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High-Servants (ハイ・サーヴァント, Hai Sāvanto?) are Composite Servants produced from and composed of multiple mythological essences.[1][2]
Characteristics[]
High-Servants are beings referred to as Heroic Spirit-Complexes (英霊複合体, Eirei Fukugōtai?).[3] Typically composed of three Divine Spirits[1] (sometimes referred to as Heroic Spirits under certain contexts[4][5]), it is possible for an actual Heroic Spirit to be one of the components.[6]
They can be artificial beings; examples include the Sakura Five created by BB combining components of her own ego and Goddess data[3] and the Alien God's Apostles, who are all various combinations of Divine, Heroic, and Phantom Spirits.[7] It is also possible for them to be naturally summoned, as with Sitonai.[8] Given the right circumstances, an existing Servant may also imbue Divinities into themselves to become a High-Servant, such as Limbo,[9] BBhotep/BB Pele,[10] and MoonCancer Kiara Sessyoin.[11]
High-Servants have a "main essence" that can be switched to allow for the output of different skills and Noble Phantasms.[12] In the case of Sitonai, all three Goddesses are active within her as separate personalities and she uses the True Name Sitonai due to her being the "most outwardly visible" of the three on her Saint Graph.[8] With the exclusion of BB, Kiara, Moriarty, Muramasa, and Rasputin, High-Servants are denoted by the corresponding Skill.[1][2]
When given the Gifted Name matching the Heroic Spirit Saint Graph merged with her, a "double Galahad bonus," Mash Kyrielight temporarily reaches an enhanced state that is likened by Leonardo da Vinci as being close to that of a High-Servant.[13]
Within the Servant Universe, the term Superior Intelligence Body (上位知性体, Jōi Chiseitai?) is applied to existences like Starship Aphrodite and Starship Demeter.
Known High-Servants[]
- Others
Characters that have similar characteristics to High-Servants but have not been officially classified as such.
Vessel | Class | Gods | War | Series |
---|---|---|---|---|
Ergo | None | Sun Wukong Set Oceanus |
None | The Adventures of Lord El-Melloi II |
Bai Ruolong | None | Typhon |
None | The Adventures of Lord El-Melloi II |
References[]
- ↑ 1.0 1.1 1.2 Fate/Grand Order material V - Meltlilith, Profile
- ↑ 2.0 2.1 Fate/Grand Order material V - Passionlip, Profile
- ↑ 3.0 3.1
[] Fate/EXTRA CCC - Meltlilith (Alter Ego) Matrix Class: Alter Ego
Name: Meltlilith
Master: BB
Noble Phantasm: Saraswati Meltout (Benzaiten's Five String Biwa)
Keyword: Crime ballet, composite divinity
Strength: E, Endurance: C, Agility: A+, Magic: A, Luck: B
Constitution of an Abuser: A, Melt Virus: EX, Riding: BKeywords 01 - Saraswati Meltout: Benzaiten's Five String Biwa
The Noble Phantasm that BB gave to this Alter Ego.
Originally, it was not an Anti-Unit but an Anti-Group, Anti-World Noble Phantasm. It was not something to be used in combat or by a warrior, but rather something used on a civilization with an established culture.
Meltlilith's honey sweetly melts not only the body but also the soul. This Noble Phantasm melts the community's good sense and morals to integrate it into a single unit resembling a colony.
Trampling and absorbing that slimified body, heart, and society is its original ability.
Its immense effectiveness against non-combatants oozes Meltlilith's nastiness.
◆
Its ingredient is one of the Seven Deities of Good Luck—equated with three Munakata goddesses, Ugajin, etc.—Benzaiten.
This is the biwa of Benzaiten—who controls "things that flow", such as natural phenomena (among other things, water and wind), music and words, speech, poetry and prose—given form as a Noble Phantasm. The origin of Benzaiten is the river goddess of Hindu mythology, Saraswati. She was born from the god of creation Brahma, but she was unable to stand the passionate gaze of Brahma, who desired her as his consort due to her overwhelming beauty, and desperately ran from him; such account shows her to be a goddess who is timid when faced with love. Saraswati is a goddess who rules over the arts and academics, and after being worshipped as Benzaiten, she has gained authority over increase of wealth as well.
02 - Crime Ballet
Merely a battle style. The result of Meltlilith, who adores classical ballet, retuning herself: an arrangement of various offensive skills. She came to possess diverse powers by converting already completed stories/stages into skills.
Those references are quite diverse. Below are explanations for them.
"The Name of the Heel is the Cursed Sword Giselle": From the classical ballet "Giselle." Having fallen into despair from her beloved Albrecht's betrayal, Giselle uses his sword in a frenzied dance, during which she dies. Women who die before marriage become ghosts known as wilis. Giselle becomes one of the wilis, who capture men and dance them to death, but...
"Unforgivable Hilarion": From the classical ballet "Giselle." Hilarion, who deceived Giselle, is caught by the wilis and pays for this crime. He is not forgiven and without waiting for daybreak, they make him dance in ecstasy until he dies from exhaustion.
"Farewell, Albrecht": From the classical ballet "Giselle." Albrecht is taken prisoner by the wilis, but due to one of the wilis saving him, he keeps his life. When Albrecht, who was spared from death by exhaustion, raises his face, the form of the girl he most loved disappears like an illusion.
"The Siren Who Burns Entrails": From the classical ballet "The Prodigal Son." A country feudal lord's son, out of admiration for city life, runs away. There are many temptations lurking in the streets; the most extreme of which is the enchantress Siren, who corrupts men with her veteran wiles.
◆
However, the lineage of these skills is merely a smokescreen. Crime Ballet points out how Meltlilith has been cheating.
To make herself invincible, Meltlilith overwrote a basic rule of the far side of the moon "loss of sense of time" into "loss of hit detection on Meltlilith".
Meltlilith's act of selfishly giving herself such privilege, not by training herself but by altering the rules of the world, is an exemplary criminal act.
03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Meltlilith is made of three goddesses.
The first is the pure virgin goddess Artemis of Greek mythology. Without fail, she shoots through, granting them disease and death, those who seek to attain magical energy behind ebb and flow of tides, in other words, linkage to the moon's movement.
The second is the cruciform snake staff which originates from Leviathan, who appears in the Old Testament, or maybe Lotan from Ugaritic mythology. It is a being with the same origin as the staff that Moses used to split the Red Sea and, at the same time, a symbol of the sea split by that staff. Its owner is granted a transformative property like that of water, enabling them to adapt to any situation. Furthermore, they would be able to change their form freely and could even take the shape of the target of their envy.
The third is the river goddess Saraswati of Hindu mythology. She holds the ability to control "things that flow", such as natural phenomena (among other things, water and wind), music and words, speech, poetry and prose. The timbre that flows from her can excite any emotion in the heart of the listener and, moreover, interfere with flow of electrons in a computer network.01 - 弁財天五弦琵琶
BBがアルターエゴに与えた宝具。
本来は対人ではなく対象、対界宝具。
戦闘や戦士に用いるものではなく、一定の文明を築いた文明圏に用いるもの。
メルトリリスの蜜は肉体だけでなく精神まで甘く溶かす。
この宝具はそのコミュニティーの良識、道徳をとろけさせ、群体のように一体化させてしまう。
そうして身も心も社会もスライム化したものを踏みにじり、吸収するのが本来の力である。
非戦闘員に対して絶大な効果を発揮するあたり、メルトリリスのたちの悪さがにじみ出ている。
材料になったものは七福神の一柱であり、宗象三女神、宇賀神などと同一される女神、弁財天。
自然現象、中でも水や風、音楽や言葉、弁舌、詩文といった“流れるもの”を操る弁財天の琵琶を宝具としてカタチにしたもの。
弁財天の源流はインド神話の河の女神サラスヴァティーである。
彼女は創造神ブラフマーによって生み出されたが、あまりの美しさに自らの伴侶にと望むブラフマーの熱烈な視線に耐えきれず、必死に逃れようとした経緯がある、愛の臆病な女神である。
サラスヴァティーは芸術や学問を司る女神であり、弁財天として崇拝されるようになってからは財物の増進にも権能を持つようになった
02 - クライム・バレエ
単なるバトルスタイル。
クラシックバレエに傾倒するメルトリリスが自らを再調整した結果、成立した攻撃スキルの数々。
元から完成された物語・舞台をスキルに変換する事で多彩な能力を持つにいたった。
その引用は多岐にわたる。衣かはその解説とする。
『踵の名は魔剣ジゼル』クラシックバレエ「ジゼル」より。
恋したアルブレヒトの裏切りから絶望し、ジゼルは彼の剣を使った狂乱の踊りの中で息絶えた。
結婚を前にして死んだ女はウィリと呼ばれる亡霊になる。
ジゼルは男を捕まえては踊り殺すウィリの一員となるのだが…
『許されぬヒラリオン』クラシックバレエ「ジゼル」より。
ジゼルを騙したヒラリオンはウィリに囚われ、その罪を清算する事になる。彼は許されず、明け方を待たずして踊り狂い、衰弱死した。
『さよならアルブレヒト』クラシックバレエ「ジゼル」より。
ウィリに囚われたアルブレヒトだが、ひとりのウィリの助けにより一命を取り留める。
衰弱死を逸れたアルブレヒトがその顔をあげた時、最愛の少女の姿は幻のように消えていた。
『臓腑を焼くセイレーン』クラシックバレエ「放蕩息子」より。
田舎領主の息子は都会での暮らしに憧れて出奔。
街では多くの誘惑が待っており、その最たるものが百戦錬磨の手管で男を墜落させる妖婦セイレーンだった。
しかし、これらのスキル系統は目くらましにすぎない。
クライムバレエはメルトリリスの行った不正行為を指す。
メルトリリスは自らを無敵にするため、月の裏側における基本ルール『時間感覚の喪失』を『メルトリリスの当たり判定の喪失』に書き換えていた。
自分を鍛え上げるのではなく、世界のルールを変えて特権をほしいままにしたメルトリリスの行為は犯罪行為そのものだ。
03 - 複合神性
アルターエゴは英霊複合体として創造されたハイ・サーヴァントである。
BBはムーンセルのサーヴァントアーカイブにアクセスし、その中からエゴと適合する女神を選び、データを再現。
アルターエゴを女神の複合体として成立させた。
メルトリリスに組みこまれた女神は三体。
一神目はギリシアにおける純潔の処女女神アルテミス。
潮の満ち引き、すなわち月の運行と連動しており、その魔力を受けて狙った者を必ず射抜くと同時に、疫病と死をもたらす。
二神目は旧約聖書に登場するレヴィアタン、あるいはウガリット神話のリタンに由来する、蛇十字 の杖。
紅海を割ったモーセの杖と同根の存在であり、同時にその杖によって割られた海そのものの象徴でもある。
持つ者に水のごとく変化する性質を与え、どのような状況にも順応可能とする。さらに変幻自在にその姿を変え、自らが嫉妬する者の姿となる事もできるとされた。
三神目はインドにおける河の女神サラスヴァティー。
自然現象、中でも水や風、音楽や言葉、弁舌、詩文といった“流れるもの”を操る能力を持つ。
そこから流れる音色は、聞く者の心に任意の感情うぃ沸き立たせ、さらにコンピュータネットワークなどの電子の流れにも干渉する。Skills 01 - Constitution of an Abuser [A]
A skill that augments one's aggression in battle. It appears to be a positive skill, but the longer its owner stays in battle, the more their abusive disposition will grow, causing them to lose their usual composure. It's possible to say that this is just one step short of the skill that causes Berserkers to go insane.
The more one attacks, the stronger one becomes, but on the other hand, one's defensive abilities drop. With the added disadvantage of unconsciously lowering one's chances of escape, it can be said that this is a skill that had bad compatibility with the usually composed Meltlilith.
02 - Melt Virus [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Absorption". The highest grade of energy drain. Draining, copying, and scaling down are all possible.
The drain process has two parts. First, the virus honey that is produced in Meltlilith's body is injected into the target and fuses parameters that will be stolen, "experience", "skill", "capacity", etc. After that, she absorbs, converts, and makes a part of herself the parameters that were liquefied by the virus.
As long as it has a form, regardless of whether it is organic or inorganic matter, she can drain; however, things without shape... things like spiritual nature and skills can be fused but converting them into "her own things" is difficult, so it seems she can only use them as simple nutrients.
For this reason, what Meltlilith mainly makes into "her own things" are primarily "experience" and "capacity".
Utilizing this ability, Meltlilith plans to augment "her own transcription". She created a transfer-type of virus that would melt the entire content of an electronic body and transform it into herself... Meltlilith.
03 - Riding [B]
Riding ability. As long as it is an animal that exists in reality, even if it is a wild animal, she can ride it. Usually, knight-type Servants, such as Saber or Rider, would have this skill but...
Why Meltlilith possesses this skill is something best left to the imagination.01 - 加虐待質 [A]
戦闘において、自己の攻撃性にプラス補正がかかるスキル。
プラススキルのように思われがちだが、これを持つ者は戦闘が長引けば長引くほど加虐性を増し、普段の冷静さを失ってしまう。
バーサーカー一歩手前の暴走スキルと言える。
攻めれば攻めるほど強くなるが、反面、防御力が低下してしまう。
無意識のうちに逃走率が下がってしまうマイナス面もあり、普段冷静なメルトリリスにとては相性の悪いスキルと言える。
02 - メルトウィルス [EX]
id_esと呼ばれる、アルターエゴたちが生まれながらに持つ特殊能力。
スキル『吸収』から進化したチートスキル。
エナジードレインの最上級。
ドレイン、コピー、スケールダウンなどを可能とする。
ドレイン成立には二工程ありまずメルトリリスの体内で生成されるウィルスを蜜として対象に注入し、『経験値』『スキル』『容量』等の、その時に奪うパラメーターを融解させる。
その後、ウィルスによって液化したパラメーターを吸収、変換し、自らの一部とする。
カタチさえあれば有機物、無機物、問わずドレインする事が可能だが、カタチのないもの……
精神性やスキルといったものは融解する事はできるものの、これを“自分のもの”に変換する事は難しく、単純な養分にする事しかできないようだ。
このため、メルトリリスが“自分のもの”にできるものはおもに『経験値』『容量』がメインとなる。
この能力を利用して、メルトリリスは“自分の転写”を増やす事を計画した。
電脳体の中身をすべて溶かし、自分……メルトリリスに変貌していく転移型のウィルスを作ったのだ。
03 - 騎乗 [B]
騎乗の才能。
現存する動物なら野生のものであれ乗りこなせる。
本来ならセイバー、ライダーといった騎士系のサーヴァントがこのスキルを持つのだが……
メルトリリスがどうしてこのスキルを所持しているかは、想像にお任せしたい。Setting 01 - Neurological Disorder
Neurological disorder: Humans possess five sense--sight, hearing, smell, taste, and touch--and use those five sensors come to recognize the outside world and, as a result of that, they come to comprehend their own state of being.
At their foundation, humans come in contact with the world through these passive senses. By unconsciously using the excellent sensors known as the five senses, they accept the ordinary. However, in the case that any of the five senses degrade, the consciousness must actively face toward the outside world. That which was passive becomes active.
For example, someone who has lost their sight will deliberately specialize in their remaining four senses and will utilize them as even greater sensors. Ironically, they will come to function as someone whose perception is several times superior to that of a person who has all five senses.
◆
In regards to Meltlilith's five senses, her sense of touch has deteriorated. Especially her hands--she's almost completely lost sensation in her fingers, and for that reason, she has become proactive in her relationship with the outside world.
It is thought that even her interest in causing others pains ultimately arose "because just by myself, I cannot feel the existence of other people."
This is a digression, but because of the clumsiness of her fingers caused by this, despite her hobby of collecting figures, she cannot immerse herself in assembling garage kits. Currently accepting applications for a skilled assembler!
02 - The End of Pleasure
The end of pleasure: The ego born from BB's "service requirement" and "pleasure". The type of abnormally lovely girl who cannot help but stir up a desire to protect her in men—is what she was, but possibly due to the effect of her skill that continuously steals opponents' abilities, she currently possesses a belligerent personality.
◆
Although she tries to take in other people, she desires neither understanding nor sympathy from them because Meltlilith does not understand others' feelings.
Meltlilith does not need others. She does not understand love or dreams. If she acquires "love" somehow, she would probably dedicate everything to serve its target.
To the self-sufficient Meltlilith, the target's feelings are not worth considering. She would declare in her oppressive manner that her feelings are correct.
With no intention of discussing together (Already, I love you so much that I don't feel the need), with no desire to touch each other (Already, that amount of pleasure is unsatisfactory), with no thought about telling them she wants them to love her (Already, such mutual understanding is unnecessary).
Truly, a domineering Ego full of no's and not's. Beneath that condescending attitude and oppressive manner, there is not a speck of doubt or hesitation, only overly pure "feeling of love".
◆
Meltlilith has not noticed—what is truly at the foundation of herself, who is an incarnation of "self-pleasure".
At Meltlilith's core is "devotion to the person she has fallen in love with".
Repeatedly raising her level with draining, trying to control the Moon Cell—all were done to offer supreme pleasure to her loved one.
Protecting her loved one → taking them into herself → living forever with them taken into herself (even if she is completely changed to the point where she doesn't understand herself). She has determined that to be the supreme love she will offer to her loved one.
From Meltlilith's such perspective, even BB and Lip are nothing more than "foreign matter that think they want to be also saved".
◆
... However, those feelings are far too closed. To her, who saw only her own feelings as definite, whose connection with the outside world was lacking, "falling in love with another" was itself a fatal defect.01 - 神経障害
人間は五感————視覚、聴覚、嗅覚、味覚、触覚の五つのセンサーで外界を認識し、その反響によって自己の在り方も認識する。
人間は基本、受動的な感性によって世界と触れあっている。
五感という優れたセンサーを無意識に使うことで、日常を受け入れている。
しかし五感いずれかの能力が低下した場合、意識は積極的に外界と向き合わねばならない。
受動的だったものが能動的になるのだ。
例えば、視覚を失ったものは残った四つの感覚を意識的に特化し、より優れたセンサーとして使用する。
皮肉な事に、その鋭さは五感を持つ人間より何倍も上位のものとして機能する事となる。
◆
メルトリリスは五感のうち、触覚が低下している。
特に手————指の感覚がほぼ失われており、そのため外界との繋がりに積極的になっている。
彼女の加虐趣味も、つまるところは“自分だけでは他人の存在が感じられないから”生じたものと思われる。
余談ではあるが、このため彼女は指先が不器用で、趣味の人形収集のうち、ガレージキット作成に没頭できない。
腕のいい作り手募集中!
02 - 快楽の果て
BBの「奉仕要求」「快楽」から作られたエゴ。
男性が保護欲をかきたてずにはいられない病的で可憐な少女像————だったのだが、相手の能力を奪い続けるスキルの影響か、現在の好戦的な性格になった。
◆
他人を取り込もうとするクセに、他人からの理解・共感を欲しがらないのは、メルトリリスには他人の気持ちが分からないからだ。
彼女には他人は必要ない。
愛も夢も理解できない。
そんな彼女がもし“恋”を獲得した場合、その対象にすべてを捧げて奉仕するだろう。
自己完結しているメルトリリスにとって、対象の気持ちは考慮するに値しない。
高圧的な態度で自分の愛情こそが正しいと断言する。
話し合うつもりはなく(既に、その必要を感じないほど愛している)、触れあいたい欲望もなく(既に、その程度の快楽では物足りない)愛してほしいと告げる気もない。(既に、そんな相互理解は必要ない)
まさにナイナイ尽くしの高飛車エゴ。
常に上から目線の高圧的な態度の裏にあるのは、一点の迷いも曇りもない、純粋すぎる“恋心”なのである。
◆
メルトリリスは気づいていない。
他人を必要としない『自己快楽』の化身である自分の、本当の根底にあるものを。
メルトリリスのコアにあったものは『恋したものへの献身』だった。
ドレインを繰り返しレベルをあげ、ムーンセルを支配しようとしたのも、すべては恋人に至上の快楽を捧げるため。
恋人を庇護する→自分に取り込む→ 取り込んだ自分が(たとえ自分が分からなくなるほど変わり果てても)永遠に生き続ける。
それこそが、自分が恋人に捧げられる至高の愛だと彼女は決断したのだ。
そんなメルトリリスから見れば、BBやリップすら“自分も救われたいと思っている不純物”にすぎない。
◆
……だが、その想いはあまりにも閉じている。
自分の心だけが確かであり、外界との繋がりが希薄な彼女にとって、“他人に恋する”こと自体が、致命的な欠陥だった。 - ↑ Fate/EXTRA CCC - Indeed, just as your Servant points out. These girls are based on heroic spirits, but not human heroic spirits. The data I withdrew from the Moon Cell was the goddess series. They’re reproductions of goddesses from myth, beings I call High Servants. I’ll warn you, you have no chance of defeating them as you are now. Do you still want to play with me, senpai?
- ↑ Fate/Grand Order material VII - Sitonai
- ↑ Fate/Grand Order - Northern Amusement Park Oni♡land - EP 2: The Kamuy's Gold
- ↑ Fate/Grand Order - Grigori Rasputin profile
- ↑ 8.0 8.1 Fate/Grand Order - Lostbelt No.2 The Eternal Icy Fire Century, Götterdämmerung — The Other Goddess (End)
- ↑ Fate/Grand Order - 307 Hell Realm Mandala, Heian-kyo - Secion 13
- ↑ Fate/Grand Order material VII - BB (Swimsuit) Profile
- ↑ Fate/Grand Order - Kiara Sessyoin (MoonCancer) profile
- ↑ Fate/Grand Order material IX - Mysterious Alter Ego Lambda
- ↑ Fate/Grand Order: Cosmos in the Lostbelt - Avalon le Fae: The Moment a Planet is Born, Section 20: Chocolate Empire, Edinburgh