満遍なく行き渡る事を考えると、ラゴン一頭に国が滅ぼされるのも無理からぬ話だろう。

エリザベートのドラゴンブレスは超音波に属する。
彼女は魔人化した事で肺そのものを異界化させ、凄まじいまでの肺活量を我ものとした。
宝具を通じて増幅されるエリザベートのボイスは東京ドーム一個分に響き渡り、これを倒壊させる騒音とまで言われている

名実ともにセイバーのライバル誕生の瞬間であった。

Skills

01 - Mad Enhancement [E]
A skill that transforms one into a brute and raises one's abilities.
...But as Elizabeth still possesses her reason, she gets hardly any benefits. Her strength and endurance simply became more conditioned to "not know pain".

02 - Mental Disorder [A]
The mind has fallen ill. It is not the usual Mad Enhancement added to Berserkers. Becomes unable to feel the pain of others or read the mood of surroundings. Mental super armor ability.

03 - Magic Resistance [A]
A hidden skill that even the person herself is unaware of.
It was thought to be a fabrication created through "Innocent Monster", but the blood of dragons truly is mixed within her.
She is endowed with a Magic Resistance of the same caliber as the Saber of Fate/stay night.
Its source is the Bathory family's coat of arms. That family's coat of arms has the shape of a shield depicting red fangs, symbolizing the dragon's bravery, strength, and cruelty that never leaves an enemy alive.

01 - 狂化 [E-]
凶暴化する事で能力をアップさせるスキル。

……が、エリザベートは理性を残しているのでその恩恵はほとんどない。
 筋力と耐久がより“痛みを知らない”状態になっただけである。

02 - 精神異常 [A]
精神を病んでいる。
通常のバーサーカーに付加された狂化ではない。
他人の痛みを感じず、周囲の空気を読めなくなっている。
精神的なスーパーアーマー能力。

03 - 対魔力 [A]
本人も気づいていない隱しスキル。

『無辜の怪物』によるねつ造と思いきや、実は本当に竜の血ま混じっていた。

Fate/stay nightにおけるセイバー級の対魔力を有する。

その出典はバートリ家の紋章から。
かの家の紋章は紅い牙を象った盾状の紋章で、ドラゴンの勇敢さと力強さ、そして敵を生かしてはおかぬ残忍さを象っていた。

Setting

01 - Headache Sufferer
Headache sufferer: When she was alive, she was a world-famous, abnormal murderer, but her characteristic is that her tendencies are wide-ranging compared to cruel hobbies of people like her.
In most cases of serial killers, those who enjoy murder have murder as their foundation, those who enjoy pain have pain as their foundation, those who enjoy cannibalism have cannibalism as their foundation; they set up the tendencies of their cruel hobbies. However, for her, there is no consistency. Disturbingly, she is believed to have enjoyed all of those in general.
But on the other hand, she has almost none of the abnormal behavior that serial killers of recent years have displayed, such as raping and killing, making a collection of some part of body, or cooking humans.
According to one theory, she suffered from serious headaches. It is said that she was released from these headaches only when she abusing others.
Of course, the authenticity of this cannot be confirmed.
Though Elizabeth is noted only for this kind of abnormality, she also left behind good deeds. At the age of 15, she married her husband, Ferenc II, and protected their dominion in his stead as he was mostly absent due to war.
The two got along extremely well as husband and wife, and records indicate that Elizabeth especially invested much fortune to support domestic students studying abroad and returning students in their studies, aiming to promote arts and sciences within the country.
There were rumors that she was interested in black magic, but that was most likely her use of medicinal herbs to make a type of something known as cosmetic facial masks today.
Even the episode where she killed more than 600 women and the trial in absentia are theorized by some to be mostly myths and fabrications as a part of Hungarian movement to expel Habsburgs.
However, even with that, it cannot be said that all her actions were false charges. Even if the numerous torture devices and acts of cruelty are myths, she definitely enjoyed murder based on circumstantial evidence.

02 - Personal Background II
Personal background II: To Elizabeth, killing the common people in droves was her "ordinary" daily life. If there is anything that could be considered her misfortune, it is that there were no one to rebuke her abnormality, to teach her that her deeds were atrocities.
Several years after she started her blood extraction of madness, her cruel acts reached even daughters of aristocracy, and she finally received proper indictment that she deserved as a human.
The year was 1611. At the trial conducted in the actual person's absence, she was given a guilty verdict and imprisoned within one of the Csejte Castle's rooms.
And just like that, the people completely sealed her, who was already feared as a demon.
The people whispered. Just seeing her figure was frightening. Just hearing her voice was frightening. Simply recollecting memories of losing their daughters, memories of voluntarily giving away their daughters, was frightening.
The fathers who gave away their daughters. Elizabeth's relatives. Her compatriots in the aristocratic society, as if to hide their own feelings of guilt, concealed her prison with stone.
The room that Elizabeth used in her final days... her prison in the basement of the castle contained nothing but a small slit to allow food to be passed to her. And, in that room without any exit or window, that room which was plastered up from the outside, she continued to ask "Why?" until her final moments.
"Why? Why?" "I wasn't doing anything bad."
Her voice supposedly could be heard across the stone jail, but after the transom was blocked by the soldiers who found it annoying, it could no longer be heard.
After that, there was no one who saw her firsthand while she was alive. On August 21, 1614, the soldiers noticed the smell of rotting food, confirming that her life had ended.
From thereon, she became legend as the Blood Countess.

01 - 頭痛持ち
生前の彼女は世界でも有数の異常殺人者だが、同種の残虐趣味に比べて特徴的なのは
その傾向が多岐に渡ることである。

シリアルキラーたちは多くの場合、殺人を楽しむ者は殺人を基本に、
苦痛を楽しむ者は苦痛を基本に、食人を楽しむ者は食人を基本にして、
その残虐趣味の傾向を組み立てる。
だが彼女には一貫性がない。
恐ろしいことに、それらを全般的に楽しんだとされる。

だがその反面、犯し殺したり、人体の一部をコレクションしたり、
人間を料理するなどと言った、近年のシリアルキラーに見られる異常行動はほとんどない。

一説によると彼女はたいへんな頭痛持ちであり、他人を虐待している時だけ
頭痛から解放されたとも言われている。

無論、真偽の程は定かではない。

このように異常性だけ特筆されるエリザベートだが、善行も残されている。
彼女は15歳で夫フランツ2世と結婚し、戦争で留守がちな彼に代わって領地を守っていた。

二人の夫婦仲は非常に良く、エリザベートは特に国内の学生の留学支援や、
逆に帰国した学生らの学業支援に多くの財をつぎ込み、国内の技術と学術の振興を図ったと記録に残っている。

           ◆

黒魔術をたしなんでいたと噂されているが、どうもそれは薬草を使った現在で言う
美容パックの一種であったらしい。

600人以上の女性を殺したというエピソードも、欠席裁判などもそのほとんどは伝説とハンガリー内の
ハプスブルグ排斥運動の一環から来た捏造なのでは、とも言われている。

ただし、だからといって彼女の行いすべてがえん罪とは言いきれない。
数々の拷問器具や残虐劇は伝説としても、彼女が殺人を好んだのは状況証拠的に確かである。

02 - 人物背景Ⅱ
エリザベートにとって、庶民を虐殺するのはそれこそ“何の変哲もない”日常だった。
彼女にとって不幸と言えるものがあったとしたら、その異常性をとがめ、
悪逆な行為であると教える人間がいなかった事だろう。

狂気の血液搾取から数年。
エリザベートの残虐行為が貴族の娘にまでおよび、彼女はようやく、人間として正しい告発を受ける事になった。

時に1611年。
当人欠席の上での裁判で有罪判決を受け、彼女はチェイテ城の一室に幽閉された。

そうして。
既に悪魔として恐れられていた彼女を、人々は徹底して封印した。

人々(かれら)は囁く。
その姿を見るのも恐ろしい。
その声を聞くのも恐ろしい。
娘を失った記憶、自分から娘を差し出した記憶を、思い出す事さえ恐ろしい―――

娘を差し出した父。エリザベートの親族。
貴族社会の同胞たち、
彼らは自らの罪悪感を隠すように、彼女の牢獄を石で覆い隠してしまった。

最終的にエリザベートの部屋……城の地下の監獄には食事を差し入れる小さな穴しかなかったという。
その、もはや出口も窓もない、外から塗り込められた部屋で、彼女は最期まで「どうして?」と訴え続けた。

「なぜ? なぜ?」
「私、何も悪いコトはしていないのに」と。

声は石牢越しに聞こえたというが、うるさく思った兵士によって明かり窓を塞がれてからは
聞こえなくなったという。

その後、生きた彼女の姿を直接見た者はいなくなった。
1614年8月21日、食事の腐敗臭に兵士が気づき、絶命が確認。

以後、彼女は血の伯爵夫人として伝説となった。

Berserker (White)[]

[v] Fate/EXTRA - Arcueid Brunestud (Berserker) Matrix [T]

Class: Berserker
Master: Monji Gatou
True Name: Arcueid
Noble Phantasm: Blut die Schwester
Keyword: Vampire...?, True Ancestor
Strength: A+, Defense: B, Agility: A, Magic: C, Luck: D
Blind Rage: A→C, Demonic Eye: A→C, Origin of All: EX→×

Kewords

01 - Blut die Schwester
An oath between blood sisters.
Although considered a Noble Phantasm, this power is more akin to a special quality inherent to her very being. As an extension of the mother Earth, her very touch transform the area around her into a part of the Earth's environment (a process known as terraforming). However, as the Moon Cell is bound by the physical attributes of the moon, this process introduces incredible levels of gravitational stress on the system and anyone within its event horizon will suffer gravity six times normal level.

02 - Vampire...?
A demon said to feed on blood.
A being some claims to be of the undead, and painted as evil and ungodly by those whole hold to a religious view of the world. In addition to the need to feed on the blood of humans, creatures such as this also are seemly immortal and are able to control lesser demons.

03 - True Ancestor
This is the general term used to describe all species that survive and thrive off the consumption of blood. As for creatures given appellation True Ancestor, they are considered the embodiment of the consciousness of the planet. Despite this, however, every legend regarding these creatures agrees that they not only drink the blood of humans for nourishment, but also out of sadistic pleasure.

01 - プルート・ディ・シェヴェスタァ
血の姉妹による盟約。
宝具というよりは彼女が持つ特性のようなもの。
地球の触覚であるこの素体は、周囲を地球環境化(テラフォーミング)する。
そのため、月の法則にのっとったムーンセルでは多大な重力負荷を引き起こしてしまう。
ムーンセルのルールによって再現されたサーヴァントや魔術師たちは、彼女の前では六倍の重力下に置かれてしまうのだ。

02 - 吸血鬼……?
血を吸う鬼。
主が創りたもうた生き物ではないとされ、ある宗教観においては分かりやすい敵対者として描かれる。
人間の血を飲み、年を取らず、不死であり、多くの魔物を従えるという。

03 - 真祖
血を吸うモノたちを吸血種と種別した場合、その大本になるのでは……と推定される生命体の総称。
真祖は星の意識が現れたものであり、伝説の通り、人間の血を戯れに吸うという。

Skills

Blind Rage [A→C]
Raises all basic stats at the cost of impairing high-level cognitive thought...the effects of which have been made more severe due to the incompetency of the Master.

Demonic Eye [A→C]
Those who possess the ability of Demonic Eyes are capable of influencing the outside world...the effectiveness of which has been severely reduced due to the incompetency of the Master.

Origin of All [EX→X]
The Ultimate One.
By receiving support from the planet itself, one's entire being is raised one class above the opposition's. Unfortunately, this ability has been rendered useless due to the incompetency of the Master.

バーサーカー化[A→C]:
パラメーターをランクアップさせるが、理性の大半を奪われる。
……のだが、マスターの勘違いでうまくいっていないようだ。

魔眼[A→C]:
見たもの、見るものの魂を魅了する魔眼を所持しているようだが、マスターの勘違いでうまく機能していないようだ。

原初の一[EX→X]:
アルテミット・ワン。
星からのバックアップを受ける事で、敵対する相手より一段階上のスペックになるスキル。
……なのだが、マスターの勘違いでまったく機能していないようだ。

Details

01 - Character Background
A lone survivor from the True Ancestor's royal line, which was the foundation of the vampiric species...or so it is believed. While her image as a vampire commands the most attention, she is also an Elemental that dwells within the Earth's embrace.

It becomes much easier to understand her existence if one regards her as a destructive force of nature akin to typhoons and earthquakes. Rumor also speaks of her as a creation of the Moon Cell.

02 - "True Ancestor"
A true Ancestor who has been twisted and warped by Monji Gatou's delusions.

Because she is first and foremost an Elemental of the Earth, her presence and activities in the Moon Cell causes excessive stress within the systems. Although categorized as a Berserker, her original class was actually more akin to "Temptress" than anything else. If she were summoned as a Temptress, her powers would be like the following:

A Blood Drinker that drains the life from her opponent; A Life Eater that consumes her foe's vitality; A Financial Crisis where electronic trading decimates an entire nation's economy; In other words, her actions, while evil and without justification, would come as naturally to her as breathing.

Although summoned by Monji Gatou, her true "Master" is apparently a young Japanese student by the name of Shiki. And on a totally unrelated note, the fox-eared Caster gets along very well with her as it is believed that they share the same basic origins.

01 - 人物背景:
吸血鬼たちの大本である真祖、その王族の生き残り……であるらしい。
吸血鬼としての側面も強いが、地球に宿る精霊の一種である。

台風や地震、自然現象が擬人化したものと捉えるのがもっとも分かりやすい。
ムーンセルによる創作なのでは、とも囁かれている。

02 - 『真祖』:
モンジ・ガトーによって間違った解釈を押し付けられた真祖。
地球側の精霊であるため、ムーンセル内の活動は過度のストレスになるようだ。

本来のクラスはバーサーカーではなくファニーヴァンプ。
そのクラスとして召還されたのなら、相手の血液を吸うブラッド・ドリンカー、体力を奪うライフ・イーター、電子マネーを消費させるファイナンス・クライシス、等、男を滅ぼす毒婦(ヴァンプ)として、無邪気かつ天真爛漫に振る舞うらしい。

本当のマスターは学生服の少年だとか、なんだとか。
余談ではあるが、狐耳のキャスターは同類っぽいので気が合うのでは、と推測される。

Caster (Alice)[]

[v] Fate/EXTRA - Nursery Rhyme (Caster) Matrix [T]

Class: Caster
Master: Alice
True Name: Nursery Rhyme
Noble Phantasm: Maxwell's Demon - Maiden's Empire: Queens Glass Game
Keyword: Jabberwock, Nameless Forest
Strength: E, Defense: E, Agility: E, Magic: E, Luck: E
Transformation: A+, Metamorphosis: A, Area Creation: A

Kewords

01 - Maxwell's Demon - Maiden's Empire: Queens Glass Game
"A story without end,
A child-like finger returns to the first line,
A tiny hand reaches out for the second volume,
For as long as the reader denies reality."

02 - Jabberwock
"Names to be uncovered and places still unknown.
Fire breathing dragons and cloud sprouting giants,
and magicks that are monsters in the shadows.
Maybe, just maybe, the words of adults are lies.
The truth of it all is in Professor Dodgson's mind."

03 - Nameless Forest
"Ackroyd and Celluloid;
Sadistic acrostic,
No one is especially special here,
Birds are birds and people are people,
Entropy suits me to a tittle,
In the end, your name is mine."

01 - 永久機関・少女帝国(クイーンズ・グラスゲーム)
『物語は永遠に続く。
か細い指を一頁目に戻すように
あるいは二巻目を手に取るように。
その読み手が、現実を拒み続けるかぎり。』

02 - ジャバウォック
『正体不明で消息不明。
火をふく竜とか雲つく巨人。
トリックアートは影絵の魔物。
けだし、大人の話はデマカセだらけ。
真相はドジスン教授の頭の中に。』

03 - 名無しの森
『アクロイドでセルロイド。
アクロスティックなサディスティック。
ここでは誰もがただのモノ。
鳥は鳥で、人は人でいいじゃない。
貴方のお名前、いただくわ。』

Skills

01 -Transformation [A+]
"I will change, I have changed.
I am you, while you are me.
I'm going to change, I will have changed.
I am you and you are me."

02 - Metamorphosis [A]
"This is the ability to merge one's own body with the body part of others. The higher the ranking of this skill, the further away one becomes from being considered as a true hero. But it do-do-doesn't matter doesn't matter that kind of stuff doesn't matter at all!
Whatever you say needs to be done I will do as you order me to!"

03 - Territory Creation [A]
"The smallest door, the maddest tea party,
The checkered board in the rainbow meadow,
the riddles of the chatty twins,
But my favorite of all can only be this one,
The invitation to the nameless forest,
where all can be forgotten!"

変化[A+]:
『変身するわ、変身するの。
私は貴方、貴方は私。
変身するぞ、変身したぞ。
俺はおまえで、おまえは誰だ。』

自己改造[A]:
『自身の肉体にまったく別の肉体を付属・融合させる適性。
このランクが上がればあがるほど正純の英雄から遠ざかっ、
カカ、かかか関係ない関係ないそんなのまったく関係ない!
何であろうときっかけ貴方の注文通り!』

陣地作成[A]:
『小さな扉、くるくるお茶会、
白黒マス目の虹色草原、お喋り双子の禅問答。
でもでも、お気に入りはやっぱり一つ。
全てを忘れる、名無しの森にご招待!』

Details

01 - Character Background
"A nursery rhyme is a children's refrain,
Tom Thumb's charming picture book,
The first glimpse of Mother Goose's awakening,
The sorrowful me to the lonely you,
Your final wish, let's make it true."

02 - "Nursery Rhyme"
Nursery Rhyme is not a hero in the traditional sense. Rather, it is a general term for any picture book that has managed to manifest itself into a corporeal existence.

The genre itself, deeply loved by the children of England, came into being as a reaction to the half-voiced dreams of the young and eventually emerged as a Servant who came a champion of the innocent. It formed the foundation for perhaps the best known work from the author known as Lewis Carroll. His book "Alice in Wonderland" began as a series of simple rhymes told to the daughters of a family friend while rowing down the River Thames on a warm summer's day.

The Servant Nursery Rhyme is actually a type of Reality Marble. It projects the true feelings of its Master and creates a pseudo-servant in a form imagined by the one who summoned it.

01 - 人物背景:
『ナーサリーライムは童歌(わらべうた)。
トミーサムの可愛い絵本。
マザーグースのさいしょのカタチ。
寂しいアナタに悲しいワタシ。
最期の望みを、叶えましょう。』

02 - 『ナーサリーライム』
ナーサリーライムは実在の英雄ではなく、実在する絵本の総称である。
イギリスで深く愛されたこのジャンルは、多くの子供たちの夢を受け止めていくうちに一つの概念として成立、“子供たちの英雄”としてサーヴァント化した。
のちにルイスキャロルという著名な作家を生み出す下地になったもの。彼の著作「不思議の国のアリス」は、もともとは彼の姪っ子たちに即興で聞かせたナーサリーライムである。

サーヴァントそのものが固有結界であり、マスターの心を映して、マスターが夢見たカタチの擬似サーヴァントをつくり上げる。

Caster (Blue)[]

[v] Fate/EXTRA CCC - Hans C. Andersen (Caster) Matrix

Class: Caster
Name: Hans C. Andersen
Master: Sesshouin Kiara
Noble Phantasm: Marchen Meines Lebens (A Story For You)
Keyword: The three great authors, human observation
Strength: E, Endurance: E, Agility: E, Magic: EX, Luck: E
High-Speed Aria: E, Innocent Monster: D, Item Creation: C

Keywords

Marchen Meines Lebens (A Story For You)
The unpolished manuscript of Andersen's autobiography, The Fairy Tale of My Life. To Andersen who said, "Generally, what I write is projections of myself," The Fairy Tale of My Life is the culminating record of his way of life, which he compiled as "the supreme annotation of all of my works."
To put it another way, it is Andersen's other self. Although everything they produce is their other self to an author, this written manuscript forms the nucleus of that other self.
Each and every page of this book, through the magical energy provided by the people who love the author known as Andersen, takes the shape of "the Andersen that the readers see," and can take action as that other self.
But that is not the true worth of this Noble Phantasm. Just as an author produces stories, by wiping this book clean and starting over from the beginning, it becomes possible to raise "a single human" to "a single leading actor."
The result... the extent of growth increases the further the manuscript progresses. With only several pages, only a few coincidences will occur, but with all the pages, in the event of the manuscript's completion, the person who was the subject of the manuscript will grow to their "supreme form," just as they imagined.
Just looking at it, it appears to be an omnipotent Noble Phantasm, but Andersen's personal gloomy philosophy of life, which is deeply rooted in his heart, that "there is no finale that brings happiness to humans besides death"; his resignation that "there is no way that everything will turn out well"; and finally, the pride he holds as an author, which will not permit such a convenient development, will not allow someone to attain their "ideal form" so easily.
Of course, the craftsmanship of the "story" also changes depending on Andersen's motivation. Basically, attaining "the supreme form of that person" is impossible without a subject that incites considerable passion in him.

The Three Great Authors
The great writers of fairy tales whose names reverberate throughout the world... Grimm, Aesop, Andersen... He is one of them, but he is the only one among them who wrote original works.
Compared to the others, who were editors and collectors who compiled folklore, legends, and the like, he is the only one who, by producing new stories, was an "author" in the truest sense of the word.
His masterpieces include: "The Little Match Girl," "The Little Mermaid," "The Emperor's New Clothes," "The Snow Queen," and "The Ugly Duckling," as well as others.
Also, it is said that the model for the "girl" in the "The Little Match Girl" was Andersen's mother, who worked without pause in order to send Andersen to higher-level schooling and left the world while poor and having never once experienced pleasure.

Human Observation
Andersen's personal skill. Rank A.
The skill to observe and understand people. It is not simply observing but also hypothesizing the livelihoods and preferences, all the way to their life, of people he may not even known the names of. This requires a tremendous memory that does not forget easily.
Though Andersen is known as a pessimist, the lies at its foundation is not rejection but understanding. The only thing he can do is spin stories, but it is for that reason that he continued to swear that only with what he speaks of will he be more sincere than anyone else.
Though he criticizes the way BB and the Alter Egos go about love as "unsightly," "in bad taste," and "conceited," at every opportunity, underneath that is a profound understanding and identification, as well as a reprimand. It goes without saying that most of the abusive language he spills onto them is not to completely deny them but to serve candid advice filled with warnings.
...Well, that he hates woman is also an unchangeable truth.

01 - 貴方のための物語(メルヒェン・マイネスレーベンス)
アンデルセンが書いた自伝、『我が生涯の物語』の生原稿。
『我が生涯の物語』は“私が書いたものはその大半が私自身の投影である”と述べたアンデルセンをして“私のあらゆる作品における至高の注釈”と述べた、彼の集大成にしてその生き様の記録である。
言ってしまえば、アンデルセンという作家の分身―――
作家にとって作品はすべてその当人の分身であるわけだが――の核となる書稿である。
この書の1ページ1ページが、アンデルセンという作家を愛する人々から供給される魔力によって“読者の見たがっているアンデルセン”の姿を取り、その分身となって行動できる。
だが、この宝具の真価はそんなものではない。
作家が物語を作り出すように、この本を白紙に戻し一から執筆する事で、“ひとりの人間”を“ひとりの主役”に育てる事が可能となる。
その効果……成長の度合いは原稿が進めば進むほど高まる。
数ページ程度ではほんの少しの偶然しか起こせないが、全ページ……脱稿したあかつきには、その対象となった人物が思い描く通りの、“最高の姿”にまで成長させる。
見ようによっては全能に思える宝具だが、アンデルセン自身の“人は究極的に死以外では幸せになれない”といった心に根深く宿る暗鬱な人生哲学と“物事はそう上手く行きはしない”という諦観、そして、彼の持つ作家としてのプライドが都合の良い展開を許容できず、そう簡単には“理想の姿”には到達しない。
当然、“物語”の出来もアンデルセンのやる気によって変わってくる。
“その人間にとって究極の姿”に至るには、よほど情欲を刺激する対象でなければ不可能、という事だ。

02 - 三大作家
世界にその名の鳴り響く三大童話作家……
グリム、イソップ、アンデルセン……のひとりであり、その中で唯一の創作作家。
他が民話や伝説などを編纂した編集者や収集家であるのに対し、彼だけが新たに物語を作る本当の意味での“作家”だった。
代表作に『マッチ売りの少女』『人魚姫』『裸の王様』『雪の女王』『みにくいアヒルの子』等がある。
また、『マッチ売りの少女』における『少女』は、アンデルセンを進学させるために働き通し、貧しいまま、何の楽しみもなくこの世を去った、彼の母親がモデルと言われている。

03 - 人間観察
アンデルセンの固有スキル。ランクはA。
人々を観察し、理解する技術。
ただ観察するだけでなく、名前も知らない人々の生活や好み、人生までを想定し、これを忘れない記憶力が重要とされる。
厭世家で知られるアンデルセンだが、その根底にあるものは拒絶ではなく理解である。
彼にできる事は物語を紡ぐ事だけだが、だからこそ、誰よりも語る事だけに真摯であろうと誓い続けた。

             ◆

事あるごとにBBやアルターエゴたちの愛の在り方を「醜い」「悪趣味」「ひとりよがり」と批判していたが、その裏にあったものは深い理解と指摘、そして叱責である。
彼がこぼしていた罵詈雑言の数々は彼女たちを全否定してのものではなく、忠告をこめた苦言だったのは言うまでもない。
……まあ、女性嫌いなのも動かぬ事実だったろうが。

Skills

High-Speed Aria [E]
A skill that hastens magic incantations. In his case, it seems to give a small benefit to his writing speed rather than his magic.
"The speed at which I write is slow. Before that, I basically have no motivation so there's no way I'd write professionally!"
says the person himself.

Innocent Monster [D]
An indication of the extent to which gossip has distorted the truth, without concern for the actual person's will or appearance.
In Andersen's case, it is "the curse of the reader." Having become too famous as a writer of fairy tales, Andersen's original personality is being painted over by the image of a writer of fairy tales.
Andersen, who has materialized as a Servant, is having his limbs eroded by the images of fairy tales that represent him. It's hidden by his western-style clothing, the skin underneath is afflicted by merman scales, match burns, and frostbite, and when he speaks, his throat is sliced with intense pain.

Item Creation [C]
The ability to construct various implements through magecraft. While he does not know magecraft, by putting his Noble Phantasm to practical use, it seems he can more or less produce what can be found in his literary works.
It appears his specialty item is "a love letter that conveys your feelings, 100%," but considering Andersen's own experience with love, although not impossible, it's hard to request.
Again, when he was alive, he had a strange habit:
"Isn't it possible for me to be mistaken for dead when I'm sleeping and be buried?"
was his fear and it is said that he was so overwhelmed with anxiety that he always had a note with, "I am not dead," written on it on his body.

01 - 高速咏唱 [E]
魔術詠唱を早める技術。彼の場合、魔術ではなく原稿の進みに多少の恩恵があるようだ。
「俺の出筆スピードは遅いぞ。そもそも基本的にやる気がないので執筆なんざしないがな!」とは本人の弁。

02 - 無辜の怪物 [D]
本人の意思や姿とは関係なく、風評によって真相をねじ曲げられたものの深度を指す。
アンデルセンの場合は“読者の呪い”である。
童話が有名になりすぎ、アンデルセン本人の性格が童話作家のイメージによって塗りつぶされてしまった。
サーヴァントとして現れたアンデルセンの手足は、彼を代表する童話のイメージに侵食されている。
洋服で隠してはいるが、その下の肌は人魚の鱗やマッチのヤケド、凍傷に侵され、喉は喋るごとに激痛を刻んでいる。

03 - 道具作成 [C]
魔術により様々な道具を作り上げる能力。
魔術は修得していないものの、宝具を応用した詩文により多少の作成はできるようだ。
得意なアイテムは『100パーセント想いが伝わる恋文』らしいが、アンデルセン本人の恋愛歴を考えるととてもではないがお願いできない。

             ◆

また、生前の彼には妙なクセがあり、“眠っている時、死亡したと間違われて埋葬されるのではないか?”と恐れ、不安のあまり、つねに“死んでません”と書いた手紙を身につけていたという。

Setting

Personal Background I
A real person. Born 1805, died 1875 of liver cancer. Now, he is one of the three great authors, but half of his life was full of setbacks and suffering.
Born as the son of a cobbler, he aspired to be an actor but gave up without showing any results. After that, he aimed to become a poet but received harsh criticism. Finally, the book he published at his own expense began to sell decently well, and using that money, he set out on a trip outside the country.
His name-making work, "The Improvisatore," which had the inspiration he found abroad as its source, was finally acknowledged by the world. He was thirty.
Thereafter, he shifted to being a writer of fairy tales, but he clearly became a writer of fairy tales because those works were appreciated more than his more freely written works, meaning it only caused him pain.
As if to represent that, his fairy tales are full of naturalistic elements: violence and misfortune, poverty, and finally, are painted in a literary style that sees death as salvation.
Borrowing the appearance of fairy tales, he continued to depict the grief of being desperately poor and the hopelessness of how death was the only escape from that. ...While masking all the feelings swirling in his chest with the beautiful presentation of his composition.
Still, even after he became famous, he lived out his life as a bachelor, not associating with women. According to one theory, it seems there was someone he had feelings for, but due to high pride and a complex regarding his own appearance, he missed the chance to confess countless times.
He died of liver cancer at the age of 70. It is thought that he died grasping a letter from his first love which he always had on his person.
Andersen as summoned by the Moon Cell manifested, of all things, as he was as a boy before he became famous.
His alignment is Lawful Neutral. He has a introverted, self-assured, and passive personality. As a dour, pessimistic poet, he has no intention of being liked by others, and as it no longer has any worth for him to discover, he lacks any intention of enjoying life. Andersen does not desire anything from the Holy Grail. The cause is probably that he didn't attain even one of the things he desired when he was alive.
"This is assuming that life has value. Most of it is probably lower than people's delusions!"
he says, acting as if he hates everything in the world.
"But, well, while I hate the world, it is not as if I detest it. If there is something worth loving, then it would be fine to one again light the firewood in the hearth of frozen affection."
...Truly, what a bothersome man.

Personal Background II ("Blank Page" before clearing the CCC route)
"I will depict your life. You are truly the crystallization of the ugliness that is women. It is a story that makes me want to vomit everything."
Though Andersen always criticizes Kiara from beside her, he is not [the PC's] ally either. That is just the manifestation of the impartiality that distinctive to him. As Andersen is methodical like an author, being helpful is his true nature. First of all, if one does not think to entertain the readers, to serve the readers, then one is not fit to be a writer.
Andersen is hardened as a pessimist, but he will not laugh at the efforts of people who decide "let's live correctly" and "let's achieve this all our power".
Because that is what he once dreamed of, the form of a society that wished to be like that.
The reason Andersen advised [the PC] who was trying to resolve the incident, even while telling them, "Your actions are futile. Just leave those girls alone," in a flabbergasted manner, and never delivered definite repudiation against Kiara who was causing the situation to deteriorate, even while cursing her by saying, "Greedy, impudent, and on top of that, a liar! Only the demon in a fairy tale could be as unsightly as you!", is because both [the PC] and Kiara were earnestly "living their lives with everything they had."
In the end.
"A final light (sentence) for that unrewarded life."
That is this Servant's foundation.
Andersen who, though he was a world-famous author, did not attain even one of the things he desired. The writer of fairy tales who, while speaking of love, never once attained it. To him, a story about "a life where one struggles then disappears without being compensated" is what should be told. Humans who become happy easily are the same as scenery to him. They can just be happy of their own accord.
"I want to give a final light to the lives of people who were abandoned by even God," is the nucleus of Andersen's soul.
If you come to a stop on the final path, if you have the opportunity to turn around--you should be able to see a fragment of this Servant's truth.

01 - 人物背景Ⅰ
実在の人物。1805年生、1875年に肝臓癌にて没。
今でこそ三大作家のひとりだが、その半生は挫折と苦悩に満ちている。
靴職人の息子に生まれ、役者を志すも芽は出ず諦める。
その後は詩人を目指すも評価はさんざんであった。
ようやく自費出版した本がそれなりに売れ、その費用で国外旅行に出発。
旅行にて得たインスピレーションを元に、出世作『即興詩人』にてようやく世に認められる事となる。
30歳の時であった。
以降、童話作家に転向するが、その在り方は明らかにより自由な創作が認められるから童話作家になった、と自虐するようなものだった。
それを象徴するかのように、彼の童話は性に満ち、暴力と不幸、貧困、そして死こそを救済と見る作風に彩られている。
彼は童話にその姿を借りて、ひたすら貧しさへの嘆きとそこからの脱出には死しかないという絶望を描き続けた。
……その美麗な文章表現で、自らの胸に渦巻く想いすべてを覆い隠しながら。
また、高名になった後も女性との交際はなく、生涯独身。
一説によると想う相手はいたようだが、プライドの高さと自らの容姿へのコンプレックスで幾度となく告白の機会を逃したとも。
70歳にて肝臓癌にて死去。
肌身離さず身につけていた、初恋の相手からの手紙を握っての死だったとされる。

             ◆

ムーンセルにて召喚されたアンデルセンはあろうことか、有名になる前の少年の姿で現れた。
アライメントは秩序・中立。
性格は内向的、強気、受動的。
根暗で厭世的な詩人で、他人に好かれる気がなく、また、自分にも価値を見いだせなくなっているため、人生を楽しむ、という考えが欠如している。
アンデルセンは聖杯に何も求めていない。
生前、望むものは何一つ手に入らなかった事が原因だろう。
「人生の価値があるとしてもだ。
 そんなものはたいてい、人間が夢想するものより下だろうよ」
と、このように世の中すべてを嫌っている言動である。
「だがまあ、
 世を嫌っているだけで憎んでいるワケでもなし。
 愛するに足るものがあれば、凍りついた愛情という暖炉に、もう一度マキをくべてもいいだろうさ」
……まったく面倒くさい男である。

02 - 人物背景Ⅱ
「おまえの人生を描こう。
おまえこそ、女そのものといえる醜さの結晶。
反吐をぶちまけたくなる物語だ」

              ◆

キアラの横で常に彼女を批判していたアンデルセンだが、かといって岸波白野の味方でもない。
あれは彼ならではの公正さの現れだっただけだ。
アンデルセンは作家らしく几帳面で、根は面倒見がいい。
そも、読者を楽しませよう、読者に奉仕しよう、なんて考えがなければ物書きは勤まらないのである。

アンデルセンは厭世家として固まってしまったが “正しく生きよう”“全力で事を成し遂げよう”とする人間の努力を笑わない。

それはかつての彼が夢想し、そうあってほしいと願った社会の姿だからだ。

事件解決に奔走する岸波白野を「無駄な事を。あんな女どもは放っておけ」と呆れながらもアドバイスをし、事態を悪化させていくキアラを「貪欲で厚顔でオマケに嘘つき! 童話の悪魔でさえおまえほど醜くはあるまい!」と悪態をつきながら決定的な否定をしなかったのは、ひとえに岸波白野もキアラも“自分の人生に一生懸命”だったからだ。

              ◆

最後に。

“酬われない人生に、最後の一文(ひかり)を”

それがこのサーヴァントの根底にあったものだ。

世界に名だたる作家になりながらも望むものは何一つ手に入らなかったアンデルセン。
愛を語りながらも愛を手に入れられなかった童話作家。
そんな彼にとって、“あがいた末に酬われず消える人生”こそ語るべきもの。
簡単に幸福になれる人間は彼にとっては背景と同じだ。
それらは勝手に幸福になればいい。

“神さえ見捨てた人間の人生に、最後の光を与えたい” それがアンデルセンの、魂の核である。

もし貴方に最後の道で立ち止まり、振り返る余裕があるのなら―――
このサーヴァントの真実、その一端を見る事ができるだろう。

Caster (Fox)[]

[v] Fate/EXTRA - Tamamo-no-Mae (Caster) Matrix [T]

Class: Caster
Master: Player
True Name: Tamamo-no-Mae
Noble Phantasm: The Eightfold Blessing of Amaterasu
Keyword: Maleficum, Red Lily of the Killing Stone of Nasu
Strength: -, Defense: -, Agility: -, Magic: -, Luck: -
Area Creation: C, Maleficium: EX, Transformation: A

Kewords

01 - The Eightfold Blessing of Amaterasu
A mirror wielded by Tamamo-no-Mae. It is one of the sacred treasures brought down from the Heavens by the god Takehinateru-no-Mikoto and was oringally kept in the great shrine in the Izumo Province. According to passages in the Chronicles of Japan, the mirror was later moved to a site in the Kawachi district as the behest of the Imperial Court.

The mirror is also known as Yata-no-Kagami and is frequently used in rites honoring the sun goddess Amaterasu. In addition to its importance in ritual observances, it is also thought to possess the power to bring the dead back from the afterlife. However, since Caster's rebirth as a Servant, this power is no longer accessible.

02 - Maleficum
The Witchcraft that Caster uses is all physical phenomena performed with her own body. While common Magecraft are programs that "recompose what exists around," Witchcraft are programs that "recompose the raw materials in one's own body."

According to Caster's own word:

"This time there is only one due to the constrains of the Moon Cell, but originally I could produce a million troops from my multiple tails!"

That is really suspicious though.

03 - Red Lily of the Killing Stone of Nasu
This skill involves the use of the infamous Killing Stone of Nasu. After her death, Tamamo-no-Mae's spirit began to haunt the area around this stone and also imbued it with a terrible curse that killed any creature that came near it.

Originally located in the Nasu highlands of Tochigi Prefecture, the stone was shattered by a virtuous monk by the name of Gennou who then scattered the peces across three places in Japan.
It is believed that the shards of the rock evolved into fox spirits known in Japanese as kitsune and inukami. The legends go on to say that these newly-born spirits were bound as familiars by wizards powerful enough to establish contracts with the divine.

01 - 水天日光天照八野鎮石(すいてんにっこうあまてらすやのしずいし)
玉藻の前が身につけている鏡。
玉藻鎮石(たまもしずいし)と呼ばれる神宝の中の神宝を一時的に解放したもの。

鎮石とは出雲に祀られていた、武日照命が天より持ち来たったという神宝である。
日本書紀の記述によると、朝廷の要請によって出雲より持ち出され、のちに河内に祀られるようになった。

おそらく後の八咫鏡(やたのかがみ)であり、すなわち、天照大神の神体である。

また、鎮石は物部の十種神宝(とくさのかんだから)の原型と考えられ、魂と生命力を活性化させる力を持つ。
本来なら死者さえも甦らせる冥界の神宝だが、サーヴァント化している彼女では、そこまでの権限は持てないらしい。

02 - 呪術
キャスターの扱う呪術は、すべてキャスター自身の体を使って行われる物理現象である。
通常の魔術は“そこにあるものを組み替える”プログラムだが、呪術は“自身の肉体を素材にして組み替える”プログラム。

「今回はムーンセルからの制約で一つしかありませんが、本来なら多数の尾から百万の軍勢を生み出せるのです!」

とはキャスター本人の弁。実に眉唾である。

03 - 常世咲き裂く大殺界(ヒガンバナセッショウセキ)
殺生石を用いたキャスターのスキル。
玉藻の前が死後石に生じたものを“殺生石”と言い、これはたいへんな呪毒を帯びた石で、近づく人や獣を中毒死させた。

本来は栃木の那須高原にあったが、後に玄翁和尚という高僧によって砕かれ、日本に三箇所ある高田という場所に飛散した。
また、この際に飛散した残りはオサキ狐や犬神となり、各地の使役術師に使役される使い魔となったという。

Skills

Territory Creation [C]
This skill allows one to create a reality tailored specifically to their skills as a magus.
Unfortunately for Tamamo-no-Mae, her personality is ill-suited for the task of manipulating reality and she has great difficulty even creating a small-scale crafting studio for creating minor amulets and other types of low-level talismans.

Maleficium [EX]
The sacred rituals of the Dakini goddesses. The rituals confer the abilities to perform such actions as foretell the time and place of one's death and manipulate the hearts and minds of both men and women. Due to a number of very harsh lessons impressed upon her in the past, Tamano-no-Mae no longer make use of her still formidable skills in these areas.

Transformation [A]
This refers to the abilities of either changing ones appearance or borrowing the physical form of another. As a kitsune, or fox spirit, Tamano-no-Mae is able to alter her appearance and even species at will. However, due to a traumatizing event in a past incarnation that resulted in her death and temporary damnation, she rarely, if ever, uses this ability.

陣地作成[C]
魔術師として、自らに有利な陣地を作り上げる。
が、どうも性格的に向いていないらしく、工房を作ることさえ難しい。

呪術[EX]
ダキニ天法。
地位や財宝を得る法(男性用)、権力者の寵愛を得る法(女性用)といった、権力を得る秘術や死期を悟る法がある。
しかし、過去さんざん懲りたのか、あまり使いたがらない。

破壊工作[A]
借体成形とも。
玉藻の前と同一視される中国の千年狐狸精の使用した法。
殷周革命(『封神演義』)期の妲己に憑依・返信した術だが、過去のトラウマからか、あまり使いたがらない。

Details

01 - Character Background
In the final years of the Heian period, there was a beautiful courtesan in service to the Emperor Toba known as Tamamo-no-Mae. Born Misukume, she first entered the court as a servant at the age of 18, but quickly became a well-respected lady and a favorite of the emperor himself due to her incredible beauty and the depth of her intelligence.

While the stories become somewhat murky on this point, the most widely excepted theory is that an itinerant fortune teller visiting Emperor Toba's court discovered Tamamo-no-Mae's true identity as a nine-tailed fox spirit. Tamamo-no-Mae was denounced as the cause of the emperor's lingering illness and was driven out of the palace and onto the plains of Nasu, where she was killed trying to defend herself against an army of 80,000 soldiers sent by the emperor. While no one knows exactly what happened to her afterwards, it is believed that she was transformed into the legendary killing stone.

02 - "Dakini Deva"
While Tamano-no-Mae is generally believed to be a nine-tailed fox spirit with many of the attributes associated with the tantric deities known as Dankini, she is frequently mistaken by many as one of the Inari or sometimes even a manifestation of Buddha.

In the Fate/EXTRA universe, Tamamo-no-Mae is a soul that was created from the essence of the sun goddess Amaterasu, and as such is not merely a Earth spirit, but is actually a unique facet of the goddess from which she came. With this being said, it'd be a monumental mistake to classify her as one of the many human-spawned Legendary Souls.

However, she was willingly embraced the role of a Legendary Soul so that she could, in her own words "become a good wife." By deliberately accepting the limits inherent in the role of Servant, many of her original powers have been sealed away.

On a final note, as most deities are neither truly good nor evil, there are instances when Tamamo-no-Mae can be summoned as an evil spirit. Should this happen, she will transformed into a hideous monster capable of defeating a hundred heroes at once. In fact, when in this form, she is considered one of the Japan's Three Great Monsters.

01 - 人物背景:
平安時代末期、鳥羽上皇に仕えた絶世の美女。
白面九尾の狐が化けた姿とも言われている。
幼名は藻女(みずくめ)
十八歳で宮中に仕え、のちに鳥羽上皇に仕える女官となり、玉藻の前(たまものまえ)と名乗った。
その美貌と博識から次第に鳥羽上皇に寵愛されたという。

諸説様々だが、その後、鳥羽上皇は病に伏し、その原因を調べた陰陽師によって狐の正体を暴かれ、宮中から追い払われた。
宮中から去った後は那須野で悪名を重ね、上皇からの命によって八万もの討伐軍を派遣されるもこれを撃退。
二度目の戦いにおいて人間に敗北するも、その骸は毒を放つ石になったと言われている。

02 - 『ダキニ天』
元来、“玉藻の前”は巷間に九尾の狐といわれるが、厳密には野干(ジャッカル)であり、本来は「アマテラス(垂迹)=(本地)大日如来(法身)=(報身)ダキニ天」として崇拝された稲荷明神……宇迦之御霊神(うかのみたまのかみ)であると考えられる。
ちなみに源平盛衰記には、平清盛がこのダキニ天の力を用いた修法によって権力を握った伝承もある。

EXTRAにおける玉藻の前はアマテラスから分かれた御霊であり、その正体は九尾の狐ではなく神の表情の一つとして扱われている。

また、彼女を英霊としてカテゴライズするのは大きな間違い。

玉藻の前の“良妻になりたい”という願いを実現させる為に英霊になったため、本来のスペックを発揮できずにいる。
悪霊、荒御魂として再現された場合、彼女は百の英雄すら返り討ちにする大化生へと変貌を遂げるだろう。
日本三大化生の一人の名は伊達ではない。

Gilgamesh[]

[v] Fate/EXTRA CCC - Gilgamesh Matrix

Class: None
Name: Gilgamesh
Master: [PC]
Noble Phantasm: Enuma Elish (The Star of Creation That Split Heaven and Earth)
Keyword: King of Heroes, friend
Strength: B, Endurance: C, Agility: C, Magic: A, Luck: A
Divinity: B (A+), Golden Rule: A, Collector: EX

Keywords

Enuma Elish (The Star of Creation That Split Heaven and Earth)
Gilgamesh's final Noble Phantasm which reveals creation--the beginning of everything.
The severing of space which comes from the Sword of Rupture, Ea, the sword crowned with the name of a god from Mesopotamian mythology.
The god, Ea, is believed to be the quasi-deification of the power of the planet which turned, smashed, and stabilized the surface of the earth when it was still covered in gas and seas of magma, during the primordial stage of the earth.
Many gods began building nations after the the primordial earth was stabilized into a world where living creatures could live, but Ea is a god who performed the act of building of planet before that.
Gilgamesh's sword, which is crowned with Ea's name, changes space itself by agitating space-time through the rotation of three layers of giant power fields.
It's true power is not something to be used against a single living creature but against the world. Even among the many Noble Phantasms possessed by Servants, it is one considered to be at the top, the sword "which tore apart the world."

King of Heroes
Another name for Gilgamesh. It does not mean a king who is a hero but is used with the implication that he is the king over heroes.
The story of Gilgamesh, is who mankind's oldest hero, is copied within the mythologies of all the countries of the world. The origin of all myths, the model on which heroes are based...calling him such would not be an exaggeration.
More or less, the heroes of various myths are derived from Gilgamesh's legend. As such, Gilgamesh possesses the prototypes of the Noble Phantasms that heroes carry... the original treasures from before every legend was arranged. Though it may be a paradox, unless the original, Gilgamesh, possesses it, it cannot be handed down as the Noble Phantasm possessed by the later heroes who were derived from him.
When humanity was still small. Within the treasury of the king, who governed his kingdom and lived in as much luxury as he desired, was collected every single treasure in the world.
Inside that treasury, there is the treasured swords that saved later heroes, and there is preserved the cursed swords that stole the lives of heroes.
The reason that Gilgamesh is called the King of Heroes is here. Noble Phantasms are primarily one to a any single hero. Not only does he possess an approximately infinite amount of them, he also owns the "legends" that other heroes are wake against, as if it were natural. It should be impossible for an average hero to cross swords with him.
As a Heroic Spirit, he is an absolute warrior in battles against Heroic Spirits. While there are several heroes who hold the title of king, such as the King of Knights and the King of Conquerors, but in regards to being crowned with the title "King of All Heroes," in all of heaven and earth, he is the only one.

Friend
As he became a young man, Gilgamesh's violent disposition only grew. Of course the people of Uruk, but even the gods who dispatched him, were greatly perplexed by his violence.
"Gilgamesh is not fulfilling his original role." "That insolent creature needs someone to admonish him."
Having come to that conclusion, the gods sent a single life to the surface. Its name was Enkidu. It was a person made by a god and given her blood, the same as Gilgamesh.
It had neither a sex nor a fixed form. Enkidu, being made from clay by a god, was "Uruk's greatest weapon," able to change its shape at will. According to the god which was its mother's will, Enkidu confronted Gilgamesh before the temple of Uruk. With their exchanging of blows like a storm, their battle occurred within the city.
After that fierce fighting, they both collapsed to the ground without consideration for where, praised each other's valor, and became peerless friends.
Gilgamesh, who had been without equal, for the first time found someone he could call "a friend."
After that, while his vainglorious attitude did not change, Gilgamesh, remonstrated by Enkidu, softened his tyranny.
Gilgamesh, who had acquired someone who understood him in Enkidu, defeated the guardian of the forest and beast of the gods, Humbaba, and, as the most excellent king on the earth, took possession of every single treasure.
At this time, the dazzlingly powerful Gilgamesh was an existence that not even the gods could avert their eyes from.
A goddess fell in LOVE with this Gilgamesh. It was the goddess of fertility Ishtar. She proposed to Gilgamesh, but he quickly refused. Because he knew that how whimsical and cruel a witch who rendered men useless Ishtar was.
Ishtar, enraged by Gilgamesh's insults, as her revenge, clung to her father, the god Anu, in tears and released the greatest of divine beasts, "the Bull of Heaven," onto the earth.
"The Bull of Heaven" is a disaster of extreme magnitude clad in storms. When it appeared, a seven-year famine and destruction occurred on earth. In other words, the downfall of Uruk.
Against this divine beast which none could match, Gilgamesh and Enkidu worked together to stand against it and repelled it splendidly. Once again, the goddess lost face. Naturally, Isthar's rage had not lessened, and she requested death for either of the two of them from the gods. Because for one with a human body to kill the beast of the gods was a sin.
Ishtar's wish was granted, and one of the two, Enkidu, who was created by the gods, unable to defy that decree, slowly weakened and died.
...The sole person who understood the king, Enkidu. Just how large a shadow his loss cast over Gilgamesh is told in his lifetime afterward.
Enkidu is an autonomous weapon created from the clay of the gods. In SE.RA.PH. terms, he is close to an AI. As a result of being complete from birth, he neither grows nor evolves. He could take various forms as needed, but it is said his usual appearance was that of a 16-year-old person who could be seen as a girl or a boy with long hair which faintly shines a light-green color.

01 - 『天地乖離す開闢の星(エヌマ・エリシュ)
開闢―――すべての始まりを示す、ギルガメッシュの最終宝具。
メソポタミア神話における神の名を冠した剣、乖離剣エアによる空間切断。
エア神はまだ地球が原始状態だった頃、マグマの海とガスとに覆われた地表を回し、砕き、
安定させた星の力が擬神化したものとされる。
多くの神は原始地球が安定し生命が住まう世界となった後で国造りを始めるが、
エアはその以前、星造りを行った一神とされる。
エアの名を冠したギルガメッシュの剣は、三層の巨大な力場を回転させる事で時空流を起こし、
空間そのものを変動させる。
その真の威力は一個の生命相手に用いるものではなく、世界を相手に用いるものだ。
サーヴァントたちが持つ数ある宝具の中でも頂点の一つとされる、“世界を切り裂いた”剣である。

02 - 英雄王
ギルガメッシュの異名。
英雄の王、という意味ではなく、英雄たちの王、という意味合いで用いられる。
人類最古の英雄であるギルガメッシュの物語は、世界各国の神話に模倣された。
あらゆる神話の原典、英雄たちのモデル……と言っても過言ではないだろう。
大なり小なり、様々な神話の英雄たちはギルガメッシュ伝説から派生したものだ。
であるなら、ギルガメッシュは英雄たちが持つ宝具の原型……各神話ごとにアレンジされる前の、
大本の宝を所持している事になる。
逆説ではあるが、原典であるギルガメッシュが持っていなければ、発展系であるその後の英雄たちの手に
宝具は伝わらないからである。

まだ人類が少なかった頃。王国を治め、贅沢を欲しいままにした王の蔵には
世界中のありとあらゆる財宝が集められた。
その蔵には後の英雄たちを助けた宝剣の原典があり、英雄たちの命を奪った魔剣の原典も貯蔵されている。
ギルガメッシュが英雄王と呼ばれる由縁はここにある。
宝具とは本来、ひとりの英雄にひとつのもの。
それをほぼ無限に所持しているばかりか、彼は英雄たちが苦手とする“伝説”さえ当然のように所持しているのだ。
並の英霊に太刀打ちできる筈がない。
英霊にして、対英霊戦における絶対強者。
騎士たちの王、征服する王、と王の称号を持つ英雄は数あれど、“全ての英雄たちの王”の名をいただくのは
天地においてこの男だけである。

03 - 友人
青年になったギルガメッシュの暴力性は増すばかりだった。
ウルクの民はもちろん、彼を遣わせた神々でさえ、ギルガメッシュの横暴さに困り果てていた。
“ギルガメッシュは本来の役割を果たせていない”
“あの不埒者を戒めるモノが必要だ―――”
そう結論した神々は、ひとつの生命を地上に送りこんだ。
名をエルキドゥ。
ギルガメッシュと同じく、神の血を与えられた神造の人である。

ソレには性別はなく、また定まったカタチもない。
神に作られた粘土であるエルキドゥは自在に姿を変える“ウルク最強の兵器”だった。
エルキドゥは母である神に従い、ウルクの神殿の前でギルガメッシュと対峙した。
両者は嵐のように刃を交え、戦いは都市中におよんだ。
激闘の末、両者はどちらともなく地に倒れ、相手の武勇を褒め称え、無二の友人となった。
対等の存在がいなかったギルガメッシュにとって、はじめて“友”と呼べるものが出来たのである。

以後、ギルガメッシュはその独尊ぶりは変わらずとも、エルキドゥに諫められ圧政を軟化させた。
エルキドゥという理解者を得たギルガメッシュは森の番人、神の獣フンババを下し、
地上で最も優れた王としてあらゆる財を手中に収める。
この時、ギルガメッシュは眩しく強大で、神々でさえ目を逸らせない存在だった。
そのギルガメッシュに、一人の女神が恋をした。
豊穣の女神イシュタルである。
彼女はギルガメッシュに求婚するが、ギルガメッシュはこれをあっさりと跳ね除ける。
イシュタルがどれほど移り気で残忍で、男を駄目にする魔女かを知っていたが故だった。
イシュタルはギルガメッシュに侮辱されたと激怒し、報復として父であるアヌ神に泣きつき、
最強の神獣“天の牡牛”を地上に放ってしまった。
“天の牡牛”は嵐をまとう超高層の災害である。
これが現れた時、地上には七年間の飢饉と破壊が訪れる。
即ち、ウルクの滅亡である。
この、敵う者のいない神の獣にギルガメッシュとエルキドゥは協力して立ち向かい、見事撃退する。
女神の面目は再度丸つぶれにされたのだ。
イシュタルの怒りは当然収まらず、彼女は両名どちらかの死を神々に求めた。
人の身で神の獣を殺した事が罪だからである。
イシュタルの願いは聞き届けられ、両名のうち一人、神に作られたエルキドゥは
その命に逆らう事が出来ずゆっくりと衰弱死した。
……王のただ一人の理解者、エルキドゥ。
彼を失った事がギルガメッシュにどれほどの影を落としたのかは、後の彼の生涯が語っている。

エルキドゥは神の粘土で作られた自律型兵器だ。
SE.RA.PHで言うのならAIに近い。
生まれた時から完成していたため、成長も進化もしない。
必要に応じて様々な姿に変化したが、基本は緑色に淡く輝く髪を長く伸ばした、
少女とも少年とも取れぬ十六歳ほどのヒト型だったという。

Skills

01 - Divinity [B (A+)]
A judgement regarding whether or not one's body possess the property of being divine.
Though he possesses the greatest rank of divine spirit aptitude, Gilgamesh himself hates the gods, so the rank has gone down.

02 - Golden Rule [A]
Not the bodily golden ratio, but one's destiny in regard to how much money follows one around in life.
At rank A, it's possible to call it a soul of gold. With this Goldy attitude, even while living like a multimillionaire, he won't have any money troubles during his life.

03 - Collector [EX]
The ability to acquire items of higher quality. It's the good luck of frequently obtaining even rare items, but because it only applies to Gilgamesh himself, it does not bless the Master.
Gilgamesh is a collector of treasure. "I collected all the treasures of the earth," is Gilgamesh's favorite phrase, but that is not a metaphor. He collected and stored away a sample of all the technology that was developed during his age and sealed them.
That which Gilgamesh stored, rather than being treasure, is "the origin of the intelligence of mankind" itself. If it does not exist in Gilgamesh's treasury, then it is "something produced by a new breed of humanity, according a completely new concept," "something made from the technology of the culture born from the intelligent life from another heavenly body," one of the two.
For that reason, of course he has airplanes and submarines. The desires of the people from before Christ are not different, and it would not do for the crafts of ancient times when magic was in good health to be inferior to the crafts of the modern age. People generally realize the "tools of hope" that they dream of, and each time that occurs, it ended with them being confiscated by the king's hand.
The offensive skill Gilgamesh uses, "Gate of Babylon," shoots the treasure he collected like this like arrows. The gate to the golden capital opens, and his treasures are shot out from his treasure cellar.
This is a digression, but after the Noble Phantasms that are shot out are used, regardless of how far it has gone, it turns to Gilgamesh's treasure cellar. "Hah. I possess a Noble Phantasm which excels at the task of retrieval," says the person himself.

01 - 神性 [B(A+)]
その体に神性属性があるかないかの判定。
最大の神霊適正を持つのだが、ギルガメッシュ本人が神を嫌っているのでランクダウンしている。

02 - 黄金律 [A]
身体の黄金比ではなく、人生において金銭がどれほどついて回るかの宿命。
ランクAともなれば黄金の魂と言える。
大富豪でもやっていける金ピカぶりで、一生金銭には困らない。

03 - コレクター [EX]
より品質の良いアイテムを取得する才能。
レアアイテムすら頻繁に手に入れる幸運だが、ギルガメッシュ本人にしか適用されない為、
マスターに恩恵はない。

ギルガメッシュは財宝のコレクターでもある。
“地上の宝はすべて集めた”がギルガメッシュの口癖だが、それは比喩でも何でもない。
彼は彼の時代において発生した、あらゆる技術の雛形を集め、納め、これを封印した。
ギルガメッシュが貯蔵したものは財宝というより、“人類の知恵の原典”そのものである。
英雄王の蔵にないものがあるとすれば、それは“新人類が生み出す、まったく新しい概念によるもの”
“他天体の知的生命体による文明技術によるもの”のどちらかとなる。
なので飛行機も潜水艦も当然完備。
西暦以前であれ人の欲望は変わらず、また、魔力が健在だった頃の古代の技術は
近代の技術に劣ってはいなかった。
人が夢見る“希望の道具”はたいてい実現し、その都度、王の手によって接収されていた訳だ。
ギルガメッシュが用いる攻撃スキル、『ゲートオブバビロン』はこうして集めた財宝を
矢として射出するもの。
黄金の都に通じる扉を開き、彼の宝物庫から財宝を撃ちだしているのである。
余談ではあるが、撃ち出された宝具は使用後、ほどなくしてギルガメッシュの宝物庫に戻っていく。
「フッ。回収用の優れた宝具があるのだ」
とは本人の弁。

Setting

Source
The demigod king who ruled over the Sumerian city-state of Uruk in the time before Christ. Not just a legend but also a real person, the king written of in mankind's oldest epic, "The Epic of Gilgamesh."
Possessing great divinity as two-thirds god and one-third human, without anyone to match him in this world, he was perfected as a transcendent being who attained everything in the world.
In his childhood, he was adored by the people as the ideal ruler, but as he grew, possible due to being treated as almighty, his consideration for the people waned, and he came to rule Uruk with absolute power.
However, simply being oppressive does not make one a tyrant, he made Uruk prosper properly, found a friend he could speak with, and in personally subjugating the phenomena that would harm the people, that heroic quality cannot be doubted.
He is the heroic figure who defeated the bull so large it was cloaked in the heavens and rendered the civilization of this fortified Sumerian city unshakeable.
The following is historical fact, which differs from "The Epic of Gilgamesh." According to a fragment of an inscription found in an archaeological excavation of the historical ruins of this Sumerian city, Uruk was a city-state that existed on the shore of Persian south of Mesopotamia, and he was the fifth king of that city's first dynasty. It obtained assets through ocean trade and subjugated the region of southern Mesopotamia. He was victorious in the fight against Aga, king of the Kish who controlled the north made strong the city-states of Sumer. However, as a result the reckless deforestation of the woods due to the building of ships, their agricultural land was destroyed.
For that reason, Gilgamesh, seeking the giant tree, the Lebanon Cedar, launched an expedition all the way to far-away Phoenicia (modern day Lebanon), fought against the people of woods, called Humbaba, gained victory against them, and brought that massive tree back with him.

Source
According to "The Epic of Gilgamesh," it seems that Gilgamesh, after the loss of Enkidu, fell into depression, his previous vigor gone.
The fact that Enkidu, whose strength had not been inferior to Gilgamesh's own, could die, was the shock that Gilgamesh received.
Gilgamesh, who was tormented over anxiety of death, finally set off on a trip to the realm of the death in search of perpetual youth and eternal life.
It was said that there lived a sage who had lived since placing a large amount of animals upon an ark before the coming of a deluge that assailed the earth.
This sage was said to be the only one of the earth escape from death and live until the present. Seeking him, Gilgamesh set across wilderness alone.
At the end of that long journey and many hardships, Gilgamesh finally managed to reach the realm of the dead. There, he met the sage, Utnapishtim, spoke with him, and in the end, Gilgamesh attained the spirit herb of perpetual youth and eternal life.
Gilgamesh came to rise above the "death" that had taken even Enkidu.
His heart's desire fulfilled, during his triumphant return to Uruk, Gilgamesh stopped by a spring. He cleansed himself; it seems he wanted to test the fruits of his labor while in perfect condition.
However. While he was bathing, unexpectedly, a snake with an empty stomach sniffed out the smell of the spirit herb of perpetual youth and eternal life.
By the time he noticed, it was too late. Panicked, Gilgamesh emerged from the spring, all that remained there was the skin that snake had shed.
Having lost the spirit herb of perpetual youth and eternal life in this way, Gilgamesh was irritated for a long interval, but afterwards, he made his way back to his own castle, Uruk.
While the Gilgamesh after this was severe, he ruled his state quietly, entrusted to to the next king, and went to his eternal rest.
Without telling anyone of the whereabouts of the spirit herb of perpetual youth and eternal life.
Mankind's oldest king of heroes, Gilgamesh. Discord with the gods, the journey for the perpetual youth and eternal life, a deluge which covered the world. In that epic is the basis of every legend.
The truth of his epic poem, which has many uncertain points concerning fine details exists on the other side of the veil of romance placed upon it by the present day.
This is another digression, but the snake is reborn with a new body every time it sheds its skin because it stole and ate Gilgamesh's spirit herb... is what is said. It seems that the way the snake goes about its life appeared to the ancient people as a kind of perpetual youth and eternal life that was not available to humans.

01 - 出典
紀元前、シュメールの都市国家ウルクを治めていた半神半人の王。
伝説だけではなく実在したとされる、人類最古の叙事詩『ギルガメシュ叙事詩』に記された王。
三分の二が神、三分の一が人という高い神格を持ち、この世で彼に敵う存在はなく、
この世の全てを手に入れた超越者として完成されていた。

幼年期は理想の統治者として人々を心酔させたが、万能のおごりからか成長すると共に民を省みなくなり、
ウルクを絶対的な力で支配した。
しかし横暴なだけで暴君という訳でもなく、ウルクを正しく繁栄させ、語り合える友を見いだし、
民の害となる魔物たちを自ら討伐するなど、その英雄性には疑いようがない。
天を覆うほどの巨大な牡牛さえ倒し、シュメールの城塞都市文明を確固たる物にした傑物でもある。

              ◆

以下は『叙事詩』とは違い、史実のもの。
シュメール都市の遺跡より出土した碑文の欠片によると、ウルクはメソポタミア南方ペルシア沿岸に存在した都市国家であり、
彼はその第1王朝第5番目の王とされる。
海洋貿易により財力を得、メソポタミア南方地域を征服。
北方を制したキシュの王アカとの戦いに勝利し、シュメール都市国家群を堅固なものとした。
だが船建築の材料として森林を乱伐した結果、農地を荒廃させてしまう。

そのため、ギルガメシュは巨木のレバノン杉を求め遠くフェニキア(現在のレバノン)にまで遠征し、
 フンババと呼ばれる森の民と戦いこれに勝利を収め、大量の木を持ち帰ったとされる。

02 - 出典
『叙事詩』によると、エルキドゥを失った後のギルガメッシュは暗く落ちこみ、かつての勢いは無くなったとされる。
自分に勝るとも劣らない力を持つエルキドゥですら死ぬ、という事実にギルガメッシュは衝撃を受けた。

“死”の不安に苛まれたギルガメッシュは、ついには不老不死を求めて冥界へと旅立つ事になった。
そこにはかつて、地上を襲った大津波を前に多くの動物たちを箱船に乗せて生き延びた老人がいるという。
地上でただひとり死から逃れ、また、今も生き続けるという賢人。
彼を求めて、ギルガメッシュは単身で荒野に旅立った。

長い旅路、数多の苦難の末、ギルガメッシュはついに冥界に辿り着く。
そこでナピュシテムという老人と出会い、語り、彼はついに不老不死の霊草を手に入れた。
エルキドゥを奪った“死”すら、ギルガメッシュは超越する事になったのだ。

              ◆

念願叶い、ウルクに凱旋する途中、ギルガメッシュは泉に立ち寄った。
身を清め、己が成果を万全の状態で試そうとしたのだろう。

しかし。
その水浴びをしている最中、たまたま腹を空かせていた蛇が不老不死の霊草の匂いをかぎつけた。
気がついた時にはすべてが手遅れ。
あわてて泉から出るギルガメッシュだが、そこには脱皮した蛇の抜け殻だけが残されていた。

 こうして不老不死の霊草を失い、ギルガメッシュは長く焦燥したあと、己が居城であるウルクへの帰路についた。
  その後のギルガメッシュは苛烈さこそあるものの穏やかに国を治め、次の王に都市を委ねて永眠した。
  不老不死の霊草の在処を、誰にも話さないままで。

              ◆

人類最古の英雄王、ギルガメッシュ。
神との確執、不老不死を求める旅、世界を覆う大洪水。
その叙事詩にはあらゆる神話の原形がある。

こまかなところで疑問点の多い彼の叙事詩の真相は、いま以て浪漫のベールの向こう側にある。

また余談だが、蛇が脱皮する度に新しい体に生まれ変わるのはギルガメッシュの霊草をかすめ飲んだから……とも言われている。
古代人は蛇の在り方に、人間にはない不老不死を見たという事だろう。

Karna[]

[v] Fate/EXTRA CCC - Karna (Lancer) Matrix

Class: Launcher
Name: Karna
Master: Jinako Carigiri
Noble Phantasm: Vasavi Shakti (O Sun, Abide by Death)
Keyword: Golden armor, hero of generosity
Strength: B, Endurance: A, Agility: A, Magic: B, Luck: A+
Divinity: A, Uncrowned Martial Arts: -, Discernment of the Poor: -

Kewords

Vasavi Shakti: O Sun, Abide to Death
A spear of light that can only strike once. A spear of mortality made of lightning.
When it was time for the fight between Karna and Arjuna to reach its final stages, Indra, Arjuna's father and king of the gods, in order to help Arjuna, took away Karna's greatest armor, the "golden armor" through trickery.
However, Karna's behavior on that occasion was so noble that Indra came to adore Karna, the enemy of his son, and gave to Karna, as compensation for taking his armor, the power of the god of thunder that even he had not mastered.
That was this "thunder spear." It holds the power to defeat the gods themselves, but there is not record of Karna using this in his myth.
 
Golden Armor
In Hindu mythology, the golden armor and earrings and the hero Karna had upon his body. Karna's mother, Kunti, feared being an unmarried mother and prayed for the armor and earrings from Surya in order to protect her son.
A defense-type Noble Phantasm that emits the radiance of the sun itself. Since it is light itself given shape, even a god would have difficulty destroying it, and Indra put in the effort to render it unavailable to Karna.
In the myth, Indra took the form of a Brahmin and visited Karna's castle. He approached Karna when he was taking his holy bath and said, "I wish to receive the things you carry."
Karna had sworn not to refuse the request of a Brahmin made during this time. While aware of Indra's trap, he accepted this request and handed over the requested item, the armor that was his only proof of his lineage.
While it was taken from him in the myth, as a Servant, Karna still possesses it. While it appears massive, it's an invincible armor that disregards physics and concepts to curtail antagonistic interference.
As long as he wears it, the damage Karna takes is reduced to one-tenth.
 
Hero of Generosity
The specialty of the Saint of Generosity Karna, according to The Mahabharata.
Karna is poor at expressing his emotions, but he has the tendency to become angry when those who have picked him up, those who have supported him, are scorned. Even if it is a relationship based only on mutual benefit, to repay a favor with a favor is how Karna lives.
Possibly due to that selfless devotion of his, when people came to him, seeking something, he would generally grant it to them, as long as they were being truthful.
And this was without considering possessions or assets but with him considering the state of their heart first.
However, during the Holy Grail War, his master's victory is his priority, so a request for him to "yield his victory" will go unanswered, and he would admonish his opponent, as such a proposal would have no benefit for them.
"What a ridiculous misunderstanding. First of all, victory is something one must attain for oneself. Is a victory that I give truly a victory for you?"
This is not out of ill intentions, but rather because the question of "Doesn't having victory yielded to you cause you to lose at life?" is matter of real worry for him.

01 - 『日輪よ、死に随え(ヴァサヴィ・シャクティ)
一撃のみの光槍。雷光で出来た必滅の槍。
カルナとアルジュナの戦いが最終局面を迎えた時、アルジュナの父であり神々の王であるインドラは
アルジュナを助けるため、カルナの最大の武具である『黄金の鎧』を策略で取り上げてしまった。
しかし、その時のカルナの態度があまりにも高潔だったため、インドラは我が子の敵であるカルナに心酔し、鎧を取り上げた代償として自身ですら使いこなせなかった雷神の力を与えた。
それがこの『雷槍』である。
神々をも打ち倒す力を持つというが、神話においてカルナがこれを使用した記録はない。


02 - 黄金の鎧
インド神話において、英雄カルナが身にまとっていた黄金の鎧と耳輪。
カルナの母クンティーが未婚の母となる事に恐怖を感じ、 息子を守るためにスーリヤに願った鎧と耳飾り。
太陽そのものの輝きを放つ、強力な防御型宝具。
光そのものが形となったものであるため、神々でさえ破壊は困難であり、インドラはこれを無効化しようと尽力した。
神話において、インドラはバラモン僧に変化してカルナの館を訪ね、
カルナが御前の沐浴をしている時に“貴方の持ち物をいただきたい”とせまったという。
カルナには沐浴の時にバラモンに請われたら断らない、という誓いがあった。
彼はインドラの罠と知りながらもこの申し出を受け、求められるまま、
唯一の出自の証ともいえる鎧を差し出したという。

神話では奪われたままだが、サーヴァント化したカルナはこの鎧を所持している。
見た目こそ重厚になってしまうが、物理・概念とわずあらゆる敵対干渉を削減する無敵の鎧である。
これがあるかぎり、カルナにはダメージ数値は十分の一しか届かない。

03 -施しの英雄
『マハーバーラタ』において施しの聖者と言われたカルナの特長。
感情表現の乏しいカルナだが、自らを拾い上げたもの、擁護したものを貶められる事には憤怒する傾向にある。
それが利益のみの関係であれ、恩義には恩義で酬いるのがカルナの在り方だからだ。
そんな滅私奉公な性格からか、カルナは人から何かを求められた時、道理が通っていればたいていのものは与えてしまう。
これは彼が持ち物や財産にこだわらず、心の在り方を第一に考えているためだろう。

ただし、聖杯戦争中は主人の勝利が第一なので、“勝ちを譲ってくれ”という求めには応じられないし、それが相手にとって良くない提案であると諭す。
「ふざけた勘違いだ。 そもそも勝利とは自らでしか勝ち得ぬもの。
俺が施す勝利は、本当におまえにとっての勝利なのか?」
これは嫌味ではなく、勝ちを譲られた時点で人生に負けているのではないか?
と本気で心配しての質問である。

Skills

01 - Divinity [A]
The son of the sun god, Surya. In order to allow him to unify with Surya on a later occasion, he possess Divinity of the highest rank. Compared to heroes related to sun gods with Divinity ranked below B, he exhibits high defensive abilities.
While Karna is not good at asserting himself, when it comes to protecting the dignity of his sun god father, he shows a furious determination.
It seems that for the motherless Karna, that his father was the sun god was his only certainty, on top of receiving that power, he swore that he would never be able to do anything that would shame his father.
 
02 - Uncrowned Martial Arts [-]
Skill at arms that when unacknowledged for various reasons. Each sword, spear, bow, Riding, and Divinity skill is brought down one rank, and attributes will be displayed as their complete opposites. However, once his true name is revealed, this skill will no longer take effect.
Also, this is a digression, but the rank of his luck stat was reported by Karna himself.
 
03 - Discernment of the Poor [-]
The ability to observe and see through one's opponent's personality and attributes. Cannot be tricked by deceit or spoken excuses.
Truly, he was a immensely prudent and superhuman hero. He had the virtue to accept differing ideologies, even if they were his enemies', and their accompanying ways of life and respect them as "ways to live."
But Karna has difficulty conveying his true nature. Karna's speech and conduct pricks at those true natures. Words and actions meant to deceive oneself, behavior meant to gloss over, conviction. Karna sees through all of those things and frankly states "the true nature that his opponent wants to hide."
As a result, he comes to be hated by the majority of his opponents and is forced to fight them.
Anyone would hate having their faults being spoken of.
It goes without saying, but Karna's words and conduct do not contain any disgust at his opponent('s faults).
For Karna who affirms the position of every human, both faith that is not compatible with him and beauty and ugliness that he cannot understand are things to be held in esteem. Because he cannot put the admiration in his heart into words, people misunderstand him as someone who "denies and hates everything."

01 - 神性:[A]
太陽神スーリヤの息子。
のちにスーリヤと一体化するため、最高の神性を持つ。
神性がB以下の太陽神系の英霊に対して高い防御力を発揮する。

自己主張の乏しいカルナだが、父である太陽神の威光を守る事には激しい決意を見せる。
母のいないカルナだが、父が太陽神である事だけは確かであり、その力を授かった以上、決して、父を貶める事はできないと誓っているからだろう。

02 - 無冠の武芸:[-]
様々な理由から認められる事のなかった武具の技量。
剣、槍、弓、騎乗、神性のそれぞれのスキルランクをマイナス1し、属性を真逆のものとして表示する。
ただし、真名が明かされた場合、このスキルは消滅する。
また余談ではあるが、幸運値のランクはカルナ本人による申告である。

03 - 貧者の見識:[-]
相手の性格・属性を見抜く眼力。
言葉による弁明、欺瞞に騙される事がない。
実はたいへん思慮深い、人間的に優れた英雄。
異なる思想、敵側のものであろうとその生き方を受け入れ、“それもあり”と尊重する徳の高さを持っている。
しかし、カルナのそういった本質は伝わりづらい。
カルナの言動は本質を突く。
自らを偽った言動、取り繕う態度、信念。
そういったものを見抜き、『相手が隠しておきたい本質』を率直に語ってしまう。
結果、たいていの相手に嫌われてしまい、戦闘を余儀なくされる。
誰だって自らの短所を語られるのは嫌なものだ。

言うまでもなく、カルナの言動は相手(の短所)を嫌悪してのものではない。
人それぞれの立ち位置を肯定するカルナにとって、相容れぬ信念、理解できない美醜も尊ぶもの。
心の中では感心しているものの言葉には出さないため、結果として“あらゆるものを否定し、嫌っている”ように勘違いされてしまうようだ。

Setting

Personal Background I
Karna appears in the Indian epic poem The Mahabharata, as a hero on the vanquished side. (The central conflict of The Mahabharata is the war over influence between the Pandava royal family and Kaurava royal family.)
Karna became famous as the rival of Arjuna, the great hero of Hindu mythology.
Karna was born from the daughter of a human king, Kunti, and the sun god, Surya.
Kunti was the wife of the Kuru king Pandu, but he was under a curse that prevented him from producing children, so his queens each had no choice but other methods to bear children.
Kunti was a woman who had a mantra that allowed her to copulate with and bear the child of any god and, by those means, gave Pandu children.
...But. Before she became the king's wife, she tested the mantra and bore a single child. That child was Karna, the golden hero who was born from relations with the sun god Surya.
Kunti was a determined woman and, afraid of her first birth and anxiety over whether the god would acknowledge his own child, prayed to Surya: "I want proof that this child is your son."
Surya heard Kunti's words and gave his own power and attributes to the child as he was born.
This is the source of the golden armor that made Karna invulnerable.
But. Though she was shown such grace and faithfulness, Kunti threw away her first son. For her, who was to become the queen of Kuru king Pandu, the existence of her son nothing but unnecessary.
This is how Karna, who was thrown away by his owner mother, came to be ignorant of his own birth, but he lived with only the things he had been given by his father, the sun god Surya, held in his chest.
The form of Karna, who didn't know his own mother's face and who questioned whether his mother was motivated by dishonesty, couldn't be called beautiful.
Though he possessed his father's brilliant authority, his form was stained black. His countenance was cruel, and his every action was violent. Because of his lack of human mother, he didn't learn the subtleties of human emotion and spent his days being considered a nuisance by the people around him.
That was how Karna was raised, but he didn't hate his mother or his surroundings. Instead, he accepted everything.
"I was given life by my mother and father. No matter what kind of person my mother is, I do not hold contempt for her. If there is anything I hate, anything I hold contempt for, it is myself alone."
In contrast to his appearance, Karna was an exceedingly virtuous and perceptive child. Possibly the cause of that was because, while he was the child of a god, he was also a child without a single relative. Karna was blessed with the opportunity to question the poor, their lives, and their value. As a result, he chose, of his own free will, the path where he persisted in his own fastidiousness.
"I who was born with more than people should display a 'proof of my life' greater than those of people. Unless I do so, the people without power will not be rewarded."
What Karna had was simply the conviction to live without bringing dishonor to his father's authority and without shaming the people who compensated him. "Though he may be relentless and ruthless, he is also full of majesty," is Karna's stance given form.
And Karna, who had grown to be a young man, participated in a conference of the Kuru family. At this conference, the five Pandava brothers indulged themselves in the martial arts they were so proud of and so famous for. The third son Arjuna's skill at the bow was especially magnificent, to the point that he was praised as having no equal.
When the grounds were united as one voice praising the Pandavas, Karna leapt up to participate and displayed martial arts of the same rank as Arjuna's.
(This is a digression, but the reason for the unmotivated Karna to challenge Arjuna is unclear in the legend as well. The reason that Arjuna was the only opponent that Karna, who never envied nor hated anyone, was conscious of was established later.)
Karna challenged Arjuna to determine which of them was superior. But to challenge Arjuna, a member of the royal family, one must be higher than a Kshatriya.
(*Kshatriya... Those in the caste system who are of the military or royalty. Karna seemed to be a Vaishya (merchant class) or a Shudrya (a slave).)
Karna, whose challenge was refused due to the difference in status, was a laughingstock. The one who saved Karna in this situation was the eldest of the one hundred princes of the Kaurava clan, who opposed the Pandavas, Duryodhana.
He became interested in Karna and made him a king at that place. This is how Karna was saved from disgrace, but his foster father, who had heard of his promotion, appeared and established his origins.
The five Pandava brothers further ridiculed Karna, who displayed martial arts superior to their own, saying, "The son of a charioteer should have a sense of shame."
These words enraged Karna. If it were about himself, he would accept and be resigned to anything, but he would not allow insults toward his foster father. Even if it was a foster father who announced himself out of greed, to Karna, he was the father who raised him, who Karna should take pride in.
The antagonism between Karna and the five Pandava brothers had become something he could not step back from, but sunset had come and the curtain was drawn on the conference.
From then again, Karna, as the friend of Duryodhana, who saved him and treated him as a king, lived as a guest of honor of the one hundred princes of the Kaurava clan.
He would learn later that what awaits him beyond that is a cruel battle with the five Pandava brothers--great hero Arjuna.

Personal Background II
The antagonism between the Kauravas whom Karna entrusted his bow as a soldier and the Pandavas that Arjuna led intensified and finally became a war with their territory in the balance.
That war is called the Kurukshetra War, and that is where Karna's life came to an end.
Karna continued to wield his strength so that the one hundred Kaurava princes, and consequently Duryodhana, would be victorious. On the Pandava side, the only one who could oppose Karna was Arjuna, but even Arjuna could only be resigned to the fact that facing Karna directly was death.
Through several conflicts, pretexts, and mutual hatred, the war between this two camps arrived at Kurukshetra.
Things having reached this point, Karna's mother, Kunti, wagered one last gamble: to reveal his lineage to Karna and draw him to the Pandava camp.
Kunti told only Krishna, who was a friend of Arjuna in the guise of a normal person, of this situation, and the two of them went alone to meet Karna.
Kunti revealed that she was Karna's mother, spoke how fighting with the five Pandava brothers would yield no benefits whilst weeping, and persuaded him that by fighting together with Arjuna, he would attain glory.
Karna, without failing to show the friend of his arch-enemy Arjuna, Krishna, thanks, quietly listened to his mother's arguments.
Afterwards,
"I understand your words. To join hands with the five brothers and return to my proper form. That would be a story filled with light, without a single fault."
Then, facing the rejoicing Kunti, Karna continued speaking in an even softer voice.
"But I wish for you to answer one thing. Do you not feel that those words of yours were too late?"
She was too late in declaring she was his mother. She was too late in looking back upon Karna. "If you do not feel that this is a shame, then please answer. You, who declare yourself my mother, if you yourself have done no wrong, then I will accept the past without feeling ashamed."
While Kunti was a selfish woman, that was due to her natural innocence and and simple-mindedness; she was most definitely not a shameless woman. She knew her own deeds...throwing away Karna, who had just been born, for her own sake...were full of selfishness and reproached herself for that.
And for that reason, she possesses a minimum amount of pride. She could not tell to Karna, who had been raised alone until now, who was grateful to his foster family, who had never once embraced hatred toward another, a horrible lie.
Kunti broke off the negotiation without answering. Karna said this to Kunti, who stood with her head hanging,
"That is a deception, a complacent love. The only one your love can save is you. Your love is directed at no one but yourself. But--"
"I shall answer that feeling. From hereon, during the war, I will not kill any of the brothers who come to match me. I will only use all my power against my arch-enemy Arjuna."
Karna swore not to lay a hand on the brothers of the Pandava family who were inferior to him in strength. The countless times Karna allowed the five brothers to go after this was due to this pledge.
"Return to the place that you obtained with your own hands. ...Though it was only once, I am grateful that you called me your son."
Karna opened the castle gate and escorted Kunti out. That was the love that Karna bore for his mother, Kunti. It was not love for his mother at this late point in time but Kunti's resolution to raise "her feelings as mother" in the end... even if it wasn't genuine... That is what he answered. Kunti risked the danger of having her past come to light. To the hero of generosity Karna, such determination is worthy of compensation.
And so, just before the final battle. Arjuna's father, Indra, who understood that Karna could not be persuaded, took the form of a Brahmin, contacts Karna, and takes his golden armor.
Though Karna had lost the property of being unkillable that he received from his father, he never said he would stop proceeding to the battlefield. He did not care that when he had lost his golden armor he had hastened his own death.
Indra, who was touched by how gallant a figure Karna struck, asked why. Why did he continue to the battlefield, having lost his armor, but without reproaching Indra, who had hatched this scheme out of love for Arjuna?
"There is no need to hate you. It is simply a matter of being a step ahead. In fact--yes. Though you are a god, you are also a father. Such a thing brings me joy."
Then why do you advance toward the battlefield, asked Indra.
"To me, defeat is bringing shame upon my father. Even though death awaits me, I cannot run away."
After all, that was why he lived. To Karna, who lived his life with pride in those who gave him life and raised him, his life was not his own.
"Including, I owe Duryodhana a debt. For some reason, that impudent and timid man is so bright to me. It may be blasphemy against my father but, occasionally, I feel that that sweet light is the warmth of the sun."
It was not the fire of the sun that Karna carried nor the absolute brilliance of Surya; to Karna, the sun was the imperfect charm that humans displayed.
Indra, who saw the divinity of Surya himself in that form, gave Karna his spear. He had taken from this noble hero something greater than his life. Unless he gave something as compensation, his honor would be stained; above all--he was charmed with him: if it were this man, he could wield the greatest spear, that Indra had not given even to his own son.
After, Karna sent off the Brahmin, having lost his armor (flesh), and headed to the battlefield, as thin as a ghost.
The final battle with Arjuna. Karna was already without allies; his charioteer, whom he trusted with his body, was already an enemy, in collusion with the Pandavas.
He had a large number of heavy burdens, his feelings towards his younger half-brothers.
Due to his curse, the wheel of Karna's chariot was stuck in a rut. The string of Arjuna's bow was drawn back to its limits. These brothers who, for a long time, were manipulated by an unseen destiny to compete for supremacy, could only in this moment strike one another with all their might.
--And sure enough, Arjuna's bow shot down the sun.
It is said that after his death, Karna became one with his father Surya. Called "the hero of generosity," he was a saint with the creed of not refusing when people came to ask or rely on him. The hero who, while possessing exceedingly high abilities, was within a tragedy where he was the enemy of his brothers by blood, received various curses, and lost his life without showing his true worth--that is Karna.
This is a digression, but it is impossible to determine if Arjuna knew the truth...that Karna was his older brother...or not.
It seems the only people who knew that Karna was Kunti's son were Karna and Kunti, Krishna, and the sun god Surya.

01 - 人物背景Ⅰ
カルナはインドの叙事詩『マハーバーラタ』に登場する、倒される側の英雄である。
(マハーバーラタはパーンダヴァ王家とカウラヴァ王家、両勢力による戦いを主軸として描かれたもの)
インド神話の大英雄アルジュナのライバルとして名高い。

              ◆

カルナは人間の王の娘クンティーと、太陽神スーリヤとの間に生まれた。
クンティーはクル王パーンドゥの妻だったが、パーンドゥは子供を作れない呪いにかかっており、后たちは各々の手段で子供をもうけるしかなかった。
クンティーは任意の神々と交わり、子供を産むマントラを授かった女で、この手段でパーンドゥの子供を産む。
……が。彼女は王の妻となる前に、マントラの実験として子を一人もうけていた。
この子供こそカルナ。太陽神スーリヤと交わるコトで生まれた、黄金の英雄である。

クンティーはしたたかな女で、初出産の恐れ、神々が自分の子を認知するかといった不安から、太陽神スーリヤに“この子供が貴方の息子である証拠がほしい”と願った。
太陽神スーリヤはクンティーの言葉を聞き入れ、生まれてくる子供に自らの威光、属性を与える。
これがカルナを不死身たらしめる黄金の鎧の出自である。

              ◆

が。そこまでの恩寵、誠実さを示されながら、クンティーは一人目の息子を捨ててしまう。
クル王パーンドゥの后になる事が決まっていた彼女には、息子の存在は無用でしかなかったからだ。
こうして母に捨てられたカルナは自らの出自を知らず、ただ、太陽神スーリヤを父に持つ事のみを胸にして生きていく。
母の顔を知らず、また、その母の動機が不純だった為か、カルナの姿は見目麗しいものとは言えなかった。

父の輝かしい威光は備わっているものの、その姿は黒く濁っていた。
顔つきは酷薄で、その一挙一動は粗暴につきる。
人間の母親がいなかった為に人の感情の機微を学べず、まわりの人間からは煙たがれる日々だった。
そんな境遇で育ったカルナだが、彼は母や周りを恨まなかった。むしろ全てを肯定していた。

「俺が生を受けたのは父と母あってこそ。
母がどのような人物であれ、俺が母を貶める事はない。
俺が恨み、貶めるものがあるとすれば、それは俺自身だけだ」

カルナはその外見とは裏腹に、優れた徳と悟りを得た子供だった。
神の子でありながら天涯孤独の身であったからだろう。
カルナは弱きものたち、その生と価値を問う機会に恵まれた。
その結論として、彼は自らの潔癖さを貫く道を選んだ。

「人より多くのものを戴いて生まれた自分は、人より優れた“生の証”を示すべきだ。
そうでなければ、力なき人々が報われない」

カルナにあるものは父の威光を汚さず、報いてくれた人々に恥じる事なく生きる信念だけ。
“冷酷、無慈悲ではあるが、同時に尊厳に満ちている”
カルナのスタンスはこうしてかたちどられた。

              ◆

そうして青年に成長したカルナは、クル族の協議会に参加する。
協議会ではパーンダヴァ五兄弟がその武芸を誇り、名声をほしいままにしていた。
特に三男アルジュナの弓の腕は素晴らしく、誰もかなう者はいないと讃えられた。

場がパーンダヴァを讃える声で一色になった時、カルナは飛び入りで参加し、アルジュナと同格の武芸を披露する。
(余談だが、消極的なカルナがなぜアルジュナと競おうとしたかは伝説上でも不明とされている。
誰も羨まない、誰も恨まないカルナが唯一意識した相手がアルジュナである理由は、後に判明する事になる)

カルナは優劣を決しようとアルジュナに挑戦する。
が、王族であるアルジュナに挑戦するにはクシャトリア以上の資格が必要となる。

(※クシャトリア……
カースト制度でいう武門、王族。
カルナはヴァイシャ(商人)、あるいはシュードラ(奴隷)だったと思われる)

身分の差から挑戦を断られ、笑いものにされるカルナ。
そんなカルナを救ったのはパーンダヴァと対立する一族、カウラヴァ百王子の長兄、ドゥリーヨダナだった。
彼はカルナを気に入り、その場で王として迎え入れる。
こうしてカルナは不名誉から救われたが、カルナの出世を聞きつけた養父が現れ、カルナの出自が判明してしまった。

パーンダヴァ五兄弟は自分たちより上の武芸を見せたカルナをさらなる笑いものにする。
“御者の息子風情が恥を知れ”と。

カルナはこの言葉に激怒した。
自分の事ならあまんじて受けるが、養父を侮辱された事は聞き逃せない。
……たとえそれが欲にかられて名乗り出た養父だとしても、カルナにとっては自らを育ててくれた誇るべき父だからだ。
カルナと五兄弟の対立はもはや引き下がれないものとなるが、日没を迎え、協議会は幕を下ろした。
以後、カルナは自分を救い、王として扱ってくれたドゥリーヨダナを友とし、彼らカウラヴァ百王子の賓客として生きる事になる。

その先に待つ、パーンダヴァ五兄弟―――
大英雄アルジュナとの過酷な戦いを理解した上で。

02 - 人物背景Ⅱ
カルナが武人として弓を預けるカウラヴァ百王子と、アルジュナを筆頭とするパーンダヴァ五兄弟の対立は激しさを増し、最終的には領地をかけての戦となった。
この戦をクルクシェートラの戦いと呼び、カルナはこの戦でその命を終える事となる。

              ◆

カルナはカウラヴァ百王子を、ひいてはドゥリーヨダナを勝たせる為にその力を振るい続けた。
パーンダヴァ側でカルナに対抗できるのはアルジュナだけであり、そのアルジュナをもってしてもカルナとの直接対決は死を覚悟しなければならないものだった。
いくつかの衝突、因縁、憎しみ合いを経て、両陣営の戦いはクルクシェートラに到達する。

ことここに至って、カルナの母・クンティーは最後の賭けにでた。
カルナに自らの出自を明かし、パーンダヴァ陣営に引き入れようと考えたのである。
クンティーはアルジュナの従者にして友人・クリシュナにのみ事情を明かし、二人だけでカルナと面会する。
クンティーは自分がカルナの母である事を明かし、実の兄弟で戦う事の無益さを涙ながらに語り、アルジュナたちと共に戦い、栄光を手にするべきだと説得した。

カルナは宿敵アルジュナの友人であるクリシュナに礼を欠かさず、また、母の説得を静かに聞き入れた。
その後に、

「貴女の言葉は分かった。兄弟たちと手を取り、正しい姿に戻る。
それはなに一つ欠点のない、光に満ちた物語だろう」

では、と喜ぶクンティーに対し、カルナはなお静かに言葉を続ける。

「だが、一つだけ答えてほしい。
貴女はその言葉を、遅すぎたとは思わないのか」

母と名乗るのが遅すぎた。
カルナを省みるのが遅すぎた。
それを恥と思わないのであれば、どうか答えてほしい。
―――母を名乗る貴方が、自らに何の負い目もないというのなら、自分も恥じる事なく過去を受け入れる、と。

クンティーは身勝手な女ではあるが、それも生来の天真爛漫さ、無邪気さからくるもので、決して恥を知らない女ではない。
彼女とて自らの行い……
自分のために生まれたばかりのカルナを捨てた事……
が我欲に満ちたものだと自覚、自責はあった。
なればこそ、彼女にも最低限の誇りはある。
今まで独りで育ち、養父たちに感謝し、何の憎しみも抱かないカルナに、醜い嘘だけはつけなかったのである。
クンティーは答えられず、交渉は決裂。
うなだれて立ち去るクンティーにカルナは告げる。

「それは欺瞞、独りよがりの愛だ。
アナタの愛で救えるのは、アナタだけだ。
アナタの愛はアナタにしか向けられていない。
だが―――」

「その気持ちに応えよう。
以後、戦において俺に及ばぬ兄弟を仕留める事はない。
俺が全力を尽くすのは、我が宿敵アルジュナだけだ」

五兄弟のうち、実力の劣る他の兄弟には手を出さないとカルナは誓う。
これ以後、カルナは幾度となく五兄弟を見逃すのはこの誓いからである。

「自ら手にした場所へ帰るがいい。
……一度だけだが。
息子と呼ばれた事には、感謝している」

館の門を閉め、クンティーを送り出すカルナ。
それはカルナなりの母親・クンティーへの愛。
いまさら母恋しでもないが、最後に「母親としての情」に訴えたクンティーの覚悟……それが真偽さだからぬものとしても……
に、彼は応えたのだ。
クンティーは自らの過去を明かす、という危険を冒した。
施しの英雄であるカルナにとって、その決意は酬いるに値するものだったのだ。

              ◆

そうして、最後の戦いの直前。
カルナの懐柔はできないと悟ったアルジュナの父、雷神インドラはバラモン僧に化けてカルナと接触し、彼から黄金の鎧を奪った。
父スーリヤから授かった不死身性を失ったカルナだったが、それでも戦いに赴く事をやめるとは言わなかった。
カルナは黄金の鎧を失った時点で、速やかに自らの破滅を受け入れたにも関わらずだ。
あまりにも潔いカルナに感じ入ったのか、インドラは何故、と問う。
アルジュナ愛しでこのような計略に走るインドラを非難せず、鎧を失い、なぜ戦場に向かえるのかと。

「アナタを恨む事はない。
一枚上手だっただけの話だろう。
むしろ―――そうだな。神といえど父親である、というのが俺には喜ばしい」

では戦いに赴くのは何故だ、とインドラ。

「俺にとって敗北とは、父の威光を汚す事だ。
死が待っているにしても、逃げる事はできない」

なにしろ、その為だけに生きてきた。
自らを生み、育ててくれたものたちに胸を張れるように生きてきたカルナにとって、自らの命は、彼自身のものですらなかったのだ。

「それに、ドゥリーヨダナにも恩がある。
俺はなぜか、あの厚顔で小心な男が眩しくてな。
我が父への不敬となるが、たまに、あの甘い光こそが、日の暖かさだと思うのだ」

カルナの背負う太陽の火ではなく、絶対的なスーリヤの輝きでもなく、人間が見せる不完全な魅力こそが太陽だとカルナは語る。
その姿にスーリヤそのものの神性を見たインドラは、自らの槍をカルナに与えた。
彼はこの高潔な英雄から命以上のものを奪った。
その見返りにあたるものを与えなければ自らの名誉を貶める事になるし、なにより―――
己が息子にも与えなかった最強の槍を、この男なら使いこなせるのでは、と惚れてしまったのだ。

              ◆

こうしてカルナはバラモン僧を送り、鎧(肉)を失い、幽鬼のようにやせ細った姿で戦場に向かった。
アルジュナとの最後の戦い。
カルナには既に味方はなく、身を任せる馬車の御者すらパーンダヴァに内通する敵だった。
数々の重荷、異母兄弟である弟への感情。
呪いによりカルナの馬車の車輪は轍にはまり、アルジュナの矢の弦が限界まで引き絞られる。
長く、見えない縁に操られるよう覇を競いあった兄弟は、ここぞとばかりに渾身の一撃を放ち合う。

 ――果たして、アルジュナの弓は、太陽を撃ち落とした。

              ◆

カルナは死後、父スーリヤと一体化したと言われている。
『施しの英雄』と呼ばれ、何かを乞われたり頼まれたりした時に断らない事を信条とした聖人。

非常に高い能力を持ちながら、血の繋がった兄弟と敵対する悲劇を迎え、
様々な呪いを受け、その真価を発揮する事なく命を落とした英雄―――それがカルナである。

余談ではあるが、アルジュナが真相……カルナが自分の兄である事……を知っていたかどうかは定かではない。
カルナがクンティーの息子である事を知っているのは、カルナとクンティー、クリシュナ、太陽神スーリヤだけと思われる。

Kingprotea[]

[v] Fate/EXTRA CCC Fox Tail Material - Alter Ego G

Alter Ego G
Master: ???
Real Name: Kingprotea
Gender: Female
Height/Weight: 30~?m/?kg
Alignment: Lawful Good

Strength: EX
Endurance: EX
Agility: A
Magic: D
Luck: B
Noble Phantasm: -

Alter Ego of thirst of love.
G means gigantism, growing, greed.
It was formerly sealed at the ends of the imaginary number space.
Alter Egos are complexes made from several goddesses, however Protea is created from the essence of the great Mother Goddess that is common throughout all mythologies. Her self can be treated as a Noble Phantasm as she does not possess a Noble Phantasm. As with the Golden White Face, she's a hazard that can only be overcome in battle through the combined strength of several servants.

Class Skills
Huge Scale - EX
A cheat skill that evolved from Self-Modification.
There is no limit to how large she can get. Once the upper limit is reached, the upper limit is further increased. This is infinitely repeated. Basically infinite growth of infinite growth.
Anywho, she's a planet destroying universe level disaster, but giant transformation makes her lose complex intelligence and function. This skill cannot bear common sense, so one completely self-destructs.

Grow Up Grow - EX
Cheat Skill evolving from Experience Point Bonus.
Experience Point Bonus allows one to gain a bonus percentage of experience points after a battle. King Protea's skill cheats and changes it to "Always gaining Experience Points."

Personal Skills
Self-Suggestion - EX
Suggestion applied to oneself.
A skill that raises resistance against mental interference. At A rank "I do not age = Truly stops aging" level of assumption is possible. At EX level, whatever is going on in that mental world is outside of understanding.

アルターエゴ G
マスター:???
真名:キングプロテア
性別:女性
身長・体重:30~?m/?kg
属性:秩序・善

筋力:EX
耐力:EX
敏捷:A
魔力:D
幸運:B
宝具:-

渇愛のアルターエゴ。
Gはgigantism,growing,greed,の意。
かつては虚数空間の果てで封印されていた。
アルターエゴは複数の女神の複合体だが、プロテアはあらゆる神話に共通する大母神のエッセンスから創られた 。彼女自身が宝具扱いである為、宝具は所持していない。
金色白面同様、複数のサーヴァントが一丸となって戦って初めて打倒できる災害。

クラス別能力:
ヒュージスケール:EX
スキル「自己改造」が暴走したチートスキル。
限界のない規模拡大を可能とする。レベルが上限に達すると自らの規格を巨大化させ、さらなるレベル上限を設 定。これを無限に繰り返す。無限増殖とも。
いずれは星を破壊する宇宙レベルの災害だが、巨大化すれ場するほど知性・機能の複雑化が失われていくだめ、 通常の知性体ではこのスキルに耐えられず、自己崩壊してしまう。

グロウアップグロウ:EX
スキル「経験値ボーナス」が暴走したチートスキル。
「経験値ボーナス」は戦闘によって得る経験値に何パーセントかの追加ボーナスが入るものだが、キングプロテ アはこのスキルをされにチート化、「常時、経験値を取得する」ものに変えてしまった。

固有スキル
自己暗示:EX
自身にかける暗示。
精神攻撃への耐性をあげるスキルで、Aランクにまでなると ”私は歳を取らない=本当に老化が止まる ”レ ベルの思い込みが可能となる。EXレベルになると、もう心象世界では何がおきているか理解の外 である。

Lancer (Black)[]

[v] Fate/EXTRA - Vlad III (Lancer) Matrix [T]

Class: Lancer
Master: Lil'Ronnie
True Name: Vlad III
Noble Phantasm: Kazikli Bey: Fortress of Impalement
Keyword: Vampie...?, Dracula
Strength: B, Defense: A, Agility: E, Magic: A, Luck: D
Divine Aegis: A+++, Marshal: A, Seraphic Monstrosity: A

Kewords

01 - Kazikli Bey: Fortress of Impalement
This is this Servant's Noble Phantasm and is synonymous with the Servant himself, who in his previous life was known as Kazikli Voyvoda, or the Impaler Prince. The tortures and horrors released by the multitude of spears that his Noble Phantasm summons inflicts damage equivalent to the immorality and depravity found in the soul of the targeted opponent and can be seen as a form of divine punishment.

During the time of his reign as monarch of Wallachia, Vlad instituted a number of somewhat oppressive and punitive policies aimed at the lower levels of the nobility whom Vlad felt had seriously undermined and destabilized his country with their excessive corruption and political maneuverings. In addition to laws designed to curtail their excesses, he also carried out an unprecedented number of impalings amongst the noble classes.

While many believed he was simply trying to reduce the number of rivals and opponents to his rule, Vlad was shockingly ruthless in his approach to justice, targeting commoners and the upper-class with equal viciousness. His kingdom became a land of horrors, culminating with the 1459 impaling of an emissary from the Ottoman Empire, who survived on the stake for several days before finally succumbing.

02 - Vampire...?
A demon said to feed on blood.
A being some claims to be of the undead, and painted as evil and ungodly by those whole hold to a religious view of the world. In addition to the need to feed on the blood of humans, creatures such as this also are seemly immortal and are able to control lesser demons.

03 - Dracula
Means "Son of the Dragon."
His father was a member of the Order of the Dragon, an organization that originated during the rise of the Holy Roman Empire, and he took this name from his father's legacy.

01 - 串刺城塞(カズィクル・ベイ)
「串刺し公」とも呼ばれるこのサーヴァントの、いわば代名詞と言える宝具。
魔槍から放つ、呪いと鉄槌の拷問魔城(ドラクリヤ)
相手が持つ不義・堕落の罪に応じて痛みを増す、まさに正義の一撃である。

当時、一般庶民への串刺し刑はバルカン半島を含む北地中海圏ではさして珍しい刑罰ではなかった。
しかし彼は2度目のワラキア公への即位の際、あまりにも腐敗し、堕落しきった自国の貴族たちの姿を見て憤慨。
国を荒廃させた原因はその貴族らにあると見て、未曾有の大粛正を敢行する。
その粛正の要となったのが、貴族に対する串刺し刑だった。

貴族と庶民が厳しく分割されていたワラキアにおいて、これは相当にショッキングな事実だったと推測される。
領民たちの中で彼の苛烈さ、恐ろしさを感じなかった者はいなかっただろう。
以降、串刺し刑は彼の十八番となり、1459年、トルコの使者を生きたまま串刺しにするなどの所業にも出ている。

また、法皇庁に届け出られている記録によれば、彼が生涯に串刺しにした人間の数は10万人に達するという。
 
……恐ろしい事に、この数に敵国人は含まれていない(・ ・ ・ ・ ・ ・ ・ ・ ・ ・ ・)

02 - 吸血鬼……?
血を吸う鬼。
主が創りたもうた生き物ではないとされ、ある宗教観においては分かりやすい敵対者として描かれる。
人間の血を飲み、年を取らず、不死であり、多くの魔物を従えるという。

03 - ドラキュラ
「竜(ドラクル)の息子」という意味。
彼の父親が神聖ローマ帝国竜騎士団の騎士であり、ドラクルと名乗った事に由来する。

Skills

Aegis of the Divine [A+++]
An ability bestowed upon those who have sacrificed themselves for what they believe to be greater good. Although obstinately a form of divine protection, it does not necessarily mean that one has received the blessing of the gods. Instead, it is a manifestation of one's absolute faith and self-righteousness...

However, the more powerful this ability becomes, the more detrimental the effect it has on a person's sanity and personality.

Marshal [A]
Gives one the strength and vitality to escape from even the most dire of situations. It also gives one the ability to successfully retreated to allied territory if defeated.

Seraphic Monstrosity [A]
Dracula. Once the name of a proud family worthy of honor and respect, it is now a name given to a monster whose past has been grossly distorted as a result of his actions in his mortal life. The influence of perception has transformed both his abilities and appearance.
Also, this skill cannot be altered or removed.

信仰の加護[A+++]:
一つの宗教観に殉じた者のみが持つスキル。
加護とはいうが、最高存在からの恩恵はない。
あるのは信心から生まれる、自己の精神・肉体の絶対性のみである。
……高すぎると、人格に異変をきたす。

戦闘続行[A]:
戦闘から離脱する能力。
また、敗戦において自軍領地まで生きて辿り着く能力。

無辜の怪物[A]:
ドラキュラ。
生前の行いから生まれたイメージによって、過去や在り方をねじ曲げられた怪物の名。
能力・姿が変貌してしまう。
ちなみに、この装備(スキル)は外せない。

Details

01 - Character Background
Considered a heroic figure in Romanian history, he was seen as a noble warrior who rebuilt and maintained the kingdom of Wallachia as well as the shield of Christendom against the threat of the Ottoman Empire.

The name Dracula was the most common appellate used when referring to Vlad III during his reign as King of Wallachia. Originally a duke appointed to his office under the auspices of the Eastern Roman Empire, he adopted many of the customs of that country's court, including signing all documents in the early Roman style. The name itself comes from his father's (Vlad II) enrollment into the Order of the Dragon, a monarchial chivalric order founded by Sigismund of Hungary, who later ascended to the throne of the Holy Roman Empire. His father took the surname Dracul and Vlad III appended the "a", signifying that he was "the son of Dracul."

The Order of the Dragon's primary purpose was to defend the Christian world from the increasing influence and might of the Islamic Ottoman Empire, a calling that Vlad III enthusiastically embraced. It is believed by some that he took the name Dracula not only in honor of his father, bus as also as an announcement of his intentions of safeguarding all of Christendom against the Turks as the "Son of the Dragon."

In order to protect Wallachia from what he considered the ravaging Turkish hordes, he instituted a series of conscriptions and laws that almost destroyed the noble class and stability of his realm, as well as resorted to measures considered to be beyond monstrous even by the somewhat barbaric standards of the time. His cruelty and savagery was such that at one point he had over 20,000 captured enemy soldiers impaled in an effort to intimidate his foe. In the end he was betrayed by the nobles he had turned his back on and was assassinated at the age of 46 years old.

02 - "Dracula"
Known as one of the greatest monsters of modern history, the inevitable distortions and exaggerations of scholars throughout the centuries cannot wholly cover the well-documented horrors and atrocities committed by his direct commands. Although he is seen as a hero and savior by some, the lengths he went to preserve the independence of Wallachia and to repel the Turk will forever paint him as an incarnation of satanic evil on Earth.

1462 AD
This was the year in which he first used impaling not only as punishment, but also as a form of psychological warfare in order to slow down the advances of the Turkish invasion into the western kingdoms. With a force of just 10,000 troops, Vlad III made extensive use of what are now known as guerilla and scorched-earth tactics to harass and weaken the enemy forces, which at one points consisted of over 150,000 soldiers. At one point, he drove his forces into Carpathian Mountains after annihilating the Turkish forces surrounding the city of Bucharest.

The scene that the main Turkish force encountered when they finally arrived to help the city was one of nightmares. Surrounding the entire city was a vast forest comprised entirely of impaled soldiers, some 20,000 in total. It is said that the lines of impaled Turks stretched for kilometers in every direction. The sight of their comrade's bodies impaled on stakes in combination with the overpowering stench of decay broke the morale and spirit of the Turkish army. Even Mehmed II , son of the Turkish Sultan and known as the conqueror, was shaken and ordered his forces to withdraw, saying the following:

"I fear no man alive, but even I cannot hope to fight the devil."

In the end, Vlad III rationalized his brutality and his lack of remorse gave him a battle vision far superior to those he faced. However, his actions made him a pariah amongst even his supporters and his life came to a tragic end due to betrayal.

On an unrelated note, many military historians theorize that Vlad's actions against the Turks are the first time that guerilla warfare tactics made their appearance and that they were the reason for his many successes against a demonstratively superior force. If one is to have so much success defending something only to be repaid with treason and assassination, isn't it reasonable to assume that one would go insane from rage and disappointment?

01 - 人物背景:
ルーマニア史に名高い英雄。
ワラキア独立を堅持した、キリスト教世界の盾とまで言われた高潔な武人。

もともとドラキュラというのはワラキア公ヴラド三世が最も愛用した通称にすぎない。
厳密にはヴラディスラウス・ドラクリヤ。
立場的には東ローマから任ぜられた公爵だったため、ローマ式で署名していた。
これは彼の父、ヴラド二世が神聖ローマ皇帝ジギスムントの創設したドラゴン騎士団(メンバーは24人)の一員であり、自らをドラクル(竜公)と名乗っていたことに由来する。
つまり、ドラクルの子であるため、子を意味するaの発音を末尾につけた事からドラキュラになったのである。

ちなみにドラゴン騎士団の目的は、イスラム勢力からキリスト教世界を防衛することであった。
ヴラド三世がドラキュラを名乗ったのは、キリスト教世界を守護する父の意志を継ぐ意思表示だった可能性もある。

トルコ軍からワラキアを守り抜くため、国土を荒廃させた貴族たちを粛正し、敵対するトルコ軍の兵士2万を串刺し刑にしたが、厳罰主義を貫いた為、貴族たちに背かれた。
その最期は、配下であるワラキア貴族たちによる暗殺である。
享年46歳。

02 - 『ドラキュラ』
今や世界でもっとも有名な怪物の一人になってしまった人物。
創作が現実をねじまげた、最大のサンプルケースと言えるだろう。
……が、その全てを創作者の傲慢である、と断言できないのも事実である。
ヴラド三世はワラキア独立を守るために手段を選ばず、トルコ側から悪魔の如く嫌われたからだ。

1462年。
彼の最大の串刺しとして知られるのが、トルコ侵略に対する防衛戦争である。
彼は怒涛のごとき15万のトルコ軍に1万の軍隊で立ち向かう為、焦土戦術をゲリラ戦を指示。
民衆をカルパチア山脈に逃がし、首都までも空にした上でトルコ軍を迎え撃った。
その時に首都ブカレストの周囲にあったのが、のべ2万人を超えるトルコ兵たちの串刺しされた姿だった。

ブカレストの城塞周囲に屹立する、無数の串刺し死体の群れ。
その異様と異臭に、勇猛を持ってなるトルコ兵たちは完全に士気をくじかれた。
“征服者”と呼ばれた剛勇・メフメト二世でさえ、

「私はどんな人間も恐ろしくないが、悪魔だけは別だ」

と残し、軍を引き上げたという。
この時の串刺しの野原は長さにして3キロ、幅にして1キロ。
オスマン・トルコ帝国は後年のワラキア占領後も、このトラウマから自治は認め続けたとされる。

              ◆

残虐にして合理的。
人間以上の視野の広さを持つ武人。
だが理解者には恵まれず、裏切りによる失望の中で人生を終えた。
それがヴラド三世の真実である。

また、余談ではあるが、キリスト教世界で初めてゲリラ戦術(パルチザン)を組織したとの意見もある。
これほどの才能を持ちながら酬われなかったのなら、確かに、正気を失うのも無理からぬ事か。

Lancer (Blue)[]

[v] Fate/EXTRA - Cu Chulainn (Lancer) Matrix [T]

Class: Lancer
Master: Rin Tousaka
True Name: Cu Chulainn
Noble Phantasm: Gae Bolg: Spear of Barbaric Impalement
Keyword: Wielder of Runes, Child of Light
Strength: B, Defense: A, Agility: A, Magic: C, Luck: D
Anti-Magic: C, Marshal: A→C, Divinity: B

Kewords

01 - Gae Bolg: Spear of Barbaric Impalement
A crimson spear that always finds its mark.
The truth of this weapon is far more sinister than legends says. In a strange reversal of causality, the target and ultimate effect of this weapon have already ordained. The only variable presence in a successful attack is whether it is used or not. Once used, it is not a question of if it will hit, but how long it will take for its target to die. Agility will not help one avoid Gae Bolg should it used, but instead it all depends on one's luck.
Gae Bolg is the most efficient and deadly of all the Noble Phantasms, as it has a very low magic cost and almost always results in a one-hit kill.

02 - Wielder of Runes
A form of thaumaturgy unique to Northern Europe.
The foundation of this craft is the engraving of words of power into stone to induce various mystical events. It is believed that this ability has been lost to time.

03 - Child of Light
A hero believed to be the offspring of a god and a human. Demigods are fairly common amongst the Legendary Souls drawn from human mythology, although few of them are considered more than second-tier heroes by their adherents. This one, however, is believed to have inherited the blood of the Absolute One, the main god of his nation's pantheon of immortal beings.

01 - 刺し穿つ死棘の槍(ゲイ・ボルク)
突けば必ず相手の心臓を貫く、と恐れられた呪いの朱槍。
その真相は、槍が「心臓に命中した」結果の後に槍を放つ、因果の逆転である。
槍を放つ前に、前提として槍は既に心臓に命中している。
放ったから当たった、ではなく、当たったから放った、という、運命そのものに対する攻撃と推測できる。
ゲイ・ボルクを回避するには敏捷性の高さではなく、ゲイ・ボルクの発動前に運命を逆転させる力……幸運値の高さが重要となる。

宝具発動に必要とする魔力量が少なく、しかも一撃一殺という、最も効率のいい宝具。

02 - ルーン使い
北欧に伝わる魔術系統。
力ある文字を石に刻むことにより、様々な神秘を引き起こす、と言われた。
現在では失われた古い魔術。

03 - 光の御子
神と人の間に生まれた半神半人の英雄。
神や精霊とのハーフは神話体系(マイソロジ)の英霊であるなら珍しい特性ではないが、光の御子、と呼ばれる英霊は多くない。
おそらく、その民族神話における絶対者、主神の血を引く英霊と推測される。

Skills

Anti-Magic [C]
Nullifies minor spells consisting of chants of two verses or less. Ineffective against high-level thaumaturgy and the greater rituals.

Marshal [A→C]
Increases vitality when in deadly peril. Makes it possible to fight even with fatal injuries and remain alive as long as a final decisive blow isn't struck. The ability rank of this skill has been temporarily reduced as his Master chose to boost his overall endurance at the expense of this ability.

Divinity [B]
This is a measure of one's Divine Spirit aptitude. At high levels, this ability allows one to break through and defend against otherwise invincible skills, such as Sri Maha Bodhiya.

対魔力[C]:
第二節以下の詠唱による魔術を無効化する。
大魔術、儀礼呪法など大掛かりな魔術は防げない。

戦闘続行[A→C]:
窮地における生命力の強さ。
瀕死の傷でも戦闘を可能とし、決定的な致命傷を受けない限り生き延びる。
マスターにより耐久値がブーストされているためか、一時的にランクが下がっている。

神性[B]:
神霊適性を持つかどうか。
高いほどより物質的な神霊との混血とされる。
粛清防御と呼ばれる特殊な防御値をランク分だけ削減する効果もある。
菩堤樹の悟り、信仰の加護、といったスキルを打ち破る。

Details

01 - Character Background
One of the great heroes of Ireland.

First appears as demigod in Ulster mythology and is said to be the sun of Lugh, the God of light, and Deichtine, the younger sister of Conchobar, King of Ulster. His birth name was Setanta and from an early age it was foretold that he would become a hero of renown.

He was christened Cu Chulainn (which means Culann's Hound) after accidently killing the watchdog of a wealthy merchant. He took the name with pride, vowing, "I will devote myself to the rearing of a watchdog worthy of replacing the one I have just slain and until such time as that dog is ready, I will personally watch over and guard your life with my own."

Upon becoming an adult, Cu Chulainn was enrolled into the order known as the Knight of the Red Branch and then sent to the warrior-woman Scathach in the Land of Shadows to train as a warrior, and, according to darker rumors, meet his death.
Fortunately, Scathach saw in him a worthy student and disciple and passed on all that she knew of both martial arts and the more powerful aspects of thaumaturgy. Upon the completion of his training, Cu Chulainn was given the mighty demonic spear Gae Bolg and told to depart from the Land of Shadows.

After returning to be beloved homeland, his triumphs were many...but that is a story for another time.

02 - "Knights of the Red Bough"
All of the stories that surround the legend of Cu Chulainn are universal in their praise for his loyalty, heroism and compassion. And although he was famous for his terrifying "battle spasms" while on the battle field, his seemingly blind rage never overcame his steadfast adherence to his moral code.

Unfortunately, it was this unwavering adherence to honor that in the end lead to Cu Chulainn's demise. As a Celtric warrior, he was bound by a number of geasa (taboos), the violation of which would greatly weaken him. As a youth, he single-handedly defended Ulster from the armies of Queen Medb of Connacht. To add to insult of a single man annihilating her army, Cu Chulainn came across her on the field of battle, but chose to spare her life as he thought it dishonorable to kill a woman. From that moment on, the desire to see him die became an all-consuming passion for the disgraced queen.

Medb eventually came up with a scheme to weaken Cu Chulainn by using his own code of honor against him. By forcing him to violate several of the geasa that bound him, Cu Chulainn was stripped of the divine protections and gifts that were his birthright. However, he still managed to die with honor, tying himself to a stone pillar even as his life faded, as he vowed to never fall in battle.

01 - 人物背景:
アイルランドの大英雄。
アルスター神話で登場する。
光の神ルーとアルスターの王コノールの妹デヒテラとの間に生まれた半神半人の英雄。
幼名をセタンタと言い、幼い頃から「この子は英雄として生きる」と予言されていた。

          ◆

クーフーリンとは「クランの猛犬」という意味である。
これは幼い頃、クランという豪商の番犬をあやまって殺してしまったセタンタが「この犬に子供があるのなら、自分が育て、同じように強く忠実な番犬にする。それまでは、この身が貴方を守り通そう」と誓った事からきている。
クーフーリンの二つ名は、名高いクランの猛犬を素手で殺めた力量もさることながら、子供でありながら飼い犬を失った主人を心遣ったセタンタの器量を称えたものである。

たくましく成人したクーフーリンは、アルスター王を守る「赤枝の騎士団」に入団。
ある女性と結ばれるための条件として影の国と呼ばれる魔境に向かう事になる。

クーフーリンは幾多の難関を越え、影の国に到着。
国の主・魔女スカサハに気に入られ、その元で修練を積み、数々の魔術と体術を会得した。
影の国には、彼の青春時代のすべてがあった。
尊敬できる師と、情熱を捧げるに相応しい武術と、切磋琢磨しあえる友人。
とくに、共にスカサハの一番弟子を狙うライバルであった剣士フェルグスとの間に生まれた友情は、対等に戦える相手がいなかった彼にとって唯一のものだっただろう。
クーフーリンは修行の末、スカサハの武術を全て習得し、その証として魔槍ゲイ・ボルクを手に入れ、影の国を後にした。

親友フェルグスからの惜しみない賞賛を受けながら、懐かしの故郷・アルスターに帰ったのだ。

02 - 『赤枝の騎士』
伝説では、クーフーリンは勇敢で慈悲深く、気持ちのいい青年と伝えられている。
戦場では容赦なく敵を倒したクーフーリンだが、信義を重んじ、一度交わした誓いは決して破らない高潔さを持っていた。

ケルトの戦士には“誓約(ゲッシュ)”と呼ばれる、各々の戒めを行う習慣があり、誓約を破った戦士には呪いがかかったという。

クーフーリンはその二つ名の通り、“生涯犬は食べない”という誓約を持っていたが、後に、そういった幾つかの誓約が彼の命を奪う要因になった。

          ◆

自国アルスターに侵攻してきた敵軍との戦い。
誓約によって国中の戦士が眠ってしまう窮地の中、誓約から逃れたクーフーリンはただ一人で敵軍を食い止めることになった。
敵軍の女王・メイヴは“たった一人の戦士に何ができる”と侮り、意気揚々とアルスターに進軍。
―――だが。
優れた戦車乗りでもあったクーフーリンはこの大軍を一人で撃退する。

厳密には、大軍が通る道を単身で守りきったのである。
幾度となく攻め入るメイヴ軍を撃退するクーフーリン。
アルスター中にかかった眠りの誓約が解けるまで、あと一年。

その一年間のうちにメイヴはアルスターを落とさなければならない。
だがクーフーリンの守りは鉄壁で、誰一人としてクーフーリンを破れなかった。

そんな戦いのおり、クーフーリンは争いの元凶であるメイヴを捕らえるが「女を殺すわけにはいかない」と彼女を釈放した。
女王であるメイヴにとって、それこそ最大の侮辱である。
私的な復讐者と化したメイヴは一計を案じ、実力でクーフーリンを倒すのではなく、誓約を破らせる事で彼の弱体化を狙った。

女王メイヴは「誓約を受け入れるのなら、必要以上にアルスターの領土を荒らさない」とクーフーリンに交渉し、多くの誓約、交渉をクーフーリンに持ちかけた。
……そこには無数の罠があったが、クーフーリンは自らの破滅を承知した上で、女王からの誓約を受けた。

メイヴの誓約は、たしかにアルスターを守るだろう。

だが。その誓約はすべて、クーフーリンを陥れるために働くものだった。

          ◆

クーフーリンが交わした制約の中でも有名なのは、メイヴと交わした「一日に一人の戦士とのみ戦う」と、旧友フェルグスとの間に交わした「一勝一敗」の、ふたつの誓いである。
数多くの策略の果てに、クーフーリンは己に課した誓約を一つずつ破らされていく。

野戦の最中、羊の肉と騙されて犬の肉を口にし。
友と自国と欧の名誉のため、すべての加護を投げ捨て。
最後には、無二の親友であったフェルグスとさえ戦わされ。

……そうして。完全に力を失った英雄は、防衛の要になる川瀬において、ついに、致命傷となる槍を、その脇腹に受けたのだ。
誇り高いクーフーリンは倒れたまま果てる事をよしとせず、柱に自らの体を縛り付け、絶命するまで戦い続けた。
これが四枝(アトゴウラ)の川瀬。
後に、赤枝の騎士たちに不退転の証とされたルーンである。

Lancer (Red)[]

[v] Fate/EXTRA CCC - Elizabeth Bathory (Lancer) Matrix

Class: Lancer
Name: Elizabeth Bathory
Master: Tousaka Rin, Rani VIII, Matou Shinji
Noble Phantasm: Kilenc Sárkány (Dragon Cry Thunder Voice)
Keyword: Daughter of dragons, torture technique
Strength: C, Endurance: D, Agility: E, Magic: A, Luck: B
Territory Creation: B, Dragon Breath: E, Charisma: C

Kewords

01 - Kilenc Sárkány: Dragon Cry Thunder Voice
The dignity of a thunder dragon, considered a weather spirit in Hungary since long ago, converted into a Noble Phantasm. Sárkány is that dragon's name.
It amplifies sound and vibrations and, via that resonance, can call forth wind and rain. Its true function is to amplify the inherent majesty and charisma, the soothing waves, the spite that crushes just be being heard, or simply just the volume of its owner's voice nine-by-nine times. The singing voice of a demon that destroys and tramples not just the body of those who hear it but the heart as well.

02 - Daughter of Dragons
This Servant is incarnated as a demon due to the skill "Innocent Monster." Though her horns and tail appear to be those of a demon, they are actually those of a dragon. It seems those protruding fangs are not a mark of her being a vampire but a mark of her being a dragon.
"Innocent Monster" is a skill that, based on the image produced by their actions during their lives, twists one's past and way of life, transforming one's abilities and appearance. Vlad III, who holds the same skill, was held in contempt as a monster based on a certain novelist's work, but she received this treatment based upon her deeds while alive.

03 - Torture Techniques
Equivalent to rank A. Torture techniques par excellence.
When using torture instruments, she receives a damage bonus. In her case, she would shut the people she captured into iron maidens in order to wring the blood from them, drive them crazy with devices that would remove their fingers or implements that would bind their bodies, and on occasion, she would struck by and follow through with the idea to gnaw and bite off their fingers or arms, the napes of their necks, or nipples. Her cruel deeds are wide-ranging.

01 - 竜鳴雷声(キレンツ・サカーニィ)
ハンガリーに古くから伝わる天候の精霊にして、雷鳴のドラゴンの威風を宝具としてコンバートしたもの。
サカーニィとはこのドラゴンの名である。

音と振動を増幅し、その共鳴によって風雨を呼ぶとされる。
本来の機能は、持つ者の声に宿る威厳やカリスマ、癒しの波動、聞くだけで心を砕く悪意、または単に声量を9の9倍にまで増幅する。
聴く者の体ばかりか心まで破壊・蹂躪する、魔の歌声である。

02 - 竜の娘
このサーヴァントはスキル『無辜の怪物』によって魔人化している。
悪魔のように見えるが、その角と尻尾は(ドラゴン)のもの。
八重歯は吸血鬼の牙ではなくドラゴンの牙らしい。

『無辜の怪物』とは生前の行いから生じたイメージによって、過去や在り方をねじ曲げられ能力・姿が変貌してしまうスキルである。
同じスキルを物ヴラド三世はその死後、小説かの創作によって怪物におとしめられたが、彼女は生前の行いからこのような扱いを受けたようだ。

03 - 拷問技術
ランクAに該当。卓越した拷問技術。

拷問器具を使ったダメージにプラス補正がかかる。
このサーヴァントの場合、捕まえた人間をアイアンメイデンに閉じ込めて血を絞ったり、指折り器や拘束器具で苦しめて狂わせたり、時には思いついたように指や腕、首筋、乳房に噛みついてそれを食いちぎったりと、その残虐行為は多岐にわたる。

Skills

01 - Territory Creation [B]
Constructs a prison-castle and confines girls therein. According to the record, the lady of this castle would capture five virgins a day, execute three of them to bathe in their blood, and treat one as a pet so as to kill them with relish.
The final one remaining was given the right to challenge her fate, the possibilities including: "Stay and be killed," "Be betrayed by the people I planned my escape with and be killed," "Be captured by the castle guards and be killed," "Fall from the castle and die by accident," "Barely escape with my life and bring the demon to justice."
As a side note, the chances of achieving the fate where one "escapes successfully" is 1/1000.

02 - Dragon Breath [E]
The torrent of mana that dragons, the strongest of the Phantasmal Species, can release. Even though she's been turned into a dragon by the skill "Innocent Monster," she seems to be straining herself on some level so the power is low.

03 - Charisma [C]
Exemplifies her ability to coerce others based on her position as a member of the ruling class. Due to special circumstances in her legend, it goes up a rank against women. In regards to interaction with men, she is unusually fastidious; though she loves with touch them with implements, direct contact is rare.

01 - 陣地作成 [B]
監獄城を作り上げ、少女たちを監禁する。
記録によると、この城の主は、一日に五人の処女を捕まえ、三人を血浴みのため処刑し、一人をペットとしてなぶり殺した。
残る最後の一人には「このまま殺される」「脱出を企てるが仲間に裏切られて殺される」「衛兵に捕まって殺される」「城から落ちて事故死する」「……命からがら脱出し、悪魔を告発する」という運命への挑戦権が与えられた。

ちなみに「脱出できる」運命の出目は1/1000である。

02 - 竜の息吹 [E]
最強の幻想種である竜が放つマナの奔流。
スキル『無辜の怪物』でドラゴン化しているものの、どこか無理をしてるのか威力は低い。

03 - カリスマ [C]
支配階級としての威圧を示す。
特殊な伝承補佐により、女性に対してワンランクアップ。
男性に対しては妙に潔癖なところがあり、器具越しに触ることは大好きだが、直接触れる事は滅多にない。

Setting

01 - Bathtub of Blood
A bathtub of blood: One day, she let a maidservant comb the hair she was so proud of. But the comb became caught in her hair, and in a vehement rage, she stabbed the maidservant with a hairpin. The maidservant's blood happened to fall upon the back of her hand, and she noticed that the skin that blood touched was smoother than usual.
From then on, she decided to bathe in the lifeblood of women to preserve her beauty - or so it is believed.
Collecting blood became part of her daily routine, and after she changed residences to Csejte Castle, it reached the point where young women of marriage age had disappeared altogether from the rural villages within her dominion. (Or perhaps everyone came to know what was going on and hid their daughters indoors.)
Finding it difficult to collect blood from within her territory any longer, she collected the daughters of minor nobles under the pretense of teaching them proper manners or inviting them to banquets. It is said that many of those daughters were decapitated at these banquets, still in their fancy dresses, before they knew what was happening.
In addition to drawing blood, she is said to have thrust hot irons into their mouths, stabbed their entire bodies with pins, and other kinds of tortures. She would make her servants rip off the skin of their own daughters so she could enjoy the anguished faces of both the parent and the child.
On the other hand, tales of her torturing or killing men for pleasure are strangely absent.

02 - Personal Background I
Personal Background I: A real person, born in 1560, died in 1614. She was born into one of the noble families of Hungary, the Bathory family which used the fang of a dragon as its crest.
One of the models for the vampire Camilla. A wicked woman who is believed to have bathed in the lifeblood of more than 600 women in order to preserve her own beauty.
The Bathory house was the family who held the majority of the influence within Eastern Europe, and on top of that, she also possessed the blood of the house of Habsburg which made for a lineage that would make her a purebred noble.
However, whether it is do to the consanguineous marriages within the Bathory line or the effect of their luxuriant living environment, the family contained many insane and cruel individuals. Homosexuals, pedophiles and Satanists were not uncommon among her relatives.
Elizabeth was not an exception and became quite infamous. In Csejte Castle, which lay in her territory in what is now present-day Slovakia, she is believed to have killed more than 600 women and, in order to preserve her beauty, enjoyed bathing in the blood she wrung from them... a repulsive bloodbath.
Though she killed many members of her fiefdom, she was not charged with any crime until the end of her days. In those days, there was apparently a trend among the nobility of Hungary to not even consider humans who weren't nobles as "humans." Her murders did not cause any problems.
...Yes. Not until a single girl returned alive from her prison-castle and rushed to the Vatican.

01 - 血の浴槽
ある日のこと。
彼女は自慢の髪を侍女にすかせていた。
しかし櫛が髪に引っかかり、猛烈な怒りを感じた彼女はヘアピンで侍女を突き刺した。

偶然にも侍女の血は手の甲にかかり、その血をぬぐった皮膚が常よりも
滑らかとなっている事に彼女は気づいた。

以来、彼女は己の美貌を保つため、女性の生き血を浴びる事を思いついた―――とされる。

採血は日常となり、彼女がチェイテ城へと居を移した後、領地内の農村には
年頃の娘がいなくなってしまった程である。
(あるいはもう、誰もが事情を知っているので娘を隠して出さなくなったとも)

領地内からの採血が困難になった彼女は、行儀見習いや宴会といつわって下級の貴族の娘たちを集めた。
招待された貴族の娘たちの多くは、宴席の席上で着飾ったドレス姿のまま、
何も知らぬ内に首をはねられたという。

その他、採血の他にも焼きごてを口に突っ込んだり、全身にピンを刺すなどの拷問の他、
召使いに自分の娘の皮を剥がせてその親子の苦悶の表情を楽しんだとされている。

反面、彼女が男性を拷問にかけたり、殺したりして楽しんだという伝説は不思議とない。

02 - 人物背景Ⅰ
実在の人物。1560年生、1614年没。
ハンガリーの名家、ドラゴンの歯を紋章とするバートリ家に生まれる。

吸血鬼カーミラのモデルのひとり。
600人以上の娘の生き血を浴び、己の美貌を保とうとした悪女とされる。

           ◆

バートリ家は東欧圏のほとんどに勢力を持つ名家で、彼女はそれに加えてハプスブルグの血も引いており、
まさに貴族のサラブレッドとも言える血筋だった。

しかしバートリ家は近親婚や鬱蒼とした生活環境の影響からか狂気と残忍さに彩られた者が多く、
彼女の近親者にも同性愛者や幼児性愛者、悪魔崇拝者などが少なくなかった。

エリザベートも例外ではなく、また、有名であった。
彼女は現在のスロバキアにあった自領のチェイテ城にて、600人以上の娘たちを殺し、
己の美貌を保つためにその搾り取った血で湯浴み……おぞましいブラッドバスを好んだという。

多くの領民を殺めた彼女だが、その最期の時まで罪に問われる事はなかった。
当時のハンガリー貴族には貴族以外の人間をそもそも“人間”とは考えない傾向があったようで、
彼女の殺人は何の問題にもならなかったからである。

 ―――そう。
   彼女の監獄城から一人の娘が生還し、
   法王庁に駆け込むまでは、まだ。

Meltlilith[]

[v] Fate/EXTRA CCC - Meltlilith (Alter Ego) Matrix

Class: Alter Ego
Name: Meltlilith
Master: BB
Noble Phantasm: Saraswati Meltout (Benzaiten's Five String Biwa)
Keyword: Crime ballet, composite divinity
Strength: E, Endurance: C, Agility: A+, Magic: A, Luck: B
Constitution of an Abuser: A, Melt Virus: EX, Riding: B

Keywords

01 - Saraswati Meltout: Benzaiten's Five String Biwa
The Noble Phantasm that BB gave to this Alter Ego.
Originally, it was not an Anti-Unit but an Anti-Group, Anti-World Noble Phantasm. It was not something to be used in combat or by a warrior, but rather something used on a civilization with an established culture.
Meltlilith's honey sweetly melts not only the body but also the soul. This Noble Phantasm melts the community's good sense and morals to integrate it into a single unit resembling a colony.
Trampling and absorbing that slimified body, heart, and society is its original ability.
Its immense effectiveness against non-combatants oozes Meltlilith's nastiness.

Its ingredient is one of the Seven Deities of Good Luck—equated with three Munakata goddesses, Ugajin, etc.—Benzaiten.
This is the biwa of Benzaiten—who controls "things that flow", such as natural phenomena (among other things, water and wind), music and words, speech, poetry and prose—given form as a Noble Phantasm. The origin of Benzaiten is the river goddess of Hindu mythology, Saraswati. She was born from the god of creation Brahma, but she was unable to stand the passionate gaze of Brahma, who desired her as his consort due to her overwhelming beauty, and desperately ran from him; such account shows her to be a goddess who is timid when faced with love. Saraswati is a goddess who rules over the arts and academics, and after being worshipped as Benzaiten, she has gained authority over increase of wealth as well.

02 - Crime Ballet
Merely a battle style. The result of Meltlilith, who adores classical ballet, retuning herself: an arrangement of various offensive skills. She came to possess diverse powers by converting already completed stories/stages into skills.
Those references are quite diverse. Below are explanations for them.
"The Name of the Heel is the Cursed Sword Giselle": From the classical ballet "Giselle." Having fallen into despair from her beloved Albrecht's betrayal, Giselle uses his sword in a frenzied dance, during which she dies. Women who die before marriage become ghosts known as wilis. Giselle becomes one of the wilis, who capture men and dance them to death, but...
"Unforgivable Hilarion": From the classical ballet "Giselle." Hilarion, who deceived Giselle, is caught by the wilis and pays for this crime. He is not forgiven and without waiting for daybreak, they make him dance in ecstasy until he dies from exhaustion.
"Farewell, Albrecht": From the classical ballet "Giselle." Albrecht is taken prisoner by the wilis, but due to one of the wilis saving him, he keeps his life. When Albrecht, who was spared from death by exhaustion, raises his face, the form of the girl he most loved disappears like an illusion.
"The Siren Who Burns Entrails": From the classical ballet "The Prodigal Son." A country feudal lord's son, out of admiration for city life, runs away. There are many temptations lurking in the streets; the most extreme of which is the enchantress Siren, who corrupts men with her veteran wiles.

However, the lineage of these skills is merely a smokescreen. Crime Ballet points out how Meltlilith has been cheating.
To make herself invincible, Meltlilith overwrote a basic rule of the far side of the moon "loss of sense of time" into "loss of hit detection on Meltlilith".
Meltlilith's act of selfishly giving herself such privilege, not by training herself but by altering the rules of the world, is an exemplary criminal act.

03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Meltlilith is made of three goddesses.
The first is the pure virgin goddess Artemis of Greek mythology. Without fail, she shoots through, granting them disease and death, those who seek to attain magical energy behind ebb and flow of tides, in other words, linkage to the moon's movement.
The second is the cruciform snake staff which originates from Leviathan, who appears in the Old Testament, or maybe Lotan from Ugaritic mythology. It is a being with the same origin as the staff that Moses used to split the Red Sea and, at the same time, a symbol of the sea split by that staff. Its owner is granted a transformative property like that of water, enabling them to adapt to any situation. Furthermore, they would be able to change their form freely and could even take the shape of the target of their envy.
The third is the river goddess Saraswati of Hindu mythology. She holds the ability to control "things that flow", such as natural phenomena (among other things, water and wind), music and words, speech, poetry and prose. The timbre that flows from her can excite any emotion in the heart of the listener and, moreover, interfere with flow of electrons in a computer network.

01 - 弁財天五弦琵琶(サラスヴァティー・メルトアウト)
BBがアルターエゴに与えた宝具。

本来は対人ではなく対象、対界宝具。
戦闘や戦士に用いるものではなく、一定の文明を築いた文明圏に用いるもの。

メルトリリスの蜜は肉体だけでなく精神まで甘く溶かす。
この宝具はそのコミュニティーの良識、道徳をとろけさせ、群体のように一体化させてしまう。

そうして身も心も社会もスライム化したものを踏みにじり、吸収するのが本来の力である。

非戦闘員に対して絶大な効果を発揮するあたり、メルトリリスのたちの悪さがにじみ出ている。

材料になったものは七福神の一柱であり、宗象三女神、宇賀神などと同一される女神、弁財天。

自然現象、中でも水や風、音楽や言葉、弁舌、詩文といった“流れるもの”を操る弁財天の琵琶を宝具としてカタチにしたもの。
弁財天の源流はインド神話の河の女神サラスヴァティーである。
彼女は創造神ブラフマーによって生み出されたが、あまりの美しさに自らの伴侶にと望むブラフマーの熱烈な視線に耐えきれず、必死に逃れようとした経緯がある、愛の臆病な女神である。
サラスヴァティーは芸術や学問を司る女神であり、弁財天として崇拝されるようになってからは財物の増進にも権能を持つようになった

02 - クライム・バレエ
単なるバトルスタイル。
クラシックバレエに傾倒するメルトリリスが自らを再調整した結果、成立した攻撃スキルの数々。
元から完成された物語・舞台をスキルに変換する事で多彩な能力を持つにいたった。

その引用は多岐にわたる。衣かはその解説とする。

『踵の名は魔剣ジゼル』クラシックバレエ「ジゼル」より。
恋したアルブレヒトの裏切りから絶望し、ジゼルは彼の剣を使った狂乱の踊りの中で息絶えた。
結婚を前にして死んだ女はウィリと呼ばれる亡霊になる。
ジゼルは男を捕まえては踊り殺すウィリの一員となるのだが…

『許されぬヒラリオン』クラシックバレエ「ジゼル」より。
ジゼルを騙したヒラリオンはウィリに囚われ、その罪を清算する事になる。彼は許されず、明け方を待たずして踊り狂い、衰弱死した。

『さよならアルブレヒト』クラシックバレエ「ジゼル」より。
ウィリに囚われたアルブレヒトだが、ひとりのウィリの助けにより一命を取り留める。
衰弱死を逸れたアルブレヒトがその顔をあげた時、最愛の少女の姿は幻のように消えていた。

『臓腑を焼くセイレーン』クラシックバレエ「放蕩息子」より。
田舎領主の息子は都会での暮らしに憧れて出奔。
街では多くの誘惑が待っており、その最たるものが百戦錬磨の手管で男を墜落させる妖婦セイレーンだった。

しかし、これらのスキル系統は目くらましにすぎない。
クライムバレエはメルトリリスの行った不正行為を指す。

メルトリリスは自らを無敵にするため、月の裏側における基本ルール『時間感覚の喪失』を『メルトリリスの当たり判定の喪失』に書き換えていた。

自分を鍛え上げるのではなく、世界のルールを変えて特権をほしいままにしたメルトリリスの行為は犯罪行為そのものだ。

03 - 複合神性
アルターエゴは英霊複合体として創造されたハイ・サーヴァントである。

BBはムーンセルのサーヴァントアーカイブにアクセスし、その中からエゴと適合する女神を選び、データを再現。
アルターエゴを女神の複合体として成立させた。

メルトリリスに組みこまれた女神は三体。

一神目はギリシアにおける純潔の処女女神アルテミス。
潮の満ち引き、すなわち月の運行と連動しており、その魔力を受けて狙った者を必ず射抜くと同時に、疫病と死をもたらす。

二神目は旧約聖書に登場するレヴィアタン、あるいはウガリット神話のリタンに由来する、蛇十字 の杖。
紅海を割ったモーセの杖と同根の存在であり、同時にその杖によって割られた海そのものの象徴でもある。
持つ者に水のごとく変化する性質を与え、どのような状況にも順応可能とする。さらに変幻自在にその姿を変え、自らが嫉妬する者の姿となる事もできるとされた。

三神目はインドにおける河の女神サラスヴァティー。
自然現象、中でも水や風、音楽や言葉、弁舌、詩文といった“流れるもの”を操る能力を持つ。
そこから流れる音色は、聞く者の心に任意の感情うぃ沸き立たせ、さらにコンピュータネットワークなどの電子の流れにも干渉する。

Skills

01 - Constitution of an Abuser [A]
A skill that augments one's aggression in battle. It appears to be a positive skill, but the longer its owner stays in battle, the more their abusive disposition will grow, causing them to lose their usual composure. It's possible to say that this is just one step short of the skill that causes Berserkers to go insane.
The more one attacks, the stronger one becomes, but on the other hand, one's defensive abilities drop. With the added disadvantage of unconsciously lowering one's chances of escape, it can be said that this is a skill that had bad compatibility with the usually composed Meltlilith.

02 - Melt Virus [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Absorption". The highest grade of energy drain. Draining, copying, and scaling down are all possible.
The drain process has two parts. First, the virus honey(poison) that is produced in Meltlilith's body is injected into the target and fuses parameters that will be stolen, "experience", "skill", "capacity", etc. After that, she absorbs, converts, and makes a part of herself the parameters that were liquefied by the virus.
As long as it has a form, regardless of whether it is organic or inorganic matter, she can drain; however, things without shape... things like spiritual nature and skills can be fused but converting them into "her own things" is difficult, so it seems she can only use them as simple nutrients.
For this reason, what Meltlilith mainly makes into "her own things" are primarily "experience" and "capacity".
Utilizing this ability, Meltlilith plans to augment "her own transcription". She created a transfer-type of virus that would melt the entire content of an electronic body and transform it into herself... Meltlilith.

03 - Riding [B]
Riding ability. As long as it is an animal that exists in reality, even if it is a wild animal, she can ride it. Usually, knight-type Servants, such as Saber or Rider, would have this skill but...
Why Meltlilith possesses this skill is something best left to the imagination.

01 - 加虐待質 [A]
戦闘において、自己の攻撃性にプラス補正がかかるスキル。
プラススキルのように思われがちだが、これを持つ者は戦闘が長引けば長引くほど加虐性を増し、普段の冷静さを失ってしまう。
バーサーカー一歩手前の暴走スキルと言える。

攻めれば攻めるほど強くなるが、反面、防御力が低下してしまう。
無意識のうちに逃走率が下がってしまうマイナス面もあり、普段冷静なメルトリリスにとては相性の悪いスキルと言える。

02 - メルトウィルス [EX]
id_es(イデス)と呼ばれる、アルターエゴたちが生まれながらに持つ特殊能力。
スキル『吸収』から進化したチートスキル。
エナジードレインの最上級。
ドレイン、コピー、スケールダウンなどを可能とする。

ドレイン成立には二工程ありまずメルトリリスの体内で生成されるウィルスを(どく)として対象に注入し、『経験値』『スキル』『容量』等の、その時に奪うパラメーターを融解させる。
その後、ウィルスによって液化したパラメーターを吸収、変換し(コンバート)、自らの一部とする。

カタチさえあれば有機物、無機物、問わずドレインする事が可能だが、カタチのないもの……
精神性やスキルといったものは融解する事はできるものの、これを“自分のもの”に変換する事は難しく、単純な養分にする事しかできないようだ。
このため、メルトリリスが“自分のもの”にできるものはおもに『経験値』『容量』がメインとなる。

この能力を利用して、メルトリリスは“自分の転写”を増やす事を計画した。
電脳体の中身をすべて溶かし、自分……メルトリリスに変貌していく転移型のウィルスを作ったのだ。

03 - 騎乗 [B]
騎乗の才能。
現存する動物なら野生のものであれ乗りこなせる。
本来ならセイバー、ライダーといった騎士系のサーヴァントがこのスキルを持つのだが……

メルトリリスがどうしてこのスキルを所持しているかは、想像にお任せしたい。

Setting

01 - Neurological Disorder
Neurological disorder: Humans possess five sense--sight, hearing, smell, taste, and touch--and use those five sensors come to recognize the outside world and, as a result of that, they come to comprehend their own state of being.
At their foundation, humans come in contact with the world through these passive senses. By unconsciously using the excellent sensors known as the five senses, they accept the ordinary. However, in the case that any of the five senses degrade, the consciousness must actively face toward the outside world. That which was passive becomes active.
For example, someone who has lost their sight will deliberately specialize in their remaining four senses and will utilize them as even greater sensors. Ironically, they will come to function as someone whose perception is several times superior to that of a person who has all five senses.

In regards to Meltlilith's five senses, her sense of touch has deteriorated. Especially her hands--she's almost completely lost sensation in her fingers, and for that reason, she has become proactive in her relationship with the outside world.
It is thought that even her interest in causing others pains ultimately arose "because just by myself, I cannot feel the existence of other people."
This is a digression, but because of the clumsiness of her fingers caused by this, despite her hobby of collecting figures, she cannot immerse herself in assembling garage kits. Currently accepting applications for a skilled assembler!

02 - The End of Pleasure
The end of pleasure: The ego born from BB's "service requirement" and "pleasure". The type of abnormally lovely girl who cannot help but stir up a desire to protect her in men—is what she was, but possibly due to the effect of her skill that continuously steals opponents' abilities, she currently possesses a belligerent personality.

Although she tries to take in other people, she desires neither understanding nor sympathy from them because Meltlilith does not understand others' feelings.
Meltlilith does not need others. She does not understand love or dreams. If she acquires "love(romance)" somehow, she would probably dedicate everything to serve its target.
To the self-sufficient Meltlilith, the target's feelings are not worth considering. She would declare in her oppressive manner that her feelings are correct.
With no intention of discussing together (Already, I love you so much that I don't feel the need), with no desire to touch each other (Already, that amount of pleasure is unsatisfactory), with no thought about telling them she wants them to love her (Already, such mutual understanding is unnecessary).
Truly, a domineering Ego full of no's and not's. Beneath that condescending attitude and oppressive manner, there is not a speck of doubt or hesitation, only overly pure "feeling of love(romance)".

Meltlilith has not noticed—what is truly at the foundation of herself, who is an incarnation of "self-pleasure".
At Meltlilith's core is "devotion to the person she has fallen in love with".
Repeatedly raising her level with draining, trying to control the Moon Cell—all were done to offer supreme pleasure to her loved one.
Protecting her loved one → taking them into herself → living forever with them taken into herself (even if she is completely changed to the point where she doesn't understand herself). She has determined that to be the supreme love she will offer to her loved one.
From Meltlilith's such perspective, even BB and Lip are nothing more than "foreign matter that think they want to be also saved".

... However, those feelings are far too closed. To her, who saw only her own feelings as definite, whose connection with the outside world was lacking, "falling in love with another" was itself a fatal defect(bug).

01 - 神経障害
人間は五感————視覚、聴覚、嗅覚、味覚、触覚の五つのセンサーで外界を認識し、その反響によって自己の在り方も認識する。

人間は基本、受動的な感性によって世界と触れあっている。
五感という優れたセンサーを無意識に使うことで、日常を受け入れている。

しかし五感いずれかの能力が低下した場合、意識は積極的に外界と向き合わねばならない。
受動的だったものが能動的になるのだ。

例えば、視覚を失ったものは残った四つの感覚を意識的に特化し、より優れたセンサーとして使用する。
皮肉な事に、その鋭さは五感を持つ人間より何倍も上位のものとして機能する事となる。

             ◆

メルトリリスは五感のうち、触覚が低下している。
特に手————指の感覚がほぼ失われており、そのため外界との繋がりに積極的になっている。

彼女の加虐趣味も、つまるところは“自分だけでは他人の存在が感じられないから”生じたものと思われる。

余談ではあるが、このため彼女は指先が不器用で、趣味の人形収集のうち、ガレージキット作成に没頭できない。
腕のいい作り手募集中!

02 - 快楽の果て
BBの「奉仕要求」「快楽」から作られたエゴ。
男性が保護欲をかきたてずにはいられない病的で可憐な少女像————だったのだが、相手の能力を奪い続けるスキルの影響か、現在の好戦的な性格になった。

             ◆

他人を取り込もうとするクセに、他人からの理解・共感を欲しがらないのは、メルトリリスには他人の気持ちが分からないからだ。


彼女には他人は必要ない。
愛も夢も理解できない。
そんな彼女がもし“恋”を獲得した場合、その対象にすべてを捧げて奉仕するだろう。


自己完結しているメルトリリスにとって、対象の気持ちは考慮するに値しない。
高圧的な態度で自分の愛情こそが正しいと断言する。


話し合うつもりはなく(既に、その必要を感じないほど愛している)、触れあいたい欲望もなく(既に、その程度の快楽では物足りない)愛してほしいと告げる気もない。(既に、そんな相互理解は必要ない)


まさにナイナイ尽くしの高飛車エゴ。
常に上から目線の高圧的な態度の裏にあるのは、一点の迷いも曇りもない、純粋すぎる“恋心”なのである。

             ◆

メルトリリスは気づいていない。
他人を必要としない『自己快楽』の化身である自分の、本当の根底にあるものを。

メルトリリスのコアにあったものは『恋したものへの献身』だった。

ドレインを繰り返しレベルをあげ、ムーンセルを支配しようとしたのも、すべては恋人に至上の快楽を捧げるため。

恋人を庇護する→自分に取り込む→ 取り込んだ自分が(たとえ自分が分からなくなるほど変わり果てても)永遠に生き続ける。
それこそが、自分が恋人に捧げられる至高の愛だと彼女は決断したのだ。

そんなメルトリリスから見れば、BBやリップすら“自分も救われたいと思っている不純物”にすぎない。

             ◆

……だが、その想いはあまりにも閉じている。
自分の心だけが確かであり、外界との繋がりが希薄な彼女にとって、“他人に恋する”こと自体が、致命的な欠陥(バグ)だった。

Passionlip[]

[v] Fate/EXTRA CCC - Passionlip (Alter Ego) Matrix

Class: Alter Ego
Name: Passionlip
Master: BB
Noble Phantasm: Brynhild Romantia (Until Death Do Us Part)
Keyword: Breast Valley, composite divinity
Strength: A+, Endurance: A, Agility: C, Magic: B, Luck: E
Presence Concealment: A+, Constitution of an Abuse Victim: A, Trash & Crash: EX

Kewords

01 - Brynhild Romantia (Until Death Do Us Part)'
The Noble Phantasm that BB granted to this Alter Ego.
This Noble Phantasm strikes with more accuracy and does more damage the deeper her love toward the target is. Even if it's utterly one-sided, she will never let her loved one escape.
The Servant this Noble Phantasm was made from is the valkyrie, Brynhild, who appears in "The Völsunga Saga." The spear of love and hatred that she wielded in order to get revenge on her husband, Sigurd who betrayed her and wounded her honor. Strictly speaking, not the spear itself, but the deep love and hatred Brynhild felt for Sigurd that has taken the shape of a spear.
In "The Völsunga Saga," the fearless hero Sigurd (Siegfried) takes Brynhild, who was sleeping encircled by flame, as his wife. But afterwards, Sigurd betrays her, presenting her as his brother-in-law's wife. At first, Brynhild believed that this was due to Sigurd drinking alcohol which caused him to lose his memories and accepted these events as her immutable fate.
However, she came to know that, in reality, Sigurd had already regained his memories by that time. In the end, Brynhild killed the man she loved most in the entire world via a conspiracy and then freely took her own life in order to follow after him.

02 - Breast Valley
A simple trash box. Has the function of storing away and safeguarding unneeded data files. It's a garbage can. In Passionlip's case, the icon is set right in the middle of her chest for some reason.
To put it frankly, an imaginary space pocket into which you can put anything as long as it's as trash. If it is dust data that Passionlip has crushed, she can stow away an infinite amount, regardless of capacity.
Though it seems contradictory, it seems even objects that exceed Passionlip's own memory storage can be thrown into this valley.
At first glance, this appears to be a convenient function, but because dust data cannot be returned to its original form, it's an utterly useless function. It appears that Passionlip acquired this unique structure because she is of the type of girl who bottles her feelings up inside, leading to self-destruction and self-harm.

03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Passionlip is made of three goddesses.
The first is the goddess of beauty from Hindu mythology, Parvati. A goddess who loves her husband, the god of destruction Shiva, with blind devotion.
The second is the goddess of war, Durga. Considered a facet of Parvati, Durga possess ten weapons given to her as divine gifts. Passionlip's giant claws are an incarnation of those ten swords.
The third is a goddess of war from Scandinavia, Brynhildr. Unable to be tied to the hero she loved, this queen called destruction to her though her grief. In Wagner's opera, she was rendered as Brünnhilde, who appears as a valkyrie (war maiden) who escorts the souls of the departed to Valhalla. It goes without saying that the circumstances of this work led to a tragedy where she despaired over love and raised her hands against her beloved.

01 - 死がふたりを分断つまで(ブリュンヒルデ・ロマンシア)
BBがアルターエゴに与えた宝具。

対象への愛情が深ければ深いほど、命中精度とダメージ数値を増していく宝具。
たとえそれが一方通行のものであったとしても、愛した相手は決して逃さない。

              ◆

材料になったサーヴァントは『ヴォルスンガ・サガ』に登場するワルキューレ、ブリュンヒルデ。
自分を裏切り、その名誉を傷つけた夫シグルズへの復讐のために振るわれた愛憎の槍。
厳密には、槍そのものではなく、ブリュンヒルデのシグルズに対する深い愛情と憎悪が槍の形を取ったもの。

『ヴォルスンガ・サガ』において恐れを知らぬ英雄シグルズ(ジークフリート)は、炎に囲まれて眠るブリュンヒルデを妻とする。
しかしそのあと、シグルズは彼女を裏切り、義兄弟の妻として差し出してしまった。
ブリュンヒルデは当初、シグルズが記憶を失う酒を飲まされたためと考え、運命だから仕方がないとそれを受け入れた。

だが、後に実際にはその時、シグルズはすでに記憶を取り戻していた事を彼女は知ってしまう。
結果としてブリュンヒルデは、この世で最愛の夫を陰謀の末に殺害し、自らもまた己の命を絶ってその後を追ったという。

02 - ブレストバレー
単なるトラッシュボックス。
不必要なデータファイルを一時的に収納し、保管する機能。
ごみ箱とも。
パッションリップの場合、そのアイコンがなぜか胸の中心に設定されている。

端的に言ってしまえば、ゴミならいくらでもため込める虚数空間ポケット。
パッソンリップが遺したダストデータであるなら、どんな容量であろうと無限に収納できる。

矛盾しているが、リップ本人のメモリ量を越えるモノすらこの谷に棄てる事ができるようだ。

一見すると便利な機能に見えるが、ダストデータは元のカタチには戻らないため、まったくもって無意味な機能。
パッソンリップは感情を内に溜め込み、自壊/自傷するタイプの少女像である事から、このような特殊構造を獲得したと思われる。

03 - 複合神性
アルターエゴは英霊複合体として創造されたハイ・サーヴァントである。

BBはムーンセルのサーヴァントアーカイブにアクセスし、その中からエゴと適合する女神を選び、データを再現。
アルターエゴを女神の複合体として成立させた。

パッソンリップに組みこまれた女神は三体。

一神目はインドにおける美の女神パールヴァティー。
盲目的に、そして献身的に夫である破壊神シヴァを愛した女神である。

二神目は戦いの女神ドゥルガー。
パールヴァティーの側面とされるドゥルガーは、十本の神授の武器を持っている。パッソンリップの巨大な爪はその十の剣を具現化したもの。

三神目は北欧の戦いの女神ブリュンヒルト。
愛した勇者と結ばれず、哀しみから破滅を呼んだ女王。
ワーグナーの楽劇においてはブリュンヒルデとされ、死者の魂を天界に送る戦乙女(ワルキューレ)として登場する。
言うまでもなく、こちらの顛末も愛に絶望し、愛する者をその手にかける悲劇だった。

Skills

01 - Presence Concealment [A]
A skill that allows one to take action while hiding themselves. It's a skill that those of the Assassin class possess as it's their most basis ability, but Passionlip has acquired it as well, possibly due to her personality.
Due to her timidness and cautiousness, she manifests excellent Presence Concealment, but her giant claws act as a hindrance and she is quickly discovered. If she didn't have those claws, she would be an excellent stalker.
Though this is a digression, she has been following [the PC] from early on, though no one noticed, observing and watching over them from the shadows, or something like that.

02 - Constitution of an Abuse Victim [A]
A skill that increases the chances of being targeted by enemies in group battles. It appears to be a minus skill, but for a Servant with strong defensive capabilities, possessing this skills allows them to function as an excellent escort.
A slight bonus to defense is included. Once it reaches rank A, an even more unique effect is added: The more the attacking party attacks, the more they will lose their composure until the holder of this skill is all they can think of.

03 - Trash & Crash [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Monstrous Strength." No matter how large the capacity of the item, as long as it is "something that can be enveloped by her hands," she can crush and and compress it, whatever it may be.
What that she compresses become a 5 cm by 5 cm by 5 cm cube but its mass can only be reduced to 1/10th of its mass before it was compressed. After it's been compressed, it is treated as dust data.
The only things Passionlip can crush are garments that are smaller than her hands--not. As long as it is something that can be "placed within her hands" based on her vantage point, she can treat it as a target.
For example, in the case of her target being a mega-structure such as the Arena, as long as she is in a place where she has an unimpeded view of the Arena, the requirements will have been met.
She can hold her hands out to the faraway Arena which has become so small and once the entirety of the Arena has completely settled on her hand, it is recognized as Lip "grabbing" it and crushing it becomes possible.
It's planar physical interference which ignores perspective, but as you would expect crushing large objects requires time.

01 - 気配遮断 [A+]
姿を隠して行動するスキル。
アサシンのクラスが基本能力として持つスキルだが、その性格からか、パッソンリップんも取得しているようだ。

その臆病さ、慎重さから優れた気配遮断を発揮するが、巨大な爪が邪魔をしてすぐに発見されてしまう。
爪さえなければ優れたストーカーになっただろう。

余談ではあるが、誰も気づかなかっただけで早い階段から岸波白野を尾行し、陰から監視・見守っていたとかなんとか。

02 - 被虐待質 [A]
集団戦闘において、敵の標的になる確率が増すスキル。
マイナススキルのように思われがちだが、強固な守りを持つサーヴァントがこのスキルを持っていると優れた護衛役として機能する。

若干の防御値プラスも含まれる。
Aランクともなると更なる特殊効力がつき、攻撃側は攻めれば攻めるほど冷静さを欠き、ついにはこのスキルを持つ者の事しか考えられなくなるという。

03 - トラッシュ&クラッシュ [EX]
id_es(イデス)と呼ばれる、アルターエゴたちが生まれながらに持つ特殊能力。

スキル『怪力』から進化したチートスキル。
どれほど巨大な容量であろうと“手に包んでしまえるもの”なら何であれその爪で潰し、圧縮する事ができる。

圧縮されたものは五センチ四方のキューブとなるが、その質量は圧縮前の十分の一ほどしか軽量化できない。
圧縮したものは、以降ダストデータとして扱われる。

圧縮できるものはリップの手により小さいものだけ————ではなく、彼女の視点上において“手に収まるもの”なら対象として扱われてしまう。

たとえば、対象が『アリーナ』といった巨大構造体(メガストラクチャ)であった場合、アリーナを一望できる場所にいれば条件は成立してしまう。

遥か遠方の、小さく一望できるアリーナに手をかざし、その手の上にアリーナの全体像がすっぽりと収まった時点でリップは『捉えた』と認識し、圧縮を可能とする。

遠近法を無視した平面的な物理干渉だが、さすがに大きなものほど圧縮には時間がかかるようだ。

Setting

01 - Barrier Against Cognizance
Barrier against cognizance: Most humans cannot look at themselves from an objective point of view. This is not limited to the heart but also occurs with the physical body.
Humans cannot see themselves. No, more correctly, the impartiality to look upon "oneself without falsehoods" and accept it is rare.
Because humans possess wisdom, they are able to turn only the convenient aspects of the reality in front of their eyes into the truth. It's not just being selective about what information they accept; there is also unconsciously fabricating or modifying information.
Passionlip's barrier against cognizance is of the highest order. She does not comprehend the form of her own two hands. Her "brain" averts its eyes from her own ugly appearance, and within her mind, she is converted into an exceedingly normal girl. To her, her claws only appear as "normal."
Because of this, Lip does not understand the reason "why everyone is afraid of me." Without realizing the reason is her own body's ugliness, she would simply tilt her head if you were to point it out to her.
"Why are you telling such a lie?" "Are you lying to bully me again?"
In relation to her barrier against cognizance regarding her giant claws, Passionlip is a perfect victim. Though a barrier to cognizance is something born from trying to escape, there is neither deceit nor lies in her heart.
Everyone finds it difficult to face their ugly qualities. When one looks in the mirror, is the brain properly observing the image of oneself reflected there?

02 - The End of Love and Hate
The end of love and hate: the Ego born from BB's "desire to court" and "hate and love." The kind of alluring and innocent girl that men cannot help but feel lust for. The claws of her hands are an incarnation of her desire to protect her "easy for men to aim for" self.
She held affection for [the PC] for a certain reason, but after they spoke with each other within the labyrinth, she came to embrace even deeper affection.
She wished: I want to be close to them, I want to touch them, I want to talk to them, but due to her personality, those wishes were never granted, not even once.
I want to talk to them (but for some reason, they're afraid of me), so I can't talk to them. I want to approach them (but for some reason, they run away) so I can't approach them. I want them to love them (but I seem to be hated by them, no matter what) so I won't receive get their love.
From that dilemma, her love grew deeper, but in the face of [the PC's] rejection, that love turns into grief. Unable to withstand the burden of her feelings, by viewing the source of them as an enemy, as someone she hates, she was just barely able to keep her heart from collapsing.
The work of a heart faced with a reality that it could not withstand while sane--in other words, a rampage that resembles insanity.
The only person she loved in the entire world gave her a single gentle word.
Passionlip with continue to embrace that miracle for all eternity.
...Yes, even if despair heavy enough to crush her heart is waiting for her afterward.

01 - 認識障害
多くの人間は自分を客観視する事ができない。
それは精神的なものだけでなく、肉体においても起こりえる事だ。

人間は自分を見る事ができない。
いや、正しくは“偽りのない自分の姿”を直視し、受け入れる公平さに乏しい。

人間は知恵あるが故に、目の前の現実から都合のいい情報だけを真実とする。
情報の取捨選択ばかりでなく、情報のねつ造、改変まで無意識のうちに行う事もある。

パッションリップの認識障害はその最たるものだ。
彼女は自らの両手のカタチを認識できない。
醜い自分の姿から“脳”が目をそらし、いたって普通の少女の腕として脳内変換している。
彼女には自分の爪は「普通のもの」にしか見えていないのだ。


このため、リップは“自分がなぜ怖がられるのか?”の理由が分からない。
自分の体が醜いから、という理由が分からず、それを指摘されても首をかしげるばかりだ。

「どうしてそんな嘘を言うんですか?」
「嘘をついてまだわたしをいじめたいんですか?」

              ◆

巨大な爪と認識障害に関しては、パッションリップは完全な被害者だ。
認識障害が逃避から生まれたものだとしても、彼女の心には欺瞞も嘘もないのだから。

誰しも、自分の醜い部分と向き合うのは難しい。
鏡を見た時、そこに映った自身の姿を本当に正しく、脳は観測してくれているだろうか?

02 - 愛憎の果て
BBの「求愛欲求」「愛憎」から作られたエゴ。
男性が劣情をもよおさずにはいられない、蠱惑的で清純な少女像。
両手の爪は“男性に狙われやすい”自分を守るための心が具現化したものと思われる。

              ◆

ある理由で岸波白野に好意を持っていたが、迷宮内での対話をきっかけにより深い好意を抱く事になった。

近くにいたい、触れあいたい、話したい、と願っていたが、彼女の性格的にそれは一度もかなわなかった。

話しかけたいけど(なぜか怖がられるので)
話しかけられない、
近寄りたいけど(なぜか逃げられるので)
近寄れない、
愛してほしいけど(どうしても嫌われるので)
愛してもらえない。

そんなジレンマから愛情はより深化していくが、岸波白野の拒絶によって愛情は哀しみに転化。
感情の負荷に耐えられず、その原因を敵視・憎む事で、かろうじて精神の崩壊を防ぐ事になった。

正気では耐えられない現実に向き合う心の働き―――
即ち、狂気による暴走である。

              ◆

この世界でただひとり好きだった相手が、ただひとり優しい言葉を投げかけてくれた。

その奇蹟を、パッションリップは永遠に抱き続ける。

……たとえその後に、心を砕くほどの絶望が待っていたとしても。

Rider[]

[v] Fate/EXTRA - Francis Drake (Rider) Matrix [T]

Class: Rider
Master: Shinji Matou
True Name: Francis Drake
Noble Phantasm: Hunt of the Golden Hind: Golden Stag and the Eventide Tempest
Keyword: Invincible Armada, Logbook
Strength: D, Defense: C, Agility: B, Magic: E, Luck: EX
Anti-Magic: D, Rider on the Storm: A+, Settler of the Stars: EX

Kewords

01 - Hunt of the Golden Hind: Golden Stag and the Eventide Tempest
This Noble Phantasm is Rider's ace in the hole and forms the basis of her day-to-day life. With her flagship, The Golden Hind, at the fore, a vast flotilla of smaller craft expand ever outward and exterminates her enemies with overwhelming firepower. Its attributes contain vestiges of not only the fleet that eventually defeated the mighty Spanish Armada, but also of the stories involving the golden stag and the eventide tempest that had spread throughout the whole of Europe.

The eventide tempest is the encapsulation of all storms, from blizzards to cyclones, which manifest in the imagination of men as beasts and soldiers, saviors and monsters. Depending on who is speaking, the leader of these apparitions ranges from a fallen King Arthur to the Norse god Odin to the first murderer of men, Cain. in England, it is believed that Francis Drake rides the endless storm despite the fact that the role assigned to her is usually given to malevolent figures of history and myth.

02 - Invincible Armada
The name given to the Spanish naval forces during the period of history known as the Age of Discovery.

The Invincible Armada consisted of an estimated 65,000 men serving on more than a hundred large warships, each of which weighed in at over 1,000 tons. Its might was such that it earned Spain the reputation of being "The kingdom on which the sun will never set."

03 - Logbook
The sailing logs of a renowned explorer who successfully circumnavigated the globe.

The logs themselves are illegible, with pages cracked and flaking. However, it seems that the author of these logs was a ship's captain who made their name as both an adventurer and fleet commander.

01 - 黄金鹿と嵐の夜(ゴールデンワイルドハント)
ライダーの奥の手にして日常とも言える宝具。
主船・黄金の鹿号(ゴールデンハインド)を中心に、無数の小船を展開、圧倒的火力を持って敵を殲滅する。
スペインの無敵艦隊を破った「火船」の逸話と、ヨーロッパ全域で伝承される「嵐の夜(ワイルドハント)」の逸話がミックスされた宝具。

ワイルドハントとは暴風雨や吹雪など嵐の化身で、猟犬や山羊、馬や武装した兵士、怪物などの姿で現れるとされる。
これを率いる者は、伝説では悪魔化したアーサー王や古代の神オーディン、最初の咎人カインなどであるとされ、そうした者たちの中でもイギリスで広く信じられているのがフランシス・ドレイクである。
原則的にはその土地の荒ぶる英雄や有名人、古代の神などがワイルドハントの首領となる。
余談ではあるが、スコットランドでは嵐の夜の長はアーサー王とされている。

02 - 無敵艦隊
大海賊時代におけるスペイン海軍の異名。
千トン級以上の大型艦100隻以上を主軸とし、合計6万5千人からなる英国征服艦隊。
スペインを「太陽の沈まぬ王国」と謳わしめた無敵の艦隊である。

03 - 航海日誌
世界一周を成し遂げた、ある偉大な航海者の公開日記。
内容はところどころかすれて読めないが、著者である船長は冒険家にして私掠船艦長、そして艦隊司令官であるようだ。

Skills

Anti-Magic [D]
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.

Rider on the Storm [A+]
Talent that lets one sail objects recognized as ships.
As the ability to lead is essential in her position, this unique skill also has an effect on Charisma and Military Tactics.

Settler of the Stars [EX]
This unique ability is given to those heroes whose exploits became turning points in human history.
Any difficult voyage and insurmountable challenge cease to be "impossible" and became "events to be realized."

対魔力[D]
一工程(シングルアクション)による魔術行使を無効化する。
魔力除けのアミュレット程度の対魔力。

嵐の航海者[A+]
船と認識されるものを駆る才能。
集団のリーダーとしての能力も必要となるため、軍略、カリスマの効果も兼ね備えた特殊スキル。

星の開拓者[EX]
人類史においてターニングポイントになった英雄に与えられる特殊スキル。
あらゆる難航、難行が“不可能なまま”“実現可能な出来事”になる。

Details

01 - Character Background
The person who circumnavigated the globe and paved the way for England to become the dominate superpower in the Age of Discovery through its substantial earnings. This person was also the one who was given credit for the virtual destruction of Spain's Invincible Armada, which caused the nation once thought of as "the kingdom on which the sun will never set" to teeter on the edge of collapse.

She is a person who has dedicated her life to hedonistic pursuits and sees no difference between a paragon of virtue and a rogue scoundrel. She revels in all things gaudy, whether they are in war or in her private life, and is content to chase after ephemeral pleasures and leave nothing of worth behind, much like the passing of a raging storm.

She is particularly entranced with treasures of gold and silver, but her true love lies not with enduring treasure, but those treasures that explode like fireworks and then quickly fade away.

As she so often declares, "I chase after gold so that I can scatter it like a storm!"

It is for this reason that she is wholly incompatible with the Hero of Legend that symbolizes "an inexhaustible treasury." She would also be at odds with the fox-eared Caster, as Caster is the epitome of eternity.

As a devoted libertine, all that matters to her is the inevitable crash at the end of it all. A Legendary Spirit who is completely indifferent to the frailty of human existence, she is content to indulge in her own whims and desires until death comes to greet her.

She died of dysentery at the age of 55. Her dying wish was that she be buried in her full armor.

02 - "Franciscus Draco"
Sir Francis Drake is generally considered the first person to successfully circumnavigate the globe (the first person known to have attempted this feat -- Ferdinand Magellan -- was killed halfway through his voyage).

Though a male in life, Francis Drake has materialized in Fate/EXTRA as a woman.

During the time of Francis Drake, England was considered to be a second-rate power with no real influence beyond its borders and no colonies of worth overseas. It was primarily due to his voyages and successes on the high seas that gave rise to the British Empire. The combination of the wealth he brought to the country and the detailed maps he produced while circumnavigating the globe allowed Britain to assemble a fleet that rivaled that of Spain's.

An oft-mentioned aspect of the Drake mythos is that of his ship, the Golden Hind. Not only was it the flagship of Drake's fleet, it was seen as a symbol of hope and a source of miracles. The exploits the Golden Hind made possible elevated Drake (known and feared by the Spanish as El Draque) to a level on par with King Arthur. Both are said to dwell in Avalon and "across the ocean", the city of the dead, and will eventually return to lead England to true glory.

During what was to be the final confrontation between England and Spain's Invincible Armada, Francis Drake was commissioned as a vice admiral in the English navy. Using an unorthodox strategy involving the use of fire-ships, he forced the Spanish fleet into open water where they could be bombarded with cannon fire.

In addition - and this is merely literary creation - there is also a story full of romance in which Drake was a companion of Queen Elizabeth and, just before setting sail for the world circumnavigation, switched places with the Queen, who could no longer go out in public due to receiving a wound on her face.

01 - 人物背景:
世界一周を成し遂げ、その収益でイギリスが大航海時代の覇者となる道を開いた人物。
また、強壮であったスペインの無敵艦隊を葬り去り、太陽の沈まぬ帝国と呼ばれたスペインを事実上瓦解させた。

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享楽主義者で、善人も悪人も区別なくあつかう性格。
とにかく派手好きで、私生活も、強壮も、嵐の様に吹きすさんだあと、何も残らないような刹那的快楽を良しとした。

金銀財宝を愛しているが、彼女が愛しているのは“永遠に続く財”ではなく“花火の様に消えていく財”。

「アタシが金貨を集めるのは嵐の様に使い切るためさね!」

とは本人の談。
そういった理由で、いかに黄金好きでも“使い切れぬ財宝”を象徴する英雄王とは相容れない。
同じ理由で永遠を定義する狐耳のキャスターとも相容れない。

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刹那的な快楽主義者であるため、果てにあるものは華やかな没落である。
この英霊は生(人生。人間としての意義、誇り)に執着するのではなく、死(万人共通に訪れる没落)を良しとした。

53歳の折、疫病に倒れる。
死の直前、錯乱して病床で鎧を着ようとするなどの奇行が目立ったという。

02 - 『悪魔(エルドラゴ)
フランシス・ドレイクは世界一周を生きたままなし得た人類最初の偉人である。
(一人目のマゼランは途中で死去)

史実では男性だが、EXTRAでのドレイクは女性として現れている。

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当時、技術的にはそれなりでも国力に乏しく、まともな海外植民地も持たない二等国だったイギリス。
彼らが世界に冠たる大英帝国として生まれ変わったきっかけは、ドレイクが成した航海からだ。
彼女が帰還後に積載していた香料だけでも6トンはあったとされており、これは当時のイギリスの国家予算を遥かに超えていた。
この財貨と世界周航で得られた詳細な地図が、世界の覇者スペインと戦いうるだけの艦隊をそろえる資金となり、東インド会社を設立させる基盤になった。

……もし世界を変える存在を定義するなら、この船は間違いなくその定義に該当する存在だろう。
ドレイクの船、黄金の鹿号は単なる一隻の船ではなく、そういった奇跡を成しえた希望の船なのだ。
この事もあって、エルドラゴ(フランシス・ドレイク)はイギリスの未来の王・アーサー王と同一視されることもあった。
冥界(アヴァロン、海の彼方)から帰還し、英国に勝利を約束する存在となった為である。

スペインの無敵艦隊との決戦時、フランシス・ドレイクは英国艦隊の副司令官として参戦。
火船と呼ばれる特殊な戦法を用い、スペインの英国征服艦隊を上陸させることなく大敗させた。
この事から、ドレイクはスペイン人からこう呼ばれた。
悪魔(エルドラゴ)
「太陽の沈まぬ王国」を歴史の盟主から引きずり落とした、太陽を落とした女、と。

……また、あくまで創作にすぎないが、ドレイクはエリザベス女王とは何度か交友があり、世界一周航海の直前、顔に傷を負った為に人前に出られなくなった女王と入れ替わった―――などという、浪漫あふれる話もある。

Saber (Gawain)[]

[v] Fate/EXTRA - Gawain (Saber) Matrix [T]

Class: Saber
Master: Leonard B. Harway
True Name: Gawain
Noble Phantasm: Excalibur Galatine: The Resurrected Sword of Victory
Keyword: Knight of the Sun, Excalibur
Strength: B+, Defense: B+, Agility: B, Magic: A, Luck: A
Anti-Magic: B, Dragoon: B, Numeral of the Saint: EX

Kewords

01 - Excalibur Galatine: The Resurrected Sword of Victory
The sword of Sir Gawain and the sister sword to Excalibur. It is said that like Excalibur, Galatine once belonged to the Lady of the Lake. However, its legend have been overshadowed by its more famous counterpart, and therefore very few people know of its true significance.

Another difference is the while Excalibur was said to absorb light radiated from the Earth, Galatine reflected the warming rays of the Sun.

02 - Knight of the Sun
While King Arthur was ruled by the movement of Artemis, the goddess of the moon, Sir Gawain drew his strength as a knight from the sun.
It is said that his power are at their greatest when the sun is at its zenith.

03 - Excalibur
Arthur, said to be the mightiest of all the kings to rule Britain, is believed to have ruled sometime in the fifth or sixth century.

The sword that is said to have proclaimed his rule was bestowed upon him by the Elemental known in legends as the Lady of the Lake. The entire episode was passed in the stories collectively known as "King Arthur and the Knights of the Round Table."

01 - 転輪する勝利の剣(エクスカリバー・ガラティーン)
ガウェイン卿の持つ光り輝く剣。
エクスカリバーの姉妹剣であるとされており、本来の持ち主はエクスカリバーと同じく、湖の貴婦人である。
伝承ではエクスカリバーの影に隠れ、多くを語られることのない聖剣だった。

アーサー王の聖剣は星の光を集め、ガウェイン卿の聖剣は太陽の日輪の熱線を顕すという。

02 - 太陽の騎士
アーサー王が夜……アルト、アルテミス系の、月の女神の系譜……の守りであるのに対し、ガウェイン卿は太陽の恩恵を受けている騎士である。
その力は正午において最大限に発揮される。

03 - エクスカリバー
五世紀~六世紀に実在したとされるイギリスの王・アーサー。
彼を主題にした物語、「アーサー王と円卓の騎士」に登場する聖剣。
もともとは「湖の貴婦人」と呼ばれる精霊が持ち主。

二十世紀において、聖剣の代名詞として扱われた。

Skills

Anti-Magic [B]
Cancels low-level spells with chants consisting of les than three full verses.
Even high-level thaumaturgy and the greater rituals will only have a negligible effect on him.

Dragoon [B]
Allows him to control any kind of transportation with exceptional skill.
However, it does not bestow the ability to ride upon any of the Phantasm races.

Numeral of the Saint [EX]
A condition unique to Sir Gawain's existence. During the hours between 9am and 12pm and those between 3pm and sunset, all of his powers increase by a factor of three. This was related to the ancient belief that numeral "3" was the sacred number of the Celtic gods.

対魔力[B]
魔術詠唱が三節以下のものを無効化する。
大魔術、儀礼呪法をもってしても傷つけるのは難しい。

騎乗[B]
騎乗の才能。
大抵の乗り物なら人並み以上に乗りこなせるが、幻想種は乗りこなせない。

聖者の数字[EX]
ガウェイン卿の持つ特殊体質。
午前9時から正午の3時間、午後3時から日没までの3時間だけ力が3倍になるというのも、ケルトの聖なる数字である3を示したものである。

Details

01 - Character Background
One of the major knights mentioned in the Arthurian legends and often thought to be King Arthur's nephew.

A knight said to be equal of Sir Lancelot, Gawain was frequently at odds with Lancelot due to his slaying of both of Gawain's brothers. Although pure of heart and loyal beyond question, it was Gawain's all-consuming hatred that not only led to him being stripped of his knighthood, but also led to the downfall of King Arthur himself.

Although his hostility inevitably led to his death at the hands of Sir Lancelot, he realized that it was his own lack of virtue that led to Sir Lancelot's betrayal and the defeat of King Arthur at the battle of Camlann Hill.

Up until his death, Sir Gawain was considered a paragon of knighthood; chivalrous, loyal, and gallant. Even as King Arthur became a legend, Gawain was content to stay in the background, doing his duty regardless of whether his efforts were acknowledged or not. In reward for his gallantry and loyalty to Arthur, as well as his eventual forgiveness of Sir Lancelot, Gawain was resurrected as a Legendary Soul and, freed from the sins of the past, has once again reclaimed his role as the "Knight of the Sun."

02 - "The White Knight of the Round Table."
The White Knight of the Round Table.

Widely considered to be equal of King Arthur by many and the wielder of the lesser-known holy sword Galatine, Sir Gawain was fiercely loyal to the king, or more accurately, the King's station. Unlike Sir Bedivere, a trusted friend of Arthur's who wished only that he would find peace and contentment, Gawain's only concern was that Arthur maintain the throne of Britain.

If King Arthur was seen as the personification of the moon, then Sir Gawain was the harbinger of the sun. He was frequently compared with Arthur, although Gawain himself ignored these comparisons and devoted himself to serving his king to the best of his abilities. Though loyal to the end, his irrational hatred of Sir Lancelot proved to be his and Arthur's undoing.

Though Arthur eventually forgave his wayward knight's transgressions, Sir Gawain could not find it within himself to do the same until the very last moments of his life and only after being stripped of his knighthood, excommunicated from the church, and causing the downfall of his sovereign king.

With his dying breath, he swore that if he was ever given a second chance at life, he'd support his king, no matter what. Upon being reincarnated as a Servant, Gawain devotes himself completely to the goals of his Master and by doing so hopes to gain absolution for the sins of the past.

01 - 人物背景
「アーサー王伝説」に登場する円卓の騎士の一人。
アーサー王の甥でもある。
アーサー王の片腕と称されたランスロット卿に並ぶ騎士だったが、兄弟をランスロットに殺された事をどうしても忘れられず、彼とは相容れなかった。
高潔な人格、理想の若武者であったが故に、肉親への上も人一倍だったのだろう。
しかし、その怨恨がガウェイン卿の騎士としての格を落とすばかりか、最後には王の没落にまで繋がってしまった。

ガウェイン卿はアーサー王最後の戦いであるカムランの丘で、ランスロット卿に受けた古傷を敵に打たれ死亡したとされる。
その死の淵で、自らの怨恨が王の破滅を招いたのだと悔い、ランスロット卿への私怨も、彼の不忠さえも、自らの不徳からと受け入れた。

そも、ガウェイン卿はランスロット卿への憎しみさえなければ完全な騎士である。
相手を軽んじる事も侮辱する事もなく、相手が力量不足であってもその戦意、覚悟をくみ取り、礼節をもって相対した。
王の前では影に徹し、ひとたび号令が下れば颯爽と戦場に赴き、涼やかな笑顔で勝利する―――まさに理想の騎士と言える。

その在り方は、こうして英霊になる事で蘇った。
多くの迷いから解き放たれたガウェイン卿は文字通り“太陽の騎士”として、本来の姿を取り戻したのである。

02 - 円卓の白騎士
円卓の騎士。
アーサー王の影武者とも言われた、もう一人の聖剣の使い手である。
しかし、アーサー王を妄信的に崇拝しているが故、王の苦悩を知ることはなかった。
アーサー王の最期を看取ったヴェデヴィエールもガウェイン卿と同じ忠節の騎士だが、ヴェデヴィエールは王の人間としての幸福を心の底で願い、ガウェイン卿は王の王としての活躍を願ったのだろう。

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アーサー王が夜、月の象徴であるのに対し、ガウェイン卿は昼、太陽を背負っている。
その姿も見目麗しい事もあり、王城キャメロットではアーサー王の影武者、ないし王が倒れた後の代理候補の一人であった。
そんな周囲からの評価も意に介さず、ガウェイン卿はあくまでアーサー王の右腕であり続けた。
そんな彼の最大の後悔はランスロット卿との諍いである。

「ランスロット卿に兄弟を殺されたばかりか、あの黒騎士は王さえ裏切った。王の妻を拐かしたのだ。許せるはずがあろうか」

だが、最終的にアーサー王はランスロット卿を許す。
全ては余が悪かったと。
だが、ガウェイン卿はランスロット卿の裏切りを許せず、最後まで彼と敵対してしまった。
破門されながらもカムランの丘にはせ参じようとするランスロット卿をガウェイン卿は拒み続け、結果的に、彼は王を戦死させ、自らも戦死してしまう。

その結果から、英霊としてのガウェインは“王の補佐に徹する”事を絶対の使命として捉えているようだ。
カムランの丘で自戒するアーサー王のように、ガウェイン卿も死の淵で叫んだのだ。
自身の激情が王を死に誘った。

「―――もし次があるのなら。
まだ挽回する機会が、二度目の生があるのなら、今度こそ、自らの全てを王に捧げるよう―――」

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その誓いを胸にサーヴァント化した彼は、生前の悔い、過ちを正すため、より完成された「騎士」として主人に仕えた。

全てはひとりの、孤独な王の礎にならんがために。

Saber (Nero)[]

[v] Fate/EXTRA - Nero Claudius (Saber) Matrix [T]

Class: Saber
Master: Player
True Name: Nero Claudius
Noble Phantasm: Aestus Domus Aurea: Golden Theater of the Deranged
Keyword: Aestus Estus: The Embryonic Flame, The Great Fire of Rome
Strength: -, Defense: -, Agility: -, Magic: -, Luck: -
Anti-Magic: C, Royal Prerogative: EX, Migraine: B

Kewords

01 - Aestus Domus Aurea: Golden Theater of the Deranged
A theater based on the palace Nero had built after her original one burned to the ground. Called the Domus Aurea, it was a grand villa built upon the ruins of the homes of the aristocracy that once covered the famed Esquiline Hill.

Historical accounts paint Nero as somewhat delusional, and she herself has claimed that she herself has claimed that she was an artist and performer of such incredible gifts that only the god Apollo could match her skills. She would often perform for the masses, but those spectators for the would frequently leave midway through her performances. She was so enraged by this obvious act of disrespect that she would order all entrances to the theater in which she was performing to be sealed until the final curtain fell.

This Noble Phantasm is based on the highest and most difficult principles of thaumaturgy and superficially resembles a reality marble, though its effects are far more pronounced. It creates a reality in which one's imperial aspirations can be fully realized.

02 - Aestus Estus: The Embryonic Flame
The hand-crafted crimson sword wielded by Saber when summoned by a Master. The following inscription has been engraved on the blade: regnum caelorum et gehenna.

03 - The Great Fire of Rome
July 19, 64 AD.
A devastating fire erupted in one of the poorer districts of Rome and quickly spread throughout the city, reducing most of it to ashes. Contrary to popular belief, Nero quickly responded to the disaster and even contributed to relief efforts out of her own personal funds. While she became immensely popular with the common citizenry, her populist policies combined with her sometimes bizarre predilections earned her the ire of not only the higher castes, but also of historians who insist on painting her as a tyrant.

01 - 招き蕩う黄金劇場(アエストゥス・ドムス・アウレア)
生前、彼女がローマに建設した劇場を、魔力によって形成・再現したもの。
彼女が自ら設計した劇場はドムス・アウレアと名付けられた。

しかし。この劇場を開いた時、一度目は多くの観客が途中で去ってしまった。
それに憤慨した彼女は、二度目の公演時に出入り口を全て封鎖し、舞台の幕が下りるまで一人たりとも外に出さなかったという。

皇帝である前に自分を
「楽神アポロンに匹敵する芸術家」
「太陽神ソルに匹敵する戦車御者」
と信じて疑わなかった彼女のみがなせる、固有結界とは似て非なる大魔術。
自己の願望を達成させる絶対皇帝圏。

02 - 隕鉄(いんてつ)の鞴(ふいご)「原初の火」(アエストゥス エストゥス)
セイバーが持つ深紅の大剣。
彼女がクラス・セイバーとして召還される時に持ち込む、お手製の武器……らしい。
銘には
regnum caelorum et gehenna(レグナム カエロラム エト ジェヘナ)
と刻まれている。

03 - ローマの大火
西暦64年7月19日、ローマを焼き払うほどの大火災が発生。
ネロは為政者として迅速かつ適切に対応し、犠牲者を最小限に留め、後の保証を徹底して市民の絶大な人気を博した。
この施策は彼女を批判する多くの歴史家たちでさえ
「人智の限りをつくした有効な施策」
と絶賛したほどである。
 市民にとっての為政者であった彼女ならではの逸話である。

Skills

Anti-Magic [C]
Nullifies minor spells consisting of chants of two verses or less. Ineffective against high-level thaumaturgy and the greater rituals. As Saber herself has a negligible resistance to magic, the effectiveness of this skill is pathetically low, even by the normal standard of the Saber class.

Royal Prerogative [EX]
In response to the demands of a Master, skills that would otherwise be impossible to perform can be used for a short period of time. Some of the skills that can be acquired through this ability include those related to riding, weapons mastery, fine arts, military strategy, and diplomacy. Should an A rank be achieved, more esoteric skills becomes obtainable.

Migraine [B]
A curse that was inherited from her place of birth during her mortal life. As a result of the crushing headaches inflicted by this condition, the effectiveness of mental skills decreases considerably. Another side effect that seems to concern Saber most is the fact that it prevents her from demonstrating what she considers her divine talent for the performing arts.

対魔力:[C]
二工程以下の詠唱による魔術を無効化する。
大魔術、儀礼呪法等、大がかりな魔術は防げない。
彼女自身に対魔力が皆無なため、セイバーのクラスにあるまじき低さを誇る。

皇帝特権:[EX]
本来持ち得ないスキルも、本人が主張することで短期間だけ獲得できる。
該当するスキルは騎乗、剣術、芸術、カリスマ、軍略、等。
ランクがA以上の場合、肉体面での負荷(神性など)すら獲得する。

頭痛持ち:[B]
生前の出自から受け継いだ呪い。
慢性的な頭痛持ちのため、精神スキルの成功率を著しく低下させてしまう。
せっかくの芸術の才能も、このスキルがあるため十全には発揮されにくい。

Details

01 - Character Background
Nero reigned as emperor during the years 54 to 64 AD. Although most surviving contemporary accounts paint her as a vicious tyrant who disregarded the Senate and violently oppressed the nascent Christian movement, many scholars believe that these accounts were an attempt to discredit her, as she incredibly popular with the citizenry.

Whatever the case, her infamy is such that some theorize that the Book of Revelations found in the Vulgate Bible was written as commentary on and reaction to her supposed repression of the Christian faith, and have gone so far as to make the case that Hebrew pronunciation of her imperial name (Caesar) -NRVN QSR- is the same as the phrase "Number of the Beast."

However, this has been proven to be patently false, as that term commonly referred to Rome itself, and not to any one individual, royal or otherwise.

02 - "Nero the Tyrant"
Taking the name Nero Claudius Caesar Augustus Germanicus upon her ascension to the imperial throne, she was the fifth emperor of the Roman Empire and the last of the Julio-Claudian dynasty, who had ruled Rome since its inception.

The daughter of the cousin of the fourth emperor Claudius, she was put on the throne at the age of seventeen as a result of the devious scheming and possible matricide by her mother, Julia Augusta Agrippina. Once on the throne, she immediately began to demonstrate her talents at administration as well as her ability to navigate the often murky political situation inherent in Roman government.

In addition to the above, Nero was generally acknowledged to be a consummate diplomat who preferred discussion and compromise to warfare and conflict. She was held in especially high esteem by both the peoples of Brittania and the leaders of the nations of Persia, who continued to refer to Rome as the "country of Nero" long after her death.

While popular abroad and with the lower castes at home, the Senate and the higher caste members of the empire grew weary of her populist policies, extravagant expenditures on public entertainments, and occasionally irrational repression of religious expression. In the year 68 AD, a series of revolt drove Nero from the throne and eventually to suicide. It was said that in her final hours she continually expresses her anguish that anguish that an artist such as herself had to die, but as those who betrayed her closed in she quote a line from Homer's Iliad ("Hark, now strikes on my ear the trampling of swift-footed coursers!") and then drove a dagger into her throat.

01 - 人物背景
西暦50~60年代のローマにおいて、あらゆる宗教勢力とローマ元老院を弾圧した皇帝。
ローマ時代は元老院に対する姿勢から、以降はキリスト教徒に行った弾圧が原因で暴君と呼ばれる。

一説にはこの弾圧に対する反発として「ヨハネ黙示録」が書かれたとも。
彼女を皇帝(カエサル)としたヘブライ発音NRVN QSRを「666の獣」とし、悪魔と同一視された。

ちなみに、この666の獣にまたがる“バビロンの~”とはローマのことであり、彼女個人にあてられた異名ではない。

02 - 『暴君 ネロ』
本名、ネロ・クラウディウス・カエサル・アウグストゥス・ゲルマニクス。
帝政ローマの第5代皇帝。
生涯を謀略と毒とに彩られた悪名高き暴君。

父は第4代皇帝クラウディウスのいとこである、淫蕩なグエナウス・ドミティウス・アヘノバルブス。
母は暴帝カリギュラの妹であるユリア・アウグスタ・アグリッピナ。
出自を考えると皇帝になるのは非常に難しいが、母アグリッピナが第4代皇帝クラウディウスと再婚。
母の奸計によって、54年のクラウディウスの死後、ネロは義父からの相続として皇帝となった。

もっとも、皇帝になる前からその才能を発揮し、非常に有能な裁判官として慕われていた。
その公正さ、有能さから、重要な訴訟をいくつも持ち込まれていたという。
(まだ若いため、重要な訴訟の持ち込みを義父クラウディウスが禁じていたにもかかわらず、である。)

              ◆

ネロは17歳にして皇帝に即位し、その気前の良い政策で市民からは絶大な人気を誇った。
外交にも気を使い、イギリス(ブリタニア)における後年のローマに対する人気は彼女の政策に起因する。
ある意味では、アーサー王伝説を誕生させたきっかけを作った人物ですらある。
加えてペルシャはネロを絶賛することおびただしく、ペルシャはネロの死後も
「ネロの国だったので」
とローマに大きく配慮したという。

59年(60年説も)には、ギリシャのオリンピックにあやかって5年に一度開かれる競技会「ネロ祭」を設立。音楽、体育、騎馬と三つの部門を開き、そのいくつかには自分も出場している。

69年に起きた反乱で皇帝の座を追われ、ローマから逃亡。
その最中で逃げ切れないと悟り、自決を決意した。
……が、その最期は潔いものではなかったらしい。
「この世から何と素晴らしい芸術家が消えることか」
と何度も泣きこぼしては手を止めたものの、最後には短剣で自らの喉を突いたという。

Violet[]

[v] Fate/EXTRA CCC Fox Tail Material - Alter Ego C

Alter Ego C
Master:???
Real Name: Violet
Gender: Female
Height/Mass: 182cm/64kg
Attribute: Chaotic Good
Strength: B
Endurance: B
Agility: A+
Magic: B
Luck: B
Noble Phantasm: B

Alter Ego of chastity.
C means cash, cool, and constriction.
In the past was entrusted the financial affairs of the Sakura Camp.
A complex of many goddesses, Greece mythology's female monster Medusa (Originally an Earth Goddess), Indian mythology's Apsara, the model that comprises Melusine from French folktales.

Class Skills
Crack Ice: EX
Cheat Skill evolved from Mystic Eyes.
Normally Mystic Eyes are invoked by "looking at the opponent," "eye contact with the opponent." Paralysis, Enchantment, and Petrification's effects are exhibited in this fashion. Crack Ice is "The space in Violet's field of vision is stored." That effect is paralysis. That is time stops.
Violet is the only one who can move in this space, humans are conscious and can figure out what is happening.

Personal Skills
Shackled Desire: A
A skill that increases physical restriction attacks (Paralysis, Sealing, Petrification) in battle.
However, "to tie" is a day to day activity, so normal attacks drop by 10%.

Riding: EX
Talent of Riding. Can ride anything. Rather, just assimilates it.

Transformation: A
Skill that allows one to change his form.
Violet can freely change herself into a fibrous shape. Strike system's attack damage is greatly reduced.
In addition when this skill and the Riding Skill and combined in such a fashion...

Noble Phantasm
???
Unconfirmed

アルターエゴ C
マスター:???
真名:ヴァイオレット
性別:女性
身長・体重:182cm/64kg
属性:渾沌・善

筋力:B
耐力:B
敏捷:A+
魔力:B
幸運:B
宝具:B

純潔のアルターエゴ。
Cはcash,cool,constrictionの意。
かつてはサクラ迷営内の財務を任されていた。
複数の女神の複合体で、ギリシャ神話の女怪メデューサ(元々は大地の女神)、インド神話のアプサラス、フラ ンスの伝承からメリジューヌ等のモデルが含まれている。

クラス別能力:
クラックアイス:EX
スキル「魔眼」がら進化したチートスキル。
通常の魔眼は ”対象を見つめる” "対象と目が合う” 事で発動し、麻痺・魅了・石化といった効果を発揮 するが、クラックアイスは ”ヴァイオレットが視界に納めた空間” そのものに発動する。その効果は麻痺。即ち、時間停止である。
麻痺した空間の中で動けるのはヴァイオレットだけだが、空間内の人間は意識があるため何が起きているのがを 把握する事はできる.

固有スキル
束縛願望:A
戦闘において、拘束系の物理攻撃(麻痺・封じ・石化)が増すスキル。
ただし「縛り付ける」事を日常にしすぎている為、通常攻撃のダメージが10%低下する。

騎乗:EX
騎乗の才能。あらゆるものを乗りこなす。むしろ同化する。

変身:A
自らのカタチを変えるスキル。
ヴァイオレットは自在に繊維状の体に変身できるため、打撃系の攻撃ダメージを大きく削減できる 。
また、このスキルと騎乗スキルを組み合わせる事によって。。。

宝具
???
未確認

Secret Gardens[]

Archer[]

[v] Fate/EXTRA CCC - Archer Secret Garden

Information
Character Description
Voice Content
NAME Archer
HEIGHT 187cm
WEIGHT 78kg
3SIZE B97/W81/H96
HOME Asia
BIRTHDAY Unknown
WEAK POINT Soft on women. “I wouldn't call it a weak point, but… I can't help but be soft on women. In particular, I feel like I've been dragged around by tomboys like you enough to last me a lifetime.”
FETISHISM Particular about the physique. “It's not any specific part; rather, I'm particular about the overall proportions and silhouette of the body. To give an example… Something… like this…?”

◆What do you look for in a partner?

  • Don't be so softhearted. “Don't be so softhearted. Make your own safety your highest priority. …Well, not that you'll change, no matter what I say. It seems the Moon Cell has quite the discerning eye for people.”

◆What’s your favorite color of underwear?

  • Why are you asking that?! “Wait, calm down! Why are you asking that?! Don't you think you're being rather un-ladylike?! I don't recall raising you li― hey, wait!”

◆How do you spend your free time?

  • Cleaning our room. “Cleaning our room. It seems a certain somebody hasn't quite mastered the skill of picking up after themselves.”

情報
文字記載内容
ボイス内容
NAME アーチャー
HEIGHT 187cm
WEIGHT 78kg
3SIZE B97/W81/H96
HOME アジア圏
BIRTHDAY 不明
WEAK POINT 女性にはどうも弱くてね
FETISHISM ボディラインには拘りがある

◆パートナーに求めることは?

  • お人よしもほどほどにしろ

◆好きな下着の色は?

  • そんなことを聞いてどうする!

◆余暇の過ごし方は?

  • マイルームの掃除だ

BB[]

[v] Fate/EXTRA CCC - BB Secret Garden

Information
Character Description
Voice Content
NAME BB What it's short for is a secret. Call me however you like, Senpai!
HEIGHT 156 cm I wanted Senpai to look at me at the cutest possible angle... though that's a lie.
WEIGHT 46 kg Mm, fufu. Unlike a certain stupid Senpai, I'm full of substance!
3SIZE B85/W56/H87 Fufu, I can feel energetic Senpai's passionate gaze.
HOME The moon The original setting is Japan, but I'm a genuine, 100%, from the beginning to the end, someone born on the moon.
BIRTHDAY (By the setting,) March 2nd. I'm looking forward to what kind of present Senpai with such poor sense will give me.
WEAK POINT (As perfect, flawless BB-chan,) I don't have anything like a weak point. If I did, it'd be you, Senpai.
FETISHISM Eyes. Pupils, "eye". Glaring, despairing, staring. Humans really are interesting.

◆What do you seek from your partner?

  • Frankly, I don't want anything. (So, please, stay in that corner obediently.)

◆Favorite underwear color?

  • (Do you want to see? Do you want to know?) Of course, I won't tell you! (Huh? They're visible!?)

◆How do you spend your free time?

  • The hard worker BB-chan excavates the labyrinth every day without rest! (I'm utterly busy, digging and widening it!)


Kouhai Attribute
Generally, those who possess this attribute are considered to be a service-type character who, despite being in a position weaker than the protagonist's and having shallow experiences, gallantly put in the effort to support their senpai.
...There is no doubt that there is no mirror in BB's room.
According to BB, the reason she calls [the PC] Senpai is because she has this SG. Whether she is actually younger or even if she is even a student is dubious, but BB's tone of voice is definitely that of a kouhai treating a senpai with respect. If it has to be said, then "all-purpose-type kouhai (but seriously wicked)".
Well, either way, a kouhai who fires and strikes with her own SG, blasting [the PC] all the back until they are against a wall, can't be called gallant or anything.

Desire to Confine
The SG that was acquired without even realizing upon returning alive from the imaginary number space. It appears to be BB's second SG. An SG of the same type is "the desire to monopolize."
Under some circumstances, this SG shows a strong tendency toward abnormal desires. "I want to lock you up", "I don't want to let you out into the outside world", "It would be best if all you had was me" are what results when such desires solidify into concrete measures.
The imaginary number space called the dog space was probably strongly influenced by this SG.

Inversion of Love and Hate
BB's third SG.
When deep affection, due to a certain impetus, changes into hatred. Although BB chose the rampaging path to save [the PC], she had this kind of dangerous side from the beginning.
Both kouhai attribute and desire to confine arose from this SG. Since there is no longer any way of hiding it, it shall be stated clearly: To BB, who has a strong S disposition, there are occasions when affection comes with equal mischief.
"I want to bother someone as much as I love them." "I want to someone I love to be always concerned about me."
These desires deep within BB are this SG's true nature.
This is a digression, but those BB Channels she broadcasted so many times were her own style of intense love calls, but since they went completely unrecognized, she apparently got depressed by herself after the end of the program.

情報
文字記載内容
ボイス内容
NAME BB
HEIGHT 156cm
WEIGHT 46kg
3SIZE B85/W56/H87
HOME
BIRTHDAY 3月2日
WEAK POINT 弱点なんてありませーん
FETISHISM 目です

◆パートナーに求めることは?

  • ぶっちゃけ何にも求めません

◆好きな下着の色は?

  • もちろん教えてあげません!

◆余暇の過ごし方は?

  • 働き者のBBちゃんは、每日休まず迷宮掘削!

Caster[]

[v] Fate/EXTRA CCC - Caster Secret Garden

Information
Character Description
Voice Content
NAME Caster
HEIGHT 160cm
WEIGHT 49kg
3SIZE B86/W57/H84
HOME Japan?
BIRTHDAY Unknown
WEAK POINT Tail may be embarassing?
FETISHISM Soul fetish... Tamafeti?

◆What do you look for in a partner?

  • Whatever your heart wishes.

◆What’s your favorite color of underwear?

  • Truth will be in the bathroom...!

◆How do you spend your free time?

  • I am currently attending Uzume-chan's cooking classes.

情報
文字記載内容
ボイス内容
NAME キャスター キャスターでも、タマちゃんでも、むちろんハーニーでもOKです。ま、ご主人様に限りますけど。
HEIGHT 160cm みこーんと可愛いお耳を除いて、160cmにございます。なでなで、なでなでプリーズ!
WEIGHT 49kg 雨にも負けず、敵にもまけず、鍛えに鍛えたこの体。恥ずかしい事などないのです!
3SIZE B86/W57/H84 ぶっちぎりナイスバディー…のはずなのに、ここの人たちまじモンスター。遠慮とか平均とか知ってます?
HOME 日本? これはまた難しい事聞きますねえ。えーと、んー、日本…かな?
BIRTHDAY 不明 残念ですが、人の暦で表すのは…あ、いえ!せっかくなので、今日と言う事いたしましょう!プレゼントはもちろんあ、な、た…った、痛!
WEAK POINT 尻尾は恥ずかしいかも? タマモ~尻尾は~ちょっと恥ずかしい~かも?モフる前には“食べちゃうぞ”宣言をお願いします!
FETISHISM 魂フェチ……たまふぇち? イケメン魂には本能でキュンときっちゃうのです。

◆パートナーに求めることは?

  • 貴方様の御心のままに。それをお側でお支えするのが良妻たる私の役目でございます。

◆好きな下着の色は?

  • きゃー!ご主人様ったらいつになく積極的!真相はお風呂場で……!LET'S SHOWER TIME!え?なぜいつまでも、入ってこない?

◆余暇の過ごし方は?

  • ウズメちゃんのお料理教室に通っております。ところでご主人様、好きなおかずは何ですか?



1. 独占願望

キャスターの一つ目のSG。
大方の予想通りと言えなくもない。

同型のSGとして『監禁願望』があるが、
こちらはあれほど物騒ではない。
キャスターが第一に考えているのはマスターの幸福なので、
決定的な部分でマスターを束縛する事はできないからだ。

“恋する人を独り占めしたい。
恋する人にいつまでも愛されたい。
というか、恋する気持ちで他の女に負けたくない。”

キャスターの独占願望そんないじらしさで出来ている。
“浮気相手も、浮気をした本人も殺しちゃうぞ☆”
と口にしていたが、それはあくまで比喩であって、
実際に実行する訳ではない。たぶん。きっと。


2. 料理下手

キャスターの二つ目のSG。
料理下手の誤字ではない。
キャスター本人が『料理下手』と思いこんでいるだけで、
実際は『料理上手』となる。
彼女が理想とする調理レべルが高すぎるため、
このような思い違いが起きたようだ。

自由奔放な性格に見えて、キャスターが良しとする
家庭像はたいへん貞淑で、慎ましい。
すべては旦那様に美味しいごはんを味わってもらうため、
キャスターは今日も料理教室に通うのであった。



聖杯戦争では料理の基本さえ知らなかったキャスター。
愛はレンチン(※レンジでチン)女性すら
良妻賢母に変える廣法なのだった。

キャスターが割烹着を着て旦那様に
「はい、あーん♥」
する日は、はたして来るのだろうか?
99%無理っぽいけど、夢は叶うと信じたい。


3. 金毛白面

キャスターの三つ目のSG。
心の秘密というより秘された正体・本性。

キャスターの真名を思い出せないため、
彼女の大本が何であるかは知るよしもない。
しかし、あの夢の中で出会ったものがキャスターの
真名に近しいものである事は明白だ。

自然現象が神格化した彼女は、
それこそ通常の英霊とはエネルギーの規模が違う。
竜巻や津波、地震が擬人化した際、
それは大いなるものとして視覚化される。

九尾をもった姫神は太古の神らしく
冷酷で残忍だったが、根底にはキャスターと同じ
お茶目さ……酔狂さ……があった。
神話において、男性神は合理性を重んじ、
女性神は感性によるところが大きいためだろう。



元来、狐は丘の墳墓を守る神霊であり、
その正体は地脈の竜の陰の姿である。
風水では陽の竜(生きている人間のためのエネルギー)しか
語られないが、狐は本来の風水では陽の竜と同等以上に
重視される陰の竜(死者のための風水のエネルギー)だ。
月夜に月光に照り映える白狐の走り去っていく姿が、
残像もあって長いひとつのライン(竜脈)に
見えた事が起源のようである。

古来より、夜明けの太陽が海面や朝靄の中に作り出す
光の道は、蛇や竜、狐などと同一視されてきた。
この“水によって反射する太陽の光”、
つまり地上における太陽の分身こそ、
彼女のもうひとつの本質とされる
(玉藻鎮石も川の水の下で太陽光を反射していだ鏡石である)

この側面でもやはり重要視される一番は鏡、
次いで太陽のモチーフである円である。

Elizabeth[]

[v] Fate/EXTRA CCC - Elizabeth Secret Garden [T]

Profile
Name: Elizabeth “The torture idol of the dragon family, Elizabeth Báthory! I’ll break your heart to pieces too!”
Height: 154cm “No, 172cm! What do you think of this incredible supermodel-esque stature? My horns are quite tall.”
Weight: 44kg “An idol’s age and weight ought to be kept secret, but, hey, do you really want to hear it? No matter what? Well then I suppose I’ll have to say…I’m a lovely 44kg.”
3Size: B77/W56/H80 “Don’t you have to do such and such to make them big? I-I'm not such an easy girl!”
Home: House Báthory “The ancient dragons. The noble bloodline that bears their fangs. The House of Báthory in Hungary. The place that was everything to me.”
Birthday: May 17th “Could you leave the presents with my manager?”
Weak Point: If you expose my reverse scale I’ll never forgive you “I’ll have to stab you, crush you, wring you dry, and then... you have to take me as a bride!”
Fetishism: Torture…? “No, that’s a duty of the nobility, so that’s different. So, then… w-with the opposite sex? I don’t know anything about that, but, uh, fingers are certainly lovely aren’t they?”
What do you look for in a partner? There are a lot of things, but really… “Pedigree, wealth, work, hobbies… There are a lot of things, but ignoring all that, something that just comes like a lightning—that thing called destiny.”
What’s your favorite color of underwear? Always what’s most fashionable in show business “And a top idol most definitely has stripes!”
How do you spend your free time? Recovering from fatigue with a relaxing bath “It’s not that easy, keeping up this beauty.”

Romanticism (Sweets):

Elizabeth’s first SG.

Written as "Romanticism" and read as "Sweets." Perhaps it could be described as delusional tendency to fall in love with love, a maiden’s heart like a mouth full of sweet cake draped with honey.

Because she has never experienced romance herself, Elizabeth has a tendency to yearn for love stories she read in books. When combined with her nature of falling in love quickly, even the smallest things can raise “flags” for her, making this a very troublesome SG.

Creatures that are fun to bully are her type. What seems to make her heart skip a beat is the strength of heart to firmly look back at her, even while shaking in pain, never giving in no matter how much she strikes or stabs.

<>

Although Elizabeth is known for her bloodbaths and penchant for torture, she has surprisingly pure and honest sense of chastity. As a noble who received proper education, she is a knowledgeable and prudent woman fit to be a feudal lady.

... If she didn’t have that strange delusional tendency and penchant for torture, that is.

Fond of Cooking (Wish to be a Beloved Wife):

Elizabeth’s second SG.

Though Elizabeth herself says she likes cooking, this is not a simple fondness for the act of preparing food, like that of the red-mantled Archer. Elizabeth’s fondness for cooking comes from a desire to be praised by or to monopolize the person she likes. Essentially it amounts to nothing but a desire to be beloved as a wife. However, her skill in cooking is utterly lacking.

From how fondness for cooking appears as the apex of her wish to be a wife, we can infer that Elizabeth places heavy emphasis on meals. Perhaps it is a dragon’s instinct.

<>

Though Elizabeth shares her love of song with Saber and her wish to be a beloved wife with Caster, what lies at the bottom of those wishes are completely different.
Preparing food as a method to confirm husband’s love — to keep husband charmed — does not come from an “equal relationship.” She “bestows meals” to her husband as a noble. It’s no different from feeding... raising an animal. It contains none of the “romance” she longs for. The overlord disposition ingrained into her by heredity devours even her modest dreams.

Purity (Inexperienced):

Elizabeth’s third SG. We would like to leave just what constitutes “purity” to the reader’s imagination.

Servants are revived in the form that represents golden age of their lives. So Elizabeth appears as an unwed daughter of house Báthory, a young girl in love with love… presumably.

<>

An idol must be pure like snow. Romance might be fine, but the moment she comes to know love, her radiance is lost. As long as she immerses herself in the idol business, this SG will be eternally indestructible.

Gilgamesh[]

[v] Fate/EXTRA CCC - Gilgamesh Secret Garden

Profile
Name: Gilgamesh (I am the absolute first king. The king of heroes among heroes. As such, that is what you should call me.)
Height: (If I must say, then) 182 cm (What? More normal than you expected? Fool! Are you telling me to become a meat puppet!?)
Weight: (Again, if I must say, then) 68 kg (approximately. Just so you know, there is no excess flesh. Again, since I was born, there has been no time when this body gained excess weight. It has been of use, mongrel.)
3 Sizes: B94/W73/H93 (A golden body is befitting the golden king. It is far too beautiful for your eyes, but if you desire me to cast off, bring forth a command seal.)
Home: (Let's see. If I were to answer as a human, then it would be my capital,) Uruk
Birthday: Unknown (The beginning or end of the land, choose whichever you prefer.)
Weak Point: Do not ask of what you already know. (It is obvious that my weakness is that I have no faults.)
Fetishism: (Let's see..) That their molding be beautiful is natural, there is no need to speak of it. (That which appeals to my heart is the sound of a heart breaking, and when beautiful objects are washed away, that even more beautiful drop of liquid. When you lick it, it is sweet.)
What do you seek from your partner?
............ (That answer is one you should search for yourself.)
Favorite underwear color?
(You, are you now an incorrigible fool?) What is there besides gold!!!
How do you spend your free time?
Pleasure trips. (No matter what kind of age it is, I cannot cease wandering around the land. Well, I did sleep until I returned to level one though.)

Lynchpin of Heaven
That which exemplifies Gilgamesh's way of life. That which expresses how the gods of ancient times lived and his birthplace.
In history, the gods of the universe are split into two categories. When things that were already there become gods, and when things are reborn as gods.
Things that were already there are when things such as heavenly bodies, like the sun and moon, or natural phenomena, like storms or earthquakes, become the objects of worship.
Things that are reborn as gods is when they were human in the beginning, but due to various factors, they deviated from being human and became the objects of worship. Heroes and messiahs and systems necessary to thrive fall under this category.
The gods of Mesopotamia are of the former category. Natural phenomena possess intentions and personalities and reigned as the laws of heaven. That which those gods sent out in order to remonstrate the people of the earth was Gilgamesh.
The lynchpin of heaven. The king who was brought forth by the hands of the gods in order to secure the the surface which was leaving the age of the gods.
However, he did not fulfill that role. Considering his own desires first, controlling his kingdom as a person, he rejected how the gods lived as something from a past age.
"I will obey the gods. And respect them. However, be destroyed. On the occasion that you brought me forth, you lost your positions by your own actions."
Thus, ancient Uruk began, and the king who parted ways from the gods was born. The King of Heroes, Gilgamesh. The king that was desired as a lynchpin, in truth, became the tip of the spear that put an end to the old age.

Chains of Heaven
That which exemplifies Gilgamesh's childhood. It expresses his battle with the friend that was his equal and their adventures.
The one and only tale of a merit that will not change for all eternity in the world.

Poison of Death
That which exemplifies Gilgamesh's youth. It expresses his pursuit of perpetual youth and eternal life and its circumstances.
Thus, that childhood time of his came to an end. The tyrant with neither blood nor tears.
The hero who enjoyed himself, mastering every treasure, every pleasure.
The king with the conviction to treat good and evil equally. As the absolute basis is "himself," there is no need for other ideologies and ways of life. Though on the point of vaingloriousness, he is the same as the Macedonian King of Conquerors, but the largest difference between the King of Heroes and the King of Conquerors is the point of "not needing retainers."
This hero, from the beginning to the end dictated only "himself." His loves are treasures, tools; people were only things that would disappear.
...Even if he recognizes how much it deserves to be loved.
Considering the theme of "CCC," it's impossible to avoid questions regarding women. This is a digression, but Gilgamesh's preferred type is "a noble maiden (virgin)". (It seems that "a flower that blooms in the plain" was his type during his childhood.) It seems he hates women who, while relying on men, have using men as their interior face.

Jinako Karigiri[]

[v] Fate/EXTRA CCC - Jinako Karigiri Secret Garden [T]

Information
Character Description
Voice Content
NAME Jinako Karigiri “Yep, I’m the great Jinako!”
HEIGHT 153cm “Though my dad was pretty tall…”
WEIGHT 82kg “Comfortably within 2 digits.”
3SIZE B109/W87/H112 “I…it’s kind of an overload!”
HOME Japan “My dad’s German though.”
BIRTHDAY 3rd November “My age is…about 25, let’s say.”
WEAK POINT I, I dunno! “But…Maybe I liked…getting hair brushed…”
FETISHISM Cool voices are the best “Karna gets a high score in that area, though nothing else…”

◆What do you look for in a partner?

  • An angelic shota Servant would be so very delicious “But, for someone like me…”

◆What’s your favorite color of underwear?

  • A daring sexy black! “I’ve got no one to show it to, so a daring sexy black! …Though really it’s white. Got a problem?”

◆How do you spend your free time?

  • My time is all free time, 365 days a year! “Video games, internet, I can do whatever I want! I’m such a winner.”


Tendency to Lie:
Jinako’s first SG.
I didn’t mean to deceive you, but I was embarrassed so I ended up doing it anyway.
I’m not even clear on myself, but I don’t want anything to do with other people.
They’ll never see my heart.
<>
Lying is lonesome, you know. It’s sad to have no truth, right.
The truth is always in the dark. It’s probably a disappointment anyway.
But hey, isn't it better than being seen?

Loneliness:
Jinako’s second SG.
Maybe I could make a lot of friends. Even if I could, though.
Having a whole lot of them would be annoying, having just a few would be kind of empty.
But alone is always alone.
<>
Wake up alone, go to sleep alone. Cry alone, laugh alone.
Easy, easy, easy mode. I can’t say it’s easy for everyone. In games and in life, multiplayer is a kind of high road.
But friendship between equals — does such luxury really exist?

Curse of Death:
Jinako’s third SG.
Here you go! A perpetual loop preventing character!
Too bad, your progress has been lost!
Ah, but —
<>
— but.
I decided that if it’s inevitably going to end someday, I won’t do anything.
I thought, when it inevitably ends, I want to be smiling.
Which is the real me, anyway? Which is the real “easy mode”?

情報
文字記載内容
ボイス内容
NAME ジナコ=カリギリ
HEIGHT 153cm
WEIGHT 82kg
3SIZE B109/W87/H112
HOME 日本
BIRTHDAY 11月3日
WEAK POINT し、知らないっスよ!
FETISHISM イケてるボイス最高

◆パートナーに求めることは?

  • エンジェル系ショタサーヴァントとかマジprpr

◆好きな下着の色は?

  • あえてのセクシーブラック!!!

◆余暇の過ごし方は?

  • 年中無休のオール余暇っす

Kiara Sessyoin[]

[v] Fate/EXTRA CCC - Kiara Sessyoin Secret Garden

Information
Character Description
Voice Content
NAME Kiara Sessyoin
HEIGHT 166cm
WEIGHT 53kg?
3SIZE B96/W58/H86
HOME Japan
BIRTHDAY 4th June
WEAK POINT Anywhere
FETISHISM -

◆What do you look for in a partner?

  • -

◆What’s your favorite color of underwear?

  • -

◆How do you spend your free time?

  • -

情報
文字記載内容
ボイス内容
NAME 殺生院キアラ 真言立川流継承者、殺生院キアラとお申します。
HEIGHT 166cm アンデルセンと並べと、余計に大きく見えてしまいますね。
WEIGHT 53kg? 最後に計ったのは…たしか49㎏ですが。知りたければ、抱き上げてくださいますか?
3SIZE B96/W58/H86
HOME 日本 日本にある、真言立川流の里です。今は何もありませんが。
BIRTHDAY 6月4日 年は重ねたくないものですね。
WEAK POINT どこでも
FETISHISM 固執するのは私ではなく……

◆パートナーに求めることは?

  • 多くを求めはいたしません

◆好きな下着の色は?

  • 清楚な雪の白か、妖艷な漆の黒か……女ですもの、それくらい使いまけますわ。

◆余暇の過ごし方は?

  • 悩める方々の相手をしておりますが……



1. フェロモン

殺生院キアラのSG。
理性ではあらがえない本能的誘惑。

フェロモンとは動物の体内から分泌・放出され、
同種の他個体の行動や生理状態に影響を与える物質の総称。
言ってしまえば"愛されやすい"特殊体質だ。
殺生院キアラは楚々とした人物だが、
そんな性格とは真逆の体質を持って生まれてしまった。

人々を煩悩から解脱させる事を誓願とする彼女だが、
この体質によって多くの人々をあらぬ方向へ惹きつけ、
その度に現実に打ちのめされてきた。

本能が理性を台無しにする。
欲望が理想を焦がしていく。
人間とてしょせん動物である事をまざまざと
見せつけられてきたキアラだが、これこそ生涯をかけて
折伏すべき人の業と受け入れ、
その果てにムーンセル―――聖杯戦争への参加を決意した。



また、誓願とは
サンスクリット語の『プラニダーナ』の漢訳。
菩薩が自らの悟りと、生きとし行けるものの救済のために
立てる誓い、願いのことを言う。

菩薩であるならば立てなければならない最低限の誓願を
四引、あるいは総願と言う。
純粋な誓願には力が宿り、
菩薩はやがてこの力によって仏になるという。


2. 博愛主義

殺生院キアラのSG。
あらゆる偏見に囚われる事なく、
人類すべてを平等に愛そう、と願うキアラの理想。

無論、それは宗教間の対立、
イデオロギーの対立の否定も含まれる。
異なる宗教観を持つ者同士の対立など彼女にとって
もっとも恥ずべき事らしい。

サーヴァント・アンデルセンが攻撃手段を持たないのも、
彼女のこの考えが強すぎるためだろう。

Meltlilith[]

[v] Fate/EXTRA CCC - Meltlilith Secret Garden [T]

Information
Character Description
Voice Content
NAME Meltlilith “Doesn’t it sound beautiful?”
HEIGHT 190cm “Hmf... Can’t you see these legs? I’ll look down on you as much as I want.”
WEIGHT 33kg “Including both legs it’s 53kg. Lip and BB have far too much excess meat on them, don’t they.”
3SIZE B75/W55/H80 “By excluding all vulgar fat, this body pursues beauty of shape to the limit.”
HOME The far side of the moon “A boring place, isn’t it. There isn’t even a doll shop.”
BIRTHDAY April 9th “Honestly any time is fine, but I can’t stand being Lip’s little sister.”
WEAK POINT Isn’t it obvious I’d hide it “Isn’t it obvious I’d hide my weak point? Which, you ask? Hah, imagine whatever you want.”
FETISHISM A fetish for screams “Screams wrung from the discord and disgrace of the heart are irresistible. I feel like I could melt just hearing them.”

◆What do you look for in a partner?

  • Nothing in particular. “I’m just going to melt them whole and make them me.”

◆What’s your favorite color of underwear?

  • Silver and blue… I suppose. “But really, can't you tell by looking? Intentionally making me say it, you’re a pervert.”

◆How do you spend your free time?

  • Collecting dolls and figurines. “The shame of buying an evil god figurine, I will absolutely never forget it.”



Sadisitic Predisposition:

This “sadism” refers to tormenting others and attacking them without cause.

This is less of an SG and more of a special quality Meltlilith possesses. It represents a queenly character, never interacting with anyone, no matter who, without sadism.

This quality is like a curse, but Melt herself is entirely unconcerned by it. Rather, sadism is the truest form of love, as she perceives it.

While Passionlip was ashamed of her predisposition, Meltlilith seems to take pride in hers. Perhaps because Her sadism is not an attack intended to negate its target, but rather an aggression that allows her to stay herself.

<>

Meltlilith was born from BB’s “aggressor side.” Born a destroyer, a sovereign who consumes the weak as nourishment.

Consequently, normally this wouldn’t be a weakness... or an SG. The reason this weighs on Melt’s heart is not because she’s embarrassed by her sadistic predisposition but perhaps because she experiences sexual arousal through sadism, and her own foolishness in failing to conceal that pains the heart in her lacking chest.

After all, her coolheadedness is her selling point. She may well be remembering how her cheeks flushed immodestly, sighing to herself, “...good grief, that wasn’t cool at all.”

Doll Mania:

Meltlilith’s second SG.

There are a variety of different preferences when it comes to doll mania, or doll fanciers. Some collect them as antiques or works of art, and others who use them for interior decorating. Then there are those who, though they may seem to have things backwards, who love doll-like people.

Meltlilith’s doll mania falls under all of these categories. She obsessively collects dolls, displays them, loves them, and tramples them. There is only one-way affection.

“I need nothing but myself. I don’t even need the heart of the one I love —”

That is how Meltlilith lives. What she wants is “a lover(thing) to pour love into, nothing more.” She may not acknowledge even the existence of things like the other person’s sentience and freedom.

<>

What is a doll, to begin with? A substitute modeled after a human being, or a perfected image emulating the ideal human? Having the SG “doll mania” may be the perfectionist Meltlilith’s own sort of romanticism.

Also, it seems she as a special fondness for “small things.” Taking things that catch her interest, abusing them, shrinking them down, and collecting them is one of Meltlilith’s few hobbies. Calling it a doll house might sound nice, but you’ll find nothing there but a cage of despair. A young girl’s innocence leads to bizarreness at times.

Crime Ballet:

Meltlilith’s third SG. This is not an SG as a private part of her heart to be kept secret but as an actual hidden crime.

To make herself invincible, Meltlilith overwrote a basic rule of the far side of the moon "loss of sense of time" into "loss of hit detection on Meltlilith".

Although Meltlilith's victory was inevitable upon completion of this scheme, her parent BB confirmed the illegality, and she fell from her place as star of the stage.

<>

In classical ballet, an excellent dancer seems to have no sense of gravity, enabling her to dance like a feather. This may be why Meltlilith, who adores ballet, visualizes invincibility as “a solitary, untouchable prima donna.”

情報
文字記載内容
ボイス内容
NAME メルトリリス
HEIGHT 190cm
WEIGHT 33kg
3SIZE B75/W55/H80
HOME 月の裏側
BIRTHDAY 4月9日
WEAK POINT 隠すに決まっているでしょう
FETISHISM 悲鳴フェチよ

◆パートナーに求めることは?

  • 特にないわ

◆好きな下着の色は?

  • 銀と青……かしら

◆余暇の過ごし方は?

  • ドールとフィギュアの収集ね

Passionlip[]

[v] Fate/EXTRA CCC - Passionlip Secret Garden [T]

Information
Character Description
Voice Content
NAME Passionlip “It’s my favorite name.”
HEIGHT 156cm “It’s the same as mother’s, but… it may look taller…”
WEIGHT 1 ton “Ah, wh…why…?”
3SIZE B160/W63/H87 “It’s just a little big.”
HOME The far side of the moon “I was just recently born here.”
BIRTHDAY April 10th “I just got it.”
WEAK POINT Being touched… “My chest is especially…ticklish…”
FETISHISM I like everything about that person, but… “I especially like, their hands. I’d like…to hold to them, or if they patted me on the head.”

◆What do you look for in a partner?

  • Please be very gentle. “Being cared for makes me happy.”

◆What’s your favorite color of underwear?

  • Pink, and cute… “…eh? I am wearing underwear, on the bottom!”

◆How do you spend your free time?

  • Practicing cooking and such… “But I get hungry really quickly when I start moving.”

情報
文字記載内容
ボイス内容
NAME パッションリップ
HEIGHT 156cm
WEIGHT 1t
3SIZE B160/W63/H87
HOME 月の裏側
BIRTHDAY 4月10日
WEAK POINT 触られるのは苦手です……
FETISHISM あの人なら全部好きだけど……

◆パートナーに求めることは?

  • いっぱい優しくしてください。

◆好きな下着の色は?

  • ピンク色の可愛い……

◆余暇の過ごし方は?

  • お料理の練習、とか……

Rani VIII[]

[v] Fate/EXTRA CCC - Rani VIII Secret Garden [T]

Information
Character Description
Voice Content
NAME Rani VIII “It is a name my professor gave me.”
HEIGHT 157cm “A quite average height for a girl.”
WEIGHT 45kg “It could be called rather thin, but I have no health problems.”
3SIZE B80/W58/H81 “These sizes were also decided by my professor. They are optimized for activity and portability.”
HOME The Atlas Institute “I was trained at the Atlas Institute.”
BIRTHDAY January 1st “Perfect. An incredibly beautiful start.”
WEAK POINT Armpits, back, abdomen, etc. “Please avoid touching these, they are sensitive points on the human body. They’re very tender.”
FETISHISM I have no perverted tastes. “I am a proper homunculus. For my functionality to possess any special eroticism would be unthinkable.”

◆What do you look for in a partner?

  • A warm, generous heart, perhaps “Directed only at me. I would like to be told ‘I will walk alongside you.'”

◆What’s your favorite color of underwear?

  • Are you seriously asking that? “I will say it however many times necessary. Underwear – is – forbidden.”

◆How do you spend your free time?

  • There is no such thing as free time. “Though I may make plans for ‘fun time’ for engaging in hobbies. What?”

情報
文字記載内容
ボイス内容
NAME ラニ=Ⅷ
HEIGHT 157cm
WEIGHT 45kg
3SIZE B80/W58/H81
HOME アトラス院
BIRTHDAY 1月1日
WEAK POINT わき、背中、腹部など
FETISHISM 変態的な嗜好はありません

◆パートナーに求めることは?

  • 心の豐かさ、でしょうか

◆好きな下着の色は?

  • 正気で聞いているのですか?

◆余暇の過ごし方は?

  • 余分な時間など存在しません

Rin Tohsaka[]

[v] Fate/EXTRA CCC - Rin Tohsaka Secret Garden [T]

Information
Character Description
Voice Content
NAME Rin Tohsaka “Reasonably famous as a spirit hacker.”
HEIGHT 159 cm “The people around me in real life are too big, here I’m pretty normal.”
WEIGHT 48kg “A good balance, no? My body is the foundation of my work in the Middle Eastern resistance, after all.”
3SIZE B82/W57/H80 “Binds up properly, and it’s not bad…I think.”
HOME Japan? “The Tohsaka family is from Japan, but I don’t have much connection with the place myself.”
BIRTHDAY February 4th “Last time was my…how old did I turn?”
WEAK POINT Nothing in particular, physically “Nothing in particular, physically “Outside of that…well…maybe being scolded.”
FETISHISM Definitely not money! “I’m not making some kind of perverted excuse! Are you listening!?”

◆What do you look for in a partner?

  • I guess someone who’ll take me places, at least when I’m off. “Extensive plans aren’t necessary, though.”

◆What’s your favorite color of underwear?

  • I don’t really think about the color… “But patterns and lace I like. Just for me, of course!”

◆How do you spend your free time?

  • I aim for physical and mental relaxation. “If you don’t rest when you’re free, you won’t be able to move when you need to.”


Excessive Self-Consciousness:
Rin Tohsaka’s first SG. Rin herself describes it as “a queenly mode of behavior, imposed by one’s nobility, completely natural for a leader.” Indeed, its meaning is unclear.
Another name for it is “templation.” It comes from the word “template,” and was a popular slang term in 21st century Japan.

<>

Humans may, due to various emotions and circumstances, reject thinks they like saying they don’t like them, or accept things they hate saying they don’t mind them.
The opposite of good will isn’t ill will, but rather indifference.
Liking is the other side of hating. Hating is the other side of liking. This sort of “dishonesty” is an ailment common to all people. It’s nothing particularly shameful.
However, there’s also the case where the more pride one has the haughtier one behaves towards someone one’s interested in, and engages in contradictory behavior. Of course we wouldn’t dare to say who, though.
This templation shifts from the simply dishonest attitude to an actively malicious attitude, a condition particular to girls.
Their behavior when they act with pride is called “tsuntsun,” and when their need to be liked by the other party reaches a boiling point they’ll turn “deredere,” and the two together are called “tsundere.”
Of course we wouldn’t dare to say who, but,

<>

Some call this a bittersweet SG, for it is the fate of templation to disappear when love is fulfilled. A certain priest says this of it: “Once she confesses to the target of her affections, she is no longer ‘tsun,’ or anything else, but a contemptible impure thing.”
Unfortunately, all that lies past graduation from this SG is becoming an silly couple so wrapped up in their love they don’t even notice that people are watching. If you are a well-meaning third party, you will probably have various thoughts of your own about this, but please watch over them kindly.

Mammonism:
Rin Tohsaka’s second SG.
A peculiar tendency to value money above all other things. For her, money is something like gasoline, something she accumulates and burns up in order to propel herself forward.

<>

For Mammonists, money is synonymous with ultimate power. If used well, it can even allow you to seize political power, or obtain happiness. Needless to say, money is bound to nations and economies. In has no power in and of itself. Wise men will advise you, scoldingly, that “the important thing about money isn’t how much you have, but what you can buy.”
Mammonists gather money like a vampire gathers blood. Perhaps it’s a mark of the ruling class, separate from the modern-day aristocracy.
Mammonism, or money-worship, is when people elevate money to such an extent they treat it as an object of devotion. Essentially, “money is God.” Take care that in your quest to gather money you do not become a slave in its service instead.

Desire for Subjugation:
We don’t dare comment.
…but it seems we have no choice. This must be an SG of great interest to you, dear readers.
Just as the name says, the desire for subjugation is the desire to be controlled by someone else. We should warn you that though it says “subjugation,” it doesn’t mean wanting to be a puppet with no will of its own.
Wanting to serve something. Wanting to be owned by something. Wanting to be of use for something. Wanting to be bound by something.
These desires are the manifestation of a powerful ego. It is precisely because they know their own value that they wish to be used to someone’s benefit.
It may be larger or smaller, but the desire for subjugation is something that is thought to be present in everyone’s hearts. Human beings all want to be of use to someone.
…though strictly speaking, there’s a large difference between wanting to be subject to someone you deeply respect and and wanting dare to be subject to someone below you.
As this is something that isn’t manifest in the usual Rin Tohsaka, you could call it a taboo, or perhaps a desire, held in her subconscious. Essentially, even the queen of the moon wants to depend on others sometimes.

情報
文字記載内容
ボイス内容
NAME 遠坂凛 霊子ハッカーとしては、そこそこ有名よ
HEIGHT 159cm リアルじゃあ、周りが大きすぎたけど……ここだと私もごく普通よね
WEIGHT 48kg いいバランスでしょ?中東でのレジスタンスは、体が基本だから
3SIZE B82/W57/H80 ちゃんと絞ってるし、悪くない……わよね?
HOME 日本? 遠坂家は、一応日本に在ったけど……私はあんまり縁が無いのよね
BIRTHDAY 2月4日 最後に祝ったのは……何歳の時だっけ?
WEAK POINT 身体的には特にないわ それ以外だと―――叱られるのは、色々……ちょっと、ね
FETISHISM お金・・・・・・なわけないじゃない! 幾ら私だってそんな変態的に固執してないっ!―――って、聞いてるっ!?

◆パートナーに求めることは?

  • オフのときくらい、引っ張ってほしいかも

◆好きな下着の色は?

  • 色に拘りはないけど・・・・・・

◆余暇の過ごし方は?

  • フィジカルとメンタルの休養にあててるわ

Saber[]

[v] Fate/EXTRA CCC - Saber Secret Garden

Profile
Name: Saber (At this time, calling me Saber is fine. You will remember my true name, which you have lost, when that time comes.)
Height: 150 cm (You, do not ever speak what you just thought. Even a sneeze will anger me!)
Weight: 42 kg (Mmm. My body is a work of art, but being asked about my weight, as a maiden, makes me a bit uncomfortable...)
3 Sizes: B83/W56/H82 ([Some Latin?] Not showing lines like these would be a loss for mankind, wouldn't it not?)
Home: (Embraced by the Mediterranean sea, the place where all roads lead, which was my castle, the capital of flowers, in other words, the Empire of) Rome
Birthday: Unknown (Do you refer to the day I let out my first cry or the day I came to the crown? My apologies, I said something ill-natured. Do not make such a darling face.)
Weak Point: That I possess headaches, and that I was not blessed with someone who understood me, I suppose. (Well, it does not bother me much now. You are here. Praise and pamper me, one hundred, no, one thousands more than those people!)
Fetishism: I cannot cite only one! (It's for that reason I need a harem!)
What do you seek from your partner?
Now is the time when I protect you, Praetor. Therefore, I do not desire much. (As long as you are healthy, that is enough.)
Favorite underwear color?
When I exposed myself to the people, I was generally wearing red. (I suppose you could say that it is my image color.)
How do you spend your free time?
I take baths. Those with flowers floating in the water are especially fine. (On occasion, it would be fine for you to wash my back out of gratitude.)

Love of Harems
Saber's first SG.
Her true name is unknown, but either way, this is one of the deeds of her life, where she did as she liked. Basically, calling it the privilege of an emperor, she kept beautiful boys and beautiful girls.
It seems that she indulged her whims as much as wanted: listening to them singing, having them model for sculpture, receiving massages from them, and occasionally having them be her companion in fashionable games.
Besides the harem, she opened tournaments crowned with her own name, appear in Olympia (the root word of olympic) and become the champion, boast that she was an artist that rivals the god of music Apollo, declare that she was a charioteer that rivals the god of the sun Sol; whether now or then, her love of flashiness hasn't changed.
However, unexpectedly, before she became emperor, she was appreciated as an impartial judge. This flashy life all came about after she became emperor. Or maybe, she considered an emperor a "light which, like the sun, is necessary and essential to the people and the world," and maybe she was performing that role with all her strength.

Laurel Wreath Veil
Saber's second SG. Its other name is "Desire for Marriage."
Rather than a secret, it is a desire, a dream. As she became emperor as a girl, she was unable to welcome a wedding ceremony as a single human being. From her admiration of that, this SG was given form.
Though her birthplace of the peninsula of Italy is surrounded by the Mediterranean Sea, it is a region of especially vigorous volcanic activity and a zone of reoccurring earthquakes. Regions like this...of course, Japan is included as well...as an often seen peculiarity, attached importance to symbols that have to do with fertility and symbols of living motion.
The greatest of these is a crown of bay laurel--the laurel wreath.
Since Ancient Greece, within the scope of Mediterranean civilization, the laurel wreath is a tradition, a symbol of glory granted to the victors of all games. This is the reason that the successive generations of emperors had their heads crowned with laurel wreaths.
Of course, Saber, as the emperor or maybe as the winner of a tournament, has been crowned with a laurel wreath countless times. There is no mistake that a veil in the shape of a laurel wreath is reflected in her mind as a treasure that has no superior.

Love for the People
Saber's third SG.
The way of her heart. It is said that while Saber personally criticized herself as self-righteous, she pursued the beauty to forgive ten thousand people--the ultimate beauty. That wish was not granted even to the end, of course.
However.
"Whether is it a single gold coin, the sport of a single night, a single shard of a dream.
Nevertheless, the ten thousand people who saw that were people who showed flower-like smiles--that, I think, is the form of ultimate beauty,"
she said, as if she were dreaming. Stars for the sky. Flowers for the earth. And love for people. That this way of living is ultimate beauty, Saber is unaware.

Fate/EXTRA CCC Extra Garden[]

Angra Mainu/CCC[]

Fate/EXTRA CCC encyclopedia - All the World's Desire (Angra Mainu)/CCC

The Noble Phantasm of the demon-transformed Sesshouin Kiara.
Sesshouin Kiara absorbed two Alter Egos and transformed into a demon through the mooncell.
While she was reborn into the earth mother, accepting all the desires of humanity, she was also at the same time a sacrifice to all the desires of humanity.
Her existence is similar to a certain man-made demon who had once been demonized and celebrated as a sacrifice to prove the evil of mankind.
Turning into the floodgates of all the desires of humanity, she ushers the souls of people into her body by Code Cast Banshokuyuutai and creates a whirl of billions of pleasure.
The whirl of pleasure melts sapient beings and transforms their lives into the sublime in the twinkling of an eye.
It is the birth of an ephemeral but eternal Land of Bliss.
This whirl of pleasure works on any sapient being without exception, no matter how different the structure of their intelligence is.
This is not a noble phantasm limited to the Earth.

Golden White Face[]

Fate/EXTRA CCC encyclopedia - Golden White Face

Golden Fur, White Face. The nine-tailed divine spirit we get a glimpse of in Casko's third SG. Deification of the sun. Amaterasu gone delinquent.
When Casko goes to nine-tails mode this is what she will......not be.
All this is is the distantly ancient but still existing original source of Casko.
When you're a divine spirit of this class, the time axis has almost no bearing on you.
Normally someone entering the mausoleum would be burnt to a cinder, but our Xavier, meeting our expectations like always, not only is not incinerated, but demonstrates his usual reckless bravery (stupid menu choices).
She would have been in a naked nine-tails spin on the naked apron, but the ethical barrier couldn't be breached so we made sure she wore formalwear.
Oh and if a person who doesn't dream go in, all he'll see in the mausoleum is a huge sun.

Sound Drama[]

[v] Fate/EXTRA Sound Drama 2 Bonus Drama

Taiga: Is it correct to say that Moon Cell Servants aren't summoned from the counter force, but are instead reproduced copies like NPCs?
Sakura: Yes, that's right. To be more precise, they are perfectly reproduced from the Moon Cell's records of human history. However, that human history is connected to the throne of heroes in multiple ways, so they can't be called copies as a rule. In short, the Moon Cell consciously creates its own history of humanity, but that history is the exact same as the throne of heroes, so it's like they overlap in multiple ways as the same existences.
Taiga: While we're at it, the counter force is a different thing altogether. Archer-san is a counter force heroic spirit, but Archer-san in EXTRA was summoned from the throne of heroes, so he's not a slave of the counter force this time.
Caster: I see, so the reason he has a few differences from the original Fate is also because of that state.

大河「ムーンセルのサーヴァントは抑止の輪から呼び出されたものじゃなくて、NPCと同じように再現されたコピーという認識は正しいのかしら?」
桜「はい、その通り正しいです。より正確に言うと、ムーンセルが記録している人類史からの完全再現となります。ただし、この人類史は多元的に英霊の座と繋がっているので、一概にコピーとは言えません。要するに、ムーンセルも自分で人類史を作っている認識なのですが、その人類史はそもそも英霊の座とまったく同じものなので、同一存在として多元的には重なり合っている、みたいな感じです」
大河「ついでに言うと、抑止の輪はまた別ね。アーチャーさんは抑止の輪側の英霊だけど、エクストラでのアーチャーさんは英霊の座から呼び出されたために、今回は抑止力の奴隷になっていないっていうわけ」
キャスター「なるほど、Fate本編と若干差異があるのもその塩梅ってなわけですね」

[v] Fate/EXTRA Sound Drama 2 Bonus Drama

Taiga: As in the works of TYPE-MOON, even where the works are different, world settings are often shared, would it be true to state that outside of the world of EXTRA, the Moon Cell does not exist?
Sakura: Indeed, it does not exist. This would also be the reason that Fate/EXTRA is referred to as a World of 'if.' In the first place, were the Moon Cell to exist within it, Tsukihime -- which shares the same world settings -- would from its very premise collapse.
Saber: Mu? But I'm of the impression that Tsukihime characters appeared within the primary material of the game. Was that a hallucination?
Sakura: It wasn't a hallucination, but -- the matter is that there is no direct continuity of lineage from the History of Man that exists as of Tsukihime. To put it bluntly, it was fanservice.

大河「TYPE-MOON作品では、作品が違っても世界観を共有していることが多いけど、エクストラの世界以外にムーンセルは存在しないと言うのは本当かしら?」
桜「はい、存在しません。それがフェイト/エクストラがifの世界と言われる所以でもあります。そもそも、ムーンセルが存在したら、世界観を共有する月姫の根底が崩れてしまいます。」
セイバー「む?ゲーム本編で月姫のキャラクターが登場していた気がするが。あれは幻だったか?」
桜「幻ではありませんが、月姫における人類史とは血続きではないということです。ぶっちゃけると、ファンサービスですね。」

[v] Fate/EXTRA Sound Drama 2 Bonus Drama

Sakura: It is common knowledge that the West European Zaibatsu controls 60% of the modern world. Its directly-controlled territory of Western Europe is stable by means of a completely controlled society, and the aristocracy has come back into existence. In comparison, America has become a failed state and is quite frankly a lawless land. Certain persons of interest fled to South America and planned to reorganize, but were met with opposition from the South Americans and have been driven into a corner. The Middle East was still plagued by internal strife, and was unprepared for the seizure of Jerusalem by the West European Zaibatsu, throwing it into terrible panic. It was thought that the seizure of the religious foundation would lead to all-out war, but the Middle-Eastern countries no longer had the power to retake Jerusalem, and it was all they could do to unite to hold back the West European Zaibatsu's expansion at the borders.
Archer: I see. So those are the circumstances in which Tohsaka Rin is helping the resistance in the Middle East.
Sakura: Yes. By the way, Tohsaka-san's home ground is fairly close to the Atlas Institute where Rani-san lives.
Saber: What of Asia, where my Maestro's home ground presumably lies? To what extent is the influence of the West European Zaibatsu?
Sakura: The various Asian countries are constantly engaged in skirmishes over resources. Starting with a disaster at the end of the 20th century, Japan fell into anarchy and became a ruined country. The West European Zaibatsu, which extols management of human rights, apparently provides aid to those looking to leave Japan. Since resources are everything in this world, the Chinese considered it pointless to conquer a resourceless island country and left it alone, but the West European Zaibatsu considers human resources important too, and see Japanese people as a good resource, so they want to preserve their education level. Among them, Kishinami-san is... ah, no, this is a spoiler, so let's talk about this once the story has progressed a bit more.
Caster: You mentioned resources, but the world is at war, right? In that case, can people really leisurely play games and such? Actually, how far has technology progressed? Wouldn't science and technology change as a result of war?
Sakura: The technology, apart from space development technology having drastically halted, is about the same level as the real world. There are cell phones and smartphones as normal, and as evidenced by how Shinji-san is known as an online game champion, regions controlled by the West European Zaibatsu have a complete infrastructure set in place. However, the earth's population has decreased to about half of the real world's population. This is due to the war as well as the West European Zaibatsu controlling even the birth rate.
Saber: I see. In that case, people are the same as cattle. I can understand why Tohsaka Rin has such antagonism towards Leo.

Last Encore[]

Moon Cell Automaton[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Moon Cell Automaton

Moon Cell Automaton

ムーンセル・オートマトン
月の内部に発見された巨大なフォトニック結晶体。
人類とは異なる知的生命体によって作られた、光を記憶媒体にしたスーパーコンピューター。「月の聖杯」とも呼称される。

SE.RA.PH[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: SE.RA.PH

SE.RA.PH

SE.RA.PH
SERIAL PHANTASM。ムーンセル内に造られた霊子虚構世界。
規模が巨大になったムーンセルが自身を運営するために作った"月を回す都市型エンジン"

Magus (Wizard)[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Magus (Wizard)

Magus (Wizard)

魔術師(ウィザード)
魂レベルで電脳空間にダイブできる異能者。
自己の精神・魂を霊子化し、アバターとして電脳空間で活動できる。

Master[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Master

Master

マスター
聖杯戦争に参加した者たちの呼称。
サーヴァントを召喚・契約し、聖杯戦争に参加する。

Heroic Spirit (Servant)[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Heroic Spirit (Servant)

Heroic Spirit (Servant)

英霊(サーヴァント)
人類史から読み取られ、
選抜された「英雄・偉人」を誇張・再現したもの。
SE.RA.PHにおいてはマスターの戦闘代行人として使用される。

Holy Grail War[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Holy Grail War

Holy Grail War

聖杯戦争
『あらゆる願いを叶える』という「月の聖杯」を巡って争われる戦争。
月の内部を舞台とした、128人のマスターによる生存競争。
聖杯を手にできるのはただ一人の勝者のみ。

Incinerator[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Incinerator

Incinerator

焼却炉
辺獄の薔薇園。立ち入った生徒の半数は意味消失からの自殺に陥っている。
廃棄物として捨てられたものの跡地。
良くないもの、悪夢を見る場所として知られる。
構造帯そのものが破損しているためSE.RA.PHの清浄機能が働いておらず、ここに訪れた者は三層のレイヤーを同時に視る。
一つは元々用意された土台。廃墟。
一つは予選参加者全員に見せていた共通幻想。学園。
そして一つは来訪者が持ち込んだ原風景。トラウマ。

Western European Conglomerate[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Western European Conglomerate

Western European Conglomerate

西欧財閥
レオナルド・ビスタリオ・ハーウェイを筆頭とした経済団体。
EXTRA世界における地上の王。
西暦2030年、レオナルドは聖杯を手に入れるべく月の聖杯戦争に参加した。

Angelica Cage[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Angelica Cage

Angelica Cage

アンジェリカケージ
七つの海の底に君臨する熾天の檻。
月の中枢に位置し、外部からの知的生命体がムーンセルにアクセスする為の到達点とされる。

NPC[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: NPC

NPC

NPC
聖杯戦争を円滑に進めるために作られた仮想生命。
それぞれに決められた役割があり、逸脱することはできないが独自の思考、人格が備わっている。

Moon Mile Ladder[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Moon Mile Ladder

Moon Mile Ladder
It rises and serves as a guide to the battles of the Sea of Seven Heavens. The basic principle of SERAPH is that it will only be lowered when a Master has triumphed over their opponent.
This Ladder is required to head from a lower to a higher level. It also has the effect of healing wounds.
As an aside, the Ladder is not required if you only want to go down to a lower level.

ムーンマイルラダ―
上昇し、七天の海の戦いへと導くもの。聖杯戦争に参加したマスターが、対戦相手であるマスターに勝利した時のみ下ろされるSE.RA.PHの基本原則。
下から上の階層へ上るにはこのラダーを使用する必要がある。傷を癒す効果もある。
余談ではあるが、下の階層に下りるだけならラダーは必要ではない。

Class[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Class

Moon Mile Ladder

クラス
聖杯戦争において、サーヴァントが司るもの。
基本的には、セイバー、アーチャー、ランサー、ライダー、キャスター、アサシン、バーサーカーの七種のクラスで振り分けられる。

Spiritron-Hacker[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Spiritron-Hacker

Spiritron-Hacker

霊子ハッカー
ウィザードと同義。

Newly Established Ocean City Cape[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Newly Established Ocean City Cape

Newly Established Ocean City Cape
Originally the first layer of the seven that make up SERAPH, it has been freed from SERAPH's management.
The City is administrated by Matou Shinji under certain laws that prevent conflict from occuring.

The city administrated by Matou Shinji, who during the final Holy Grail War won in the first round but refused to advance to the second round.
Afterwards, a female Master who was his right-hand woman escaped from the third level, became Shinji's secretary, and Cape became an even more perfected city as a result.
Thereafter, Shinji took up residence in the former school building that was previously used as the stage, and the management of the city outside was performed by the female Master who had become his secretary.
The security force composed of young girls was apparently organized according to that female master's personal preference.

新設海洋都市ケープ
もともとはSE.RA.PHの七層を構成する第一階層だったが、SE.RA.PHの管理から解放された都市。
間桐シンジにより、争いが起きないように一定の法律のもと都市行政によって管理されている。

最後の聖杯戦争中、1回戦に勝利したものの2回戦にあがる事を拒否した間桐シンジによって運営されていた都市。
後に彼の片腕となる女性マスターが3階層より逃げ延び、シンジの秘書となり、ケープはより完成した都市となった。
以後、間桐シンジはかつての舞台であった旧校舎を住居とし、表だった都市運営は秘書となった女性マスターが行っていた。
少女を中心にした治安部隊を組織したのはその女性マスターの趣味だとか。

Dead Face[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Dead Face

Dead Face
The countenance of death. An extremely rare strengthening phenomenon that came to be after the completion of the Chakravartin.

Cyber Ghosts are beings without bodies, wandering to seek life.
On the other hand, Dead Face is a type of malicious data, while being alive, being trapped by death.
Because the death of a body and the death of a mind are separate in SE.RA.PH, if death is incomplete, even mental activities will pile up as curses.
With the Angelica Cage closed and the Holy Grail War over, the function to cleanse the dead's thoughts ceased, and the dead were left unattended.
Dead Face was born from this.
Mental data that could not completely die even upon death will become a lightning mask, moving a dead body, eventually mutating the body into malicious data, and changing the face to a mask of death.
When the body, originally satisfied by its end, is finally polluted, becoming a "Moving Dead", all of their purpose of life will be lost, and it becomes a disaster wandering the Floor.

デッドフェイス
死相。チャクラ・ヴァルティン成立後、ごく稀に発露するようになった強化現象。

サイバーゴーストは、生を求めて彷徨う肉体の無いもの。
一方で、デッドフェイスは、生きながら死に囚われた、何も生み出さない悪性情報の一種。
SE.RA.PHでは肉体の死と精神の死が別物のため、死にきらなければ精神活動も呪いとして蓄積される。
熾天の檻が閉ざされ、聖杯戦争が終わったことで死者の無念を分解する浄化機能が停止し、死を放置することになった。
そこから生まれたものが死相―――デッドフェイスである。
死を迎えながら死にきれない精神情報は電光の仮面となり、死した肉体を動かし、いずれ肉体すら悪性情報に変質させ、その素顔を死の貌に塗り替えてしまう。
満足な終わりを迎えた肉体すら汚染し、『動く死人』に変わってしまった時、その生命意義はすべて失われ、フロアをさまようだけの災害となる。

Codecast[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Codecast

Codecast

コードキャスト
電脳空間で使用される簡易術式プログラム。
ウィザードはコードを予め設計・製造しておき、これに魔力を通すことで起動させる。

Chakravartin[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Chakravartin

Chakravartin

チャクラ・ヴァルティン
天輪聖王。
セイヴァーと呼ばれるサーヴァントが持つ宝具。
聖杯戦争のルールを変えたと語られる。

Floor Master[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Floor Master

Floor Master

フロアマスター
各階層の仕組みがそれぞれ独立したものになって、階層に残ったマスターが自動的になったもの。
その時に生存していたもの、あるいはその階層の戦歴の中でもっとも優れたマスターが選ばれる。

Imperial Privilege[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Imperial Privilege

Imperial Privilege

皇帝特権
セイバーが持つ固有スキル。
万能の天才と自称するセイバーは、自分にできる範囲での技術ならば一時的に『その最高値』を身につける。
権力のみで不可能を可能とさせた皇帝たちの持つ、強力なワガママ主張スキル。

Magical Energy Supply[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Magical Energy Supply

Magical Energy Supply

魔力供給
サーヴァントは自力で魔力を生成できるものの、その生産量は彼らの多大な消費量にはおいつかない。
マスターは自身の生体エネルギーを魔力としてサーヴァントに分け与える。
その方法は様々だが、接触による供給がもっとも効率がよい。

Rani & Stars[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Rani & Stars

Rani & Stars

ラニと星辰
星辰とは星、星座の並びのこと。
ラニは占星術を得意とする。
ラニはアトラス院と呼ばれる地上最後の魔術機関が鋳造した、地上最後のホムンクルスである。
感情より理論を優先するよう調整された電脳活動に特化した人工生命だが、錬金術から生まれたラニは失われつつある神秘学……オカルティズム……を重要視しているようだ。

Year 3020 AD[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Year 3020 AD

Year 3020 AD

西暦3020年
本作品における現在の年。
SE.RA.PH崩壊から約1,000年。
地上の人口は10万をきり、じき滅亡域に到達する。
文明圏を維持することが人の証であると仮定すると、SE.RA.PHにいるマスターが最後の人類。
そしてSE.RA.PHが崩壊すると人類は宇宙から消えることになる。

Yew[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Yew

Yew

イチイ
ケルト、北欧における聖なる樹木の一種。
アーチャーの弓はシャーウッドの森の木から作られている。
伝説によると、ロビンフッドは「この矢が当たったところに埋葬してほしい」と残したという。

Forest of Regret[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Forest of Regret

Forest of Regret

悔根の森
姿を見せない狙撃手の狩り場となった第二階層。
刻を告げる鐘楼が鳴り響いた時、迷い込んだマスターはその頭部を撃ち抜かれ、 『決闘』に至る事もできず抹殺されてきた。
『停滞の海』から戦いに訪れたマスターたちは、 入り口である「王城」を出た瞬間に狙撃され、森への撤退を余儀なくされた。
マスターたちは狙撃手がいるであろう時計塔を目指し、その道半ばで狩人に倒されるか、時計塔に辿り着いた時、最後の罠によって殺された。

King's Castle[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: King's Castle

King's Castle

王城
ラダー出現場所。第二階層入り口。
多くのマスターは狙撃手を倒す為に王城から離れたが、狙撃手はこの王城に身を潜ませていた。
刻を告げる鐘の音は、王城頂部から時計塔の鐘を狙って撃たれた跳弾の音である。

Cyber Ghost[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Cyber Ghosts

Cyber Ghost

サイバーゴースト
SE.RA.PHに出現する「幽霊」。
魂を情報化し確定させた世界であるSE.RA.PHでは、地上ではあり得ない「精神だけ」「魂だけ」の生命活動がありえるため、ゴーストが物理的に存在する。
死の間際の記録が再生されているため、無念が焼き付いた場所からは動けない。
ムーンセルに見つかれば即座にデリートされる、死者の夢のようなバグでしかない。

Alice[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Alice

Alice

ありす
千年前の聖杯戦争において、第3階層まで到達したと記録されているマスター。
ゴーストではあるがSE.RA.PHで生まれたゴーストではなく、 地上から月に昇る過程でゴースト化していた為、 自由に移動できる希有な存在だった。
生存競争には向かない性格だったが、マスターとしての性能は破格・規格外のものだった。
彼女を相手にしたマスターは『戦闘行為』にすら辿り着けなかったという。

ALICE[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: ALICE

ALICE

アリス
キャスターがマスターである『ありす』の望みに応えた姿。
『ありす』とうり二つの容姿・性格をしている。
『ありす』が変質した後、その姿も失われた。
今はただ、かつてお茶会が開かれたテーブルに最後の希望を残すのみ。

Garden of Oblivion[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Garden of Oblivion

Garden of Oblivion

忘却の庭
マスターを捕食する怪物が徘徊する第三階層。
『自分の名前を忘れさせて無力化させる』というありすの固有結界、『名無しの森』と融合したもの。
ここでは誰もが時間の迷子になる。
人生は連続した物語に見えているだけで、実際は過去と現在のシャッフリングにすぎない。

Demi-Servant[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Demi-Servant

Demi-Servant
One who has taken a Servant's data within his body, inheriting his abilities.
Fundamentally, this can only be established with a Servant one has summoned and formed a contract with.
However, one cannot withstand the Saint Graph (spiritual foundation) of a Heroic Spirit no matter what sort of Master he may be, and supposedly will break down along the way.
It may be possible to withstand this if the individual has been modified for this from birth, but....

デミ・サーヴァント
サーヴァントの情報を自身に取り込み、その能力を継承したもの。
基本的には召喚し、契約したサーヴァントでしか成立しない。
しかし、どのようなマスターであれ英霊の霊基に耐えきれず、途中で崩壊するとされる。
生まれながらにそう調整された個体であれば耐えられる可能性はあるが―――

City of Pouring Rain[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: City of Pouring Rain

City of Pouring Rain
The city where it keeps on raining.
The pooling death, the voice of hatred becomes a noise, and that noise is being played as the sound of rain.
Is a projection of the anger the wandering killer on this floor has, and also said to be a replica of how the stagnated, destroyed cities on earth look like.
The Floor master was judged to be deceased, and as there were no other masters, there will be no duel to choose the winner.
Because of this, the Ladder has already descended.

ザザ鳴りの街
雨が降り続く街。
吹き溜まった死、怨念の声がノイズとなり、そのノイズが雨音となって再生されている。
このフロアをさまよう殺人鬼の怒りが投影されたもので、停滞し、崩壊した地上の風景を再現しているとも。
フロアマスターは既に死亡したと判定され、他にマスターもいなかった為、一騎打ちによる勝者輩出は行われない。
そのため、ラダーは既に下りている。

Screening Room[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Screening Room

Screening Room

試写室
ハクノが失意の中で辿り着いた記録。
「キミは憎しみを知らない」という吐露に反応した誰かの余計なお世話。
1000年前に行われた聖杯戦争では校舎の中にあった視聴覚室であったとも。
いまはやきそばパンだけが残されている。

True Name[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: True Name

True Name

真名
サーヴァントの本当の名前。クラス名ではなく、英雄としての真実。
これをサーヴァントから告げられ、マスターは本当の“契約者”となる。
その告白は特別なものであり、正しい契約者のもの。
それ故、岸浪ハクノは最後まで―――

Aestus Domus Aurea[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Golden Theater of the Flamboyant

Golden Theater of the Flamboyant

招き蕩う黄金劇場
セイバー、ネロ・クラウディウスの宝具。
生前は思うままに生き、死後は『バビロンの大淫婦』と貶められた、ローマ帝国第五帝の人生・信条をカタチにした大魔術。
ネロ帝が築き上げた黄金劇場を魔力で再構成し、この舞台の中でならすべての幸運・勝機が主役である彼女に傾くという決戦場。
また、ネロ帝には『ローマの大火』という、ローマを襲った大火災を鎮めたエピソードもあり、そのため、炎の扱いに優れており、また炎の災厄に縁がある。

Infinite -[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Infinite -

Infinite -

無限の――
無限の残骸。実力伯仲だった二名のマスターの戦いの末路。
勝者を輩出する事なく、 敗者を決定する事なく、ただ、戦いに破れたそれぞれの遺体が積み重なる無人の第六層。

1000年前の聖杯戦争で遠坂リンとラニ=Ⅷはこのフロアで対決したが、その結果は完全なる引き分けだった。
互いにサーヴァントを失い、互いに致命傷を与えた両名は、 『勝者でもなく敗者でもない者』としてカウントされてしまった。
その後、トワイス・ピースマンの手で聖杯戦争が停止し、ムーンセルは六層でもっとも優れたマスターであるリンとラニをフロアマスターとして選んだ。
死の直前にある両者はフロアの核として採用され、六層は彼女たちの世界に再構成された。

リンとラニが自分たちの状態(フロア化している)事を把握するまで数十年のラグがあり、その間、六層にいた数少ないマスターたちは七層に向かったか、下層に避難した。

死の直前でフロアと同化したリンとラニの本体(オリジナル)の意識は、いまだ『聖杯戦争』のただ中にある。
彼女たちは霧のかかった意識のまま、本能に従い、代理となる分身(アバター)を作成。
勝敗を明らかにする為、戦闘を再開したのだが、何年、何十年、何百年と戦いを繰り返しても、彼女たちが勝者としてフロアから開放される時は来なかった。

500年の殺し合いが続き、彼女たちもようやく状況を諦めた。
自分たちではもう判定は覆らない。
リン(ラニ)を殺したところでラニ(リン)が勝者になる事はない。
彼女たちが『勝者』か『敗者』になる方法はただ一つ。
第六層まであがってきたマスターと戦い、これを倒して勝者としてカウントされるか、倒されて敗者としてカウントされるかだけである。

Duplicates (Avatar)[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Duplicates (Avatar)

Duplicates (Avatar)

分身(アバター)
リンとラニの今の姿。数百年にも及ぶ、自己改造と自己強化のなれの果て。
フロアとなった彼女たちは生体工場となり、ライバルであるリン(ラニ)を上回るため自身の電脳体を改良し続け、その果てに自らをサーヴァント化した。

すでにサーヴァントを失っていた彼女たちは、かつて契約していた英霊の要素を自身の電脳体に植え付け、融合させている。
その有様は成長というより、工場で出荷される兵器のようなもの。
自己改造は本体(オリジナル)そのものから始まり、彼女たちは生きたまま違うものに組み替えられる痛みと恐怖を幾度となく繰り返し、今の最適解の電脳体に落ち着いた。
長いトライアルの末、リンはスキルに特化したサーヴァントスタイルを選び、ラニはパワーに特化したサーヴァントスタイルを選んだようだ。

各階層でハクノとセイバーに協力していたのは、六層から下層に向けて派遣されたこの分身である。
SE.RA.PHは一方通行の為、一階層にひとりずつ分身を派遣していた。
その目的は言うまでもなく、『新しいマスター』を六層にまで到達させる為だった。

Heart world Astraea[]

[v] Fate/EXTRA Last Encore - WORLD/WORD: Heart world Astraea

Heart world Astraea

心臓世界アストライア
第六層の中心にあるドーム。
リンとラニの本体が安置されており、分身たちはこのドームに入る事を本能的に恐れている。
いかに代理といえ、分身(借り物)が本物に近づき、これを直視しようとした時、 自己矛盾により砕け散る可能性があった為だ。
また、分身たちでは本体に干渉する事はできないため、自殺する事も叶わなかった。

フロアの心臓部分であり、この天秤の上からどちらかが欠けた時、第六層は崩壊する。
分身たちは消滅の際、蓄積した情報・記憶を本体に送り届ける。
分身たちの行いはすべて、眠り続ける本体にフィードバックされる構造になっている。

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