Lancer's True Name is Parvati (パールヴァティー, Pāruvatī?), a Pseudo-Servant summoned into the body of Sakura Matou. The spouse of the supreme deity, Shiva, from Indian Mythology... but she is a gentle goddess without ties to war. She is a Divine Spirit, but this time, she has manifested by borrowing the body of a girl with a similar wavelength. Virtuous, calm, one who can handle all kinds of housework, she is the truly ideal and very much a wife-type heroine, but alas, her true character is―――?
Parvati is the Goddess of Beauty and is known as the wife who loves, with blind devotion, her husband Shiva, the God of Destruction and Creation from Indian Mythology. Parvati's influence as a god lacks presence, and often she is treated as the goddess who is Shiva's wife. However, there are accounts of Shiva's wife being spoken of as a "War Deity"; as either Durga or Kali. These goddesses and Parvati carry separate Saint Graphs, but their divine essence are seen as the same.
While form is not that of Parvati herself, but a pseudo-Servant condition in which a human that has a wavelength close to her own was made into a vessel. Lancer takes the form of a young woman with violet hair and violet eyes, her clothing is a blue silk sari wraped opon her waist area and a blue blouse with short sleeves, both the blouse and sari have a unique golden silk style in them. She also wears a golden circlet that becomes more ornate in her second ascension.
One can say she is the Kouhai of Light. The Goddess who has taken in the "brighter" portion of the nature of the girl she has possessed. A gentle and tolerant character without being self-assertive. A talented woman who supports the master from the side virtuously... Her ideal-heroine power and specs are high, but because she chooses the steady, plain path rather than flamboyance, she gives off an impression of dull-wittedness.
Furthermore, though she has a docile personality, she is not timid and has a strong inner self. A clump of willpower and grit that, in a sense, will not bend her heart no matter what kind of torture she receives. Because of this, she is extremely fearsome when she truly gets angry. This Parvati will not forget her resentment until she feels at ease.
A Pseudo-Servant formed from only the Good-aspect of "the possessed girl". However, even though she is the brighter part, it is not as if there is no "evil trait". Just as if even in justice, there is muddiness, "the possessed girl" has a yandere-type of sense inside her... if handled poorly, it can turn her into something dangerous; such an aspect still slightly remains. That said, even if she is just a little angered, she will definitely not fall into evil. That is because she is of the "brighter alignment" that will not stray away from lawfulness even when she is distressed.
As Parvati's Divinity "has no faults in herself", introvertedness and shyness disappear, and her sociability increases. She may get angry and pout, but once she properly thinks through matters as whether those are misunderstandings or differing views, she is a beautiful lady who will either properly apologize or forgive the others.
Parvati Trial Quest Edit
Parvati encounters Ritsuka while she is searching for something in Fuyuki City. Ritsuka goes to speak with her since she is the source of the odd reading that Leonardo da Vinci picked up. Parvati insists she isn't suspicious despite wandering the same spot for a while. She recognizes Ritsuka is a Master, and that they're communicating with Mash Kyrielight and Da Vinci across space and time. She is surprised Da Vinci was able to identify as a Divine Spirit, even with her weakened Spirit Origin. Since the others already met other Divine Spirits, and understand the concept of Pseudo-Servants, Paravati formally introduces herself. Mash asks her what happened to the owner of her vessel. Paravati is rather suspicious of the question, but understands she would ask the question if she was in Mash's position. She then reveals that she and the owner of her vessel merged, a feat that shocks Mash. Parvati continues that the current her is the combined good aspects of herself and her vessel, with the bad aspects removed through mutal consensus. The girl's past and memories were sealed when they merged, as no human can withstand the weight of a god's mind and memories. In exchange though, all of Parvati's preferences and decision-making were all entrusted to the girl's human nature. She explains her current state is similiar to a Magical Girl, meaning it's a temporary state she can't change back from. Even if she were able to do so, she would forget everything as soon as she did. Ritsuka asks her what she is doing in Fuyuki, to which she answers she is searching for something. She continues she thought she would find it since her vessel has a connection to the city. However, the problem is that her vessel is unfamiliar with this particular version of Fuyuki, so now she is lost. Ritsuka decides they'll help since they and the others have a connection with Fuyuk. After they introduce themselves, Da Vinci asks Parvati if she has any other clues. Parvati answers she doesn't, but she is instinctly knows it's nearby. Seeing they have no choice, the group search the area.
Later, Mash asks Parvati about the object is carrying, assuming it's a lance because of her class. Parvati explains she actually borrowed it from her husband, Shiva, and Da Vinci recognizes it is Trishula. Parvati explains that since she is only borrowing it, she can't use it as well as Shiva, so she customized it for easier use. She insists she will use Shiva's power in her own way, and that she won't summon any weird shadows. She then notices Hassan of the Cursed Arm, and immediately becomes suspicious of him. She asks him what he is doing, to which he replies that he is disposing of those who are empty, or those who lost their way. Parvati becomes even more suspicious even she sees he has a gang of delinquents following him. Believing them to be murderers, she decides to punish them all. Cursed Arm eventually surrenders, and tells his men to do the same. He then clarifies that he and his men were actually picking up discarded recyclables. He explains it's derived from his habit of collecting his thrown dirks after every battle. The delinquents joined him because they shared in his beliefs, and they began to turn for the better. Parvati is confused since Cursed Arm is suppose to be an assassin, truly evil man who, under the orders of a bug-smelling Master, killed both humans and Servants. Cursed Arm accepts he is a nominally an evil being, but as a Servant of Ritsuka, he will not attack indiscriminately. Parvati apologizes for her behavior, which Cursed Arm accepts. She warns her true fury is much worse than what the others saw, though they will never see it.
Inside a bamboo forest, Da Vinci wonders if the reason Parvati manifest is because of what she is searching for. Parvati replies that it's a bonus to her manifestation, for which there is legitimate reason. Da Vinci recommends contracting with Ritsuka since Parvati, as a Servant, needs a Master to accomplish her task. Jaguar Man and Illyasviel von Einzbern, who Parvati seems to recognize, then suddenly appear. They then test her resolve to see if she is ready to come to Chaldea. Afterwards, she insists to Jaguar Man that she will be happy at Chaldea while also making others happy. She also ensures she isn't as pure as Jaguar Man thinks she is, so she can fight if needed. After Jaguar Man and Illya both leave, Parvati feels like she is getting closer to what she's looking for.
Later, Ritsuka and Parvati encounter Medusa wearing a school uniform, which Parvati insists belong to her. She confirms it is what she was looking for, as it acts an anchor to maintain her existence. It should naturally be in possesion, but it was somewhere else for some reason when she manifested. She asks Medusa about her intentions, but Medusa says it was merely impulse to wear the uniform. She then reveals the uniform was bait to lure Parvati for the purpose of eliminating her. She explains that Parvati shouldn't need to fight if she is using her current vessel. Since Parvati just recently became a Servant, Medusa can strike her with a powerful spiritual attack to remove her from her vessel. This act may result in Parvati's existence as a Psuedo-Servant in being negated. After the ensuing fight, Parvati tells Medusa that despite being goddess, they have nothing in common since they're from different pantheons. She understands though that Medusa was merely concerned for her vessel. While understanding though, she will not stop the manifestation, for she still has a mission to accomplish. She also reveals her vessel shared her wish to save the world and protect those she loves, believing it is why she manifested in Fuyuki. Medusa accepts this, and gives the uniform back in apology. Paravati then begins to disappear, hoping to become Ritsuka's Servant, now that they have a connection. She also tells Medusa that she'll get along with the Servants at Chaldea. She then disappears thinking it would be wonderful they wore matching uniforms.
Parvati's Noble Phantasm is Trishula Shakti.
Parvati is able to manifest in the Rider Class, wherein she will borrow the sacred bull, Nandi, from Shiva. As it is rightfully a bull that governs over crops, harvests, etc., it boasts low offensive power unbefitting of Divine Beasts.
Creation and ConceptionEdit
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 Fate/Grand Order material V - Parvati, p.340-349
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 2.12 2.13 2.14 2.15 2.16 2.17 2.18 2.19 2.20 2.21 2.22 2.23 2.24 2.25 2.26 2.27
 Fate/Grand Order - Parvati (Lancer) Profile [T]
Parvati - Lancer
Illustrator and Voice actor
Illustrator: Takao Aotsuki
Voice Actor: Noriko Shitaya
Noble Phantasm: EX
Imaginary Around: EX
Ashes of Kama: EX
Blessings of the Goddess: A+
Magic Resistance: A
Divine Core of a Goddess: B
Trishula Shakti - To Look Away from Love is To Be Loveless
Type: Anti-Army Noble Phantasm
The spouse of Shiva, a supreme deity from Hindu Mythology... that being said, she is a compassionate goddess unrelated to combat.
Although she is a divine spirit, at this occasion she manifested by borrowing the body of a possessed girl whose wavelength matched hers.
Chaste, gentle and capable of all sorts of domestic chores - truly the ideal young wife-type heroine, and yet her true identity is---?
Level 1 Bond
Source: Hindu Mythology
Alignment: Lawful Good Gender: Female
If pressed to say, the kouhai of light.
Level 2 Bond
Parvati is the wife of Shiva, the god of destruction and creation from Hindu Mythology.
Parvati has no Authority as a deity, and is often treated as a goddess who merely is Shiva’s wife.
However, among Shiva’s wives there are also those who are described as “war deities”. They are Durga and Kali.
These goddesses have a different Saint Graph than Parvati, but supposedly their divine core is the same.
Also capable of manifesting in the Rider Class, and she will borrow the Holy Bull Nandi from Shiva in that case. Since it is originally a bull that presides over good harvests, it boasts a low attack power that is unbecoming for divine beasts.
Level 3 Bond
"To Look Away from Love is To Be Loveless"
Rank: EX Type: Anti-Army
Range: 5~10 Maximum Targets: 30 people
A limited release of the Trishula, the trident she borrowed from Shiva.
Parvati’s Class is determined by which weapon Shiva bestows her. Thanks to the Trishula, Parvati acquired the qualifications for the Lancer Class.
Of course, she cannot display the true worth of this weapon like Shiva, but that is conversely helping maintain her framework as a Servant.
Level 4 Bond
- Ashes of Kama: EX
Parvati is a gentle goddess who is weak in battle.
That being said, it is not like even her heart is weak.
Her heart which regards her beloved person is stronger, and deeper, than that of any other deity.
For the sake of her beloved, she will burn her divinity even at the cost of destroying her own body, turning it into power to fight.
Though a momentary flame, it is comparable to that of the Goddess of Destruction Kali - one of Shiva’s wives.
Worthy of special mention is that Shiva's own feelings are irrelevant.
Parvati has the special trait of rearing love for the sake of her beloved, even if she is ignored by him.
Although earnest, that love is a little... no, it is mythologically heavy.
- Blessings of the Goddess: A+
A present from a (good) goddess.
Derived from the episode in which she cut off her own head and bestowed her blood to a follower who could no longer endure starvation.
- Divine Core of a Goddess: B
A skill that denotes being a perfected goddess from birth. It is endowed with an effect that preserves the absoluteness from the mind and the body. Mental interferences are mostly mitigated, the body does not grow and the figure does not change no matter how much calories are absorbed.
Since she is a Pseudo-Servant, it goes no further than B Rank. But that is inconsequential.
The figure! Does not! Change!
Level 5 Bond
A goddess that received the light portion of the disposition of the girl who became her vessel.
A gentle and tolerant personality. Without self-assertion and chaste, a talented woman who supports the Master from the sidelines.
... yet, despite having ideal heroine-power and high specs, due being someone far from extravagant who tends to chose a reliable・straightforward path, she appears to be vaguely stupid.
Also, while she has a midl personality, that does not mean that she is fainthearted, and her core is very strong.
Her heart does not break regardless of which kind of tortures she receive - in a sense, the embodiment of obstinacy and guts.
Thanks to that, she is scary once angered for real. Parvati will never forget a received grudge until she is satisfied.
Level 5 Bond
A Pseudo-Servant composed only by good attributes of the “possessed girl”.
However, even if she is light, that does not mean that there are no “evil attributes”. Just like there is impurity even within justice, the yandere-vibes of the “possessed girl” - turning into dangerous goods if handled poorly - remain even if just a little.
That being said, she will only get a little angry and by no means will fall to wickedness. To not deviate from order even while bearing worries is exactly what makes a “light attribute”.
Since Parvati is a divinity that “has no faults on herself”, the introvertedness and shyness disappeared, and her sociability increased.
Despite getting angry and sulking at petty things, she is a beauty who properly reflects over things - be them misunderstandings or disagreements - and takes the initiative to pardon and apologize to the other person.
パールヴァティー - ランサー
体型が！ 変化！ しない！
- Ashes of Kama: EX
- ↑ 3.0 3.1
 Fate/Extra CCC - Passionlip (Alter Ego) Matrix
Class: Alter Ego
Noble Phantasm: Brynhild Romantia (Until Death Do Us Part)
Keyword: Breast Valley, composite divinity
Strength: A+, Endurance: A, Agility: C, Magic: B, Luck: E
Presence Concealment: A+, Constitution of an Abuse Victim: A, Trash & Crash: EX
01 - Brynhild Romantia (Until Death Do Us Part)'
The Noble Phantasm that BB granted to this Alter Ego.
This Noble Phantasm strikes with more accuracy and does more damage the deeper her love toward the target is. Even if it's utterly one-sided, she will never let her loved one escape.
The Servant this Noble Phantasm was made from is the valkyrie, Brynhild, who appears in "The Völsunga Saga." The spear of love and hatred that she wielded in order to get revenge on her husband, Sigurd who betrayed her and wounded her honor. Strictly speaking, not the spear itself, but the deep love and hatred Brynhild felt for Sigurd that has taken the shape of a spear.
In "The Völsunga Saga," the fearless hero Sigurd (Siegfried) takes Brynhild, who was sleeping encircled by flame, as his wife. But afterwards, Sigurd betrays her, presenting her as his brother-in-law's wife. At first, Brynhild believed that this was due to Sigurd drinking alcohol which caused him to lose his memories and accepted these events as her immutable fate.
However, she came to know that, in reality, Sigurd had already regained his memories by that time. In the end, Brynhild killed the man she loved most in the entire world via a conspiracy and then freely took her own life in order to follow after him.
02 - Breast Valley
A simple trash box. Has the function of storing away and safeguarding unneeded data files. It's a garbage can. In Passionlip's case, the icon is set right in the middle of her chest for some reason.
To put it frankly, an imaginary space pocket into which you can put anything as long as it's as trash. If it is dust data that Passionlip has crushed, she can stow away an infinite amount, regardless of capacity.
Though it seems contradictory, it seems even objects that exceed Passionlip's own memory storage can be thrown into this valley.
At first glance, this appears to be a convenient function, but because dust data cannot be returned to its original form, it's an utterly useless function. It appears that Passionlip acquired this unique structure because she is of the type of girl who bottles her feelings up inside, leading to self-destruction and self-harm.
03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Passionlip is made of three goddesses.
The first is the goddess of beauty from Hindu mythology, Parvati. A goddess who loves her husband, the god of destruction Shiva, with blind devotion.
The second is the goddess of war, Durga. Considered a facet of Parvati, Durga possess ten weapons given to her as divine gifts. Passionlip's giant claws are an incarnation of those ten swords.
The third is a goddess of war from Scandinavia, Brynhildr. Unable to be tied to the hero she loved, this queen called destruction to her though her grief. In Wagner's opera, she was rendered as Brünnhilde, who appears as a valkyrie (war maiden) who escorts the souls of the departed to Valhalla. It goes without saying that the circumstances of this work led to a tragedy where she despaired over love and raised her hands against her beloved.
０１ - 死がふたりを分断つまで
０２ - ブレストバレー
０３ - 複合神性
01 - Presence Concealment [A]
A skill that allows one to take action while hiding themselves. It's a skill that those of the Assassin class possess as it's their most basis ability, but Passionlip has acquired it as well, possibly due to her personality.
Due to her timidness and cautiousness, she manifests excellent Presence Concealment, but her giant claws act as a hindrance and she is quickly discovered. If she didn't have those claws, she would be an excellent stalker.
Though this is a digression, she has been following [the PC] from early on, though no one noticed, observing and watching over them from the shadows, or something like that.
02 - Constitution of an Abuse Victim [A]
A skill that increases the chances of being targeted by enemies in group battles. It appears to be a minus skill, but for a Servant with strong defensive capabilities, possessing this skills allows them to function as an excellent escort.
A slight bonus to defense is included. Once it reaches rank A, an even more unique effect is added: The more the attacking party attacks, the more they will lose their composure until the holder of this skill is all they can think of.
03 - Trash & Crash [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Monstrous Strength." No matter how large the capacity of the item, as long as it is "something that can be enveloped by her hands," she can crush and and compress it, whatever it may be.
What that she compresses become a 5 cm by 5 cm by 5 cm cube but its mass can only be reduced to 1/10th of its mass before it was compressed. After it's been compressed, it is treated as dust data.
The only things Passionlip can crush are garments that are smaller than her hands--not. As long as it is something that can be "placed within her hands" based on her vantage point, she can treat it as a target.
For example, in the case of her target being a mega-structure such as the Arena, as long as she is in a place where she has an unimpeded view of the Arena, the requirements will have been met.
She can hold her hands out to the faraway Arena which has become so small and once the entirety of the Arena has completely settled on her hand, it is recognized as Lip "grabbing" it and crushing it becomes possible.
It's planar physical interference which ignores perspective, but as you would expect crushing large objects requires time.
０１ - 気配遮断 [A+]
０２ - 被虐待質 [A]
０３ - トラッシュ＆クラッシュ [EX]
01 - Barrier Against Cognizance
Barrier against cognizance: Most humans cannot look at themselves from an objective point of view. This is not limited to the heart but also occurs with the physical body.
Humans cannot see themselves. No, more correctly, the impartiality to look upon "oneself without falsehoods" and accept it is rare.
Because humans possess wisdom, they are able to turn only the convenient aspects of the reality in front of their eyes into the truth. It's not just being selective about what information they accept; there is also unconsciously fabricating or modifying information.
Passionlip's barrier against cognizance is of the highest order. She does not comprehend the form of her own two hands. Her "brain" averts its eyes from her own ugly appearance, and within her mind, she is converted into an exceedingly normal girl. To her, her claws only appear as "normal."
Because of this, Lip does not understand the reason "why everyone is afraid of me." Without realizing the reason is her own body's ugliness, she would simply tilt her head if you were to point it out to her.
"Why are you telling such a lie?" "Are you lying to bully me again?"
In relation to her barrier against cognizance regarding her giant claws, Passionlip is a perfect victim. Though a barrier to cognizance is something born from trying to escape, there is neither deceit nor lies in her heart.
Everyone finds it difficult to face their ugly qualities. When one looks in the mirror, is the brain properly observing the image of oneself reflected there?
02 - The End of Love and Hate
The end of love and hate: the Ego born from BB's "desire to court" and "hate and love." The kind of alluring and innocent girl that men cannot help but feel lust for. The claws of her hands are an incarnation of her desire to protect her "easy for men to aim for" self.
She held affection for [the PC] for a certain reason, but after they spoke with each other within the labyrinth, she came to embrace even deeper affection.
She wished: I want to be close to them, I want to touch them, I want to talk to them, but due to her personality, those wishes were never granted, not even once.
I want to talk to them (but for some reason, they're afraid of me), so I can't talk to them. I want to approach them (but for some reason, they run away) so I can't approach them. I want them to love them (but I seem to be hated by them, no matter what) so I won't receive get their love.
From that dilemma, her love grew deeper, but in the face of [the PC's] rejection, that love turns into grief. Unable to withstand the burden of her feelings, by viewing the source of them as an enemy, as someone she hates, she was just barely able to keep her heart from collapsing.
The work of a heart faced with a reality that it could not withstand while sane--in other words, a rampage that resembles insanity.
The only person she loved in the entire world gave her a single gentle word.
Passionlip with continue to embrace that miracle for all eternity.
...Yes, even if despair heavy enough to crush her heart is waiting for her afterward.
０１ - 認識障害
０２ - 愛憎の果て